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Peter Von Staufenberg
''Peter von Staufenberg'' is a Middle High German verse novella in 1,192 lines. It was written around 1310 by Egenolf von Staufenberg. Egenolf was a member of an Alsace, Alsatian noble family. Egenolf can be traced in documents from 1273, 1285 and 1320. He was dead by 1324. The prototype for the hero of his novella was probably a relative of his, the Peter von Staufenberg who is mentioned in documents of 1274 and 1287. Their name came from the castle of near Durbach in the Ortenau. In the poem, Peter is said to have become a knight at the Church of the Holy Sepulchre, Holy Sepulchre, perhaps in reference to the historical Peter's participation in the Crusade of 1267, where some are known to have been knighted there. The hero of the story is Peter Diemringer, a virtuous knight of Staufenberg castle. He meets a beautiful woman with the supernatural ability to appear and disappear at will. He moves in with her, receiving sexual and material rewards on the condition that he marry no o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Middle High German
Middle High German (MHG; german: Mittelhochdeutsch (Mhd.)) is the term for the form of German spoken in the High Middle Ages. It is conventionally dated between 1050 and 1350, developing from Old High German and into Early New High German. High German is defined as those varieties of German which were affected by the Second Sound Shift; the Middle Low German and Middle Dutch languages spoken to the North and North West, which did not participate in this sound change, are not part of MHG. While there is no ''standard'' MHG, the prestige of the Hohenstaufen court gave rise in the late 12th century to a supra-regional literary language (') based on Swabian, an Alemannic dialect. This historical interpretation is complicated by the tendency of modern editions of MHG texts to use ''normalised'' spellings based on this variety (usually called "Classical MHG"), which make the written language appear more consistent than it actually is in the manuscripts. Scholars are uncertain as to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Celtic Mythology
Celtic mythology is the body of myths belonging to the Celtic peoples.Cunliffe, Barry, (1997) ''The Ancient Celts''. Oxford, Oxford University Press , pp. 183 (religion), 202, 204–8. Like other Iron Age Europeans, Celtic peoples followed a polytheistic religion, having many gods and goddesses. The mythologies of continental Celtic peoples, such as the Gauls and Celtiberians, did not survive their conquest by the Roman Empire, the loss of their Celtic languages and their subsequent conversion to Christianity. Only remnants are found in Greco-Roman sources and archaeology. Most surviving Celtic mythology belongs to the Insular Celtic peoples (the Gaels of Ireland and Scotland; the Celtic Britons of western Britain and Brittany). They preserved some of their myths in oral lore, which were eventually written down by Christian scribes in the Middle Ages. Irish mythology has the largest written body of myths, followed by Welsh mythology. The supernatural race called the Tuatha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medieval German Poems
In the history of Europe, the Middle Ages or medieval period lasted approximately from the late 5th to the late 15th centuries, similar to the post-classical period of global history. It began with the fall of the Western Roman Empire and transitioned into the Renaissance and the Age of Discovery. The Middle Ages is the middle period of the three traditional divisions of Western history: classical antiquity, the medieval period, and the modern period. The medieval period is itself subdivided into the Early, High, and Late Middle Ages. Population decline, counterurbanisation, the collapse of centralized authority, invasions, and mass migrations of tribes, which had begun in late antiquity, continued into the Early Middle Ages. The large-scale movements of the Migration Period, including various Germanic peoples, formed new kingdoms in what remained of the Western Roman Empire. In the 7th century, North Africa and the Middle East—most recently part of the Eastern Roman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
14th-century Poems
As a means of recording the passage of time, the 14th century was a century lasting from 1 January 1301 ( MCCCI), to 31 December 1400 ( MCD). It is estimated that the century witnessed the death of more than 45 million lives from political and natural disasters in both Europe and the Mongol Empire. West Africa experienced economic growth and prosperity. In Europe, the Black Death claimed 25 million lives wiping out one third of the European population while the Kingdom of England and the Kingdom of France fought in the protracted Hundred Years' War after the death of Charles IV, King of France led to a claim to the French throne by Edward III, King of England. This period is considered the height of chivalry and marks the beginning of strong separate identities for both England and France as well as the foundation of the Italian Renaissance and Ottoman Empire. In Asia, Tamerlane (Timur), established the Timurid Empire, history's third largest empire to have been ever establish ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Fischart
Johann Baptist Fischart (c. 1545 – 1591) was a German satirist and publicist. Biography Fischart was born, probably, at Strasbourg (but according to some accounts at Mainz), in or about the year 1545, and was educated at Worms in the house of Kaspar Scheid, whom in the preface to his ''Eulenspiegel'' he mentions as his cousin and preceptor. He appears to have travelled in Italy, the Netherlands, France and England, and on his return to have taken the degree of ''doctor juris'' at Basel. Most of his works were written from 1575 to 1581. During this period, he lived with, and was probably associated in the business of, his sister's husband, Bernhard Jobin, a printer at Strasbourg who published many of his books. In 1581 Fischart was attached as advocate to the Reichskammergericht (imperial court of appeal) at Speyer. In 1583, he married and was appointed ''Amtmann'' (magistrate) at Forbach near Saarbrücken. He died there in the winter of 1590–1591. Influence Thirty years aft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gottfried Von Strassburg
Gottfried von Strassburg (died c. 1210) is the author of the Middle High German courtly romance ', an adaptation of the 12th-century ''Tristan and Iseult'' legend. Gottfried's work is regarded, alongside the ''Nibelungenlied'' and Wolfram von Eschenbach's ''Parzival'', as one of the great narrative masterpieces of the German Middle Ages. He is probably also the composer of a small number of surviving lyrics. His work became a source of inspiration for Richard Wagner's opera ''Tristan und Isolde'' (1865). Life Other than an origin in or close association with Strasbourg, nothing is known of his life. It would seem, however, that he was a man of good birth and position, who filled an important municipal office in his native city of Strasbourg, but since he is always referred to in German as ''Meister'' (master) and not ''Herr'' (sir), it seems safe to assume he was not a knight, a conclusion supported by the rather dismissive attitude toward knightly exploits shown in ''Tristan''. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Konrad Von Würzburg
Konrad von Würzburg (c.1220-1230 – 31 August 1287) was the chief German poet of the second half of the 13th century. As with most epic poets of the age, little is known of his life, and his origin is disputed. There have been German scholars and local patriots of Würzburg who claimed he hailed from Würzburg. Wilhelm Wackernagel on the other hand contends that Konrad was from Basel, as the house he owned was called the "House of Wirzburg", meaning he was named "Würzburg" not after a city, but after a house. He seems to have spent part of his life in Strasbourg and his later years in Basel, where he died. Like his master, Gottfried von Strassburg, but unlike most other poets from the time, Würzburg did not belong to the nobility. His varied and voluminous literary work is comparatively free from the degeneration which set in so rapidly in Middle High German poetry during the 13th century. According to the ''Encyclopædia Britannica'' Eleventh Edition, " s style, alt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman De Dolopathos
Roman or Romans most often refers to: *Rome, the capital city of Italy *Ancient Rome, Roman civilization from 8th century BC to 5th century AD *Roman people, the people of ancient Rome *''Epistle to the Romans'', shortened to ''Romans'', a letter in the New Testament of the Christian Bible Roman or Romans may also refer to: Arts and entertainment Music *Romans (band), a Japanese pop group * ''Roman'' (album), by Sound Horizon, 2006 * ''Roman'' (EP), by Teen Top, 2011 *"Roman (My Dear Boy)", a 2004 single by Morning Musume Film and television *Film Roman, an American animation studio * ''Roman'' (film), a 2006 American suspense-horror film * ''Romans'' (2013 film), an Indian Malayalam comedy film * ''Romans'' (2017 film), a British drama film * ''The Romans'' (''Doctor Who''), a serial in British TV series People *Roman (given name), a given name, including a list of people and fictional characters *Roman (surname), including a list of people named Roman or Romans *Ῥωμαῖ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie De France
Marie de France ( fl. 1160 to 1215) was a poet, possibly born in what is now France, who lived in England during the late 12th century. She lived and wrote at an unknown court, but she and her work were almost certainly known at the royal court of King Henry II of England. Virtually nothing is known of her life; both her given name and its geographical specification come from her manuscripts. However, one written description of her work and popularity from her own era still exists. She is considered by scholars to be the first woman known to write francophone verse. Marie de France wrote in Francien, with some Anglo-Norman influence. She was proficient in Latin, as were most authors and scholars of that era, as well as Middle English and possibly Breton. She is the author of the ''Lais of Marie de France''. She translated Aesop's Fables from Middle English into Anglo-Norman French and wrote ''Espurgatoire seint Partiz'', '' Legend of the Purgatory of St. Patrick'', based upon a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guingamor
''Guingamor'' is an anonymous medieval lai about a knight who leaves the court of his uncle, a king, because the queen has sent him off to hunt for a white boar. By offering a reward for the boar's head, she hopes to get rid of the protagonist Guingamor, who has refused her sexual advances. Guingamor crosses a river and passes into a mystical kingdom. Returning with the boar's head after what seems to him like three days, he encounters a common charcoal-maker, who tells him that many years have passed since the king's faithful nephew never returned from a hunt for the white boar. Guingamor's return is triumphant and he is immortalized in a lai. The story was once presumed to have been written by Marie de France Marie de France (fl. 1160 to 1215) was a poet, possibly born in what is now France, who lived in England during the late 12th century. She lived and wrote at an unknown court, but she and her work were almost certainly known at the royal court o ..., but is now conside ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lai (poetic Form)
A ''lai'' (or ''lay lyrique'', "lyric lay", to distinguish it from a ''lai breton'') is a lyrical, narrative poem written in octosyllabic couplets that often deals with tales of adventure and romance. ''Lais'' were mainly composed in France and Germany, during the 13th and 14th centuries. The English term ''lay'' is a 13th-century loan from Old French ''lai''. The origin of the French term itself is unclear; perhaps it is itself a loan from German '' Leich'' (reflected in archaic or dialectal English ''lake'', "sport, play" and in modern Swedish (leker = to play). The terms ''note'', ''nota'' and ''notula'' (as used by Johannes de Grocheio) appear to have been synonyms for ''lai''. The poetic form of the ''lai'' usually has several stanzas, none of which have the same form. As a result, the accompanying music consists of sections which do not repeat. This distinguishes the lai from other common types of musically important verse of the period (for example, the rondeau and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old French
Old French (, , ; Modern French: ) was the language spoken in most of the northern half of France from approximately the 8th to the 14th centuries. Rather than a unified language, Old French was a linkage of Romance dialects, mutually intelligible yet diverse, spoken in the northern half of France. These dialects came to be collectively known as the , contrasting with the in the south of France. The mid-14th century witnessed the emergence of Middle French, the language of the French Renaissance in the Île de France region; this dialect was a predecessor to Modern French. Other dialects of Old French evolved themselves into modern forms (Poitevin-Saintongeais, Gallo, Norman, Picard, Walloon, etc.), each with its own linguistic features and history. The region where Old French was spoken natively roughly extended to the northern half of the Kingdom of France and its vassals (including parts of the Angevin Empire, which during the 12th century remained under Anglo-Norman rul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
