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Photoconceptualism
Conceptual art, also referred to as conceptualism, is art in which the concept(s) or idea(s) involved in the work take precedence over traditional Aesthetics, aesthetic, technical, and material concerns. Some works of conceptual art, sometimes called Installation art, installations, may be constructed by anyone simply by following a set of written instructions. This method was fundamental to American artist Sol LeWitt's definition of conceptual art, one of the first to appear in print: Tony Godfrey, author of ''Conceptual Art (Art & Ideas)'' (1998), asserts that conceptual art questions the nature of art, a notion that Joseph Kosuth elevated to a definition of art itself in his seminal, early manifesto of conceptual art, ''Art after Philosophy'' (1969). The notion that art should examine its own nature was already a potent aspect of the influential art critic Clement Greenberg's vision of Modern art during the 1950s. With the emergence of an exclusively language-based art in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concept
Concepts are defined as abstract ideas. They are understood to be the fundamental building blocks of the concept behind principles, thoughts and beliefs. They play an important role in all aspects of cognition. As such, concepts are studied by several disciplines, such as linguistics, psychology, and philosophy, and these disciplines are interested in the logical and psychological structure of concepts, and how they are put together to form thoughts and sentences. The study of concepts has served as an important flagship of an emerging interdisciplinary approach called cognitive science. In contemporary philosophy, there are at least three prevailing ways to understand what a concept is: * Concepts as mental representations, where concepts are entities that exist in the mind (mental objects) * Concepts as abilities, where concepts are abilities peculiar to cognitive agents (mental states) * Concepts as Fregean senses, where concepts are abstract objects, as opposed to mental ob ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mel Bochner
Mel Bochner (born 1940) is an American conceptual artist. Bochner received his BFA in 1962 and honorary Doctor of Fine Arts in 2005 from the School of Art at Carnegie Mellon University. He lives in New York City. Life Bochner was born in Pittsburgh in 1940. In high school, he won early recognition for his talent from The Scholastic Art & Writing Awards and studied with Joseph Fitzpatrick]. He studied art at Carnegie Mellon University and graduated in 1962. After leaving Pittsburgh, he studied philosophy at Northwestern University near Chicago. He moved to New York in 1964 and worked as a guard at The Jewish Museum. In 1966, he was recruited by the influential art critic Dore Ashton to teach art history at the School of Visual Arts in New York. Bochner is Jewish and his work sometimes explores Jewish themes. Starting in the 1960s, he evolved several of the exhibition strategies now taken for granted, including using the walls of the gallery as the subject of the work and using p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
An Anthology Of Chance Operations
''An Anthology of Chance Operations'' (An Anthology) was an artist's book publication from the early 1960s of experimental neodada art and music composition that used John Cage–inspired indeterminacy. It was edited by La Monte Young and DIY co-published in 1963 by Young and Jackson Mac Low in New York City. Its full title is: ''An Anthology of chance operations concept art anti-art indeterminacy improvisation meaningless work natural disasters plans of action stories diagrams Music poetry essays dance constructions mathematics compositions''. Legacy The project became the manifestation of the original impetus for establishing Fluxus. In autumn 1960 the editor of the magazine ''Beatitude'' magazine approached Young and Mac Low after a reading and asked them if they would guest-edit an issue of the East Coast edition of his magazine, ''Beatitude East''. Given free rein to include whoever and whatever he wanted, Young collected a large body of new and experimental music, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fluxus
Fluxus was an international, interdisciplinary community of artists, composers, designers and poets during the 1960s and 1970s who engaged in experimental art performances which emphasized the artistic process over the finished product. Fluxus is known for experimental contributions to different artistic media and disciplines and for generating new art forms. These art forms include intermedia, a term coined by Fluxus artist Dick Higgins; conceptual art, first developed by Henry Flynt, an artist contentiously associated with Fluxus; and video art, first pioneered by Nam June Paik and Wolf Vostell. Dutch gallerist and art critic describes Fluxus as "the most radical and experimental art movement of the sixties".. 1979. ''Fluxus, the Most Radical and Experimental Art Movement of the Sixties'' Amsterdam: Editions Galerie A. They produced performance "events", which included enactments of scores, "Neo-Dada" noise music, and time-based works, as well as concrete poetry, visual art, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
