Piano Quartet No. 2 (Enescu)
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Piano Quartet No. 2 (Enescu)
Piano Quartet No. 2 in D minor, Op. 30, is a chamber-music composition by the Romanian composer George Enescu, written in 1943–44. History Enescu began work on his Second Piano Quartet in July 1943. The first movement was finished on 27 July in Bucharest, the second movement on 27 August in Dorohoi, and the score was completed on 4 May 1944, at the composer's villa Luminiș, near Sinaia, all during the worst part of the war for Romania. Nevertheless, it contains some of his most tranquil music. The score is dedicated to the memory of his composition teacher, Gabriel Fauré. The first performance of the work was given at the Library of Congress in Washington, DC, by the Albeneri Trio (Alexander Schneider, violin; Benar Heifetz, viola; Erich Itor Kahn, piano) with violist Milton Katims, on 31 October 1947, under the auspices of the Elizabeth Sprague Coolidge Foundation. A rival contender for the premiere was a French radio broadcast performance by Yvonne Astruc, violin, Maur ...
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Chamber Music
Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part (in contrast to orchestral music, in which each string part is played by a number of performers). However, by convention, it usually does not include solo instrument performances. Because of its intimate nature, chamber music has been described as "the music of friends". For more than 100 years, chamber music was played primarily by amateur musicians in their homes, and even today, when chamber music performance has migrated from the home to the concert hall, many musicians, amateur and professional, still play chamber music for their own pleasure. Playing chamber music requires special skills, both musical and social, that differ from the skills required for playing solo or symphonic works. ...
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Sonata Form
Sonata form (also ''sonata-allegro form'' or ''first movement form'') is a musical form, musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation. It has been used widely since the middle of the 18th century (the early Classical music era, Classical period). While it is typically used in the first Movement (music), movement of multi-movement pieces, it is sometimes used in subsequent movements as well—particularly the final movement. The teaching of sonata form in music theory rests on a standard definition and a series of hypotheses about the underlying reasons for the durability and variety of the form—a definition that arose in the second quarter of the 19th century. There is little disagreement that on the largest level, the form consists of three main sections: an exposition, a development, and a recapitulation; however, beneath this general structure, sonata form is difficult to pin down to a single model. The st ...
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Compositions For Piano Quartet
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungarian/ ...
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Compositions By George Enescu
Composition or Compositions may refer to: Arts and literature * Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation * Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters * Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker * Digital compositing, the practice of digitally piecing together a video Computer science * Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History * Composition of 1867, Austro-Hung ...
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Yehudi Menuhin
Yehudi or Jehudi (Hebrew: יהודי, endonym for Jew) is a common Hebrew name: * Yehudi Menuhin (1916–1999), violinist and conductor ** Yehudi Menuhin School, a music school in Surrey, England ** Who's Yehoodi?, a catchphrase referring to the violinist * Yehudi Wyner (born 1929), composer and pianist * Jehudi Ashmun (1794–1828), religious leader and social reformer Other uses * Yehudi lights See also * Yahud (other) * Yehuda (other) * Yuda (other), / Juda (other) / Judah (other) * Jew (word) The English term ''Jew'' originates in the Biblical Hebrew word ''Yehudi'', meaning "from the Kingdom of Judah". It passed into Greek as ''Ioudaios'' and Latin as ''Iudaeus'', which evolved into the Old French ''giu'' after the letter "d" wa ...
{{disambiguation, given names ...
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Noel Malcolm
Sir Noel Robert Malcolm, (born 26 December 1956) is an English political journalist, historian and academic. A King's Scholar at Eton College, Malcolm read history at Peterhouse, Cambridge, and received his doctorate in history from Trinity College, Cambridge. He was a Fellow and College Lecturer of Gonville and Caius College, Cambridge, before becoming a political and foreign affairs journalist for ''The Spectator'' and the ''Daily Telegraph''. He stepped away from journalism in 1995 to become a writer and academic, being appointed as a Visiting Fellow of St Antony's College, Oxford, for two years. He became a Fellow of the Royal Society of Literature (FRSL) in 1997 and a Fellow of the British Academy (FBA) in 2001. Since 2002 he has been a senior research fellow of All Souls College, Oxford. He was knighted in the 2014 New Year Honours for services to scholarship, journalism, and European history. Early life and education Malcolm was born on 26 December 1956. He was educated ...
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Pascal Bentoiu
Pascal Bentoiu (22 April 1927 â€“ 21 February 2016) was a Romanian modernist composer. Life and career Bentoiu studied harmony, counterpoint and composition with Mihail Jora and piano with Theophil Demetriescu. He spent three years researching the rhythm and harmony of Romanian folk music at the Bucharest Folklore Institute and then began composing for the stage. His operas are written with dramatic flair and make use of a variety of elements, including folksong, tape, serialism and diatonic qualities. His instrumental and orchestral works also contain a variety of contemporary techniques, and Bentoiu's work is characterized by its color and lyricism. He has edited the sketches of the Fourth (1934) and Fifth (1941) Symphonies of Georges Enescu into shape for performance. (There is a recording of both realizations from a 1998 festival.) In 1949, he married Annie Deculescu. Bentoiu died in Bucharest on 21 February 2016 at the age of 88. Compositions Orchestral ...
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Gustav Rivinius
Gustav Rivinius (born in 1965 in Saarland) is a German cellist and professor for cello at the Hochschule für Musik Saar. Life Rivinius began his cello studies at the age of six with Hermann Dirr in Munich. Later he studied in Saarbrücken for several years with Ulrich Voss and Claus Kanngiesser, then with David Geringas in Lübeck, with Zara Nelsova at the Juilliard School in New York and finally with Heinrich Schiff in Basel. There he completed his studies with the soloist diploma. Rivinius won numerous national and international competitions. After winning the International Tchaikovsky Competition, which was the first time that a German musician was awarded this prize, numerous concert appearances in major music metropolises in Europe, Japan, Mexico and the USA followed. Some of the orchestras with which Rivinius has performed are the Bavarian Radio Symphony Orchestra, the Helsinki Philharmonic Orchestra, the National Symphony Orchestra in Washington, the Gulbenkian Orchestra ...
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Ian Hobson
Ian Hobson is an English pianist, conductor and teacher, and is a professor at University of Illinois at Urbana–Champaign and at Florida State University. His pianistic repertoire spans the baroque to the contemporary, but he specialises in the Romantic repertoire. Starting September 1st 2023 he will be serving as a guest conductor of Sinfonia Varsovia. Biography Hobson was born in Wolverhampton. He studied at King Henry VIII School, Coventry, the Royal Academy of Music, Magdalene College, Cambridge, and Yale University in the United States. His teachers included Claude Frank, Ralph Kirkpatrick and Menahem Pressler. Hobson made his London debut in 1979. He won silver medals in the Arthur Rubinstein and Vienna-Beethoven competitions and first prize in the 1981 Leeds International Pianoforte Competition. His United States debut came in 1983, and he has since performed in concert and recital in many countries and with many orchestras. He frequently conducts from the keyboard. ...
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Ștefan Gheorghiu (violinist)
Ştefan Gheorghiu (March 23, 1926 – March 17, 2010) was a Romanian musician, violinist and teacher, born in Galați, Romania. At 5 he starts studying the violin and at 9 becomes student of the Royal Music Academy in Bucharest. George Enescu recommended him and his brother Valentin Gheorghiu - pianist, for a scholarship at the Conservatoire de Paris, where he studied the violin with Maurice Hewitt and musical harmony and counterpoint with Noel Gallon. During the war he continued studies in Bucharest with Garabet Avakian and Mihail Jora. Gheorghiu finished his studies in Moscow, attending the violin performing art masterclasses of David Oistrakh. Since 1946 he was appointed concert-soloist of the State Philharmonic in Bucharest, where he performed both in symphonic concerts and in violin recitals. He was member of the Romanian Trio, together with Valentin Gheorghiu and Radu Aldulescu (musician), Radu Aldulescu. At the first edition of the George Enescu International Competition in ...
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Valentin Gheorghiu
Valentin Gheorghiu (; born 21 March 1928) is a Romanian classical pianist and composer. Biography Gheorghiu was born in Galaţi, Romania in 1928. He was first a pupil of Constanța Erbiceanu at the Bucharest Academy of Music and then of Lazare Lévy at the Conservatoire National de Musique in Paris, France France (), officially the French Republic ( ), is a country primarily located in Western Europe. It also comprises of Overseas France, overseas regions and territories in the Americas and the Atlantic Ocean, Atlantic, Pacific Ocean, Pac .... He is one of the leading Romanian pianists of the twentieth century. He was member of the Romanian Trio, together with Ştefan Gheorghiu and Radu Aldulescu. At the first edition of the George Enescu International Competition in 1958, he won the first prize for the best performance of the third sonata by Enescu, together with his brother the violinist Ştefan Gheorghiu. Valentin Gheorghiu was a member of the Paloma O'Shea I ...
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Cyclic Form
Cyclic form is a technique of musical construction, involving multiple sections or movements, in which a theme, melody, or thematic material occurs in more than one movement as a unifying device. Sometimes a theme may occur at the beginning and end (for example, in Mendelssohn's A minor String Quartet or Brahms's Symphony No. 3); other times a theme occurs in a different guise in every part (e.g. Berlioz's ''Symphonie fantastique'', and Saint-Saëns's "Organ" Symphony). The technique has a complex history, having fallen into disuse in the Baroque and Classical eras, but steadily increasing in use during the nineteenth century. The Renaissance cyclic mass, which incorporates a usually well-known portion of plainsong as a cantus firmus in each of its sections, is an early use of this principle of unity in a multiple-section form. Examples can also be found in late-sixteenth- and seventeenth-century instrumental music, for instance in the canzonas, sonatas, and suites by com ...
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