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Performance (Quartet) 1979
''Performance (Quartet) 1979'' is a live album by American composer and saxophonist Anthony Braxton recorded in Switzerland in 1979 and released on the hatART label.Anthony Braxton discography accessed December 15, 2011Filippo, R. Enciclopedia del Jazz: Anthony Braxton accessed November 3, 2016 The album has also been issued as ''Performance 9/1/79'' and ''Performance for Quartet''. Reception The review awarded the album 3 stars.[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthony Braxton
Anthony Braxton (born June 4, 1945) is an American experimental composer, educator, music theorist, improviser and multi-instrumentalist who is best known for playing saxophones, particularly the alto. Braxton grew up on the South Side of Chicago, Illinois, and was a key early member of the Association for the Advancement of Creative Musicians. He received great acclaim for his 1969 double- LP record ''For Alto'', the first full-length album of solo saxophone music. A prolific composer with a vast body of cross-genre work, the MacArthur Fellow and NEA Jazz Master has released hundreds of recordings and compositions. During six years signed to Arista Records, the diversity of his output encompassed work with many members of the AACM, including duets with co-founder and first president Muhal Richard Abrams; collaborations with electronic musician Richard Teitelbaum; a saxophone quartet with Julius Hemphill, Oliver Lake and Hamiet Bluiett; compositions for four orchestras; and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ray Anderson (musician)
Ray Anderson (born October 16, 1952) is an American jazz trombonist. Trained by the Chicago Symphony trombonists, he is regarded as someone who pushes the limits of the instrument, including performing on alto trombone and slide trumpet. He is a colleague of trombonist George E. Lewis. Anderson also plays sousaphone and sings. He was frequently chosen in ''DownBeat'' magazine's Critics Poll as best trombonist throughout the late 1980s and early 1990s. Biography After studying in California, he moved to New York in 1972 and freelanced. In 1977, he joined Anthony Braxton's Quartet (replacing George E. Lewis) and started working with Barry Altschul's group. In addition to leading his own groups since the late 1970s (including the funk-oriented Slickaphonics), Anderson has worked with George Gruntz's Concert Jazz Band. In the 1990s, he began taking an occasional good-humored vocal, during which he shows the ability to sing two notes at the same time (a minor third apart). Anderson ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hathut Records Live Albums
Hathut Records is a Swiss record company and label founded by Werner Xavier Uehlinger in 1974 that specializes in jazz and classical music. The name of the label comes from the artwork of Klaus Baumgartner. Hathut encompasses the labels hat ART, hatOLOGY, and hat NOIR. The label's first releases were by Joe McPhee. Its roster includes Ray Anderson, Anthony Braxton, Lisle Ellis, Georg Graewe, Gerry Hemingway, Franz Koglmann, Steve Lacy, Joelle Leandre, Myra Melford, Paul Plimley, Max Roach, Horace Tapscott, Cecil Taylor, Mike Westbrook, John Zorn, Vienna Art Orchestra, David Murray, Luzia von Wyl, Archie Shepp, Jimmy Lyons, Tony Coe, Michel Portal, and Sun Ra, The label progressed through a range of series featuring distinct packaging styles, from the initial runs of initial 12 inch LP's with alphabetical and numerical catalog numbers with sleeve drawings and paintings by Klaus Baumgärtner, to elaborately packaged boxes with inserts and postcards, and then black and white ph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gongs
A gongFrom Indonesian and ms, gong; jv, ꦒꦺꦴꦁ ; zh, c=鑼, p=luó; ja, , dora; km, គង ; th, ฆ้อง ; vi, cồng chiêng; as, কাঁহ is a percussion instrument originating in East Asia and Southeast Asia. Gongs are a flat, circular metal disc that is typically struck with a mallet. They can be small or large in size, and tuned or can require tuning. The earliest mention of gongs can be found in sixth century Chinese records, which mentioned the instrument to have come from a country between Tibet and Burma. The term ''gong'' ( jv, ꦒꦺꦴꦁ) originated in the Indonesian island of Java. Scientific and archaeological research has established that Burma, China, Java and Annam were the four main gong manufacturing centres of the ancient world. The gong found its way into the Western World in the 18th century, when it was also used in the percussion section of a Western-style symphony orchestra. A form of bronze cauldron gong known as a restin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Xylophone
The xylophone (; ) is a musical instrument in the percussion family that consists of wooden bars struck by mallets. Like the glockenspiel (which uses metal bars), the xylophone essentially consists of a set of tuned wooden keys arranged in the fashion of the keyboard of a piano. Each bar is an idiophone tuned to a pitch of a musical scale, whether pentatonic or heptatonic in the case of many African and Asian instruments, diatonic in many western children's instruments, or chromatic for orchestral use. The term ''xylophone'' may be used generally, to include all such instruments such as the marimba, balafon and even the semantron. However, in the orchestra, the term ''xylophone'' refers specifically to a chromatic instrument of somewhat higher pitch range and drier timbre than the marimba, and these two instruments should not be confused. A person who plays the xylophone is known as a ''xylophonist'' or simply a ''xylophone player''. The term is also popularly used to refer to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percussion
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and cy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thurman Barker
Thurman Barker (born January 8, 1948, Chicago, Illinois, United States) is an American jazz drummer. Barker's first professional experience was at age sixteen with Mighty Joe Young. Barker took his bachelor's at Empire State College, then studied at the American Conservatory of Music under Harold Jones and at Roosevelt University. He next served as an accompanist for Billy Eckstine, Bette Midler, and Marvin Gaye. He was house percussionist at the Shubert Theater in Chicago for ten years. In 1968, he joined Joseph Jarman's first ensemble, and soon after became a member of the AACM in its early days. Aside from Jarman, he played in the late 1960s and 1970s with Muhal Richard Abrams, Pheeroan akLaff, Anthony Braxton, Billy Bang, Henry Threadgill, and Kalaparusha Maurice McIntyre. He recorded and toured again with Braxton in 1978-80 and with Sam Rivers in 1979–80. In 1985 he played in a trio with Jarman and Rivers, and in 1987 he played marimba with Cecil Taylor. In the 1990s, B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Lindberg (jazz Musician)
John Lindberg (born March 16, 1959) is an American jazz double-bassist. Early life Lindberg was born in Royal Oak, Michigan. He began his professional career at the age of 16, eventually moving to New York City in 1977. John Lindbergat Allmusic Career After moving to New York, he played with the Human Arts Ensemble alongside Joseph Bowie and Bobo Shaw. In 1977, with James Emery and Billy Bang, Lindberg co-founded the String Trio of New York.The Penguin Guide to Jazz on CD, Sixth Edition In 1980 he formed a trio with Jimmy Lyons and Sunny Murray. From 1980 to 1983 he lived in Paris, playing there solo and with Murray and John Tchicai. He has recorded extensively as a leader. John Lindberg studied bass with the bassist from the Battle Creek, Michigan symphony orchestra and jazz musician Roscoe Mitchell. Discography As leader * ''Comin' and Goin'' (Leo, 1980) * ''Unison'' (Cecma, 1981) with Marty Ehrlich * '' Dimension 5'' (Black Saint, 1981) * ''Team Work'' (Cecma, 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto Trombone
The alto trombone (german: Altposaune, Italian, French: ''trombone alto'') is the alto member of the trombone family of brass instruments, smaller than the tenor trombone. It is almost always pitched in E♭ a fourth higher than the tenor, although examples pitched in F are occasionally found. The alto trombone was commonly used from the 16th to the 18th centuries in church music to strengthen the alto voice, particularly in the Mass. Alto trombone parts are usually notated in alto clef. History Although the trombone first appeared in its earliest sackbut form in the 15th century, the exact origin of the smaller alto sized instrument is unclear. The first documented mentions of an alto trombone are in 1590 in Aurelio Virgiliano's ''Il Dolcimelo'', and in ''Syntagma Musicum'' (1614-20) by Michael Praetorius, which includes an illustration of an alto trombone in volume II, ''De Organographia''. The earliest surviving alto dates from around 1652 and is held by Bazylika Mariac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trombone
The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the Brass instrument, brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the Standing wave, air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the Pitch (music), pitch instead of the brass instrument valve, valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide. The word "trombone" derives from Italian ''tromba'' (trumpet) and ''-one'' (a suffix meaning "large"), so the name means "large trumpet". The trombone has a predominantly cylindrical bore like the trumpet, in contrast to the more conical brass instruments like the cornet, the euphonium, and the French horn. The most frequently encountered trombones are the tenor trombone and bass trombone. These are treated as trans ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contrabass Clarinet
The contrabass clarinet (also pedal clarinet, after the pedals of pipe organs) and contra-alto clarinet are the two largest members of the clarinet family that are in common usage. Modern contrabass clarinets are transposing instruments pitched in B♭, sounding two octaves lower than the common B♭ soprano clarinet and one octave below the bass clarinet. Some contrabass clarinet models have extra keys to extend the range down to low written E♭, D or C. This gives a tessitura written range, notated in treble clef, of C – F, which sounds B♭ – E♭. Some early instruments were pitched in C; Arnold Schoenberg's '' Fünf Orchesterstücke'' specifies a contrabass clarinet in A, but there is no evidence such an instrument has ever existed. The smaller E♭ contra-alto clarinet is sometimes referred to as the "E♭ contrabass clarinet" and is pitched one octave lower than the E♭ alto clarinet. Two models of subcontrabass clarinet (the octocontralto and octocontrabass), lowe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
