Piano Quartet No. 2 (Oswald)
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Piano Quartet No. 2 (Oswald)
The Piano Quartet No. 2 in G major, List of compositions by Henrique Oswald, Op. 26 by Henrique Oswald was composed in the second half of 1898. It is scored for piano, violin, viola and cello. The approximate duration is 25–30 minutes. History Autograph manuscripts There are two autograph manuscripts of the quartet. The first one is located at ''Departamento de Música'' of School of Communications and Arts, University of São Paulo, ECA/USP. It is incomplete: the first movement lacks four pages, and the fifth has only three initial pages. All the four finished movements are dated 1898: the first two are July 23 and 29, the last two are August 2 and 3. The work is titled "2o Quartetto op. 26" (''The Second Quartet, Op. 26'') and has a dedication: "al carissimo amico Emilio Giorgetti" (''to the dearest friend Emilio Giorgetti''). The second manuscript is at . It is a complete and dated at the end: "Firenze, 25 ottobre 1898" (''Florence, 25 October 1898''). The title page has th ...
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Piano Quartet
A piano quartet is a chamber music composition for piano and three other instruments, or a musical ensemble comprising such instruments. Those other instruments are usually a string trio consisting of a violin, viola and cello. Piano quartets for that standard lineup were written by Wolfgang Amadeus Mozart, Robert Schumann, Ludwig van Beethoven, Johannes Brahms, Antonín Dvořák and Gabriel Fauré among others. In the 20th-century classical music, 20th century, composers have also written for more varied groups, with Anton Webern's ''Quartet'', opus 22 (1930 in music, 1930), for example, being for piano, violin, clarinet and tenor saxophone, and Paul Hindemith's quartet (1938) as well as Olivier Messiaen's ''Quatuor pour la fin du temps'' (1940 in music, 1940) both for piano, violin, cello and clarinet. An early example of this can be found in Franz Berwald's quartet for piano, horn, clarinet and bassoon (1819 in music, 1819), his opus number, opus 1. A rare form of piano quartets ...
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Ostinato
In music, an ostinato (; derived from Italian word for ''stubborn'', compare English ''obstinate'') is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces include classical compositions such as Ravel's '' Boléro'' and the ''Carol of the Bells'', and popular songs such as Donna Summer and Giorgio Moroder's "I Feel Love" (1977), Henry Mancini's theme from ''Peter Gunn'' (1959), The Who's "Baba O'Riley" (1971), and The Verve's " Bitter Sweet Symphony" (1997). Both ''ostinatos'' and ''ostinati'' are accepted English plural forms, the latter reflecting the word's Italian etymology. The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Kamien, Roger (1258). ''Music: An Appreciation'', p. 611. . Strictly speaking, ostinati should have exact repetition, but in common usage, the term covers repetition with variation and development, such as the alteration of an os ...
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Compositions For Piano Quartet
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungarian/ ...
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Compositions By Henrique Oswald
Composition or Compositions may refer to: Arts and literature * Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation * Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters * Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker * Digital compositing, the practice of digitally piecing together a video Computer science * Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hunga ...
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Emmanuele Baldini
Emmanuele Baldini (Trieste, December 29, 1971) is an Italian violinist and conductor. Biography The son of two pianists, Emmanuele Baldini was attracted to the violin when he was seven years old. Baldini started his studies with Bruno Polli at the Conservatorio di Musica Giuseppe Tartini, in Trieste. He then went to the Conservatoire de Musique de Genève, where he was taught by Corrado Romano, after which he further continued his studies with Ruggiero Ricci at the Salzburg's Mozarteum. Much later, he also studied conducting with Frank Shipway and Isaac Karabtchevsky. Emmanuele Baldini was the winner of several international competitions such as the Viennese "Forum Junger Künstler" and the "Premier Prix de Virtuosité" in Geneva. He also received the third prize at the Concorso Lipizer di Gorizia, in his homeland Italy. He performed as a soloist throughout Italy as well as the main concert halls of Europe, including the Vienna Konzerthaus, the Linz Brucknersaal, Geneva's Victo ...
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Robert Suetholz
The name Robert is an ancient Germanic given name, from Proto-Germanic "fame" and "bright" (''Hrōþiberhtaz''). Compare Old Dutch ''Robrecht'' and Old High German ''Hrodebert'' (a compound of '' Hruod'' ( non, Hróðr) "fame, glory, honour, praise, renown" and ''berht'' "bright, light, shining"). It is the second most frequently used given name of ancient Germanic origin. It is also in use as a surname. Another commonly used form of the name is Rupert. After becoming widely used in Continental Europe it entered England in its Old French form ''Robert'', where an Old English cognate form (''Hrēodbēorht'', ''Hrodberht'', ''Hrēodbēorð'', ''Hrœdbœrð'', ''Hrœdberð'', ''Hrōðberχtŕ'') had existed before the Norman Conquest. The feminine version is Roberta. The Italian, Portuguese, and Spanish form is Roberto. Robert is also a common name in many Germanic languages, including English, German, Dutch, Norwegian, Swedish, Scots, Danish, and Icelandic. It can be u ...
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