|
Phoenix Arising
''Phoenix Arising'' is a composition for bassoon and piano by Graham Waterhouse, who wrote it in 2008 in memory of his father, the bassoonist and musicologist William Waterhouse. It premiered in London in 2009, and was published by Accolade the same year. History Waterhouse composed ''Phoenix Arising'' in 2008 in memory of his father, the bassoonist William Waterhouse, who was the bassoonist of the Melos Ensemble and a notable scholar. Subtitled ''Tribute to William Waterhouse'', it was commissioned by the Park Lane Group in London, and first performed on 9 January 2009 in the Purcell Room of the Southbank Centre by the bassoonist Rosemary Burton and the pianist Christopher White. The players performed it again in a concert "In memoriam William Waterhouse" at the Berlin Musical Instrument Museum on 24 April 2009, arranged by the Deutsche Gesellschaft für Oboe und Fagott. The program featured also works which William Waterhouse had published, other compositions dedicated to h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Waterhouse (bassoonist)
William Waterhouse (18 February 1931 – 5 November 2007) was an English bassoonist and musicologist. He played with notable orchestras, was a member of the Melos Ensemble, professor at the Royal Northern College of Music, author of the ''Yehudi Menuhin Music Guide "Bassoon"'', of ''The New Langwill Index'', and contributor to the ''New Grove Dictionary of Music and Musicians''. Biography and career as a performer Born in London, Waterhouse studied at the Royal College of Music, specifically the bassoon with Archie Camden, viola with Cecil Aronowitz, and harmony with the composer Gordon Jacob. From 1953 to 1955, he was second bassoonist in the orchestra of the Royal Opera at Covent Garden at the time of Maria Callas, Tito Gobbi, and Kirsten Flagstad. Later he stated that his most valuable lessons in phrasing were actually learned playing in the pit while accompanying opera singers. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opus Number
In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800–01), paired in same opus number, with both being subtitled ''Sonata quasi una Fantasia'', the only two of the kind in all of Beethoven's 32 piano sonatas. Furthermore, the ''Piano Sonata, Op. 27 No. 2, in C-sharp minor'' is also catalogued as "Sonata No. 14", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chamber Music
Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part (in contrast to orchestral music, in which each string part is played by a number of performers). However, by convention, it usually does not include solo instrument performances. Because of its intimate nature, chamber music has been described as "the music of friends". For more than 100 years, chamber music was played primarily by amateur musicians in their homes, and even today, when chamber music performance has migrated from the home to the concert hall, many musicians, amateur and professional, still play chamber music for their own pleasure. Playing chamber music requires special skills, both musical and social, that differ from the skills required for playing solo or symphonic works. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
University Of Michigan
, mottoeng = "Arts, Knowledge, Truth" , former_names = Catholepistemiad, or University of Michigania (1817–1821) , budget = $10.3 billion (2021) , endowment = $17 billion (2021)As of October 25, 2021. , president = Santa Ono , provost = Laurie McCauley , established = , type = Public research university , academic_affiliations = , students = 48,090 (2021) , undergrad = 31,329 (2021) , postgrad = 16,578 (2021) , administrative_staff = 18,986 (2014) , faculty = 6,771 (2014) , city = Ann Arbor , state = Michigan , country = United States , coor = , campus = Midsize City, Total: , including arboretum , colors = Maize & Blue , nickname = Wolverines , sporti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Movement (music)
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately as stand-alone pieces, a performance of the complete work requires all the movements to be performed in succession. A movement is a section Section, Sectioning or Sectioned may refer to: Arts, entertainment and media * Section (music), a complete, but not independent, musical idea * Section (typography), a subdivision, especially of a chapter, in books and documents ** Section sig ..., "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena". Sources Formal sections in music analysis {{music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
In Freundschaft
''In Freundschaft'' (In friendship) is a composition by Karlheinz Stockhausen, number 46 in his catalogue of works. It is a serial composition for a solo instrument, first for clarinet, and later arranged by the composer for many other instruments, often in friendship to specific performers. ''In Freundschaft'' was first conceived in 1977 as a birthday present for clarinetist Suzanne Stephens, and was first performed at her birthday party in Aix-en-Provence on 28 July that year in a version for the flute. It was later reprised on other instruments as the composer adapted it to nearly every standard orchestral instrument at the request of performers. The work is an example of formula composition, with a basic motif first being presented and then varied in two contrasting, cyclical layers; interrupted by cadenzas. The work has been recorded multiple times, including under the supervision of its composer. Background The works by the prolific composer Karlheinz Stockhausen have be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gordon Jacob
Gordon Percival Septimus Jacob CBE (5 July 18958 June 1984) was an English composer and teacher. He was a professor at the Royal College of Music in London from 1924 until his retirement in 1966, and published four books and many articles about music. As a composer he was prolific: the list of his works totals more than 700, mostly compositions of his own, but a substantial minority of orchestrations and arrangements of other composers' works. Those whose music he orchestrated range from William Byrd to Edward Elgar to Noël Coward. Life and career Jacob was born in Upper Norwood, London, the seventh son and youngest of ten children of Stephen Jacob, and his wife, Clara Laura, ''née'' Forlong. Stephen Jacob, an official of the Indian Civil Service based in Calcutta, died when Gordon was three.Wetherell, Eric"Jacob, Gordon Percival Septimus (1895–1984), composer" ''Oxford Dictionary of National Biography'', Oxford University Press, 2004. Retrieved 30 October 2018 Jacob was e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victor Bruns
Victor Bruns (russian: Виктор Брунс; 15 August 1904 – 6 December 1996) was a German composer and bassoonist. He played with the Mariinsky Theatre, Leningrad Opera, the Volksoper Berlin and the Staatskapelle Berlin. As a composer, he is known for his ballets and for bassoon concertos and Bassoon sonata, sonatas. Career Victor Bruns was born to German parents in their summer house in Solnechnoye, Saint Petersburg, Ollila near St Petersburg in an area then part of the Russian Empire. He attended a German school where he received his first piano lessons. After brief studies of science at the Technical University, he studied at the Saint Petersburg Conservatory, Petrograd State Conservatory (later the Leningrad State Conservatory). Here he studied the bassoon with Alexander Vasilyev from 1924 to 1927 and composition with Vladimir Shcherbakov from 1927 to 1931. He graduated with his first Bassoon Concerto, Op. 5, which he premiered in 1933 with the Saint Petersburg P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenoroon
The tenor bassoon or tenoroon is a member of the bassoon family of double reed woodwind instruments. Similar to the alto bassoon, also called octave bassoon, it is relatively rare. Nomenclature Many debates have been had on the nomenclature of the smaller bassoons. All small bassoons have at one time or another been called fagottino (pl. fagottini), but this term is historically usually only applied to the octave bassoon. The terms quart-bassoon (''Quartfagott'') and quint-bassoon (''Quintfagott'') are applied respectively to the instruments pitched a fourth above and a fifth above the normal bassoon. To add to the confusion, these terms can also be applied to instruments a fifth lower (quint-bassoon in F) and a fourth lower (quart-bassoon in G) known as semi-contrabassoons. Note that the keys of the lower and higher versions are reversed. Often the terms bass and tenor or high are added to clarify which instrument one is talking about, e.g. quart-bass bassoon or high quint-bassoo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chamber Music
Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part (in contrast to orchestral music, in which each string part is played by a number of performers). However, by convention, it usually does not include solo instrument performances. Because of its intimate nature, chamber music has been described as "the music of friends". For more than 100 years, chamber music was played primarily by amateur musicians in their homes, and even today, when chamber music performance has migrated from the home to the concert hall, many musicians, amateur and professional, still play chamber music for their own pleasure. Playing chamber music requires special skills, both musical and social, that differ from the skills required for playing solo or symphonic works. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berlin Musical Instrument Museum
The Berlin Musical Instrument Museum (german: Musikinstrumenten-Museum Berlin) is located at the Kulturforum on Tiergartenstraße in Berlin, Germany. The museum holds over 3,500 musical instruments from the 16th century onward and is one of the largest and most representative musical instrument collections in Germany. Objects include a portable harpsichord once owned by Prussia's Queen Sophie Charlotte, flutes from the collection of Frederick the Great, and Benjamin Franklin’s glass harmonica. History The museum was founded in 1888 at the Royal Academy of Music in Berlin from a collection assembled by Philipp Spitta and Joseph Joachim. Thirty-four instruments from the Museum of Decorative Arts, which had once been heard at the state court of the Kingdom of Prussia, formed the basis of the collection. By 1890 the museum had purchased hundreds more from Leipzig publisher and music dealer . The world famous "" is one of these. The largest acquisitions were made by Oskar Fleisc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christopher White (pianist)
Christopher White (born 1984) is an English classical pianist, musicologist and repetiteur. He plays internationally, not only the standard classical and romantic repertory, but premieres of new music. He made a transcription of four movements of Mahler's unfinished Tenth Symphony for piano, playing and recording the work. Career White studied at the Royal Academy of Music, graduating in 2007. He studied piano with Hamish Milne and Nicholas Walker, and piano accompaniment with Michael Dussek. White played piano concertos by Beethoven, Brahms, and Rachmaninow with the Orchestra of the City in London. He played the Piano Concerto No. 2 in G minor by Camille Saint-Saëns at the Philharmonie Berlin in 2016. White premiered new music. On 17 July 2003, he played the first performance of ''Blue Medusa'' by John Casken, a piece for bassoon and piano commissioned by Rosemary Burton's parents for her birthday. With the same bassoonist, he played in 2009 '' Phoenix Arising'', writ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
