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Piano Concerto No. 6 (Beethoven)
Piano Concerto No. 6 in D major, Hess catalogue, Hess 15, is an unfinished piano concerto by German composer Ludwig van Beethoven. It is not to be confused with the transcription by the composer for piano and orchestra of the Violin Concerto (Beethoven), Violin Concerto in D Major, Op. 61, which is sometimes referred to as the 6th Piano Concerto. Description Beethoven spent a great deal of time on the concerto in estimated late 1814 and early 1815.Douglas Porter Johnson, Alan Tyson, Robert Winter (1985). , University of California Press. pp. 234, 242–244, 342 He made about seventy pages of sketch (music), sketches for the first movement (music), movement, and even started writing out a full score ( Artaria 184 in the Staatsbibliothek zu Berlin), which runs almost uninterrupted from the beginning of the movement to the middle of the solo exposition (music), exposition (bar (music), bar 182), although the scoring becomes patchy as the work proceeds and there are signs of indecisio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
D Major
D major (or the key of D) is a major scale based on D, consisting of the pitches D, E, F, G, A, B, and C. Its key signature has two sharps. Its relative minor is B minor and its parallel minor is D minor. The D major scale is: : Characteristics According to Paolo Pietropaolo, D major is Miss Congeniality: it is persistent, sunny, and energetic. D major is well-suited to violin music because of the structure of the instrument, which is tuned G D A E. The open strings resonate sympathetically with the D string, producing a sound that is especially brilliant. This is also the case with all other orchestral strings. Thus, it is no coincidence that many classical composers throughout the centuries have chosen to write violin concertos in D major, including those by Mozart ( No. 2, 1775, No. 4, 1775); Ludwig van Beethoven (1806); Paganini ( No. 1, 1817); Brahms (1878); Tchaikovsky (1878); Prokofiev ( No. 1, 1917); Stravinsky (1931); and Korngold ( 1945). The k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hess Catalogue
The Catalogues of Beethoven compositions are all of the different ways in which the musical compositions by Ludwig van Beethoven have been organized by researchers into his music. The problem Most of Beethoven's best known works were published with opus numbers, with which they may be reliably identified. Another 228 works are designated WoO (Werke ohne Opuszahl – literally, "works without opus number"), among them unpublished early and occasional works (Cantata on the Death of Emperor Joseph II, WoO 87), published variations and folksong arrangements ( 25 Irish Songs, WoO 152), posthumous publications ( "Für Elise" WoO 59), and a number of unfinished works. The WoO list was extended but still left unaccounted for many fragments and sketches as well as numerous cases of uncertain attribution. The catalogues described here are attempts to organize and identify with precision all of these works in ways that are useful to musicologists, musicians, and the listening public. Opu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Concerto
A piano concerto is a type of concerto, a solo composition in the classical music genre which is composed for a piano player, which is typically accompanied by an orchestra or other large ensemble. Piano concertos are typically virtuoso showpieces which require an advanced level of technique on the instrument. These concertos are typically written out in music notation, including sheet music for the pianist (which they typically memorize for a more virtuosic performance), orchestra parts for the orchestra members, and a full score for the conductor, who leads the orchestra in the accompaniment of the soloist. Depending on the era in which a piano concerto was composed, the orchestra parts may provide a fairly subordinate accompaniment role, setting out the bassline and chord progression over which the piano plays solo parts (more typical during the Baroque music era, from 1600 to 1750 and the Classical period, from 1730 to 1800), or the orchestra may be given an almost equal ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludwig Van Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. His career has conventionally been divided into early, middle, and late periods. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterized as heroic. During this time, he began to grow increasingly deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Beethoven was born in Bonn. His musical talent was obvious at an early age. He was initially harshly and intensively tau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violin Concerto (Beethoven)
The Violin Concerto in D major, Op. 61, was written by Ludwig van Beethoven in 1806. Its first performance by Franz Clement was unsuccessful and for some decades the work languished in obscurity, until revived in 1844 by the then 12-year-old violinist Joseph Joachim with the orchestra of the London Philharmonic Society conducted by Felix Mendelssohn. Joachim would later claim it to be the "greatest" German violin concerto. Since then it has become one of the best-known and regularly performed violin concertos. Genesis Beethoven had previously written a number of pieces for violin and orchestra. At some point in 1790–2, before his musical maturity, he began a Violin Concerto in C, of which only a fragment of the first movement survives. Whether the work, or even the first movement, had ever been completed is not known. In any event, it was neither performed nor published. Later in the 1790s, Beethoven had completed two Romances for violin – first the Romance in F and la ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alan Tyson
Alan Walker Tyson, (27 October 1926 – 10 November 2000) was a Glasgow-born British musicologist who specialized in studies of the music of Wolfgang Amadeus Mozart and Ludwig van Beethoven. He wrote the (deliberately concise) ''Thematic catalogue of the works of Muzio Clementi'' which appeared in 1967 at Hans Schneider of Tutzing/Germany, with no following editions up to date. Tyson was Senior Research Fellow at All Souls College, Oxford, and a Fellow of the British Academy. One of his most celebrated publications was ''Mozart: Studies of the Autograph Scores,'' whose chapters detailed the study of watermarks in Mozart's autographs as a method of dating the scores. This book also included several of Tyson's discoveries, such as the true ending to the '' Rondo in A for Piano and Orchestra,'' K. 386, which previously had only been known in a completion arranged for solo piano by Cipriani Potter and published in 1837. Tyson also established that the standard version of the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sketch (music)
In music, a sketch is an informal document prepared by a composer to assist in the process of composition. Sketches may range greatly in scope and detail, from the smallest snippets to full drafts; concerning Ludwig van Beethoven's sketchbooks, for instance, Dean writes that they "include every imaginable state between unaccompanied melodic motifs of a few notes to thoroughly worked-out full scores; even his fair copies of essentially 'finished' works show the signs of continuing composition." Whether a composer's sketches survive past his or her lifetime depends particular on the composer's own practice and partly on posterity's. Some composers habitually discarded their sketches when a composition was completed (for instance, Johannes Brahms), while others kept their sketches; sometimes in great numbers, as in the case of Beethoven. Mozart kept a great many sketches, but some were given away to friends as keepsakes following his death, and lost. Why composers sketch One reason ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Movement (music)
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately as stand-alone pieces, a performance of the complete work requires all the movements to be performed in succession. A movement is a section Section, Sectioning or Sectioned may refer to: Arts, entertainment and media * Section (music), a complete, but not independent, musical idea * Section (typography), a subdivision, especially of a chapter, in books and documents ** Section sig ..., "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena". Sources Formal sections in music analysis {{music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Full Score
Sheet music is a handwritten or printed form of musical notation that uses musical symbols to indicate the pitches, rhythms, or chords of a song or instrumental musical piece. Like its analogs – printed books or pamphlets in English, Arabic, or other languages – the medium of sheet music typically is paper (or, in earlier centuries, papyrus or parchment). However, access to musical notation since the 1980s has included the presentation of musical notation on computer screens and the development of scorewriter computer programs that can notate a song or piece electronically, and, in some cases, "play back" the notated music using a synthesizer or virtual instruments. The use of the term "sheet" is intended to differentiate written or printed forms of music from sound recordings (on vinyl record, cassette, CD), radio or TV broadcasts or recorded live performances, which may capture film or video footage of the performance as well as the audio component. In everyday ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artaria
Artaria & Co. () was one of the most important music publishing firms of the late 18th and 19th century. Founded in the 18th century in Vienna, the company is associated with many leading names of the classical era. History Artaria & Co. was founded as a publishing house for art and maps by Carlo Artaria (1747–1808) in 1770 in Vienna, then the capital of the Habsburg monarchy. The company expanded its business to include music in 1778. Its most important early collaboration was with the Austrian composer Joseph Haydn, who published more than 300 works through Artaria, including many of the composer's string quartets (such as the Opus 33), which were a popular seller. The value of Haydn's works helped push Artaria to the top of the music publishing world in the late 18th century. This important relationship helped Artaria secure the rights to the works of other important classical composers such as Luigi Boccherini and, most notably, Wolfgang Amadeus Mozart. During his lifetim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Staatsbibliothek Zu Berlin
This is a list of the state libraries (german: Landesbibliothek) for each of the Länder of the Federal Republic of Germany. These libraries hold the right for legal deposit for the publications in their respective state. Landesbibliothek Staatsbibliothek The historic National Libraries of the former Kingdoms, now States of Germany (Länder), are called Staatsbibliothek (state libraries). Among the libraries named Staatsbibliothek are:''Bibliotheken mit Pflichtexemplar in Deutschland''. DBI, Berlin 1995 (Aufstellung über alle Pflichtexemplarbibliotheken und die historische Aufteilung der Pflichtexemplare in Deutschland) * the Bavarian State Library (''Bayerische Staatsbibliothek'' or BSB) in Munich, one of the world's largest libraries and the former library of the Kingdom of Bavaria * the Bamberg State Library (''Staatsbibliothek Bamberg''), a library in Bamberg, Bavaria * the Berlin State Library (''Staatsbibliothek zu Berlin''), the largest academic library in the German ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exposition (music)
In musical form and analysis, exposition is the initial presentation of the thematic material of a musical composition, movement, or section. The use of the term generally implies that the material will be developed or varied. *In sonata form, the exposition is "the first major section, incorporating at least one important modulation to the dominant or other secondary key and presenting the principal thematic material." *In a fugue, the exposition is "the statement of the subject in imitation by the several voices; especially the first such statement, with which the fugue begins." In sonata form The term is most widely used as an analytical convenience to denote a portion of a movement identified as an example of classical tonal sonata form. The exposition typically establishes the music's tonic key, and then modulates to, and ends in, the dominant. If the exposition starts in a minor key, it typically modulates to the relative major key. There are many exceptions, e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
