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Piano History And Musical Performance
The modern form of the piano, which emerged in the late 19th century, is a very different instrument from the pianos for which earlier classical piano literature was originally composed. The modern piano has a heavy metal frame, thick strings made of top-grade steel, and a sturdy action with a substantial touch weight. These changes have created a piano with a powerful tone that carries well in large halls, and which produces notes with a very long sustain time. The contrast with earlier instruments, particularly those of the 18th century (with light wooden frames, lightly sprung actions, and short sustain time) is very noticeable. These changes have given rise to interpretive questions and controversies about performing earlier literature on modern pianos, particularly since recent decades have seen the revival of historical instruments for concert use. Background The earliest pianos by Cristofori (ca. 1700) were lightweight objects, hardly sturdier in framing than a contemporary ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Charles Rosen
Charles Welles Rosen (May 5, 1927December 9, 2012) was an American pianist and writer on music. He is remembered for his career as a concert pianist, for his recordings, and for his many writings, notable among them the book ''The Classical Style''. Life and career Youth and education Charles Rosen was born in New York City on May 5, 1927, to a Russian-Jewish immigrant couple, Irwin Rosen, an architect, and Anita Rosen ( Gerber), a semiprofessional actress and amateur pianist. Charles began his musical studies at age 4 and at age 6 enrolled in the Juilliard School. At age 11 he left Juilliard to study piano with Moriz Rosenthal, and with Rosenthal's wife, Hedwig Kanner. Rosenthal, born in 1862, had been a student of Franz Liszt. Rosenthal's memories of the 19th century in classical music were communicated to his pupil and appear frequently in Rosen's later writings. (For instance, in ''Critical Entertainments'', Rosen offers a memory from Rosenthal concerning how Brahms per ...
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Fortepiano
A fortepiano , sometimes referred to as a pianoforte, is an early piano. In principle, the word "fortepiano" can designate any piano dating from the invention of the instrument by Bartolomeo Cristofori in 1698 up to the early 19th century. Most typically, however, it is used to refer to the mid-18th to early-19th century instruments for which composers of the Classical era, especially Haydn, Mozart, and the younger Beethoven wrote their piano music. Starting in Beethoven's time, the fortepiano began a period of steady evolution, culminating in the late 19th century with the modern grand. The earlier fortepiano became obsolete and was absent from the musical scene for many decades. In the 20th century the fortepiano was revived, following the rise of interest in historically informed performance. Fortepianos are built for this purpose in specialist workshops. Construction The fortepiano has leather-covered hammers and thin, harpsichord-like strings. It has a much lighter case ...
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Historically Informed Performance
Historically informed performance (also referred to as period performance, authentic performance, or HIP) is an approach to the performance of Western classical music, classical music, which aims to be faithful to the approach, manner and style of the musical era in which a work was originally conceived. It is based on two key aspects: the application of the stylistic and technical aspects of performance, known as performance practice; and the use of #Early instruments, period instruments which may be reproductions of historical instruments that were in use at the time of the original composition, and which usually have different timbre and temperament (music), temperament from their modern equivalents. A further area of study, that of changing listener expectations, is increasingly under investigation. Given no Sound recording and reproduction, sound recordings exist of music before the late 19th century, historically informed performance is largely derived from Musicology, music ...
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Gwendolyn Mok
Gwendolyn is a feminine given name, a variant spelling of ''Gwendolen'' (perhaps influenced by names such as ''Carolyn'', ''Evelyn'' and '' Marilyn''). This has been the most popular spelling in the United States. Notable people called Gwendolyn/Gwendoline *Gwendolyn B. Bennett (1902–1981), American writer *Gwendolyn Black (1911–2005), Canadian musician, educator and activist *Gwendolyn Bradley, American soprano *Gwendolyn T. Britt (1941–2008), American Democratic politician *Gwendolyn Brooks (1917–2000), American poet *Gwendoline Christie, British actress *Gwendolyn Faison, American Democratic politician *Gwendolyn Audrey Foster, American professor of English and film studies *Gwendolyn Garcia (born 1955), Filipino politician * Gwendolyn Graham (born 1963), American serial killer *Gwendolyn Holbrow (born 1957), American artist * Gwendolyn L. "Gwen" Ifill (1955–2016), American journalist *Gwendolyn King, American businesswoman *Gwendolyn Knight (1914–2005), American sc ...
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Maurice Ravel
Joseph Maurice Ravel (7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with Impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In the 1920s and 1930s Ravel was internationally regarded as France's greatest living composer. Born to a music-loving family, Ravel attended France's premier music college, the Paris Conservatoire; he was not well regarded by its conservative establishment, whose biased treatment of him caused a scandal. After leaving the conservatoire, Ravel found his own way as a composer, developing a style of great clarity and incorporating elements of modernism, baroque, neoclassicism and, in his later works, jazz. He liked to experiment with musical form, as in his best-known work, ''Boléro'' (1928), in which repetition takes the place of development. Renowned for his abilities in orchestration, Ravel made some orchestral arrangements of other compose ...
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Claude Debussy
(Achille) Claude Debussy (; 22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries. Born to a family of modest means and little cultural involvement, Debussy showed enough musical talent to be admitted at the age of ten to France's leading music college, the Conservatoire de Paris. He originally studied the piano, but found his vocation in innovative composition, despite the disapproval of the Conservatoire's conservative professors. He took many years to develop his mature style, and was nearly 40 when he achieved international fame in 1902 with the only opera he completed, '' Pelléas et Mélisande''. Debussy's orchestral works include ''Prélude à l'après-midi d'un faune'' (1894), ''Nocturnes'' (1897–1899) and ''Images'' (1905–1912). His music was to a considerable extent a r ...
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Erard (company)
Erard may refer to: * St. Erard or Erhard of Regensburg, bishop of Regensburg in the 7th century * Erard I, Count of Brienne (1060 - 1114) * Sébastien Érard Sébastien Érard (born Sebastian Erhard, 5 April 1752 – 5 August 1831) was a French instrument maker of German origin who specialised in the production of pianos and harps, developing the capacities of both instruments and pioneering the mode ... (1752 - 1831), French instrument maker of German origin who specialised in the production of pianos and harps * Erard (company), renowned musical instrument maker, mainly of pianos and harps, founded by Sébastien Érard and based in Paris, France {{disambiguation ...
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Jörg Demus
Jörg Wolfgang Demus (2 December 1928 – 16 April 2019) was an Austrian classical pianist who appeared internationally and made many recordings. He was also a composer and a lecturer at music academies. In composition and playing, he focused on chamber music and ''lieder''. He played with singers such as Elisabeth Schwarzkopf and Dietrich Fischer-Dieskau, as a piano duo with Paul Badura-Skoda, and with string players such as Josef Suk and Antonio Janigro. Demus was instrumental in bringing the historic fortepiano to concert podiums. He was a member of the Legion of Honour, among many awards. He is regarded as one of the leading Austrian pianists of the immediate post-World War II era. Early life and education Demus was born in St. Pölten; his father was the art historian Otto Demus, and his mother was a concert violinist. At the age of six, Demus received his first piano lessons. Five years later, at the age of 11, he entered the Vienna Academy of Music, studying piano, compo ...
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Edwin Good
The name Edwin means "rich friend". It comes from the Old English elements "ead" (rich, blessed) and "ƿine" (friend). The original Anglo-Saxon form is Eadƿine, which is also found for Anglo-Saxon figures. People * Edwin of Northumbria (died 632 or 633), King of Northumbria and Christian saint * Edwin (son of Edward the Elder) (died 933) * Eadwine of Sussex (died 982), King of Sussex * Eadwine of Abingdon (died 990), Abbot of Abingdon * Edwin, Earl of Mercia (died 1071), brother-in-law of Harold Godwinson (Harold II) *Edwin (director) (born 1978), Indonesian filmmaker * Edwin (musician) (born 1968), Canadian musician * Edwin Abeygunasekera, Sri Lankan Sinhala politician, member of the 1st and 2nd State Council of Ceylon * Edwin Ariyadasa (1922-2021), Sri Lankan Sinhala journalist * Edwin Austin Abbey (1852–1911) British artist * Edwin Eugene Aldrin (born 1930), although he changed it to Buzz Aldrin, American astronaut * Edwin Howard Armstrong (1890–1954), American inve ...
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Nannette Streicher
Nannette Streicher (née Anna-Maria Stein; 2 January 1769, Augsburg – 16 January 1833, Vienna) was a German piano maker, composer, music educator, writer and a close friend of Ludwig van Beethoven. Life Nannette Streicher was the sixth child of the organ and piano maker Johann Andreas Stein in Augsburg (1728–1792) and his wife Maria Regina Stein née Burkhart. Early on, she received piano lessons from her father, who was influenced by his friend Ignaz von Beecke. In Augsburg Nannette Stein played piano at concerts, sometimes with her friend Nanette von Schaden. In 1787 she sang "some minor arias" in a concert. She had to give up singing later for health reasons. After her father's death on 29 February 1792, she continued the piano workshop independently. Building pianos In 1793 she married the musician Johann Andreas Streicher (1761–1833) and moved with him to Vienna in 1794. She took over her father's business, which was called J.A. Stein. Initially she partnered with her ...
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Johannes Brahms
Johannes Brahms (; 7 May 1833 – 3 April 1897) was a German composer, pianist, and conductor of the mid- Romantic period. Born in Hamburg into a Lutheran family, he spent much of his professional life in Vienna. He is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the "Three Bs" of music, a comment originally made by the nineteenth-century conductor Hans von Bülow. Brahms composed for symphony orchestra, chamber ensembles, piano, organ, violin, voice, and chorus. A virtuoso pianist, he premiered many of his own works. He worked with leading performers of his time, including the pianist Clara Schumann and the violinist Joseph Joachim (the three were close friends). Many of his works have become staples of the modern concert repertoire. Brahms has been considered both a traditionalist and an innovator, by his contemporaries and by later writers. His music is rooted in the structures and compositional techniques of the Classical masters. Emb ...
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