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Phillip Otto Runge
Philipp Otto Runge (; 1777–1810) was a German artist, draftsman, painter, and color theorist. Runge and Caspar David Friedrich are often regarded as the leading painters of the German Romantic movement.Koerner, Joseph Leo. 1990. ''Caspar David Friedrich and the Subject of Landscape.'' Yale University Press. New Haven, Connecticut. 256 pp. Rauch, Alexander. 2000. ''Neoclassicism and the Romantic Movement: Painting in Europe between Two Revolutions 1789 – 1848.'' pages 318–479. in Tomam, Rolf, editor. ''Neoclassicism and Romanticism: Architecture, Sculpture, Painting, Drawings, 1750-1848.'' Könemann, Verlagsgesellschaft. Cologne. 520 pp. He is frequently compared with William Blake by art historians, although Runge's short ten-year career is not easy to equate to Blake's career.Connelly, Frances S. 1993. ''Poetic Monsters and Nature Hieroglyphics: The Precocious Primitivism of Philipp Otto Runge.'' Art Journal. 52(2): 31-39. By all accounts he had a brilliant mind and was we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamburger Kunsthalle
The Hamburger Kunsthalle is the art museum of the Free and Hanseatic City of Hamburg, Germany. It is one of the largest art museums in the country. It consists of three connected buildings, dating from 1869 (main building), 1921 (Kuppelsaal) and 1997 (Galerie der Gegenwart), located in the Altstadt district between the Hauptbahnhof (central train station) and the two Alster lakes. The name ''Kunsthalle'' indicates the museum's history as an 'art hall' when it was founded in 1850. Today, it houses one of the few art collections in Germany that cover seven centuries of European art, from the Middle Ages to the present day. Its permanent collections focus on North German painting of the 14th century, paintings by Dutch, Flemish and Italian artists of the 16th and 17th centuries, French and German drawings and paintings of the 19th century, and international modern and contemporary art. History The museum collection traces its origin to 1849, when it was initially established by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gesamtkunstwerk
A ''Gesamtkunstwerk'' (, 'total work of art', 'ideal work of art', 'universal artwork', 'synthesis of the arts', 'comprehensive artwork', or 'all-embracing art form') is a work of art that makes use of all or many art forms or strives to do so. The term is a German loanword accepted in English as a term in aesthetics. Background The term was developed by the German writer and philosopher K. F. E. Trahndorff in his 1827 essay ''Ästhetik oder Lehre von Weltanschauung und Kunst'' (or 'Aesthetics, or Doctrine of Worldview and Art'). The German opera composer Richard Wagner used the term in two 1849 essays, and the word has become particularly associated with his aesthetic ideals. It is unclear whether Wagner knew of Trahndorff's essay. In France in the 1850s, Viollet-le-Duc was a proponent of integrating major arts (architecture) and minor arts (decorative arts), ''un art total''. This led to a fierce combat with the Beaux Arts academy in Paris who refused Viollet le Duc's edu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dresden Academy Of Fine Arts
The Dresden Academy of Fine Arts (German language, German ''Hochschule für Bildende Künste Dresden''), often abbreviated HfBK Dresden or simply HfBK, is a vocational university of visual arts located in Dresden, Germany. The present institution is the product of a merger between the famous Dresden Art Academy, founded in 1764, the workplace and training ground of a number of influential European artists, and another well-established local art school, Hochschule für Werkkunst Dresden, after World War II. History Buildings One of three buildings of today’s Dresden Academy of Fine Arts, the former Royal Academy of Arts, built in 1894, is located at a prominent position in town on Brühl's Terrace just next to the Dresden Frauenkirche, Frauenkirche. Since 1991, the building built by Constantin Lipsius on Brühl's Terrace between 1887 and 1894 – the glass dome of which is also known as Lemon Squeezer due to its form – has been heavily renovated and the parts that were d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolai Abildgaard
Nicolai Abraham Abildgaard (11 September 1743 – 4 June 1809) was a Danish neoclassical and royal history painter, sculptor, architect, and professor of painting, mythology, and anatomy at the New Royal Danish Academy of Art in Copenhagen, Denmark. Many of his works were in the royal Christiansborg Palace (some destroyed by fire 1794), Fredensborg Palace, and Levetzau Palace at Amalienborg. Biography Nicolai Abraham Abildgaard was born in Copenhagen, Denmark, as the son of Anne Margrethe (née Bastholm) and Søren Abildgaard, a noted antiquarian draughtsman. Abildgaard was trained by a painting master before he joined the Royal Danish Academy of Art (''Det Kongelige Danske Kunstakademi'') in Copenhagen, where he studied under the guidance of Johan Edvard Mandelberg and Johannes Wiedewelt. He won a series of medallions at the Academy for his brilliance from 1764 to 1767. The Large Gold Medallion from the Academy won in 1767 included a travel stipend, which he wait ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jens Juel (painter)
Jens Juel (12 May 1745 – 27 December 1802) was a Danish painter, primarily known for his many portraits, of which the largest collection is on display at Frederiksborg Castle. He is regarded as the leading Danish portrait painter of the 18th century. Early life and career He was born in the house of his mother's brother Johan Jørgensen, who was a school teacher in Balslev on the island of Funen. Jens Juel was the son of Vilhelmine Elisabeth Juel (January 1725 – March 1799), who served at Wedellsborg, and Jørgen Jørgensen (1724 – 4 June 1796), who was a schoolmaster in Gamborg, not far from Balslev, and he grew up in Gamborg. Juel showed an interest in painting from an early age, and his parents sent him to be an apprentice of painter Johann Michael Gehrman in Hamburg, where he worked hard for five or six years and improved so much that he acquired a reputation as a painter of portraits, landscapes, etc. During the time of his studies, he could live off painting landsc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Danish Academy Of Fine Arts
The Royal Danish Academy of Fine Arts () has provided education in the arts for more than 250 years, playing its part in the development of the art of Denmark. History The Royal Danish Academy of Portraiture, Sculpture, and Architecture in Copenhagen was inaugurated on 31 March 1754, and given as a gift to the King Frederik V on his 31st birthday. Its name was changed to the Royal Danish Academy of Painting, Sculpture, and Architecture in 1771. At the same event, Johann Friedrich Struensee introduced a new scheme in the academy to encourage artisan apprentices to take supplementary classes in drawing so as to develop the notion of "good taste". The building boom resulting from the Great Fire of 1795 greatly profited from this initiative. In 1814 the name was changed again, this time to the Royal Danish Academy of Fine Arts. It is still situated in its original building, the Charlottenborg Palace, located on the Kongens Nytorv in Copenhagen. The School of Architecture has be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerdt Hardorff
Gerdt Hardorff (11 May 1769, Steinkirchen, Lower Saxony, Steinkirchen - 19 May 1864, Hamburg) was a German painter, art collector and drawing teacher. He is sometimes referred to as The Elder to distinguish him from his son, Gerdt, who also became a painter. Biography He was born to Gerd Hardorff, a grain trade, grain merchant, and his wife Alheit, née Dreyer. Shortly before 1780, his family moved to Hamburg. He took his first drawing lessons in 1783, from Johann Anton Tischbein at the Gelehrtenschule des Johanneums. He then attended the drawing school at the "", and was awarded a silver medal. From 1788 to 1794, thanks to a scholarship from that institution, he studied at the Dresden Academy of Fine Arts with the portrait painter, Giovanni Battista Casanova. While there, he also carried out artistic studies "from nature". In 1794, the Academy awarded him first prize for his depiction of Cain, after the murder. That same year, after refusing an offer by to accompany his so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Joachim Herterich
Heinrich Joachim Herterich (May/June 1772, Hamburg – 20 March 1852, Hamburg) was a German lithographer, painter and etcher. Life and work He studied with his father, Johann Andreas Herterich (1725–1794), who was originally from Bayreuth. In 1804, he made a study trip to Paris. Initially, he worked as a portrait painter, in a style influenced by Claude Lorrain. He learned lithography in 1817, from , in Munich. The following year, he returned to Hamburg with a team of specialists, in a joint venture with Johannes Michael Speckter, to establish the first lithography firm in Northern Germany. The company proved to be very successful, although Herterich personally continued to prefer painting to lithography. In 1825, he helped to set up a "Lithographic Institute" in Berlin, modelled after the one in Munich. He remained closely connected to the Speckter family until his death; serving as a teacher for his partner's sons, Erwin and Otto. He was interred at the Ohlsdorf Cemeter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johannes Michael Speckter
Johannes Michael Speckter (5 July 1764, Uthlede - 1 March 1845, Hamburg) was a German lithographer and graphics collector. Life and work His father was a teacher from Hanover. Around 1785, he moved to Hamburg. Under the influence of the architect, , he initially studied architecture, but then switched to studying mathematics at the . In the 1790s, he turned to the business trades, but was also active as a collector and dealer of copper engravings and etchings. In 1818, he created the first lithographic firm in Northern Germany. Together with Heinrich Joachim Herterich, who brought a team of specialists from Munich, he established "Hamb. Steindruckerei Speckter & Herterich" ("Speckter & Co" after 1829). The company proved to be very successful. Their regular clients included Friedrich Carl Gröger and Heinrich Jacob Aldenrath Heinrich Jakob Aldenrath (17 February 1775, Lübeck – 25 February 1844, Hamburg) was a portrait painter, miniaturist, and lithographer. Life Alde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Justus Perthes
Johann Georg Justus Perthes (11 September 1749 – 2 May 1816) was a Germans, German publisher and founder of Justus Perthes (publishing company), the publishing house that bears his name. Life He was born in the Thuringian town of Rudolstadt, the son of a Schwarzburg-Rudolstadt, Schwarzburg court physician. From 1778 he worked as a bookseller in nearby Gotha (town), Gotha, where he founded the Cartography, cartographic publishing firm ''Justus Perthes Geographische Anstalt Gotha'' in 1785. In this, he was joined in 1814 by his son Wilhelm Perthes (1793–1853), who had been in the publishing house of Justus's nephew Friedrich Christoph Perthes at Hamburg. On Justus' death in Gotha, Wilhelm took over the firm and laid the foundation of the geographical branch of the business for which it is chiefly famous, by the first publishing of the ''Stielers Handatlas, Hand-Atlas'' from 1817–1823 after Adolf Stieler (1775–1836). Wilhelm Perthes engaged the collaboration of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friedrich Gottlieb Klopstock
Friedrich Gottlieb Klopstock (; 2 July 1724 – 14 March 1803) was a German poet. His best known works are the epic poem ''Der Messias'' ("The Messiah") and the poem ''Die Auferstehung'' ("The Resurrection"), with the latter set to text in the finale of Gustav Mahler's Symphony No. 2. One of his major contributions to German literature was to open it up to exploration outside of French models. Biography Early life Klopstock was born at Quedlinburg, the eldest son of a lawyer. Both in his birthplace and on the estate of Friedeburg on the Saale, which his father later rented, he spent a happy childhood. Having been given more attention to his physical than to his mental development, he grew up strong and healthy and was considered an excellent horseman. In his thirteenth year, he returned to Quedlinburg and attended the gymnasium there, and in 1739 went on to the famous classical school named Schulpforta. Here he soon became adept in Greek and Latin versification, and wrote s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matthias Claudius
Matthias Claudius (15 August 1740 – 21 January 1815) was a German poet and journalist, otherwise known by the pen name of "Asmus". Life Claudius was born at Reinfeld, near Lübeck, and studied at Jena. He spent the greater part of his life in the town of Wandsbeck, where he earned his first literary reputation by editing from 1771 to 1775, a newspaper called ' (The Wandsbeck Messenger) (''Wandsbeck'' until the year 1879 still written with "ck". Today only with "k".), in which he published a large number of prose essays and poems. They were written in pure and simple German, and appealed to the popular taste; in many there was a vein of extravagant humour or even burlesque, while others were full of quiet meditation and solemn sentiment. In his later days, perhaps through the influence of Klopstock, with whom he had formed an intimate acquaintance, Claudius became strongly pietistic, and the graver side of his nature showed itself. In 1814 he moved to Hamburg, to the house of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
