Pennsylvania Opera Theater
The Pennsylvania Opera Theater (TPOT) was an American opera company located in Philadelphia, Pennsylvania. Founded in 1975 by Barbara Silverstein, the company presented an annual season of opera until it closed due to financial reasons in 1993. The company was dedicated to presenting new and more rarely performed works in the English language. Most of the company's performances were staged at the Merriam Theater. Silverstein served as the company's Artistic Director during its 18-year history. The POT's first performance was on May 22, 1976 with a production of Otto Nicolai's '' The Merry Wives of Windsor''. New works staged by the company included Margaret Garwood's ''Rappaccini's Daughter'' (1983), Vincent Persichetti's ''The Sibyl'' (1985) and David Ives and Greg Pliska's ''The Secret Garden'' (1991). In 1982 the company presented the United States premiere of Haydn's '' Orlando paladino'' with tenor John Gilmore in the title role. Other rarely performed works staged by the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Opera Company
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Francesco Cavalli
Francesco Cavalli (born Pietro Francesco Caletti-Bruni; 14 February 1602 – 14 January 1676) was a Republic of Venice, Venetian composer, organist and singer of the early Baroque music, Baroque period. He succeeded his teacher Claudio Monteverdi as the dominant and leading opera composer of the mid 17th-century. A central figure of Venetian musical life, Cavalli wrote more than forty operas, almost all of which premiered in the city's theaters. His best known works include ''Ormindo'' (1644), ''Giasone'' (1649) and ''La Calisto'' (1651). Life Cavalli was born at Crema, Lombardy, Crema, then an Domini di Terraferma, inland province of the Venetian Republic. He became a singer (boy soprano) at St Mark's Basilica in Venice in 1616, where he had the opportunity to work under the tutorship of Claudio Monteverdi. He became second organist in 1639, first organist in 1665, and in 1668 ''Kapellmeister, maestro di cappella''. He took the name "Cavalli" from his patron, Venetian nobleman ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Crucible (opera)
''The Crucible'' is a 1961 English language opera written by Robert Ward (composer), Robert Ward based on the 1953 play ''The Crucible'' by Arthur Miller. It won both the 1962 Pulitzer Prize for Music and the New York Music Critics Circle Citation. The libretto was lightly adapted from Miller's text by Bernard Stambler. Ward received a commission from the New York City Opera to write the opera. Arthur Miller was involved in selecting Ward. It is one of the most performed operas by an American composer. Performance history ''The Crucible'' premiered on 26 October 1961 at the New York City Opera (NYCO), with Chester Ludgin as John Proctor, and Norman Treigle as the Reverend John Hale. The production was staged by Allen Fletcher (director), Allen Fletcher, used scenery designed by Paul Sylbert, and costumes designed by Ruth Morely. The work was next performed in student productions at the University of California, Los Angeles and The Hartt School in West Hartford, Connecticut in 1964 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Robert Ward (composer)
Robert Eugene Ward (September 13, 1917 – April 3, 2013) was an American composer who is best remembered for his opera ''The Crucible'' (1961) after the 1953 play of the same name by Arthur Miller. He was awarded the Pulitzer Prize for Music for that opera in 1962. Early work and education Ward was born in Cleveland, Ohio, one of five children of the owner of a moving and storage company. He sang in church choirs and local opera theaters when he was a boy. His earliest extant compositions date to 1934, at a time he was attending John Adams High School, from which he graduated in 1935. After that, Ward attended the Eastman School of Music in Rochester, New York, where his composition teachers were Bernard Rogers, Howard Hanson and Edward Royce. Ward received a fellowship and attended the Juilliard School of Music in New York from 1939 to 1942, where he studied composition with Frederick Jacobi, orchestration with Bernard Wagenaar, and conducting with Albert Stoessel and Edgar ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Fairy-Queen
''The Fairy-Queen'' (1692; Purcell catalogue number Z.629) is a semi-opera by Henry Purcell; a "Restoration spectacular". The libretto is an anonymous adaptation of William Shakespeare's comedy '' A Midsummer Night's Dream''. First performed in 1692, ''The Fairy-Queen'' was composed three years before Purcell's death at the age of 35. Following his death, the score was lost and only rediscovered early in the twentieth century. Purcell did not set any of Shakespeare's text to music; instead he composed music for short masques in every act but the first. The play itself was also slightly modernised in keeping with seventeenth-century dramatic conventions, but in the main the spoken text is as Shakespeare wrote it. The masques are related to the play metaphorically, rather than literally. Many critics have stated that they bear no relationship to the play. Recent scholarship has shown that the opera, which ends with a masque featuring Hymen, the God of Marriage, was composed for ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Henry Purcell
Henry Purcell (, rare: September 1659 – 21 November 1695) was an English composer. Purcell's style of Baroque music was uniquely English, although it incorporated Italian and French elements. Generally considered among the greatest English opera composers, Purcell is often linked with John Dunstaple and William Byrd as England's most important early music composers. No later native-born English composer approached his fame until Edward Elgar, Ralph Vaughan Williams, Gustav Holst, William Walton and Benjamin Britten in the 20th century. Life and work Early life Purcell was born in St Ann's Lane, Old Pye Street, Westminster – the area of London later known as Devil's Acre, a notorious slum – in 1659. Henry Purcell Senior, whose older brother Thomas Purcell was a musician, was a gentleman of the Chapel Royal and sang at the coronation of King Charles II of England. Henry the elder had three sons: Edward, Henry and Daniel. Daniel Purcell, the youngest of the b ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Turn Of The Screw (opera)
''The Turn of the Screw'' is a 20th-century English chamber opera composed by Benjamin Britten with a libretto by Myfanwy Piper, "wife of the artist John Piper, who had been a friend of the composer since 1935 and had provided designs for several of the operas". Kennedy, Michael, "Benjamin Britten", in The libretto is based on the 1898 novella ''The Turn of the Screw'' by Henry James. The opera was commissioned by the Venice Biennale and given its world premiere on 14 September 1954, at the Teatro La Fenice, Venice. The original recording was made during January of the next year, with the composer conducting. Described as one of the most dramatically appealing English operas, the opera in two acts has a prologue and sixteen scenes, each preceded by a variation on the twelve-note 'Screw' theme. Typically of Britten, the music mixes tonality and dissonance, with Britten's recurrent use of a twelve-tone figure being perhaps a nod to the approach of Arnold Schoenberg. Thematical ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Threepenny Opera
''The Threepenny Opera'' ( ) is a "play with music" by Bertolt Brecht, adapted from a translation by Elisabeth Hauptmann of John Gay's 18th-century English ballad opera, ''The Beggar's Opera'', and four ballads by François Villon, with music by Kurt Weill. Although there is debate as to how much, if any, Hauptmann might have contributed to the text, Brecht is usually listed as sole author. The work offers a socialist critique of the capitalist world. It opened on 31 August 1928 at Berlin's Theater am Schiffbauerdamm. Songs from ''The Threepenny Opera'' have been widely covered and become standards, most notably "" ("The Ballad of Mack the Knife") and "" ("Pirate Jenny"). Background Origins In the winter of 1927–28, Elizabeth Hauptmann, Brecht's lover at the time, received a copy of Gay's play from friends in England and, fascinated by the female characters and its critique of the condition of the London poor, began translating it into German. Brecht at first took lit ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Le Comte Ory
''Le comte Ory'' (''Count Ory'') is a comic opera written by Gioachino Rossini in 1828. Some of the music originates from his opera ''Il viaggio a Reims'' written three years earlier for the coronation of Charles X of France, Charles X. The French libretto was by Eugène Scribe and Charles-Gaspard Delestre-Poirson adapted from a comedy they had first written in 1817. The work is ostensibly a comic opera in that the story is humorous, even farcical. However, it was devised for the Académie Royale de Musique, Opéra rather than for the Opéra-Comique, Théâtre de l'Opéra-Comique and there are structural inconsistencies with the contemporary ''opéra comique'' genre: whereas the latter consists of relatively short lyrical numbers and spoken dialogue, ''Le comte Ory'' consists of "highly developed, even massive musical forms linked by accompanied recitative". Although the opera contains some of Rossini's most colorful orchestral writing, the quaint, brief overture is oddly restraine ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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David Amram
David Werner Amram III (born November 17, 1930) is an American composer, arranger, and conductor of orchestral, chamber, and choral works, many with jazz flavorings.Chagollan, Steve, "The Extraordinary Career of David Amram" , posted at BMI.com He plays piano, French horn, Spanish guitar, and , and sings. Early life and education Amram was born in[...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sweet Betsy From Pike (opera)
Sweetness is a basic taste most commonly perceived when eating foods rich in sugars. Sweet tastes are generally regarded as pleasurable. In addition to sugars like sucrose, many other chemical compounds are sweet, including aldehydes, ketones, and sugar alcohols. Some are sweet at very low concentrations, allowing their use as non-caloric sugar substitutes. Such non-sugar sweeteners include saccharin and aspartame. Other compounds, such as miraculin, may alter perception of sweetness itself. The perceived intensity of sugars and high-potency sweeteners, such as Aspartame and Neohesperidin Dihydrochalcone, are heritable, with gene effect accounting for approximately 30% of the variation. The chemosensory basis for detecting sweetness, which varies between both individuals and species, has only begun to be understood since the late 20th century. One theoretical model of sweetness is the multipoint attachment theory, which involves multiple binding sites between a sweetness ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |