Piano Player (album)
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Piano Player (album)
''Piano Player'' is a compilation of recordings featuring jazz pianist Bill Evans released in 1998 on the Columbia label. Reception The Allmusic review by Scott Yanow awarded the album 4 stars stating "The pianist's fans will definitely want this consistently enjoyable CD".Yanow, SAllmusic Reviewaccessed May 25, 2011 The All About Jazz review by Douglas Payne states "As a whole, ''Piano Player'' jumps from time periods and groupings more erratically than a typical Bill Evans listener would expect or appreciate. But eight of these songs offer required - and rewarding — listening for fans of the pianist. The remaining three selections are not readily available elsewhere either. Therefore, for now, ''Piano Player'' makes for essential Bill Evans listening".Payne, D''Piano Player'' Review '' All About Jazz'', October 1, 1998 Track listing :''All compositions by Bill Evans unless otherwise noted'' # "All About Rosie (3rd Section)" ( George Russell) - 5:18 # "My Funny Valentine" ...
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Bill Evans
William John Evans (August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who worked primarily as the leader of his trio. His use of impressionist harmony, interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continues to influence jazz pianists today. Born in Plainfield, New Jersey, United States, he was classically trained at Southeastern Louisiana University and the Mannes School of Music, in New York City, where he majored in composition and received the Artist Diploma. In 1955, he moved to New York City, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, which in 1959, then immersed in modal jazz, recorded '' Kind of Blue'', the best-selling jazz album ever. In late 1959, Evans left the Miles Davis band and began his career as a leader, with bassist Scott LaFaro and drummer Paul Motian, a group now regarded as a se ...
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Bobbie Gentry
Bobbie Gentry (born Roberta Lee Streeter; July 27, 1942) is a retired American singer-songwriter, who was one of the first female artists in America to compose and produce her own material. Gentry rose to international fame in 1967 with her Southern Gothic narrative " Ode to Billie Joe". The track spent four weeks at No. 1 on the ''Billboard'' Hot 100 chart and was third in the Billboard year-end chart of 1967, earning Gentry Grammy awards for Best New Artist and Best Female Pop Vocal Performance in 1968. Gentry charted 11 singles on the ''Billboard'' Hot 100 and four singles on the United Kingdom Top 40. Her album ''Fancy'' brought her a Grammy nomination for Best Female Pop Vocal Performance. After her first albums, she had a successful run of variety shows on the Las Vegas Strip. In the late 1970s Gentry lost interest in performing, and subsequently retired from the music industry. News reports conflict on the subject of where she lives. Early life Gentry was born Roberta ...
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Jim Buffington
James Lawrence Buffington (born May 15, 1922, Jersey Shore, Pennsylvania; died July 20, 1981, Englewood, New Jersey) was an American jazz, studio, and classical hornist. Buffington was a busy studio and jazz player on the French horn. He was an autodidact as a child, though his father played piano and trumpet. He graduated from the Eastman School of Music and began playing in New York City in the 1950s, with Oscar Pettiford among others. He played with Mel Powell in 1954 and Teddy Charles in 1956. He is perhaps best known for his work with Miles Davis on some of his Gil Evans sessions for Columbia Records. He has done extensive work as a session musician, and has recorded with Moondog, Carly Simon, James Brown, Urbie Green, Jimmy Cleveland, Ernie Royal, Britt Woodman, Don Butterfield, Donald Byrd, John Coltrane, Dizzy Gillespie, J. J. Johnson, Quincy Jones, Thad Jones and Mel Lewis, Michel Legrand, Lee Morgan, Paul Desmond, Eddie Sauter, Oliver Nelson, Wes Montgomery, Jimm ...
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Trombone
The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the Brass instrument, brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the Standing wave, air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the Pitch (music), pitch instead of the brass instrument valve, valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide. The word "trombone" derives from Italian ''tromba'' (trumpet) and ''-one'' (a suffix meaning "large"), so the name means "large trumpet". The trombone has a predominantly cylindrical bore like the trumpet, in contrast to the more conical brass instruments like the cornet, the euphonium, and the French horn. The most frequently encountered trombones are the tenor trombone and bass trombone. These are treated as trans ...
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Jimmy Knepper
James Minter Knepper (November 22, 1927 – June 14, 2003) was an American jazz trombonist. In addition to his own recordings as leader, Knepper performed and recorded with Charlie Barnet, Woody Herman, Claude Thornhill, Stan Kenton, Benny Goodman, Gil Evans, Thad Jones and Mel Lewis, Toshiko Akiyoshi and Lew Tabackin, and, most famously, Charles Mingus in the late 1950s and early 1960s. Knepper died in 2003 of complications of Parkinson's disease. Biography Knepper was born in Los Angeles, California, United States, the second son of a nurse and a police officer. His parents divorced shortly after his birth, and his mother had to take her abusive husband to court in order to get child support. He and his older brother, Robert, were sent to several boarding and military schools, Page Military Academy and St. John's Military Academy, while their mother worked. He picked up his first instrument, an alto horn, at the age of six while he was a pupil there. His first teacher pe ...
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Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ...
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Art Farmer
Arthur Stewart Farmer (August 21, 1928 – October 4, 1999) was an American jazz trumpeter and flugelhorn player. He also played flumpet, a trumpet–flugelhorn combination especially designed for him. He and his identical twin brother, double bassist Addison Farmer, started playing professionally while in high school. Art gained greater attention after the release of a recording of his composition "Farmer's Market" in 1952. He subsequently moved from Los Angeles to New York, where he performed and recorded with musicians such as Horace Silver, Sonny Rollins, and Gigi Gryce and became known principally as a bebop player. As Farmer's reputation grew, he expanded from bebop into more experimental forms through working with composers such as George Russell and Teddy Charles. He went on to join Gerry Mulligan's quartet and, with Benny Golson, to co-found the Jazztet. Continuing to develop his own sound, Farmer switched from trumpet to the warmer flugelhorn in the early 1960s, and ...
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Electric Piano
An electric piano is a musical instrument which produces sounds when a performer presses the keys of a piano-style musical keyboard. Pressing keys causes mechanical hammers to strike metal strings, metal reeds or wire tines, leading to vibrations which are converted into electrical signals by magnetic pickups, which are then connected to an instrument amplifier and loudspeaker to make a sound loud enough for the performer and audience to hear. Unlike a synthesizer, the electric piano is not an electronic instrument. Instead, it is an electro-mechanical instrument. Some early electric pianos used lengths of wire to produce the tone, like a traditional piano. Smaller electric pianos used short slivers of steel to produce the tone (a lamellophone with a keyboard & pickups). The earliest electric pianos were invented in the late 1920s; the 1929 ''Neo- Bechstein'' electric grand piano was among the first. Probably the earliest stringless model was Lloyd Loar's Vivi-Tone Clavier. A few ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Herb Magidson
Herbert A. Magidson (January 7, 1906 – January 2, 1986) was an American popular lyricist. His work was used in over 23 films and four Broadway revues. He won the first Academy Award for Best Original Song in 1934. Life and career Magidson was born and raised in Braddock, Pennsylvania. He had an early interest in the art of magic and was a member of the Pittsburgh Association of Magicians in his youth. He attended the University of Pittsburgh and then worked briefly for a music publisher in New York City.Layne, Joslyn. "Herbert Magidson. Allmusic. Retrieved on August 27, 2009. Magidson then moved to Hollywood, Los Angeles, California in 1929 while under contract to Warner Bros. to write music for films. In 1934, he won the first Academy Award for Best Original Song along with Con Conrad for his lyrics to "The Continental", used in ''The Gay Divorcee'' (1934) starring Fred Astaire and Ginger Rogers. Magidson also co-wrote the lyrics to the 1937 Allie Wrubel song "Gone with the Wind" ...
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Allie Wrubel
Elias Paul "Allie" Wrubel (January 15, 1905 – December 13, 1973) was an American composer and songwriter. Biography Wrubel was born to a Jewish family in Middletown, Connecticut, United States, the son of Regina (née Glasscheib) and Isaac Wrubel. His family founded the Wrubels department store in Middletown, Connecticut. He attended Wesleyan University and Columbia University before working in dance bands. "After earning his bachelor’s degree in 1926, Allie enrolled in graduate music studies at Columbia University. He roomed with his close friend, film actor James Cagney former Columbia undergrad and began playing with bands in Greenwich Village and making the rounds on Tin Pan Alley."Elias Paul "Allie" Wrubel....
Western States Jewish History. By Jonathan L. Friedmann. Retrieved February 5, 2013.
He play ...
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Gone With The Wind (song)
"Gone with the Wind" is a popular song. The music was written by Allie Wrubel, the lyrics by Herb Magidson. The song was published in 1937. A version recorded by Horace Heidt and his Brigadiers was a No. 1 song in 1937. Inspiration Whether the title of this song was related in any way to the 1936 Margaret Mitchell novel '' Gone with the Wind'' is difficult to determine. The timing of the song's release suggests something more than coincidence, given that the book received enormous publicity in 1937, dominating the bestseller lists and winning a Pulitzer Prize. Still, the lyrics of the song have no obvious connection to the subject matter of the novel. This song should not be confused with any of the well-known music featured in the 1939 film adaptation of the book. Recordings *Lennie Hayton & His Orchestra; Vocal Chorus by Paul Barry – Decca 1341-A (62320) (1937) * Horace Heidt & his Brigaders; Vocal Chorus by Larry Cotton – Brunswick 7913 (B 21260) (1937) *Dick Jurgens ...
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