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Peintres De La Marine
Peintre is a commune in the Jura department in Franche-Comté in eastern France. Peintre or Peintres may also refer to: *Peintre Celebre (foaled 1994), thoroughbred racehorse *Peintre-graveur, an artisan who creates original works in engravings * Peintres voyageurs, term designating late 20th century itinerant French artists *Peintre de la Marine, French title bestowed on an artist whose works depict the French Navy *Premier peintre du Roi The ''Premier peintre du Roi'' (''First painter to the King'') was a court painter position within the administration of the ''Bâtiments du Roi'' of the '' Département de la Maison du Roi'' in France under the ''Ancien Régime''. Its holder oc ..., French royal post from 1603 to 1791 See also * Painter (other) {{disambig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peintre
Peintre () is a commune in the Jura department in Bourgogne-Franche-Comté in eastern France. Population See also *Communes of the Jura department The following is a list of the 494 communes of the Jura department of France. The communes cooperate in the following intercommunalities (as of 2020):Communes of Jura (department) {{JuraFR-geo-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peintre Celebre
Peintre Celebre (17 March 1994 – 19 October 2018) was an American-bred, French-trained champion thoroughbred racehorse. He won the French Derby and the Prix de l'Arc de Triomphe in 1997. Background Peintre Celebre was bred and owned by Daniel Wildenstein (1917–2001), the French art dealer and horseman. Peintre Celebre came from a line of outstanding thoroughbreds. He was a son of Nureyev, France's champion miler in 1980, who was in turn the son of the great Northern Dancer. He was trained by André Fabre. Racing career Peintre Celebre was lightly raced as a two-year-old, entering only two races, winning one and finishing third in the other. In 1997, at age three, the horse won the French Derby and the Grand Prix de Paris before facing the best horses in Europe in France's most prestigious race, the Prix de l'Arc de Triomphe. Ridden by jockey Olivier Peslier, Peintre Celebre ran away from the field, winning the 1½ mile race by five lengths and breaking the track speed reco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peintre-graveur
Peintre-graveur () is a term probably invented and certainly popularized by the great scholar of the old master print, Adam Bartsch (Johann Adam Bernhard von Bartsch: 1757 - 1821, both Vienna). The term, meaning "painter-engraver", is intended to distinguish between printmakers, whether working in engraving, etching or woodcut, who designed images with the primary purpose of producing a print, and those who essentially copied in a print medium a composition by another, to produce what is known as a "reproductive print", or who produced only essentially non-artistic work in print form, such as maps for example. "Painter-engraver" is sometimes used in English. Alternative terms for the work of a Peintre-graveur are "artist's print", "original print", "graphic art". "Art print" now tends to mean a reproduction of any work of art. Bartsch's great catalogue of old master prints, published in Vienna in 21 volumes in 1803-21,was called "Le Peintre Graveur". It has been reprinted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peintres Voyageurs
The term ''"peintres voyageurs"'' is a recent term (1993) given by some art historians to the large and diverse group of itinerant French artists - who in many cases spent more time travelling in the French colonies and the Far East than resident in France - from the end of the 19th century to the outbreak of World War II and the ensuing end of the colonial era. The term "peintres voyageurs" derives in most cases from the use of the term by :fr:Lynne Thornton, an English historian writing in French. Prior to Thornton's work the term is found, but without any concept of a "movement" of any artistic or social significance - or of the relation of these painters to the cultural policies of France in its colonies. Thornton estimates the number of these "travelling painters" as 2,000 between 1890 and 1940: These painters were often associated with the Société des Peintres Orientalistes Français (founded 1893), though not all of them subscribed to Orientalism, and later with the acti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peintre De La Marine
Peintre de la Marine (''Painter of the Fleet'') is a title awarded by the minister of defence in France to artists who have devoted their talents to the sea, the French Navy and other maritime subjects. It was set up in 1830 by the July Monarchy and can be awarded to painters, photographers, illustrators, engravers, and sculptors. Rights and privileges The title is unpaid but does grant certain facilities and privileges: *being able to embark on French Navy vessels *wearing a uniform *being allowed to follow one's artistic signature with an anchor *belonging to the Service historique de la Marine. The peintres agréés are named for a 3-year term by a jury of naval officers and peintres titulaires and presided over by a general officer of the Navy. To become a peintre titulaire, one has to serve as a peintre agréé for more than 4 consecutive terms (12 years). History Peintres de la Marine since 1830 (by date of appointment) 1830-1899 * 1830 : Louis-Philippe Crépi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Premier Peintre Du Roi
The ''Premier peintre du Roi'' (''First painter to the King'') was a court painter position within the administration of the ''Bâtiments du Roi'' of the '' Département de la Maison du Roi'' in France under the ''Ancien Régime''. Its holder occupied a similar position to that of ''Premier architecte du Roi'' (albeit a far less prestigious one). The holder was not in charge of any other court staff, and the role was often without a holder. Unlike other countries, the ''Premier peintre'' was often, even usually, not a specialist portrait-painter, but was always a native Frenchman. The most famous holder, Nicolas Poussin, was persuaded to return to France in 1640 to take the office, but returned to Rome after a little more than a year. Despite this, he held the position for another 23 years. In contrast, his successor Charles Le Brun devoted most of his time to his work for Louis XIV, decorating his palaces and designing for and supervising the royal factories of the Savonnerie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
