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Peter Minich
Peter Minich (29 January 1927 – 29 July 2013 ORF.at, 30 July 2013) was an Austrian stage actor who became a performing in operas, s and s. He was for decades the lead tenor of the in Vienna, focused on Viennese operetta. Life Family and early years ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theater St
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. The specific place of the performance is also named by the word "theatre" as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe"). Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements. Theatre artist Patrice Pavi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eine Nacht In Venedig
'' Eine Nacht in Venedig '' (''A Night in Venice'') is an operetta in three acts by Johann Strauss II. Its libretto was by F. Zell and Richard Genée based on ''Le Château Trompette'' by Eugène Cormon and Richard Genée. The farcical, romantic story involves several cases of mistaken identity. The piece premiered in 1883 in Berlin and then Vienna. It became one of Strauss's three most famous stage works and has been seen in New York, London and elsewhere, and has been adapted for film. History The piece premiered in Berlin on 3 October 1883 in the , and it is Strauss's only operetta to be premiered outside Vienna. Although the press praised Strauss's music, they criticized the libretto as banal and silly; for instance, references were made to roast beef made from the sole of a boot and, in the waltz scene, the character of Duke Urbino was singing passages of "meows", which was met with much embarrassment from the Berlin audience. Unperturbed, Strauss made several alterations t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Rose Of Stamboul (operetta)
''The Rose of Stamboul'' (original German: ''Die Rose von Stambul'') is a 1916 operetta in three acts by Austrian composer Leo Fall with a libretto by Julius Brammer and Alfred Grünwald. The work premiered on 2 December 1916 at the Theater an der Wien in Vienna. The story centers around Achmed Bey, a young Turkish man who wishes to reform Turkish society. Not wanting to embarrass his politician father, Bey publishes his reform plans in French under the pseudonym "André Léry". The book becomes a bestseller among Turkish women. Later, a marriage is arranged between Achmed Bey and Kondja Gül. On their wedding night, however, Gül confesses to her husband that she can never love him, as she has fallen in love with the author André Léry. The 1919 silent film ''The Rose of Stamboul'' by German film makers Felix Basch and Arthur Wellin was based on the operetta. In 1953 the operetta was adapted into a musical film, also called ''The Rose of Stamboul'', by West German film make ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Opernball
''Der Opernball'' (''The Opera Ball'') is an operetta in three acts with music by Richard Heuberger, and libretto by Viktor Léon and Heinrich von Waldberg, based on the 1876 comedy ' by Alfred Delacour and Alfred Hennequin. The 1877 farce ''The Pink Dominos'' and the 1914 musical '' To-Night's the Night'' are other adaptations of the original play. Alexander von Zemlinsky assisted Heuberger with the orchestration. Its premiere was at the Theater an der Wien, Vienna, Austria, on 5 January 1898. The most famous number from the operetta is the waltz duet . The operetta remains in the repertoire of German-language opera companies,Laqueur, Walter, "Fin-de-siècle: Once More with Feeling" (January 1996). ''Journal of Contemporary History'', 31 (1): pp. 5–47. such as the Vienna Volksoper. Roles * Theophil Beaubuisson, ''retiree'' (bass) * Palmyra Beaubuisson, ''his wife'' (contralto) * Henri, ''naval cadet, their nephew'' (tenor or mezzo-soprano) * Paul Aubier (tenor) * Angèle, '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Merry Widow
''The Merry Widow'' (german: Die lustige Witwe, links=no ) is an operetta by the Austro-Hungarian composer Franz Lehár. The librettists, Viktor Léon and Leo Stein, based the story – concerning a rich widow, and her countrymen's attempt to keep her money in the principality by finding her the right husband – on an 1861 comedy play, (''The Embassy Attaché'') by Henri Meilhac. The operetta has enjoyed extraordinary international success since its 1905 premiere in Vienna and continues to be frequently revived and recorded. Film and other adaptations have also been made. Well-known music from the score includes the " Vilja Song", "" ("You'll Find Me at Maxim's"), and the "Merry Widow Waltz". Background In 1861, Henri Meilhac premiered a comic play in Paris, (''The Embassy Attaché''), in which the Parisian ambassador of a poor German grand duchy, Baron Scharpf, schemes to arrange a marriage between his country's richest widow (a French woman) and a Count to keep her mon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ein Walzertraum
' (''A Waltz Dream'') is an operetta by Oscar Straus with a German libretto by and , based on the novella ' (''Nux, the Prince Consort'') by Hans Müller-Einigen from his 1905 book ' (''Book of Adventures''). The young Jacobson presented Straus with a libretto for ''Ein Walzertraum'' at a coffee house in the Vienna Prater in 1906. Straus was inspired by the text and completed the work within 12 months for its premiere in spring 1907. Performance history It premiered on 2 March 1907 at the Carltheater in Vienna. English adaptations Following the success of the operetta in Vienna, productions of the work, under the name ''A Waltz Dream'', were mounted in English for premieres at the Chestnut Street Opera House in Philadelphia on 6 January 1908, in New York City at the now-demolished Broadway Theatre on 27 January 1908 (with an English libretto adapted by Joseph W. Herbert), and in London on 28 March 1908 at the Hicks Theatre (adapted by Basil Hood, with lyrics by Adrian Ros ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Bettelstudent
''Der Bettelstudent'' (''The Beggar Student'') is an operetta in three acts by Carl Millöcker with a German libretto by Camillo Walzel (under the pseudonym of F. Zell) and Richard Genée, based on ''Les noces de Fernande'' by Victorien Sardou and ''The Lady of Lyons'' by Edward Bulwer-Lytton. However, the librettists added the element of combining love and politics to the French comedy plots. It premiered in Vienna in 1882. Performance history The work was performed first at the Theater an der Wien, Vienna, on 6 December 1882. It was a success and allowed Millöcker to retire from conducting. Johann Strauss II rejected the libretto in favor of '' A Night in Venice'', but Millöcker's work turned out to be an enduringly popular operetta, with over 5,000 productions. The piece played at the Thalia Theatre in New York City in 1883 and then in English at the Casino Theatre in 1883. It was revived in New York at least three times: in 1898 and 1899 at the Thalia Theatre, and in 191 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Presse
''Die Presse'' is a German-language daily broadsheet newspaper based in Vienna, Austria. It is considered a newspaper of record for Austria. History and profile ''Die Presse'' was first printed on 3 July 1848 as a liberal (libertarian)-bourgeois newspaper within the meaning of the revolutions of 1848 by the entrepreneur August Zang. Its staff split in 1864 under the leadership of Max Friedländer, Michael Etienne and Adolf Werthner to form the ''Neue Freie Presse'', which later was aryanized by the Nazis in 1938 and effectively closed in 1939. In 1946, after the Second World War, resistance fighter Ernst Molden, who had been vice-editor-in-chief of the ''Neue Freie Presse'' from 1921 until 1939, reestablished the newspaper as ''Die Presse''. The ''"Presse"'' had been struggling for financial survival for a long time, until during the 1960s, the Austrian Chamber of Commerce became the main shareholder. Since 1999 it has been owned by the Styria Medien AG, a conservative-libe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Countess Maritza
''Gräfin Mariza'' (''Countess Maritza'') is an operetta in three acts composed by Hungarian composer Emmerich Kálmán, with a German libretto by Julius Brammer and Alfred Grünwald. It premiered in Vienna on 28 February 1924 at the Theater an der Wien. English adaptations As ''Countess Maritza'', it made its New York City debut on 18 September 1926 at the Shubert Theatre, in an adaptation by Harry B. Smith, and with interpolated music by other composers, playing 318 performances, with Yvonne d'Arle in the title role on opening night. The show was staged by J. C. Huffman. As ''Maritza'', it opened in London at the Palace Theatre on 6 July 1938, with Mary Losseff in the title role. A London revival by New Sadler's Wells Opera opened at Sadler's Wells Theatre in February 1983, with a new English book and lyrics by Nigel Douglas, starring Marilyn Hill Smith (Maritza), Ramon Remedios (Tassilo), Laureen Livingstone (Lisa), Lynn Barber (Manja) and Tudor Davies (Zsupan) conducte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Fledermaus
' (, ''The Flittermouse'' or ''The Bat'', sometimes called ''The Revenge of the Bat'') is an operetta composed by Johann Strauss II to a German libretto by Karl Haffner and Richard Genée, which premiered in 1874. Background The original literary source for ' was ' (''The Prison''), a farce by German playwright Julius Roderich Benedix that premiered in Berlin in 1851. On 10 September 1872, a three-act French vaudeville play by Henri Meilhac and Ludovic Halévy, ', loosely based on the Benedix farce, opened at the Théâtre du Palais-Royal. Meilhac and Halévy had provided several successful libretti for Offenbach and ''Le Réveillon'' later formed the basis for the 1926 silent film '' So This Is Paris'', directed by Ernst Lubitsch. Meilhac and Halévy's play was soon translated into German by Karl Haffner (1804–1876), at the instigation of Max Steiner, as a non-musical play for production in Vienna. The French custom of a New Year's Eve ''réveillon'', or supper party ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kiss Me, Kate
''Kiss Me, Kate'' is a musical written by Bella and Samuel Spewack with music and lyrics by Cole Porter. The story involves the production of a musical version of William Shakespeare's ''The Taming of the Shrew'' and the conflict on and off-stage between Fred Graham, the show's director, producer, and star, and his leading lady, his ex-wife Lilli Vanessi. A secondary romance concerns Lois Lane, the actress playing Bianca, and her gambler boyfriend, Bill, who runs afoul of some gangsters. The original production starred Alfred Drake, Patricia Morison, Lisa Kirk and Harold Lang. ''Kiss Me, Kate'' was Porter's response to Rodgers and Hammerstein's ''Oklahoma!'' and other integrated musicals; it was the first show he wrote in which the music and lyrics were firmly connected to the script. The musical premiered in 1948 and proved to be Porter's only show to run for more than 1,000 performances on Broadway. In 1949, it won the first Tony Award for Best Musical. Inspiration The mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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