Piano Quintet (Brahms)
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Piano Quintet (Brahms)
The Piano Quintet in F minor, Op. 34, by Johannes Brahms was completed during the summer of 1864 and published in 1865. It was dedicated to Her Royal Highness Princess Anna of Hesse. Like most piano quintets composed after Robert Schumann's Piano Quintet (1842), it is written for piano and string quartet (two violins, viola and cello). The work, "often called the crown of his chamber music," began life as a string quintet (completed in 1862 and scored for two violins, viola and two cellos). Brahms transcribed the quintet into a sonata for two pianos (in which form Brahms and Carl Tausig performed it) before giving it its final form. Brahms destroyed the original version for string quintet, but published the Sonata as Op. 34b. As a piano quintet it was given its premiere on 22 June 1866, at the Leipzig Conservatory. The outer movements are more adventurous than usual in terms of harmony and are unsettling in effect. The introduction to the finale, with its rising figu ...
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F Minor
F minor is a minor scale based on F, consisting of the pitches F, G, A, B, C, D, and E. Its key signature consists of four flats. Its relative major is A-flat major and its parallel major is F major. Its enharmonic equivalent, E-sharp minor, has eight sharps, including the double sharp F, which makes it impractical to use. The F natural minor scale is : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The F harmonic minor and melodic minor scales are : : Music in F minor Famous pieces in the key of F minor include Beethoven's ''Appassionata Sonata'', Chopin's Piano Concerto No. 2, Ballade No. 4, Haydn's Symphony No. 49, ''La Passione'' and Tchaikovsky’s Symphony No. 4. Glenn Gould once said if he could be any key, he would be F minor, because "it's rather dour, halfway between complex and stable, between upright and lascivious, between gray and highly tinted... There is a certain obliquen ...
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Jan Swafford
Jan Swafford (born September 10, 1946) is an American author and composer. He earned his Bachelor of Arts '' magna cum laude'' from Harvard College and his M.M.A. and D.M.A. from the Yale School of Music. His teachers included Earl Kim at Harvard, Jacob Druckman at Yale, and Betsy Jolas at Tanglewood.''Jan Swafford & Glann Gass: Chamber Works''
The Scott Chamber Players (album notes), He has written respected musical biographies of Charles Ives,
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Parallel Key
In music theory, a major scale and a minor scale that have the same tonic note are called parallel keys and are said to be in a parallel relationship. Forte, Allen (1979). ''Tonal Harmony'', p.9. 3rd edition. Holt, Rinehart, and Wilson. . "When a major and minor scale both begin with the same note ... they are called ''parallel''. Thus we say that the parallel major key of C minor is C major, the parallel minor of C major is C minor." The parallel minor or tonic minor of a particular major key is the minor key based on the same tonic; similarly the parallel major has the same tonic as the minor key. For example, G major and G minor have different modes but both have the same tonic, G; so G minor is said to be the parallel minor of G major. In contrast, a major scale and a minor scale that have the same key signature (and therefore different tonics) are called relative keys. A major scale can be transformed to its parallel minor by lowering the third, sixth, and seventh scale ...
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Hungarian Folk Music
Hungarian folk music ( hu, magyar népzene) includes a broad array of Central European styles, including the recruitment dance verbunkos, the csárdás and nóta. The name ''Népzene'' is also used for Hungarian folk music as an umbrella designation of a number of related styles of traditional folk music from Hungary and Hungarian minorities living in modern-day Austria, the, Czech Republic, Poland, Slovakia, central Romania (Transylvania) (Székely), Moldova (Csángó), and Serbia. The obscure origins of Hungarian folk music formed among the peasant population in the early nineteenth century with roots dating even further back. However, its broader popularity was largely due to the Hungarian composer Franz Liszt, who in 1846 began composing 19 Hungarian Rhapsodies for piano, five of which were later orchestrated, thus being the first pieces of music by a major composer to incorporate sources from so-called “peasant music”. These works, which broke free from classical tradition ...
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Cadence (music)
In Western musical theory, a cadence (Latin ''cadentia'', "a falling") is the end of a phrase in which the melody or harmony creates a sense of full or partial resolution, especially in music of the 16th century onwards.Don Michael Randel (1999). ''The Harvard Concise Dictionary of Music and Musicians'', pp. 105-106. . A harmonic cadence is a progression of two or more chords that concludes a phrase, section, or piece of music. A rhythmic cadence is a characteristic rhythmic pattern that indicates the end of a phrase. A cadence can be labeled "weak" or "strong" depending on the impression of finality it gives. While cadences are usually classified by specific chord or melodic progressions, the use of such progressions does not necessarily constitute a cadence—there must be a sense of closure, as at the end of a phrase. Harmonic rhythm plays an important part in determining where a cadence occurs. Cadences are strong indicators of the tonic or central pitch of a passage or ...
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Late String Quartets (Beethoven)
Ludwig van Beethoven's late string quartets are: :*Opus 127: String Quartet No. 12 (Beethoven), String Quartet No. 12 in E major (1825) :*Opus 130: String Quartet No. 13 (Beethoven), String Quartet No. 13 in B major (1825) :*Opus 131: String Quartet No. 14 (Beethoven), String Quartet No. 14 in C minor (1826) :*Opus 132: String Quartet No. 15 (Beethoven), String Quartet No. 15 in A minor (1825) :*Opus 133: ''Große Fuge'' in B major (1825; originally the finale to Op. 130; it also exists in a piano four-hands transcription, Op. 134) :*Opus 135: String Quartet No. 16 (Beethoven), String Quartet No. 16 in F major (1826) These six works are Beethoven's last major completed compositions. Although dismissed by musicians and audiences of Beethoven's day, they are now widely considered to be among the greatest musical compositions of all time, and have inspired many later composers. Overview Prince Nikolai Borisovich Galitzine, Nikolai Galitzine commissioned the first three quartets (12, ...
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Ludwig Van Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. His career has conventionally been divided into early, middle, and late periods. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterized as heroic. During this time, he began to grow increasingly deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Beethoven was born in Bonn. His musical talent was obvious at an early age. He was initially harshly and intensively tau ...
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Saint Andrew Press
Saint Andrew Press, established in 1954 to promote the works of the theologian William Barclay, is the publishing house of the Church of Scotland. It merged with Scottish Christian Press in 2005. In January 2011, Saint Andrew Press's sales, production, marketing and distribution operations were outsourced by the Church of Scotland to Hymns Ancient and Modern ''Hymns Ancient and Modern'' is a hymnal in common use within the Church of England, a result of the efforts of the Oxford Movement. The hymnal was first published in 1861. The organization publishing it has now been formed into a charitable .... References 1954 establishments in Scotland Christian publishing companies Church of Scotland Book publishing companies of Scotland Publishing companies established in 1954 British companies established in 1954 {{christian-org-stub ...
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James Webster (musicologist)
James Webster is a musicologist, specializing in the music of Joseph Haydn and other composers of the classical era. His professional position is as the Goldwin Smith Professor of Music at Cornell University. Research and writing He has published several books in his field, including a massive study of Haydn's "Farewell" Symphony and (with Georg Feder) the Haydn article in the current edition of the New Grove, spun off as a separate book. His website lists the following areas of specialization (links to articles in this encyclopedia are added): *History and theory of music of the eighteenth and nineteenth centuries, with a particular focus on Haydn *Mozart (especially his operas), Beethoven, Schubert, and Brahms *Performance practice *Editorial practice *Historiography of music *Issues of musical form (including analytical methodology) * Schenkerian analysis Webster's work is notable for his willingness to sift through and assess conflicting sources of historical evidence. H ...
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String Quintet (Schubert)
Franz Schubert's final chamber work, the String Quintet in C major ( D. 956, Op. posth. 163) is sometimes called the "Cello Quintet" because it is scored for a standard string quartet plus an extra cello instead of the extra viola which is more usual in conventional string quintets. It was composed in 1828 and completed just two months before the composer's death. The first public performance of the piece did not occur until 1850, and publication occurred three years later in 1853. Schubert's only full-fledged string quintet, it has been praised as "sublime" or "extraordinary" and as possessing "bottomless pathos," and is generally regarded as Schubert's finest chamber work as well as one of the greatest compositions in all chamber music. Composition and publication history The string quintet was composed in the summer or early autumn of 1828, at the same time as Schubert composed his last three piano sonatas and several of the Schwanengesang songs. Schubert complet ...
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Franz Schubert
Franz Peter Schubert (; 31 January 179719 November 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short lifetime, Schubert left behind a vast ''oeuvre'', including more than 600 secular vocal works (mainly lieder), seven complete symphonies, sacred music, opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libr ...s, incidental music, and a large body of piano and chamber music. His major works include "Erlkönig (Schubert), Erlkönig" (D. 328), the Trout Quintet, Piano Quintet in A major, D. 667 (''Trout Quintet''), the Symphony No. 8 (Schubert), Symphony No. 8 in B minor, D. 759 (''Unfinished Symphony''), the Symphony No. 9 (Schubert), "Great" Symphony No. 9 in C major, D. 944, the String Quintet (Schubert), String Quintet (D. 956), ...
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Scherzo
A scherzo (, , ; plural scherzos or scherzi), in western classical music, is a short composition – sometimes a movement from a larger work such as a symphony or a sonata. The precise definition has varied over the years, but scherzo often refers to a movement that replaces the minuet as the third movement in a four-movement work, such as a symphony, sonata, or string quartet. The term can also refer to a fast-moving humorous composition that may or may not be part of a larger work. Origins The Italian word ''scherzo'' means 'joke' or 'jest'. More rarely the similar-meaning word ''badinerie'' (also spelled ''battinerie''; from French, 'jesting') has been used. Sometimes the word ''scherzando'' ('joking') is used in musical notation to indicate that a passage should be executed in a playful manner. An early use of the word ''scherzo'' in music is in light-hearted madrigals of the early baroque period, which were often called ''scherzi musicali'', for example: * Claudio Monte ...
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