|
Petroushka
Petrushka ( rus, Петру́шка, p=pʲɪtˈruʂkə, a=Ru-петрушка.ogg) is a stock character of Russian folk puppetry. Italian puppeteers introduced it in the first third of the 19th century. While most core characters came from Italy, they were soon transformed by the addition of material from the Russian 'lubki' and 'intermedii.' Petrushkas are traditionally marionettes, as well as hand puppets. The character is a kind of a jester distinguished by his red dress, a red '' kolpak'', and often a long nose. Word origin Although the Russian word "petrushka" has a homonym meaning "parsley", in this context the word is actually a hypocoristic (diminutive) for "Pyotr" (Пётр), which is Peter in Russian. Despite this, the character has little or nothing in common with the ''commedia dell'arte'' stock characters of Petruccio or Pierrot, but is instead a Russian version of Punch or Pulcinella. History Pietro-Mira Pedrillo of Italy, the court jester of the Empress ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Russian Children's Welfare Society
The Russian Children's Welfare Society is a not-for-profit, 501(c)(3) organization based in New York City with branches in Moscow and San Francisco. It was founded in 1926 to help Russian children whose families fled to other countries after the onset of the Bolshevik Revolution in 1917. After the collapse of the Soviet Union in 1991, the Society refocused all of its efforts solely on Russia. The RCWS funds scholarship programs, medical procedures, pediatric hospitals, rehabilitation programs, and orphanages throughout Russia. History of RCWS In forming the RCWS in 1926, the Society's founders announced their commitment to improving the lives of Russian children throughout the world, outside of the Soviet Union, at 125th Street YMCA in New York City. They embarked on their mission with a contribution that was sent to support Russian shelters in Latvia. Society's many programs today reflect that legacy. The direction of the Russian Children's Welfare Society has been shaped by man ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Petrushka 2
Petrushka ( rus, Петру́шка, p=pʲɪtˈruʂkə, a=Ru-петрушка.ogg) is a stock character of Russian folk puppetry. Italian puppeteers introduced it in the first third of the 19th century. While most core characters came from Italy, they were soon transformed by the addition of material from the Russian 'lubki' and 'intermedii.' Petrushkas are traditionally marionettes, as well as hand puppets. The character is a kind of a jester distinguished by his red dress, a red '' kolpak'', and often a long nose. Word origin Although the Russian word "petrushka" has a homonym meaning "parsley", in this context the word is actually a hypocoristic (diminutive) for "Pyotr" (Пётр), which is Peter in Russian. Despite this, the character has little or nothing in common with the ''commedia dell'arte'' stock characters of Petruccio or Pierrot, but is instead a Russian version of Punch or Pulcinella. History Pietro-Mira Pedrillo of Italy, the court jester of the Empress Anna Io ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pulcinella
Pulcinella (; nap, Pulecenella) is a classical character that originated in of the 17th century and became a stock character in Neapolitan puppetry. Pulcinella's versatility in status and attitude has captivated audiences worldwide and kept the character popular in countless forms since his introduction to by Silvio Fiorillo in 1620. His visual appearance includes a humpback, a crooked nose, gangly legs, a potbelly, large cheeks, and a gigantic mouth. These traits were inherited from two stock characters of the Atellan Farce. He typically wears a pointed hat (conical hat). When depicted as a member of the upper class, Pulcinella is a cunning thief and schemer. When depicted as a member of the servant class, Pulcinella is a perverted bumpkin. In either case, he is a social climber, striving to rise above his station in life. He is an opportunist who always sides with the winner in any situation, and fears no consequences. His main motivations are self-interest and self-pres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Puppets
A puppet is an object, often resembling a human, animal or mythical figure, that is animated or manipulated by a person called a puppeteer. The puppeteer uses movements of their hands, arms, or control devices such as rods or strings to move the body, head, limbs, and in some cases the mouth and eyes of the puppet. The puppeteer often speaks in the voice of the character of the puppet, and then synchronizes the movements of the puppet's mouth with this spoken part. The actions, gestures and spoken parts acted out by the puppeteer with the puppet are typically used in storytelling. Puppetry is a very ancient form of theatre which dates back to the 5th century BC in Ancient Greece. There are many different varieties of puppets, and they are made from a wide range of materials, depending on their form and intended use. They range from very simple in construction and operation to very complex. Two simple types of puppets are the finger puppet, which is a tiny puppet that fits ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fictional Characters Introduced In The 19th Century
Fiction is any creative work, chiefly any narrative work, portraying individuals, events, or places that are imaginary, or in ways that are imaginary. Fictional portrayals are thus inconsistent with history, fact, or plausibility. In a traditional narrow sense, "fiction" refers to written narratives in prose often referring specifically to novels, novellas, and short stories. More broadly, however, fiction encompasses imaginary narratives expressed in any medium, including not just writings but also live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games. Definition Typically, the fictionality of a work is publicly marketed and so the audience expects the work to deviate in some ways from the real world rather than presenting, for instance, only factually accurate portrayals or characters who are actual people. Because fiction is generally understood to not fully adhere to the real world, the themes and conte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Punch And Judy
Punch and Judy is a traditional puppet show featuring Mr. Punch and his wife Judy. The performance consists of a sequence of short scenes, each depicting an interaction between two characters, most typically Mr. Punch and one other character who usually falls victim to Punch's slapstick. ''The Daily Telegraph'' called Punch and Judy "a staple of the British seaside scene". The various episodes of Punch comedy—often provoking shocked laughter—are dominated by the clowning of Mr. Punch. The show is performed by a single puppeteer inside the booth, known since Victorian times as a "professor" or "punchman", and assisted sometimes by a "bottler" who corrals the audience outside the booth, introduces the performance, and collects the money ("the bottle"). The bottler might also play accompanying music or sound effects on a drum or guitar, and engage in back chat with the puppets, sometimes repeating lines that may have been difficult for the audience to understand. In Victorian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Petrushka (ballet)
''Petrushka'' (french: link=no, Pétrouchka; russian: link=no, Петрушка) is a ballet and orchestral concert work by Russian composer Igor Stravinsky. It was written for the 1911 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Michel Fokine and stage designs and costumes by Alexandre Benois, who assisted Stravinsky with the libretto. The ballet premiered at the Théâtre du Châtelet on 13 June 1911 with Vaslav Nijinsky as Petrushka, Tamara Karsavina as the lead ballerina, Alexander Orlov as the Moor, and Enrico Cecchetti the charlatan. ''Petrushka'' tells the story of the loves and jealousies of three puppets. The three are brought to life by the Charlatan during the 1830 Shrovetide Fair (''Maslenitsa'') in Saint Petersburg, Russia. Petrushka loves the Ballerina, but she rejects him. She prefers the Moor. Petrushka is angry and hurt, and challenges the Moor. The Moor kills him with his scimitar. Petrushka's ghost rises above ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guignol
Guignol () is the main character in a French puppet show which has come to bear his name. It represents the workers in the silk industry of France. Although often thought of as children's entertainment, Guignol's sharp wit and linguistic verve have always been appreciated by adults as well, as shown by the motto of a prominent Lyon troupe: "Guignol amuses children… and witty adults." History Laurent Mourguet, Guignol's creator, was born into a family of modest silk weavers on 3 March 1769. The certificate of his marriage to Jeanne Esterle in 1788 shows he was unable to read. When hard times fell on the silk trade during the French Revolution, he became a peddler and, in 1797, started to practice dentistry, which in those days was simply the pulling of teeth. The service was free; the money was made from the medicines sold afterward to ease the pain. To attract patients, he started setting up a puppet show in front of his dentist's chair. Mourguet's first shows featured Polichin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballerina
A ballet dancer ( it, ballerina fem.; ''ballerino'' masc.) is a person who practices the art of classical ballet. Both females and males can practice ballet; however, dancers have a strict hierarchy and strict gender roles. They rely on years of extensive training and proper technique to become a part of a professional ballet company. Ballet dancers are at a high risk of injury due to the demanding technique of ballet. Training and technique Ballet dancers typically begin training at an early age if they desire to perform professionally and often take part in international competitions such as YAGP and Prix de Lausanne. At these events, scholarships are being granted to the most talented dancers, enabling them to continue their training at renowned ballet schools around the world, such as the John Kranko Schule in Germany and the Académie de Danse Classique Princesse Grace in Monaco. Pre-professional ballet dancers can audition to enroll at a vocational ballet school such a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Pipes
Richard Edgar Pipes ( yi, ריכארד פּיִפּעץ ''Rikhard Pipets'', the surname literally means 'beak'; pl, Ryszard Pipes; July 11, 1923 – May 17, 2018) was an American academic who specialized in Russian and Soviet history. He published several books critical of communist regimes throughout his career.Kenez, Peter, and Richard Pipe. “The Prosecution of Soviet History: A Critique of Richard Pipes' The Russian Revolution.” The Russian Review, vol. 50, no. 3, 1991, pp. 345–351. JSTORhttps://www.jstor.org/stable/131078 Accessed 4 June 2021. In 1976, he headed Team B, a team of analysts organized by the Central Intelligence Agency (CIA) who analyzed the strategic capacities and goals of the Soviet military and political leadership. Pipes was the father of American historian Daniel Pipes. Pipes was born to a Jewish family in Cieszyn, Poland, which fled the country as refugees after it was invaded by Nazi Germany. Settling in the United States in 1940, he became a natu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kulak
Kulak (; russian: кула́к, r=kulák, p=kʊˈlak, a=Ru-кулак.ogg; plural: кулаки́, ''kulakí'', 'fist' or 'tight-fisted'), also kurkul () or golchomag (, plural: ), was the term which was used to describe peasants who owned over of land towards the end of the Russian Empire. In the early Soviet Union, particularly in Soviet Russia and Azerbaijan, ''kulak'' became a vague reference to property ownership among peasants who were considered hesitant allies of the Bolshevik Revolution. In Ukraine during 1930–1931, there also existed a term of pidkurkulnyk (almost wealthy peasant); these were considered "sub-kulaks". ''Kulak'' originally referred to former peasants in the Russian Empire who became wealthier during the Stolypin reform of 1906 to 1914, which aimed to reduce radicalism amongst the peasantry and produce profit-minded, politically conservative farmers. During the Russian Revolution, ''kulak'' was used to chastise peasants who withheld grain from the Bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agitprop
Agitprop (; from rus, агитпроп, r=agitpróp, portmanteau of ''agitatsiya'', "agitation" and ''propaganda'', "propaganda") refers to an intentional, vigorous promulgation of ideas. The term originated in Soviet Russia where it referred to popular media, such as literature, plays, pamphlets, films, and other art forms, with an explicitly political message in favor of communism. The term originated in Soviet Russia as a shortened name for the Department for Agitation and Propaganda (, '), which was part of the central and regional committees of the Communist Party of the Soviet Union. Within the party apparatus, both agitation (work among people who were not Communists) and propaganda (political work among party members) were the responsibility of the ''agitpropotdel'', or APPO. Its head was a member of the MK secretariat, although they ranked second to the head of the ''orgraspredotdel''. Typically Russian agitprop explained the ideology and policies of the Communist Party ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
