Peter Brewis (British Musician)
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Peter Brewis (British Musician)
Field Music are an English rock band from Sunderland, Tyne and Wear, England, that formed in 2004. The band's core consists of brothers David Brewis and Peter Brewis. Andrew Moore was the original keyboard player. Their line-up has at times featured members of both Maxïmo Park and The Futureheads. Field Music have been called one of the few bands to outlast the indie guitar band explosion of the mid-2000s. Describing the band as "a truly artful proposition in the pseudo-filled landscape of contemporary Brit art-rock", music blog ''The Fantastic Hope'' puts this down in part to their "un-self-conscious anti-fashion stance", arguing that Field Music's "wayward pop from the fringes of academia is one of the most worthwhile ways in which rock//indie/guitar music/white pop/whatever might evolve". Critics have compared their music to acts as diverse as Steely Dan, XTC, Prefab Sprout, Peter Gabriel, Scritti Politti, Talking Heads and Todd Rundgren. They have also been nominated for ...
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Sunderland, Tyne And Wear
Sunderland () is a port city in Tyne and Wear, England. It is the City of Sunderland's administrative centre and in the historic county of Durham. The city is from Newcastle-upon-Tyne and is on the River Wear's mouth to the North Sea. The river also flows through Durham roughly south-west of Sunderland City Centre. It is the only other city in the county and the second largest settlement in the North East after Newcastle upon Tyne. Locals from the city are sometimes known as Mackems. The term originated as recently as the early 1980s; its use and acceptance by residents, particularly among the older generations, is not universal. At one time, ships built on the Wear were called "Jamies", in contrast with those from the Tyne, which were known as "Geordies", although in the case of "Jamie" it is not known whether this was ever extended to people. There were three original settlements by the River's mouth which are part of the modern-day city: Monkwearmouth, settled in 674 ...
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Todd Rundgren
Todd Harry Rundgren (born June 22, 1948) is an American multi-instrumentalist, singer, songwriter, multimedia artist, sound engineer and record producer who has performed a diverse range of styles as a solo artist and as a member of the band Utopia. He is known for his sophisticated and often unorthodox music, his occasionally lavish stage shows, and his later experiments with interactive entertainment. He also produced music videos and was an early adopter and promoter of various computer technologies, such as using the Internet as a means of music distribution in the late 1990s. A native of Philadelphia, Rundgren began his professional career in the mid 1960s, forming the psychedelic band Nazz in 1967. Two years later, he left Nazz to pursue a solo career and immediately scored his first US top 40 hit with "We Gotta Get You a Woman" (1970). His best-known songs include "Hello It's Me" and " I Saw the Light" from ''Something/Anything?'' (1972), which get frequent air time on ...
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All Tomorrow's Parties (music Festival)
All Tomorrow's Parties was an organisation based in London that promoted music festivals, concerts and records throughout the world for over ten years. It was founded by Barry Hogan in 2001 in preparation for the first All Tomorrow's Parties Festival, the line-up of which was picked by Mogwai and took place at Pontins, Camber Sands, England. Named after the song "All Tomorrow's Parties" by the Velvet Underground, the festival exhibited a tendency towards post-rock, indie rock, avant-garde music, and underground hip hop, along with more traditional rock fare presented in smaller venues than typical stadium performances. It was at first a sponsorship-free festival where the organisers and artists stay in the same accommodation as the fans. It claimed to set itself apart from festivals like Reading or Glastonbury by staying intimate, non-corporate and fan-friendly. Another difference was the line-ups being chosen by significant bands or artists, resulting in unorthodox events wh ...
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Bowlie Weekender
The Bowlie Weekender was a music festival curated by Belle & Sebastian at the Pontin's Holiday camp in Camber Sands, Sussex between Friday 23 and Sunday 25 April 1999. The event was the inspiration for All Tomorrow's Parties, a music festival held at the same venue in Sussex every year from 2000 until it moved to Butlin's Minehead in 2006. As part of the festival's tenth year celebrations, Belle & Sebastian was invited to curate an ATP weekend in December 2010, dubbed "Bowlie 2". In August 2019, to celebrate the 20th anniversary of the first festival, Belle & Sebastian held a third festival, dubbed the "Boaty Weekender". Unlike the previous two festivals, the Boaty Weekender was held on the Norwegian Pearl cruise ship in the Mediterranean Sea (sailing from Barcelona) instead of Camber Sands. 1999 Lineup The lineup included: *AC Acoustics * Amphetameanies * Belle & Sebastian * Broadcast *Camera Obscura *Cinema * Cornelius *Dean and Sean (Dean Wareham and Sean Eden of Luna) * ...
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Belle & Sebastian
Belle and Sebastian are a Scottish indie pop band formed in Glasgow in 1996. Led by Stuart Murdoch, the band has released eleven albums. They are often compared with acts such as The Smiths and Nick Drake. The name "Belle and Sebastian" comes from '' Belle et Sébastien'', a 1965 children's book by French writer Cécile Aubry later adapted for television. Though consistently lauded by critics, Belle & Sebastian's "wistful pop" has enjoyed only limited commercial success. History Formation, early years and ''Tigermilk'' (1994–1996) In 1994, Stuart Murdoch and Stuart David both enrolled at Stow College's Beatbox programme for unemployed musicians in Glasgow. Together, with music professor Alan Rankine (formerly of The Associates), they recorded some demos, which in 1996 were picked up by the college's Music Business course that produces and releases one single each year on the college's label, Electric Honey. As Murdoch had a number of songs already and the label was extr ...
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Stereogum
''Stereogum'' is a daily Internet publication that focuses on music news, reviews, interviews, and commentary. The site was created in January 2002 by Scott Lapatine. ''Stereogum'' was one of the first MP3 blogs and has received several awards and citations, including the PLUG Award for Music Blog of the Year, ''Blender''s Powergeek 25, and ''Entertainment Weekly''s Best Music Websites. The site was named an Official Honoree of the Webby Awards in the music category and won the OMMA Award for Web Site Excellence in the Entertainment/Music category. In 2011, ''Stereogum'' won ''The Village Voice''s Music Blog of the Year. History The site was named after a lyric from the song "Radio #1" by the French electronic duo Air. In late 2006, ''Stereogum'' received an influx of capital through Bob Pittman's private investment entity The Pilot Group. In November 2007, it was purchased by SpinMedia (formerly known as Buzz Media). April 2008 saw the launch of '' Videogum'', a sister si ...
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The Week That Was
''The Week That Was'' is the side-project of Peter Brewis, member of the Sunderland art-rock band Field Music. The group was created by Brewis during Field Music's 2007-2009 hiatus, during which the two Brewis brothers Peter & David Brewis went off to pursue wider musical interests not under the 'Field Music' umbrella. However, as both David Brewis and former Field Music member Andrew Moore feature on the self-titled album, it is labelled as an album by "The Week That Was & Field Music" on iTunes. The group also includes musicians frequently used in Field Music's album sessions, such as Emma Fisk and Peter Richardson on strings. Like Field Music, the songs are in a progressive, fractured style often operating outside of standard verse/chorus structures. However, there are some more radio-friendly songs on the album than Field Music's work, and The Week That Was also has wider and more elaborate use of instrumentation, particularly orchestral instruments. The album's lyrics were ...
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Thrill Jockey Records
Thrill Jockey is an American independent record label established by former Atlantic Records A&R representative Bettina Richards and based in Chicago. History Richards started the label in 1992 with $35,000 of family and personal capital, while working at a Hoboken, New Jersey, record store, and ran the label from her apartment in New York City.Pareles, JonIt's Her Label and She'll Sign Who She Wants To New York Times September 23, 1998 accessdate = 2007-05-09 In 1995, she moved the label to Chicago, where "rent and taxes are considerably cheaper" according to Richards, and the independent label found some larger success. Thrill Jockey offers full-length streaming of every song on every release in its catalog. "I believe if people can listen to the albums, they tend to buy them," Richards said in a 2006 interview with ''Chicago Reader''. Artists who have recorded on the label include Double Dagger, Future Islands, Tortoise, The Sea and Cake, Bummer, High Places, Trans Am, Mous ...
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Memphis Industries
Memphis Industries is a British independent record label. Memphis Industries was established as a record label in 1998 by the brothers Ollie and Matt Jacob with the first release being Blue States' Forever EP. It is perhaps best known for The Go! Team and Field Music. The label also served as British distributor for the Swedish group Dungen.The Memphis Family Album: Music From Memphis Industries Vol. 2
'''', March 13 ,2006.


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BBC 6 Music
BBC Radio 6 Music is a British digital radio station owned and operated by the BBC, specialising primarily in alternative music. BBC 6 Music was the first national music radio station to be launched by the BBC in 32 years. It is available only on digital media: DAB radio, BBC Sounds, digital television, and throughout northern and western Europe through the Astra 2B satellite. BBC 6 Music has been described as a "dedicated alternative music station". Many presenters have argued against the perception that the main focus is indie guitar music. The station itself describes its output as "the cutting edge music of today, the iconic and groundbreaking music of the past 40 years and unlimited access to the BBC's wonderful music archive". Since 2014, an annual music festival, 6 Music Festival, has been held in different cities around the United Kingdom and broadcast live on the station. In July 2010, the BBC Trust announced it had rejected a proposal by the BBC to close 6 Music to ...
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Tones Of Town
''Tones of Town'' is the second studio album by indie rock band Field Music. It was released on 22 January 2007. "In Context" (w/b 'Off & On'), "A House Is Not a Home" (w/b 'Logic') and "She Can Do What She Wants" (w/b 'Sit Tighter', an alternate version of 'Sit Tight') were released as singles. Track listing #"Give It Lose It Take It" – 3:56 #"Sit Tight" – 3:02 #"Tones of Town" – 3:06 #"A House Is Not a Home" – 2:36 #"Kingston" – 1:54 #"Working to Work" – 2:51 #"In Context" – 3:37 #"A Gap Has Appeared" – 2:01 #"Closer at Hand" – 2:30 #"Place Yourself" – 3:01 #"She Can Do What She Wants"/"Outro" – 3:07 Personnel ;Field Music *Peter Brewis *David Brewis *Andrew Moore ;Additional personnel *Emma Fisk – violins *Rachel Davis – violins *Peter Richardson – cello *Peter Gofton – vibraphone *Graeme Hopper – vibraphone References

2007 albums Field Music albums Memphis Industries albums {{2000s-indie-rock-album-stub ...
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A-side And B-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The ...
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