|
Pennsylvania Academy Of Fine Art
The Pennsylvania Academy of the Fine Arts (PAFA) is a museum and private art school in Philadelphia, Pennsylvania."Pennsylvania Academy of the Fine Arts" Encyclopedia Britannica, Retrieved 28 July 2018. It was founded in 1805 and is the first and oldest art museum and art school in the United States. The academy's museum is internationally known for its collections of 19th- and 20th-century American paintings, sculptures, and works on paper. Its archives house important materials for the study of American art history, museums, and art training. It offers a , |
Private University
Private universities and private colleges are institutions of higher education, not operated, owned, or institutionally funded by governments. They may (and often do) receive from governments tax breaks, public student loans, and grant (money), grants. Depending on their location, private universities may be subject to government regulation. Private universities may be contrasted with public university, public universities and national university, national universities. Many private universities are nonprofit organizations. Africa Egypt Egypt currently has 20 public universities (with about two million students) and 23 private universities (60,000 students). Egypt has many private universities, including The American University in Cairo, the German University in Cairo, the British University in Egypt, the Arab Academy for Science, Technology and Maritime Transport, Misr University for Science and Technology, Misr International University, Future University in Egypt and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chestnut Street (Philadelphia)
Chestnut Street is a major historic street in Philadelphia, Pennsylvania. It was originally named Wynne Street because Thomas Wynne's home was there. William Penn renamed it Chestnut Street in 1684. It runs east–west from the Delaware River waterfront in downtown Philadelphia through Center City and West Philadelphia. The road crosses the Schuylkill River on the Chestnut Street Bridge. It serves as eastbound Pennsylvania Route 3 between 63rd and 33rd Streets. Stratton's Tavern was located on Chestnut Street near Sixth Street. When the citizens of Philadelphia were afraid that the British might attack the essentially unmanned Fort Mifflin, the secretary of the Young Men's Democratic Society called a meeting held at Stratton's Tavern at Chestnut and Sixth Streets on March 20, 1813. The young men agreed to volunteer their services to defend the fort. Points of interest From east to west: * United States Custom House * National Liberty Museum *Carpenters' Hall * First National ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ashcan School
The Ashcan School, also called the Ash Can School, was an artistic movement in the United States during the late 19th-early 20th century that produced works portraying scenes of daily life in New York, often in the city's poorer neighborhoods. The artists working in this style included Robert Henri (1865–1929), George Luks (1867–1933), William Glackens (1870–1938), John Sloan (1871–1951), and Everett Shinn (1876–1953). Some of them met studying together under the renowned realist Thomas Anshutz at the Pennsylvania Academy of the Fine Arts; others met in the newspaper offices of Philadelphia where they worked as illustrators. Theresa Bernstein, who studied at the Philadelphia School of Design for Women, was also a part of the Ashcan School. She was friends with many of its better-known members, including Sloan with whom she co-founded the Society of Independent Artists. The movement, which took some inspiration from Walt Whitman's epic poem '' Leaves of Grass'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edmund Charles Tarbell
Edmund Charles Tarbell (April 26, 1862August 1, 1938) was an American Impressionist painter. A member of the Ten American Painters, his work hangs in the Boston Museum of Fine Arts, Metropolitan Museum of Art, National Gallery of Art, Smithsonian American Art Museum, Corcoran Gallery of Art, DeYoung Museum, National Academy Museum and School, New Britain Museum of American Art, Worcester Art Museum, and numerous other collections. He was a leading member of a group of painters which came to be known as the Boston School. Early life and education Edmund C. Tarbell was born in the Asa Tarbell House, which stands beside the Squannacook River in West Groton, Massachusetts. His father, Edmund Whitney Tarbell, died in 1863 after contracting typhoid fever while serving in the Civil War. His mother, Mary Sophia (Fernald) Tarbell, remarried a shoemaking-machine manufacturer. Young "Ned" (as he was nicknamed) and his older sister, Nellie Sophia, were left to be raised by their pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Childe Hassam
Frederick Childe Hassam (; October 17, 1859 – August 27, 1935) was an American Impressionist painter, noted for his urban and coastal scenes. Along with Mary Cassatt and John Henry Twachtman, Hassam was instrumental in promulgating Impressionism to American collectors, dealers, and museums. He produced over 3,000 paintings, oils, watercolors, etchings, and lithographs over the course of his career, and was an influential American artist of the early 20th century. Early years Hassam was known to all as "Childe" (pronounced like ''child''), a name taken from an uncle. Hassam was born in the family home on Olney Street on Meeting House Hill in the Dorchester neighborhood of Boston, on October 17, 1859. His father, Frederick Fitch Hassam (1825–1880), was a moderately successful cutlery businessman with a large collection of art and antiques. He descended from a long line of New Englanders. His mother, Rosa Delia Hawthorne (1832–1880), a native of Maine, shared an ancestor wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Winslow Homer
Winslow Homer (February 24, 1836 – September 29, 1910) was an American landscape painter and illustrator, best known for his marine subjects. He is considered one of the foremost painters in 19th-century America and a preeminent figure in American art. Largely self-taught, Homer began his career working as a commercial illustrator. He subsequently took up oil painting and produced major studio works characterized by the weight and density he exploited from the medium. He also worked extensively in watercolor, creating a fluid and prolific oeuvre, primarily chronicling his working vacations. Early life Born in Boston, Massachusetts, in 1836, Homer was the second of three sons of Charles Savage Homer and Henrietta Benson Homer, both from long lines of New Englanders. His mother was a gifted amateur watercolorist and Homer's first teacher. She and her son had a close relationship throughout their lives. Homer took on many of her traits, including her quiet, strong-wille ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Duveneck
Frank Duveneck (né Decker; October 9, 1848 – January 3, 1919) was an American figure and portrait painter. Early life Duveneck was born in Covington, Kentucky, the son of German immigrant Bernhard Decker. Decker died in a cholera epidemic when Frank was only a year old, and his widow remarried Joseph "Squire" Duveneck. By the age of 15, Frank had begun the study of art under the tutelage of a local painter, Johann Schmitt, and had been apprenticed to a German firm of church decorators. While having grown up in Covington, Duveneck was a part of the German community in Cincinnati, Ohio, just across the Ohio River. Due to his Catholic beliefs and German heritage, though, he was an outsider as far as the artistic community of Cincinnati was concerned. Career In 1869, he went abroad to study with Wilhelm von Diez and Wilhelm Leibl at the Royal Academy of Munich, where he learned a dark, realistic, and direct style of painting. He subsequently became one of the young American pai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Merritt Chase
William Merritt Chase (November 1, 1849October 25, 1916) was an American painter, known as an exponent of Impressionism and as a teacher. He is also responsible for establishing the Chase School, which later would become Parsons School of Design. Early life and training William Merritt Chase was born on November 1, 1849, in Williamsburg (now Nineveh), Indiana, to the family of Sarah Swain and David H. Chase, a local businessman. Chase's father moved the family to Indianapolis in 1861, and employed his son as a salesman in the family business. Chase showed an early interest in art, and studied under local, self-taught artists Barton S. Hays and Jacob Cox. At the age of 19 he decided to become a sailor and travelled with his friend to Annapolis where he was commissioned to a merchant ship. After a brief three-month stint in the Navy, Chase understood that it wasn't for him and his teachers urged him to travel to New York to further his artistic training. He arrived in New Yo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cecilia Beaux
Eliza Cecilia Beaux (May 1, 1855 – September 17, 1942) was an American society portraitist, whose subjects included First Lady Edith Roosevelt, Admiral Sir David Beatty and Georges Clemenceau. Trained in Philadelphia, she went on to study in Paris, strongly influenced by two classical painters Tony Robert-Fleury and William-Adolphe Bouguereau, who avoided avant-garde movements. In turn, she resisted impressionism and cubism, remaining a strongly individual figurative artist. Her style, however, invited comparisons with John Singer Sargent; at one exhibition, Bernard Berenson joked that her paintings were the best Sargents in the room. She could flatter her subjects without artifice, and showed great insight into character. Like her instructor William Sartain, she believed there was a connection between physical characteristics and behavioral traits. Beaux became the first woman teacher at the Pennsylvania Academy of the Fine Arts. She was awarded a gold medal for lifetime ach ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lithography
Lithography () is a planographic method of printing originally based on the immiscibility of oil and water. The printing is from a stone ( lithographic limestone) or a metal plate with a smooth surface. It was invented in 1796 by the German author and actor Alois Senefelder and was initially used mostly for musical scores and maps.Meggs, Philip B. A History of Graphic Design. (1998) John Wiley & Sons, Inc. p 146 Carter, Rob, Ben Day, Philip Meggs. Typographic Design: Form and Communication, Third Edition. (2002) John Wiley & Sons, Inc. p 11 Lithography can be used to print text or images onto paper or other suitable material. A lithograph is something printed by lithography, but this term is only used for fine art prints and some other, mostly older, types of printed matter, not for those made by modern commercial lithography. Originally, the image to be printed was drawn with a greasy substance, such as oil, fat, or wax onto the surface of a smooth and flat limestone pl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intaglio (printmaking)
Intaglio ( ; ) is the family of printing and printmaking techniques in which the image is incised into a surface and the incised line or sunken area holds the ink. It is the direct opposite of a relief print where the parts of the matrix that make the image stand ''above'' the main surface. Normally, copper or in recent times zinc sheets, called plates, are used as a surface or matrix, and the incisions are created by etching, engraving, drypoint, aquatint or mezzotint, often in combination. Collagraphs may also be printed as intaglio plates. After the decline of the main relief technique of woodcut around 1550, the intaglio techniques dominated both artistic printmaking as well as most types of illustration and popular prints until the mid 19th century. Process In intaglio printing, the lines to be printed are cut into a metal (e.g. copper) plate by means either of a cutting tool called a burin, held in the hand – in which case the process is called ''engraving''; or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Relief (art)
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Pennsylvania Academy Of Fine Art")
.jpg "Click for more on -> Winslow Homer")
_-_Cecelia_Beaux_-_overall.jpg "Click for more on -> Cecilia Beaux")
.jpg "Click for more on -> Lithography")
_01.JPG "Click for more on -> Relief (art)")