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Paul Schöffler
Paul Schöffler (15 September 1897 – 21 November 1977) was a German operatic baritone, particularly associated with Mozart, Wagner, and Strauss roles. Born in Dresden, he studied at the Music Conservatory there with Rudolf Schmalmauer and Waldemar Staegemann, and later in Milan with the Italian baritone Mario Sammarco. He was a member of the Semperoper in Dresden from 1925 to 1937, and then joined the Vienna State Opera. He was also a regular at the Bayreuth Festival and the Salzburg Festival, establishing himself in roles such as Figaro, Don Giovanni, Alfonso, The Speaker of the Temple, Pizarro, Holländer, Wolfram, Kurwenal, Hans Sachs, Wotan, Amfortas, Orest, and Barak. He took part in the creation of Gottfried von Einem's ''Dantons Tod'' in 1947, and Richard Strauss's ''Die Liebe der Danae'' in 1952, both in Salzburg. He made guest appearances at the Royal Opera House in London, the Paris Opéra, the Aix-en-Provence Festival, La Scala in Milan, the Teatro Colón in Bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Schöffler (1897–1977) 1947 OeNB 659776
Paul Schöffler (15 September 1897 – 21 November 1977) was a German operatic baritone, particularly associated with Mozart, Wagner, and Strauss roles. Born in Dresden, he studied at the Music Conservatory there with Rudolf Schmalmauer and Waldemar Staegemann, and later in Milan with the Italian baritone Mario Sammarco. He was a member of the Semperoper in Dresden from 1925 to 1937, and then joined the Vienna State Opera. He was also a regular at the Bayreuth Festival and the Salzburg Festival, establishing himself in roles such as Figaro, Don Giovanni, Alfonso, The Speaker of the Temple, Pizarro, Holländer, Wolfram, Kurwenal, Hans Sachs, Wotan, Amfortas, Orest, and Barak. He took part in the creation of Gottfried von Einem's ''Dantons Tod'' in 1947, and Richard Strauss's ''Die Liebe der Danae'' in 1952, both in Salzburg. He made guest appearances at the Royal Opera House in London, the Paris Opéra, the Aix-en-Provence Festival, La Scala in Milan, the Teatro Colón in Bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fidelio
''Fidelio'' (; ), originally titled ' (''Leonore, or The Triumph of Marital Love''), Op. 72, is Ludwig van Beethoven's only opera. The German libretto was originally prepared by Joseph Sonnleithner from the French of Jean-Nicolas Bouilly, with the work premiering at Vienna's Theater an der Wien on 20 November 1805. The following year, Stephan von Breuning helped shorten the work from three acts to two. After further work on the libretto by Georg Friedrich Treitschke, a final version was performed at the Kärntnertortheater on 23 May 1814. By convention, both of the first two versions are referred to as ''Leonore''. The libretto, with some spoken dialogue, tells how Leonore, disguised as a prison guard named "Fidelio", rescues her husband Florestan from death in a political prison. Bouilly's scenario fits Beethoven's aesthetic and political outlook: a story of personal sacrifice, heroism, and eventual triumph. With its underlying struggle for liberty and justice mirroring con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palais Garnier
The Palais Garnier (, Garnier Palace), also known as Opéra Garnier (, Garnier Opera), is a 1,979-seatBeauvert 1996, p. 102. opera house at the Place de l'Opéra in the 9th arrondissement of Paris, France. It was built for the Paris Opera from 1861 to 1875 at the behest of Emperor Napoleon III. Initially referred to as ''le nouvel Opéra de Paris'' (the new Paris Opera), it soon became known as the Palais Garnier, "in acknowledgment of its extraordinary opulence" and the architect Charles Garnier's plans and designs, which are representative of the Napoleon III style. It was the primary theatre of the Paris Opera and its associated Paris Opera Ballet until 1989, when a new opera house, the Opéra Bastille, opened at the Place de la Bastille. The company now uses the Palais Garnier mainly for ballet. The theatre has been a ''monument historique'' of France since 1923. The Palais Garnier has been called "probably the most famous opera house in the world, a symbol of Paris like No ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Opera House
The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House. The first theatre on the site, the Theatre Royal (1732), served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, the first season of operas, by George Frideric Handel, began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there. The current building is the third theatre on the site, following disastrous fires in 1808 and 1856 to previous buildings. The façade, foyer, and auditorium date from 1858, but almost every other element of the present complex dates from an extensive reconstruction in the 1990s. The main auditorium seats 2,256 people, mak ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Liebe Der Danae
''Die Liebe der Danae'' (''The Love of Danae'') is an opera in three acts by Richard Strauss to a February 1937 German libretto by Joseph Gregor, based on an outline written in 1920, "Danae, or The Marriage of Convenience", by Hugo von Hofmannsthal. Strauss worked on the score in 1937, 1938 and into 1939, although he was pre-occupied with completing ''Daphne'', developing ideas with Gregor and finally replacing him as librettist for '' Capriccio'', and then succumbed to illness, which caused postponement for several months into 1940. The opera was finally finished on 28 June 1940. However, for a variety of reasons including Strauss' perception that the failure of ''Die Frau ohne Schatten'', as he put it, was caused by having been "put on in German theatres too soon after the last war",Boyden, p. 339 the composer refused to allow Clemens Krauss, to whom he had guaranteed the right to conduct the first performances, to stage it until two years after the war. The opera is an ingenio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dantons Tod
' (German for ''Danton's Death'') is an opera by Gottfried von Einem to a libretto by Boris Blacher and Gottfried von Einem after Georg Büchner's 1835 play of the same name. Its first performance took place in Salzburg on 6 August 1947. It was revised in 1955. The successful premiere of Gottfried von Einem's opera ' at the 1947 Salzburg Festival and its quick staging by European houses were due to more than the strong drama of Einem's score. This was a first step toward the rehabilitation of German musicians after World War II; an opera by a young Austrian composer who had not collaborated in the former regime's cultural policies. ' dramatizes legalized governmental terror, a plague which the world at the time realized had not been eradicated with the end of the war. Roles Synopsis ''Dantons Tod'' was adapted from Georg Büchner's play by von Einem and his teacher, composer Boris Blacher. The protagonist is Georges Danton, a leader in the French government during the Revolution ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gottfried Von Einem
Gottfried von Einem (24 January 1918 – 12 July 1996) was an Austrian composer. He is known chiefly for his operas influenced by the music of Stravinsky and Prokofiev, as well as by jazz. He also composed pieces for piano, violin and organ. Biography Einem was born in the Swiss capital Bern into an Austrian diplomat family. According to Einem's publisher, his father was William von Einem, military attaché of the Austro-Hungarian embassy. According to another source, however, he was adopted by Einem, his natural father being the Hungarian aristocrat Count László von Hunyadi. His mother, Baroness Gerta Louise née Rieß von Scheurnschloss, an officer's daughter from Kassel, led a lavish lifestyle between Berlin and Paris. The family moved to Malente in the Prussian Schleswig-Holstein Province, when Gottfried was four years old. After his school days in Plön and Ratzeburg, Gottfried von Einem went to Berlin in 1937, to study at the State School of Music with Paul Hindemith w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Frau Ohne Schatten
' (''The Woman without a Shadow''), Op. 65, is an opera in three acts by Richard Strauss with a libretto by his long-time collaborator, the poet Hugo von Hofmannsthal. It was written between 1911 and either 1915 or 1917. When it premiered at the Vienna State Opera on 10 October 1919, critics and audiences were unenthusiastic. Many cited problems with Hofmannsthal's complicated and heavily symbolic libretto. However, it is now a standard part of the operatic repertoire. Composition history Work on the opera began in 1911. Hofmannsthal's earliest sketches for the libretto are based on a piece by Goethe, ' (1795). Hofmannsthal handles Goethe's material freely, adding the idea of two couples, the emperor and empress who come from another realm, and the dyer and his wife who belong to the ordinary world. Hofmannsthal also drew on portions of ''The Arabian Nights'', ''Grimms' Fairy Tales'', and even quotes Goethe's ''Faust''. The opera is conceived as a fairy tale on the theme of lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elektra (opera)
''Elektra'', Opus number, Op. 58, is a one-act opera by Richard Strauss, to a German-language libretto by Hugo von Hofmannsthal, which he adapted from his 1903 drama ''Elektra''. The opera was the first of many collaborations between Strauss and Hofmannsthal. It was first performed at the Semperoper, Königliches Opernhaus in Dresden on 25 January 1909. It was dedicated to his friends Natalie and Willy Levin. History While based on ancient Greek mythology and Sophocles' tragedy ''Electra (Sophocles play), Electra'', the opera is highly Modernism, modernist and Expressionist music, expressionist in style. Hofmannsthal's and Strauss's adaptation of the story focuses tightly on Electra, Elektra, thoroughly developing her character by single-mindedly expressing her emotions and psychology as she meets with other characters, mostly one at a time. (The order of these conversations closely follows Sophocles' play.) The other characters are Clytemnestra, Klytaemnestra, her mother and o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parsifal
''Parsifal'' ( WWV 111) is an opera or a music drama in three acts by the German composer Richard Wagner and his last composition. Wagner's own libretto for the work is loosely based on the 13th-century Middle High German epic poem ''Parzival'' of the ''Minnesänger'' Wolfram von Eschenbach, recounting the story of the Arthurian knight Parzival (Percival) and his quest for the Holy Grail. Wagner conceived the work in April 1857, but did not finish it until 25 years later. In composing it he took advantage of the particular acoustics of his Bayreuth Festspielhaus. ''Parsifal'' was first produced at the second Bayreuth Festival in 1882. The Bayreuth Festival maintained a monopoly on ''Parsifal'' productions until 1903, when the opera was performed at the Metropolitan Opera in New York. Wagner described ''Parsifal'' not as an opera, but as (a festival play for the consecration of the stage). At Bayreuth a tradition has arisen that audiences do not applaud at the end of the first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Walküre
(; ''The Valkyrie''), WWV 86B, is the second of the four music dramas that constitute Richard Wagner's ''Der Ring des Nibelungen'' (English: ''The Ring of the Nibelung''). It was performed, as a single opera, at the National Theatre Munich on 26 June 1870, and received its first performance as part of the ''Ring'' cycle at the Bayreuth Festspielhaus on 14 August 1876. As the ''Ring'' cycle was conceived by Wagner in reverse order of performance, ''Die Walküre'' was the third of the four texts to be written, although Wagner composed the music in performance sequence. The text was completed by July 1852, and the music by March 1856. Wagner largely followed the principles related to the form of musical drama, which he had set out in his 1851 essay ''Opera and Drama'' under which the music would interpret the text emotionally, reflecting the feelings and moods behind the work, using a system of recurring leitmotifs to represent people, ideas, and situations rather than the conv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Meistersinger
Die, as a verb, refers to death, the cessation of life. Die may also refer to: Games * Die, singular of dice, small throwable objects used for producing random numbers Manufacturing * Die (integrated circuit), a rectangular piece of a semiconductor wafer * Die (manufacturing), a material-shaping device * Die (philately) * Coin die, a metallic piece used to strike a coin * Die casting, a material-shaping process ** Sort (typesetting), a cast die for printing * Die cutting (web), process of using a die to shear webs of low-strength materials * Die, a tool used in paper embossing * Tap and die, cutting tools used to create screw threads in solid substances * Tool and die, the occupation of making dies Arts and media Music * ''Die'' (album), the seventh studio album by rapper Necro * Die (musician), Japanese musician, guitarist of the band Dir en grey * DJ Die, British DJ and musician with Reprazent * "DiE", a 2013 single by the Japanese idol group BiS * die!, an inactive Germ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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