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Pharoah Sanders (1981) By Wojciech Soporek
Pharoah Sanders (born Ferrell Lee Sanders; October 13, 1940 – September 24, 2022) was an American jazz saxophonist. Known for his overblowing, harmonic, and multiphonic techniques on the saxophone, as well as his use of "sheets of sound", Sanders played a prominent role in the development of free jazz and spiritual jazz through his work as a member of John Coltrane's groups in the mid-1960s, and later through his solo work. He released over thirty albums as a leader and collaborated extensively with vocalist Leon Thomas and pianist Alice Coltrane, among many others. Fellow saxophonist Ornette Coleman once described him as "probably the best tenor player in the world". Sanders' take on "spiritual jazz" was rooted in his inspiration from religious concepts such as Karma and Tawhid, and his rich, meditative performance aesthetic. This style was seen as a continuation of Coltrane's work on albums such as ''A Love Supreme''. As a result, Sanders was considered to have been a discip ...
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Little Rock, Arkansas
(The Little Rock, The "Little Rock") , government_type = council-manager government, Council-manager , leader_title = List of mayors of Little Rock, Arkansas, Mayor , leader_name = Frank Scott Jr. , leader_party = Democratic Party (United States), D , leader_title2 = City council, Council , leader_name2 = Little Rock Board of Directors , unit_pref = Imperial , area_total_sq_mi = 123.00 , area_total_km2 = 318.58 , area_land_sq_mi = 120.05 , area_land_km2 = 310.92 , area_metro_sq_mi = 4090.34 , area_metro_km2 = 10593.94 , population_as_of = 2020 United States Census, 2020 , population_est = , pop_est_as_of = , population_demonym = Little Rocker , population_footnotes = , population_total = 202591 , population_rank = US: List of United States cities by population, 118 ...
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Overblowing
Overblowing is the manipulation of supplied air through a wind instrument that causes the sounded pitch to jump to a higher one without a fingering change or the operation of a slide. Overblowing may involve a change in the air pressure, in the point at which the air is directed, or in the resonance characteristics of the chamber formed by the mouth and throat of the player. (The latter is a feature of embouchure.) In some instruments, overblowing involves the direct manipulation of the vibrating reed(s), and/or the pushing of a register key while otherwise leaving fingering unaltered. With the exception of harmonica overblowing, the pitch jump is from one vibratory mode of the reed or air column, e.g., its fundamental, to an overtone. Overblowing can be done deliberately in order to get a higher pitch, or inadvertently, resulting in the production of a note other than intended. Characteristics In simple woodwind instruments, overblowing can cause the pitch to change into a ...
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Colin Larkin (writer)
Colin Larkin (born 1949) is a British writer and entrepreneur. He founded, and was the editor-in-chief of, the ''Encyclopedia of Popular Music'', described by ''The Times'' as "the standard against which all others must be judged". Along with the ten-volume encyclopedia, Larkin also wrote the book ''All Time Top 1000 Albums'', and edited the ''Guinness Who's Who of Jazz'', the ''Guinness Who's Who of Blues'', and the ''Virgin Encyclopedia Of Heavy Rock''. He has over 650,000 copies in print to date. Background and education Larkin was born in Dagenham, Essex. Larkin spent much of his early childhood attending the travelling fair where his father, who worked by day as a plumber for the council, moonlighted on the waltzers to make ends meet. It was in the fairground, against a background of Little Richard on the wind-up 78 rpm turntables, that Larkin acquired his passion for the world of popular music. He studied at the South East Essex County Technical High School and at ...
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Encyclopedia Of Popular Music
''The Encyclopedia of Popular Music'' is an encyclopedia created in 1989 by Colin Larkin. It is the "modern man's" equivalent of the '' Grove Dictionary of Music'', which Larkin describes in less than flattering terms.''The Times'', ''The Knowledge'', Christmas edition, 22 December 2007- 4 January 2008. It was described by ''The Times'' as "the standard against which all others must be judged". History of the encyclopedia Larkin believed that rock music and popular music were at least as significant historically as classical music, and as such, should be given definitive treatment and properly documented. ''The Encyclopedia of Popular Music'' is the result. In 1989, Larkin sold his half of the publishing company Scorpion Books to finance his ambition to publish an encyclopedia of popular music. Aided by a team of initially 70 contributors, he set about compiling the data in a pre-internet age, "relying instead on information gleaned from music magazines, individual expertise ...
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Albert Ayler
Albert Ayler (; July 13, 1936 – November 25, 1970) was an American avant-garde jazz saxophonist, singer and composer. After early experience playing R&B and bebop, Ayler began recording music during the free jazz era of the 1960s. However, some critics argue that while Ayler's style is undeniably original and unorthodox, it does not adhere to the generally accepted critical understanding of free jazz. In fact, Ayler's style is difficult to categorize in any way, and it evoked incredibly strong and disparate reactions from critics and fans alike.Claghorn, 1982. His innovations have inspired subsequent jazz musicians. His trio and quartet records of 1964, such as ''Spiritual Unity'' and ''The Hilversum Session'', show him advancing the improvisational notions of John Coltrane and Ornette Coleman into abstract realms where whole timbre, and not just mainly harmony with melody, is the music's backbone. His ecstatic music of 1965 and 1966, such as "Spirits Rejoice" and "Truth ...
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A Love Supreme
''A Love Supreme'' is an album by American jazz saxophonist John Coltrane. He recorded it in one session on December 9, 1964, at Van Gelder Studio in Englewood Cliffs, New Jersey, leading a quartet featuring pianist McCoy Tyner, bassist Jimmy Garrison, and drummer Elvin Jones. ''A Love Supreme'' was released by Impulse! Records in January 1965. One of Coltrane's bestselling albums, it is widely considered his masterpiece. Composition ''A Love Supreme'' is a through-composed suite in four parts: "Acknowledgement" (which includes the oral chant that gives the album its name), "Resolution", "Pursuance", and "Psalm". Coltrane plays tenor saxophone on all parts. One critic has written that the album was intended to represent a struggle for purity, an expression of gratitude, and an acknowledgement that the musician's talent comes from a higher power. Coltrane's home in Dix Hills, Long Island, may have inspired the album.Kahn 2002 Another influence may have been Ahmadiyya Islam. T ...
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Tawhid
Tawhid ( ar, , ', meaning "unification of God in Islam ( Allāh)"; also romanized as ''Tawheed'', ''Tawhid'', ''Tauheed'' or ''Tevhid'') is the indivisible oneness concept of monotheism in Islam. Tawhid is the religion's central and single most important concept, upon which a Muslim's entire religious adherence rests. It unequivocally holds that God in Islam (Arabic: الله Allāh) is One (') and Single ('). Tawhid constitutes the foremost article of the Muslim profession of submission.D. Gimaret, ''Tawhid'', Encyclopedia of Islam The first part of the shahada (the Islamic declaration of faith) is the declaration of belief in the oneness of God. To attribute divinity to anything or anyone else, is '' shirk'' – an unpardonable sin according to the Qur'an, unless repented afterwards. Muslims believe that the entirety of the Islamic teaching rests on the principle of Tawhid.Tariq Ramadan (2005), p. 203 From an Islamic standpoint, there is an uncompromising nondualism at ...
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Karma
Karma (; sa, कर्म}, ; pi, kamma, italic=yes) in Sanskrit means an action, work, or deed, and its effect or consequences. In Indian religions, the term more specifically refers to a principle of cause and effect, often descriptively called the principle of karma, wherein intent and actions of an individual (cause) influence the future of that individual (effect): Good intent and good deeds contribute to good karma and happier rebirths, while bad intent and bad deeds contribute to bad karma and bad rebirths. As per some scripture, there is no link of rebirths with karma. The concept of karma is closely associated with the idea of rebirth in many schools of Indian religions (particularly Hinduism, Buddhism, Jainism and Sikhism), as well as Taoism.Eva Wong, Taoism, Shambhala Publications, , pp. 193 In these schools, karma in the present affects one's future in the current life, as well as the nature and quality of future lives—one's '' saṃsāra''. This concept has ...
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Tenor Sax
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ...
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Ornette Coleman
Randolph Denard Ornette Coleman (March 9, 1930 – June 11, 2015) was an American jazz saxophonist, violinist, trumpeter, and composer known as a principal founder of the free jazz genre, a term derived from his 1960 album '' Free Jazz: A Collective Improvisation''. His pioneering performances often abandoned the chordal and harmony-based structure found in bebop, instead emphasizing a jarring and avant-garde approach to improvisation. AllMusic called him "one of the most important (and controversial) innovators of the jazz avant-garde". Born in Fort Worth, Texas, Coleman began his musical career playing in local R&B and bebop groups, and eventually formed his own group in Los Angeles featuring members such as Ed Blackwell, Don Cherry, Charlie Haden, and Billy Higgins. In 1959, he released the controversial album ''The Shape of Jazz to Come'' and began a long residency at the Five Spot jazz club in New York City. His 1960 album ''Free Jazz'' would profoundly influence the di ...
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Alice Coltrane
Alice Coltrane (' McLeod; August 27, 1937January 12, 2007), also known by her adopted Sanskrit name Turiyasangitananda, was an American jazz musician and composer, and in her later years a swamini. An accomplished pianist and one of the few harpists in the history of jazz, she recorded many albums as a bandleader, beginning in the late 1960s and early 1970s for Impulse! and other record labels. She was married to jazz saxophonist and composer John Coltrane, with whom she performed in 1966–1967. One of the foremost exponents of spiritual jazz, her eclectic music proved widely influential both within and outside the world of jazz. Coltrane's professional music career slowed from the mid 1970s as she became more dedicated to her religious education. She founded the Vedantic Center in 1975 and the Shanti Anantam Ashram in California in 1983, where she served as spiritual director. On July 3, 1994, Swamini rededicated and inaugurated the land as Sai Anantam Ashram'' During the 19 ...
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Leon Thomas
Amos Leon Thomas Jr. (October 4, 1937 – May 8, 1999), known professionally as Leon Thomas, was an American jazz and blues vocalist, born in East St. Louis, Illinois, and known for his bellowing glottal-stop style of free jazz singing in the late 1960s and 1970s. Life and career Leon Thomas was born Amos Thomas, Jr. on October 4, 1937, in East St. Louis, Illinois. He studied music at Tennessee State University. At the time of his studies, he had begun a singing career as a guest vocalist for the jazz bands of percussionist Armando Peraza, saxophonist Jimmy Forrest, and guitarist Grant Green. His musical development at this time was shaped in part by seeing saxophonist John Coltrane perform in trumpeter Miles Davis's sextet during the late 1950s. Thomas moved to New York City in 1959, singing at the Apollo Theater as a vocalist for acts such as jazz ensemble The Jazz Messengers and singer Dakota Staton. In 1961, he joined the Count Basie Orchestra but soon left after being cons ...
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