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Phonotrope
The Phonotrope is the term coined by animation director Jim Le Fevre to describe the technique of creating animation in a 'live' environment using the confluence of the frame rate of a live action camera and the revolutions of a constantly rotating disc, predominantly (but not exclusively) using a record player. It is a contemporary reworking of the phenakistiscope, one of several pre-film animation devices that produce the illusion of motion by displaying a sequence of pictures showing progressive phases of that motion. The crucial difference between the technique that the Phonotrope uses and the one a phenakistiscope uses is that the Phonotrope is specifically an in-camera technique using the frame-rate of a live-action camera set to a high shutter speed in confluence with a constantly rotating disc to create the illusion of movement. In a phenakistiscope it is the vertical slits in the circumference of the disc that create the stroboscopic interruptions needed for animation ...
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Phonotrope Squirrel 01
The Phonotrope is the term coined by animation director Jim Le Fevre to describe the technique of creating animation in a 'live' environment using the confluence of the frame rate of a live action camera and the revolutions of a constantly rotating disc, predominantly (but not exclusively) using a record player. It is a contemporary reworking of the phenakistiscope, one of several pre-film animation devices that produce the illusion of motion by displaying a sequence of pictures showing progressive phases of that motion. The crucial difference between the technique that the Phonotrope uses and the one a phenakistiscope uses is that the Phonotrope is specifically an in-camera technique using the frame-rate of a live-action camera set to a high shutter speed in confluence with a constantly rotating disc to create the illusion of movement. In a phenakistiscope it is the vertical slits in the circumference of the disc that create the stroboscopic interruptions needed for animation. A ...
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Holy Flying Circus
''Holy Flying Circus'' is a 90-minute BBC television comedy film first broadcast in 2011, written by Tony Roche and directed by Owen Harris. The film is a "Pythonesque" dramatisation of events following the completion of ''Monty Python's Life of Brian'', culminating in the televised debate about the film broadcast in 1979. Plot At a meeting in the offices of their film distributor, the members of Monty Python discuss allowing the film ''Life of Brian'' to be released in America first because of America's first amendment. John Cleese voices his support for the idea, and says that he loves Americans. We then see American reporters at a screening of the movie where a near riot is taking place, with the protesters condemning the film as "blasphemous". The Pythons review a disheartening statement made by a religious leader, implying that the film causes violence. Cleese misinterprets this (possibly deliberately) and goes off on a tangent about little kids carrying out copycat crucifi ...
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In-camera Effect
An in-camera effect is any special effect in a video or movie that is created solely by using techniques in and on the camera and/or its parts. The in-camera effect is defined by the fact that the effect exists on the original camera negative or video recording before it is sent to a lab or modified. So effects that modify the original negative at the lab, such as skip bleach or Flashing (cinematography), flashing, are not included. Some examples of in-camera effects include: * Matte painting * Schüfftan process * Forced perspective * Dolly zoom * Lens flares * Lighting effects * Photographic filter, Filtration such as using a fog filter to simulate fog, or a grad filter to simulate sunset. * shutter (photography), Shutter effects. * Time-lapse, slow motion, fast motion, and speed ramping. * Bipacks * Slit-scan photography, Slit-scan * Infrared photography * Reverse motion * Front projection * Rear projection * Phonotrope a live animation technique that uses the Frame rate, frame-r ...
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Joseph Plateau
Joseph Antoine Ferdinand Plateau (14 October 1801 – 15 September 1883) was a Belgian physicist and mathematician. He was one of the first people to demonstrate the illusion of a moving image. To do this, he used counterrotating disks with repeating drawn images in small increments of motion on one and regularly spaced slits in the other. He called this device of 1832 the phenakistiscope. Biography Plateau was born in Brussels. His father, Antoine Plateau ( fr) born in Tournai, was a talented flower painter. At the age of six, the younger Plateau already could read, making him a child prodigy in those times. While attending primary school, he was particularly impressed by a lesson of physics; enchanted by the experiments he observed, he vowed to discover their secrets someday. Plateau spent his school holidays in Marche-les-Dames, with his uncle and his family; his cousin and playfellow was Auguste Payen, who later became an architect and the principal designer of the Belgian ...
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Crafts Council - Upload
A craft or trade is a pastime or an occupation that requires particular skills and knowledge of skilled work. In a historical sense, particularly the Middle Ages and earlier, the term is usually applied to people occupied in small scale production of goods, or their maintenance, for example by tinkers. The traditional term ''craftsman'' is nowadays often replaced by ''artisan'' and by ''craftsperson'' (craftspeople). Historically, the more specialized crafts with high-value products tended to concentrate in urban centers and formed guilds. The skill required by their professions and the need to be permanently involved in the exchange of goods often demanded a generally higher level of education, and craftsmen were usually in a more privileged position than the peasantry in societal hierarchy. The households of craftsmen were not as self-sufficient as those of people engaged in agricultural work, and therefore had to rely on the exchange of goods. Some crafts, especially in ...
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Crafts Council
The Crafts Council is the national development agency for contemporary craft in the United Kingdom, and is funded by Arts Council England. History The Crafts Advisory Committee was formed in 1971 to advise the Minister for the Arts, David Eccles, 1st Viscount Eccles, ‘on the needs of the artist craftsman and to promote a nation-wide interest and improvement in their products’. Its first meeting was held on 6 October 1971 at the Council of Industrial Design (later the Design Council). It was later chaired by Sir Paul Sinker. In 1973, the Committee purchased Waterloo Place, London. It began publishing the journal ''Crafts''. It also held its first exhibition, ''The Craftsman's Art'' (1973) at the Victoria and Albert Museum, accompanied by publication of the exhibition catalog of the same name. In 1974, it launched the Crafts Advisory Committee Index, an information service for and about craftspeople. In April 1979 the Crafts Advisory Committee was renamed the Crafts Counci ...
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Terry Gilliam
Terrence Vance Gilliam (; born 22 November 1940) is an American-born British filmmaker, comedian, animator, actor and former member of the Monty Python comedy troupe. Gilliam has directed 13 feature films, including ''Time Bandits'' (1981), ''Brazil'' (1985), ''The Adventures of Baron Munchausen'' (1988), ''The Fisher King'' (1991), '' 12 Monkeys'' (1995), ''Fear and Loathing in Las Vegas'' (1998), ''The Brothers Grimm'' (2005), '' Tideland'' (2005), and ''The Imaginarium of Doctor Parnassus'' (2009). Being the only Monty Python member not born in Britain, he became a naturalised British subject in 1968 and formally renounced his American citizenship in 2006. Gilliam was born in Minnesota, but spent his high school and college years in Los Angeles. He started his career as an animator and strip cartoonist. He joined Monty Python as the animator of their works, but eventually became a full member and was given acting roles. He became a feature film director in the 1970s. Most of ...
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Zoopraxiscope
The zoopraxiscope (initially named ''zoographiscope'' and ''zoogyroscope'') is an early device for displaying moving images and is considered an important predecessor of the movie projector. It was conceived by photographic pioneer Eadweard Muybridge in 1879 (and built for him by January 1880 to project his famous chronophotographic pictures in motion and thus prove that these were authentic). Muybridge used the projector in his public lectures from 1880 to 1895. The projector used 16" glass disks onto which Muybridge had an unidentified artist paint the sequences as silhouettes. This technique eliminated the backgrounds and enabled the creation of fanciful combinations and additional imaginary elements. Only one disk used photographic images, of a horse skeleton posed in different positions. A later series of 12″ discs, made in 1892–1894, used outlines drawn by Erwin F. Faber that were printed onto the discs photographically, then colored by hand. These colored discs were ...
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Praxinoscope
The praxinoscope was an animation device, the successor to the zoetrope. It was invented in France in 1877 by Charles-Émile Reynaud. Like the zoetrope, it used a strip of pictures placed around the inner surface of a spinning cylinder. The praxinoscope improved on the zoetrope by replacing its narrow viewing slits with an inner circle of mirrors, placed so that the reflections of the pictures appeared more or less stationary in position as the wheel turned. Someone looking in the mirrors would therefore see a rapid succession of images producing the illusion of motion, with a brighter and less distorted picture than the zoetrope offered. Variations Reynaud introduced the Praxinoscope-Théâtre in 1879. This was basically the same device, but it was hidden inside a box to show only the moving figures within added theatrical scenery. When the set was assembled inside the unfolded box, the viewer looked through a rectangular slot in the front, onto a plate with a transparent m ...
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Flatpack Film Festival
Flatpack Film Festival is a film festival that takes place annually in Birmingham, England. During the festival a varied collection of different films and media forms are shown, including animation, documentaries, short films, music videos and experimental cinema. The annual event was spawned from the year-round antics of 7 Inch Cinema, originally a mixed-media filmnight at the Rainbow pub in Digbeth. The festival takes place across numerous venues in Birmingham city centre. Major venues to screen films include The Electric, the Ikon Gallery, mac (Birmingham) and Birmingham Museum and Art Gallery Birmingham Museum and Art Gallery (BM&AG) is a museum and art gallery in Birmingham, England. It has a collection of international importance covering fine art, ceramics, metalwork, jewellery, natural history, archaeology, ethnography, local .... The Flatpack Film Festival is run by Flatpack Projects, who have offices in Digbeth, a former industrial area of the city that is no ...
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Institute Of Contemporary Arts
The Institute of Contemporary Arts (ICA) is an artistic and cultural centre on The Mall in London, just off Trafalgar Square. Located within Nash House, part of Carlton House Terrace, near the Duke of York Steps and Admiralty Arch, the ICA contains galleries, a theatre, two cinemas, a bookshop and a bar. Bengi Unsal became the director in 2022. History The ICA was founded by Roland Penrose, Peter Watson, Herbert Read, Peter Gregory, Geoffrey Grigson and E. L. T. Mesens in 1946. The ICA's founders intended to establish a space where artists, writers and scientists could debate ideas outside the traditional confines of the Royal Academy. The model for establishing the ICA was the earlier Leeds Arts Club, founded in 1903 by Alfred Orage, of which Herbert Read had been a leading member. Like the ICA, this too was a centre for multi-disciplinary debate, combined with avant-garde art exhibition and performances, within a framework that emphasised a radical social outlook. The ...
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Frame Rate
Frame rate (expressed in or FPS) is the frequency (rate) at which consecutive images (frames) are captured or displayed. The term applies equally to film and video cameras, computer graphics, and motion capture systems. Frame rate may also be called the , and be expressed in hertz. Frame rate in electronic camera specifications may refer to the maximal possible rate, where, in practice, other settings (such as exposure time) may reduce the frequency to a lower number. Human vision The temporal sensitivity and resolution of human vision varies depending on the type and characteristics of visual stimulus, and it differs between individuals. The human visual system can process 10 to 12 images per second and perceive them individually, while higher rates are perceived as motion. Modulated light (such as a computer display) is perceived as stable by the majority of participants in studies when the rate is higher than 50 Hz. This perception of modulated light as steady is known ...
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