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Piano Sonata No. 17 (Mozart)
Wolfgang Amadeus Mozart's Piano Sonata No. 17 in B major, K. 570, dated February 1789, is a sonata in three movements: A typical performance takes about 18 minutes. There is an accompanying violin part of doubtful origin in many 1800 editions; the piano part is exactly the same as for piano solo. ''Neue Mozart-Ausgabe'' (NMA) describe it as an addition by either Johann Anton André or . References External links * * (Alte Mozart-Ausgabe version) * Recordingby from the Isabella Stewart Gardner Museum in MP3 MP3 (formally MPEG-1 Audio Layer III or MPEG-2 Audio Layer III) is a coding format for digital audio developed largely by the Fraunhofer Society in Germany, with support from other digital scientists in the United States and elsewhere. Origin ... format Piano Sonata 17 1789 compositions Compositions in B-flat major {{sonata-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works of virtually every genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoire. Mozart is widely regarded as among the greatest composers in the history of Western music, with his music admired for its "melodic beauty, its formal elegance and its richness of harmony and texture". Born in Salzburg, in the Holy Roman Empire, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. His father took him on a grand tour of Europe and then three trips to Italy. At 17, he was a musician at the Salzburg court b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silverpoint
Silverpoint (one of several types of metalpoint) is a traditional drawing technique first used by medieval scribes on manuscripts. History A silverpoint drawing is made by dragging a silver rod or wire across a surface, often prepared with gesso or primer. Silverpoint is one of several types of metalpoint used by scribes, craftsmen and artists since ancient times. Metalpoint styli were used for writing on soft surfaces (wax or bark), ruling and underdrawing on parchment, and drawing on prepared paper and panel supports. For drawing purposes, the essential metals used were lead, tin and silver. The softness of these metals made them effective drawing instruments. Goldsmiths also used metalpoint drawings to prepare their detailed, meticulous designs. Albrecht Dürer's father was one such craftsman who later taught his young son to draw in metalpoint, to such good effect that his 1484 ''Self-Portrait at the Age of 13'' is still considered a masterpiece. In the late Gothic/early Rena ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dora Stock
Dora (shortened from Doris or Dorothea) Stock (6 March 1760 – 30 March 1832) was a German artist of the 18th and 19th centuries who specialized in portraiture. She was at the center of a highly cultivated household in which a great number of artists, musicians, and writers were guests; and her friends and acquaintances included some of the most eminent figures of her day, namely Goethe, Schiller and Mozart. Life Childhood She was born in Nürnberg to a copper engraver named Johann Michael Stock (1737–1773). Stock had in 1756 married a widow five years his senior—Maria Helen Endner, née Schwabe (1733–1782)—who already had a son, Georg Gustav, by her previous marriage. Dora was the first of two surviving children born to this marriage; two years later her younger sister Anna Maria Jakobina, called Minna (11 March 1762 – 1843), was born. When Dora was five years old, her father took up a position in Leipzig working as an engraver and illustrator for the Breitkopf prin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
B-flat Major
B-flat major is a major scale based on B, with pitches B, C, D, E, F, G, and A. Its key signature has two flats. Its relative minor is G minor and its parallel minor is B-flat minor. The B-flat major scale is: : Many transposing instruments are pitched in B-flat major, including the clarinet, trumpet, tenor saxophone, and soprano saxophone. As a result, B-flat major is one of the most popular keys for concert band compositions. History Joseph Haydn's Symphony No. 98 is often credited as the first symphony written in that key, including trumpet and timpani parts. However, his brother Michael Haydn wrote one such symphony earlier, No. 36. Nonetheless, Joseph Haydn still gets credit for writing the timpani part at actual pitch with an F major key signature (instead of transposing with a C major key signature), a procedure that made sense since he limited that instrument to the tonic and dominant pitches.H. C. Robbins Landon, ''Haydn Symphonies'', London: British Broa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Köchel Catalogue
The Köchel catalogue (german: Köchel-Verzeichnis, links=no) is a chronological catalogue of compositions by Wolfgang Amadeus Mozart, originally created by Ludwig Ritter von Köchel, in which the entries are abbreviated ''K.'', or ''KV''. The numbers of the Köchel catalogue reflect the continuing establishment of a complete chronology of Mozart's works, and provide a shorthand reference to the compositions. According to Köchel's counting, Requiem in D minor is the 626th piece Mozart composed, thus is designated ''K. 626''; Köchel's original catalogue (1862) has been revised twice; catalogue numbers from the sixth edition are indicated either by parentheses or by superscript: K. 49 (47d) or K. 47d. History In the decades after Mozart's death there were several attempts to catalogue his compositions, for example by Franz Gleißner and Johann Anton André (published in 1833), but it was not until 1862 that Ludwig von Köchel succeeded in producing a comprehensive listing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Period (music)
The Classical period was an era of classical music between roughly 1750 and 1820. The Classical period falls between the Baroque and the Romantic periods. Classical music has a lighter, clearer texture than Baroque music, but a more sophisticated use of form. It is mainly homophonic, using a clear melody line over a subordinate chordal accompaniment, Blume, Friedrich. ''Classic and Romantic Music: A Comprehensive Survey''. New York: W. W. Norton, 1970 but counterpoint was by no means forgotten, especially in liturgical vocal music and, later in the period, secular instrumental music. It also makes use of ''style galant'' which emphasized light elegance in place of the Baroque's dignified seriousness and impressive grandeur. Variety and contrast within a piece became more pronounced than before and the orchestra increased in size, range, and power. The harpsichord was replaced as the main keyboard instrument by the piano (or fortepiano). Unlike the harpsichord, which plucks str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonata
Sonata (; Italian: , pl. ''sonate''; from Latin and Italian: ''sonare'' rchaic Italian; replaced in the modern language by ''suonare'' "to sound"), in music, literally means a piece ''played'' as opposed to a cantata (Latin and Italian ''cantare'', "to sing"), a piece ''sung''. The term evolved through the history of music, designating a variety of forms until the Classical era, when it took on increasing importance. Sonata is a vague term, with varying meanings depending on the context and time period. By the early 19th century, it came to represent a principle of composing large-scale works. It was applied to most instrumental genres and regarded—alongside the fugue—as one of two fundamental methods of organizing, interpreting and analyzing concert music. Though the musical style of sonatas has changed since the Classical era, most 20th- and 21st-century sonatas still maintain the same structure. The term sonatina, pl. ''sonatine'', the diminutive form of sonata, is of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Movement (music)
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately as stand-alone pieces, a performance of the complete work requires all the movements to be performed in succession. A movement is a section Section, Sectioning or Sectioned may refer to: Arts, entertainment and media * Section (music), a complete, but not independent, musical idea * Section (typography), a subdivision, especially of a chapter, in books and documents ** Section sig ..., "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena". Sources Formal sections in music analysis {{music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E-flat Major
E-flat major (or the key of E-flat) is a major scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has three flats. Its relative minor is C minor, and its parallel minor is E minor, (or enharmonically D minor). The E-flat major scale is: : Characteristics The key of E-flat major is often associated with bold, heroic music, in part because of Beethoven's usage. His ''Eroica Symphony'', ''Emperor Concerto'' and ''Grand Sonata'' are all in this key. Beethoven's (hypothetical) 10th Symphony is also in E-flat. But even before Beethoven, Francesco Galeazzi identified E-flat major as "a heroic key, extremely majestic, grave and serious: in all these features it is superior to that of C." Three of Mozart's completed Horn Concertos and Joseph Haydn's Trumpet Concerto are in E-flat major, and so is Anton Bruckner's Fourth Symphony with its prominent horn theme in the first movement. Another notable heroic piece in the key of E-flat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neue Mozart-Ausgabe
The ''Neue Mozart-Ausgabe'' (''NMA''; English: ''New Mozart Edition'') is the second complete works edition of the music of Wolfgang Amadeus Mozart. A longer and more formal title for the edition is ''Wolfgang Amadeus Mozart (1756–1791): Neue Ausgabe sämtlicher Werke'' olfgang Amadeus Mozart (1756–1791): New Edition of the Complete Works Publication Published between 1956 and 2007 by Bärenreiter-Verlag, the ''NMA'' is a scholarly critical edition of all of Mozart's compositions. It consists of 132 volumes containing 25,000 pages of music, organised in 35 work groups, arranged in ten series. Each music volume is accompanied by a separate critical commentary, totalling 8,000 pages. The ten series are: Strengths The ''Neue Mozart-Ausgabe'' is an advance over the previous complete works edition of Mozart published by Breitkopf & Härtel from 1877 to 1883 (with supplements until 1910), which is sometimes referred to today as the ''Alte Mozart-Ausgabe'' (or "Old Mozart Editi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Anton André
Johann Anton André (6 October 1775 – 6 April 1842) was a German composer and music publisher of the Classical period (music), Classical period, best known for his central place in Wolfgang Amadeus Mozart, Mozart research. Life Born in Offenbach am Main, André wrote operas, symphony, symphonies, mass (music), masses, and lieder, as well as an unfinished ' (''Textbook of the Art of musical composition, Composition'') in two volumes. His teachers were Ferdinand Frenzel (violin) and Johann Georg Vollweiler (theory and composition). In 1799, André purchased a large volume of Mozart's musical papers (the ') from the composer's widow Constanze Mozart, Constanze, and brought them to Offenbach. This collection contained over 270 autographs and included the operas ''The Marriage of Figaro'' and ''The Magic Flute'', a series of List of compositions by Wolfgang Amadeus Mozart#String quartets, string quartets and List of compositions by Wolfgang Amadeus Mozart#String quintets, string quinte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alte Mozart-Ausgabe
The ''Alte Mozart-Ausgabe'' is the name by which the first complete edition of the music of Wolfgang Amadeus Mozart, is known nowadays, published by Breitkopf & Härtel from January 1877 to December 1883, with supplements published until 1910. The name ''Alte Mozart-Ausgabe'' (abbreviated "AMA") is actually a modern invention to distinguish the edition from the second Mozart complete works edition, the ''Neue Mozart-Ausgabe''; the publication title of Breitkopf & Härtel's edition was ''Wolfgang Amadeus Mozarts Werke. Kritisch durchgesehene Gesammtausgabe.'' (It is therefore sometimes referred to as the "''Mozart Gesammtausgabe''".) One of the guiding lights of the AMA was Ludwig Ritter von Köchel, compiler of the still-standard Köchel-Verzeichnis (thematic catalog) of Mozart's works. From behind the scenes, Köchel worked to have the edition completed, lending valuable scores to the publisher and editors for their work. Among those involved in the actual editing were Johannes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
