Piano Sonatas
Piano sonatas may refer to: * Piano sonatas (Beethoven) * Piano sonatas (Boulez) * Piano sonatas (Chopin) Frédéric Chopin composed three piano sonata A piano sonata is a sonata written for a solo piano. Piano sonatas are usually written in three or four movements, although some piano sonatas have been written with a single movement ( Scarlatti, ...

Piano Sonatas (Beethoven)
Ludwig van Beethoven wrote 32 mature piano sonatas between 1795 and 1822. (He also wrote 3 juvenile sonatas at the age of 13 and one Piano Sonata, WoO 51 (Beethoven), unfinished sonata, WoO. 51.) Although originally not intended to be a meaningful whole, as a set they comprise one of the most important collections of works in the history of music.Rosen (2002), accompanying note Hans von Bülow called them "The New Testament" of piano literature (Johann Sebastian Bach's ''The Well-Tempered Clavier'' being "The Old Testament"). Beethoven's piano sonatas came to be seen as the first cycle of major piano pieces suited to both private and public performance. They form "a bridge between the worlds of the salon and the concert hall". The first person to play them all in a single concert cycle was Hans von Bülow; the first complete recording is Artur Schnabel's recordings of Beethoven's piano sonatas, Artur Schnabel's for the label His Master's Voice. List of sonatas Juvenilia The firs ...
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Piano Sonatas (Boulez)
Pierre Boulez composed three piano sonatas: the First Piano Sonata in 1946, the Second Piano Sonata in 1947–48, and the Third Piano Sonata in 1955–57 with further elaborations up to at least 1963, though only two of its movements (and a fragment of another) have been published. First Piano Sonata In early 1945, Boulez, who had been studying with Olivier Messiaen at the Paris Conservatoire, attended a performance of Arnold Schoenberg's Wind Quintet, conducted by René Leibowitz. Boulez later reflected: "It was a revelation to me. It obeyed no tonal laws and I found in it a harmonic and contrapuntal richness and a consequent ability to develop, extend, and vary ideas that I had not found anywhere else. I wanted, above all, to know how it was written". Boulez and a group of fellow students sought out Leibowitz and began studying privately with him. Thanks to Leibowitz, Boulez became familiar with the music of Anton Webern, who would prove to be a major influence. Boulez's First P ...
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