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Peanuts Greatest Hits
''Peanuts Greatest Hits'' is the seventh compilation album by jazz pianist Vince Guaraldi (credited to the Vince Guaraldi Trio) released by Fantasy/ Concord Records on July 31, 2015. The album gathers Guaraldi's most iconic compositions featured in the animated television specials based on the ''Peanuts'' comic strip by Charles M. Schulz. Background To celebrate the 50th anniversary of ''A Charlie Brown Christmas'', Fantasy/Concord Records assembled another collection of Guaraldi's best-known songs. ''Peanuts Greatest Hits'' was released in CD format in July 2015. It was also released in a limited-edition picture disc vinyl format in September 2015, with images of Charlie Brown and Lucy covering each side. To celebrate the 70th anniversary of ''Peanuts'', a second limited-edition picture disc vinyl format featuring images of Snoopy and Woodstock was released by Craft Recordings on July 24, 2020. Track listing Personnel Credits adapted from CD liner notes *Vince Guaraldi& ...
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Vince Guaraldi
Vincent Anthony Guaraldi (; birth name, né Dellaglio, July 17, 1928 – February 6, 1976) was an American jazz pianist best known for composing music for animated television adaptations of the ''Peanuts'' comic strip. His compositions for this series included their signature melody "Linus and Lucy" and the holiday standard "Christmas Time Is Here". He is also known for his performances on piano as a member of Cal Tjader's 1950s ensembles and for his own solo career. His 1962 composition "Cast Your Fate to the Wind" became a radio hit and won a Grammy Award in 1963 for Grammy Award for Best Original Jazz Composition, Best Original Jazz Composition. He died of a sudden heart attack in February 1976 at age 47, moments after concluding a nightclub performance in Menlo Park, California. Early career Guaraldi was born in San Francisco's North Beach, San Francisco, North Beach area, a place that became very important to his blossoming musical career. His last name changed to "Guaraldi" ...
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Jazz Impressions Of A Boy Named Charlie Brown
''Jazz Impressions of A Boy Named Charlie Brown'' (stylized with quotation marks as ''Jazz Impressions of "A Boy Named Charlie Brown"'') is the sixth studio album by American jazz pianist Vince Guaraldi (credited to the Vince Guaraldi Trio), released in the U.S. by Fantasy Records in December 1964. It is the soundtrack to the unreleased television documentary film entitled ''A Boy Named Charlie Brown''. Production Vince Guaraldi was contacted by television producer Lee Mendelson to compose music for a documentary on the comic strip ''Peanuts'' and its creator, Charles M. Schulz. Although the special went unaired due to Mendelson's failure to secure a sponsor, Guaraldi's selections were released in 1964 as ''Jazz Impressions of A Boy Named Charlie Brown''. Most of the tracks were designed to introduce and accompany specific characters. Although never aired on television, the 30-minute documentary was instrumental in garnering commercial support and the creative teamwork that resu ...
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Jerry Granelli
Gerald John Granelli (December 30, 1940July 20, 2021) was an American-Canadian jazz drummer. He was best known for playing drums on the soundtrack '' A Charlie Brown Christmas'' with the Vince Guaraldi Trio. Early life Granelli was born to Jack and Ida Granelli in the Mission District of San Francisco on December 30, 1940. Both his father and uncle played the drums and were passionate about jazz. Granelli initially learned the violin for a year, before switching to drums. He was consequently involved with the city's hard bop scene from a young age. A day spent with drummer Gene Krupa in 1948 informed his passion for percussion and eventually led to him studying with Joe Morello. From the 1990s until his death, Granelli lived in Halifax, Nova Scotia, becoming a Canadian citizen in 1999. In 2010, he released his first solo album, ''1313''. Granelli toured jazz festivals and theaters with his show ''Tales of a Charlie Brown Christmas'', which retells how the Charlie Brown Christm ...
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Mike Clark (jazz Musician)
Michael Jeffrey Clark (born October 3, 1946) is an American drummer. He gained worldwide recognition as one of America's foremost jazz and funk drummers while playing with Herbie Hancock in the early 1970s. His incisive playing on Hancock's ''Actual Proof'' garnered him an international cult following and influenced generations of drummers throughout the world. Clark was born in Sacramento, California, United States. He traveled around the country with his father, a drummer himself and a union man for the railroad. His dad had a great appreciation for jazz and blues music, and Mike absorbed the music of America while riding the rails. He credits this exposure as forming the foundation for his ability to synthesize many different regional styles. From age 4, he was a prodigy, sitting in - and getting "house"- with bands in Texas and New Orleans. By the time he reached his early twenties he was known as one of the founders of the distinctive East Bay Sound coming out of Oakland, ...
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Colin Bailey (drummer)
Colin James Bailey (9 July 1934 – 20 September 2021) was a British-born American jazz Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major ... drummer. Biography Born in Swindon, England, in 1934, Bailey learned to play drums as a child, studying formally from age seven. His first band was the Nibs, when he was 7, which consisted of two accordions, banjo and drums. He toured with Winifred Atwell from 1952–1956, and performed at the London Palladium for Queen Elizabeth (1952). He lived in Australia from 1958 into the early 1960s, playing in the staff band for Channel 9 TV. In Sydney, he played with Bryce Rohde and the Australian Jazz Quartet, backing musicians such as Dizzy Gillespie and Sarah Vaughan. When the AJQ toured the U.S., Bailey was hired by Vince Guaraldi, with Monty Bu ...
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Electric Bass
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck The neck is the part of the body on many vertebrates that connects the head with the torso. The neck supports the weight of the head and protects the nerves that carry sensory and motor information from the brain down to the rest of the body. In ... and Scale length (string instruments), scale length, and typically four to six string (music), strings or Course (music), courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a plectrum, pick. To be heard ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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Monty Budwig
Monte Rex Budwig (December 26, 1929 – March 9, 1992) was a West Coast jazz double bassist, professionally known as Monty Budwig. Early life Monte Rex Budwig was born in Pender, Nebraska, on December 26, 1929.His full birthname was Monte Rex Budwig, although he performed and recorded as Monty Budwig. His parents were musical. He began playing bass during high school, and continued in military bands while he was enlisted in the Air Force for three years. Later life and career In 1954, Budwig moved to Los Angeles and performed and recorded under the name Monty Budwig with jazz musicians including Carmen McRae, Barney Kessel, Woody Herman, Red Norvo, and Shelly Manne. Budwig played with pianist Vince Guaraldi in the 1960s, including on the pianist's album ''Jazz Impressions of Black Orpheus''. Budwig was part of Benny Goodman's band for performances in New York, and a tour of Japan in 1964. He also began his career as a studio musician in the 1960s, which encompassed film and telev ...
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Christmas Time Is Here
"Christmas Time Is Here" is a popular Christmas standard written by Vince Guaraldi and Lee Mendelson for the 1965 television special ''A Charlie Brown Christmas'', one of the first animated Christmas specials produced for network television in the United States. Two versions were included on the album ''A Charlie Brown Christmas'': an instrumental version by the Vince Guaraldi Trio and a vocal version by choristers from St. Paul's Episcopal Church in San Rafael, California, who had previously performed with Guaraldi on '' At Grace Cathedral'' (1965). Background "Christmas Time Is Here" was composed by jazz pianist Vince Guaraldi to accompany the opening of the 1965 television special ''A Charlie Brown Christmas''. It was originally written as an instrumental, but producer Lee Mendelson decided that the song needed lyrics. Mendelson recalled, "When we looked at the show about a month before it was to go on the air, I said, 'That's such a pretty melody; maybe we should try and find ...
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A Charlie Brown Christmas (soundtrack)
''A Charlie Brown Christmas'' is the eighth studio album by American jazz pianist Vince Guaraldi (later credited to the Vince Guaraldi Trio). The album was released in December 1965 in the U.S. by Fantasy Records and was Guaraldi's final studio album for the label. It is the soundtrack to the Christmas television special of the same name. Guaraldi was contacted by television producer Lee Mendelson to compose music for a documentary on the comic strip ''Peanuts'' and its creator, Charles M. Schulz. Although the special went unaired, these selections were released in 1964 as ''Jazz Impressions of A Boy Named Charlie Brown''. Coca-Cola commissioned a Christmas special based on ''Peanuts'' in 1965 and Guaraldi returned to score the special. Guaraldi composed most of the music, though he included versions of traditional carols such as "O Tannenbaum". He recorded some of the score at Whitney Studio in Glendale, California, then re-recorded some of it at Fantasy Records Studios in San ...
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Charlie Brown's Holiday Hits
''Charlie Brown's Holiday Hits'' is a compilation album by jazz pianist Vince Guaraldi (credited to the Vince Guaraldi Trio) released by Fantasy Records in 1998. The album was the first of several posthumous releases containing a mix of previously released material in addition to nine previously unavailable songs featured in prime-time animation, animated television specials based on the ''Peanuts'' comic strip by Charles M. Schulz. Background Vince Guaraldi died of a sudden Vince Guaraldi#Death and impact, heart attack on February 6, 1976, at age 47, having composed music scores for 16 ''Peanuts'' television specials and the feature film ''A Boy Named Charlie Brown.'' Despite the wealth of material Guaraldi recorded for these specials, only three album's worth of ''Peanuts'' songs were released during his lifetime: ''Jazz Impressions of A Boy Named Charlie Brown'' (1964), ''A Charlie Brown Christmas (soundtrack), A Charlie Brown Christmas'' (1965) and ''Oh Good Grief!'' (1968). ...
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Music From The Soundtrack
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into academic disciplines, criticism, philosophy, and psychology. Music may be performed or improvised using a vast range of instruments, including the human voice. In some musical contexts, a performance or composition may be to some extent improvised. For instance, in Hindustani classical music, the performer plays spontaneously while following a partially defined structure and using characteristic motifs. In modal j ...
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