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Paul Jackson (bassist)
Paul Jerome Jackson Jr. (March 28, 1947 – March 18, 2021) was an American jazz electric bassist and composer. He was a founding member of the Headhunters and played on several of Herbie Hancock's albums, including ''Head Hunters'' and ''Thrust''. Jackson subsequently moved to Japan and started a voluntary concert called Jazz for Kids, with the intent of familiarizing students there with African-American history. Early life Jackson was born in Oakland, California, on March 28, 1947. He was one of four children of Paul Sr. and Rosa Emanuel. His father was initially a heavyweight boxer, who subsequently worked as a contractor and was occasionally employed as a security guard at music venues. Jackson played piano and bassoon as a child, in addition to his primary instrument of bass, which he started playing when he was nine years old. At the age of 14, he performed with the Oakland Symphony Orchestra and went on to study at the San Francisco Conservatory of Music. Career Jackson ...
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Oakland, California
Oakland is the largest city and the county seat of Alameda County, California, United States. A major West Coast of the United States, West Coast port, Oakland is the largest city in the East Bay region of the San Francisco Bay Area, the third largest city overall in the Bay Area and the List of largest California cities by population, eighth most populated city in California. With a population of 440,646 in 2020, it serves as the Bay Area's trade center and economic engine: the Port of Oakland is the busiest port in Northern California, and the fifth busiest in the United States of America. An act to municipal corporation, incorporate the city was passed on May 4, 1852, and incorporation was later approved on March 25, 1854. Oakland is a charter city. Oakland's territory covers what was once a mosaic of California coastal prairie, California coastal terrace prairie, oak woodland, and north coastal scrub. In the late 18th century, it became part of a large ''rancho'' grant in t ...
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Bennie Maupin
Bennie Maupin (born August 29, 1940) is an American jazz multireedist who performs on various saxophones, flute, and bass clarinet. Maupin was born in Detroit, Michigan, United States. He is known for his participation in Herbie Hancock's Mwandishi sextet and Headhunters band, and for performing on Miles Davis's seminal fusion record, '' Bitches Brew''. Maupin has collaborated with Horace Silver, Roy Haynes, Woody Shaw, Lee Morgan and many others. He is noted for having a harmonically-advanced, "out" improvisation style, while having a different sense of melodic direction than other "out" jazz musicians such as Eric Dolphy. Maupin was a member of Almanac, a group with Cecil McBee (bass), Mike Nock (piano) and Eddie Marshall (drums). Discography As leader/co-leader * '' The Jewel in the Lotus'' (ECM, 1974) * ''Almanac'' (Improvising Artists, 1977) with Mike Nock, Cecil McBee, Eddie Marshall – recorded in 1967 * '' Slow Traffic to the Right'' ( Mercury, 1977) * ...
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Sadao Watanabe (musician)
is a Japanese jazz musician who plays alto saxophone, sopranino saxophone, banjo, and flute. He is known for his bossa nova recordings, although his work encompasses many styles, with collaborations from musicians all over the world. Career Watanabe was born on 1 February 1933 in Utsunomiya, Japan. His father, a professional musician, sang and played the biwa. He was attracted to jazz from an early age, in part due to the strong cultural influence stemming from the American post-war presence in Japan. Watanabe learned the clarinet while in high school after convincing his father over the course of six weeks to buy him a second-hand instrument. In 1951, Watanabe moved to Tokyo and began playing the alto saxophone. He started studying the flute in 1953 with Ririko Hayashi from the Tokyo Philharmonic Orchestra. He joined Toshiko Akiyoshi’s Cozy Quartet and began leading the group when Akiyoshi moved to the USA.By 1958 he had performed with leading musicians and quartets. In ...
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Stomu Yamashta
Stomu Yamashta (or Yamash'ta), born , is a Japanese percussionist, keyboardist and composer. He is best known for pioneering and popularising a fusion of traditional Japanese percussive music with Western progressive rock music in the 1960s and 1970s. In the latter part of the 1970s, he led the supergroup Go with Steve Winwood, Al Di Meola, Klaus Schulze, and Michael Shrieve. Biography Yamash'ta was born in Kyoto, Japan on 15 March 1947. He entered to study at the Kyoto Academy of Music in 1960. His father was the director of the Kyoto Philharmonic, and he became a percussionist in the orchestra when he was 13. He studied music at Kyoto University, Juilliard School of Music, and Berklee College of Music, and has also lectured in music. His innovation and acrobatic drumming style earned him many accolades. In the 1960s he performed with Thor Johnson, Toru Takemitsu, and Hans Werner Henze amongst others. He changed his name from Tsutomu Yamashita to the phonetic Stomu Yamash'ta a ...
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Char (musician)
, known professionally as Char, is a Japanese musician, singer-songwriter and record producer. He is considered one of Japan's greatest guitar players. In 2003, Char was ranked by HMV Japan at number 38 on their list of the 100 most important Japanese pop acts. ''Rolling Stone Japan'' ranked his album ''Psyche'' number 36 on their 2007 list of the greatest Japanese rock albums of all time. Char came in third in a 2011 goo poll on who the Japanese people thought was the best guitarist to represent the country. Char was named the greatest Japanese guitarist in a 2017 list by ''Guitar Magazine'', as voted on by professional musicians, and in a 2019 public poll held by goo. His song "A Fair Wind" was named the 34th best guitar instrumental by '' Young Guitar Magazine'' in 2019. Char endorses Fender, with whom he has signature model guitars. He also has signature models with ESP. Career Char started learning piano in elementary school, and playing guitar at age eight. Although he ...
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Television Advertisement
A television advertisement (also called a television commercial, TV commercial, commercial, spot, television spot, TV spot, advert, television advert, TV advert, television ad, TV ad or simply an ad) is a span of television programming produced and paid for by an organization. It conveys a message promoting, and aiming to market, a product, service or idea. Advertisers and marketers may refer to television commercials as TVCs. Advertising revenue provides a significant portion of the funding for most privately-owned television networks. During the 2010s, the number of commercials has grown steadily, though the length of each commercial has diminished. Advertisements of this type have promoted a wide variety of goods, services, and ideas ever since the early days of the history of television. The viewership of television programming, as measured by companies such as Nielsen Media Research in the United States, or BARB in the UK, is often used as a metric for television adver ...
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Survival Of The Fittest (The Headhunters Album)
''Survival of the Fittest'' is the debut album by jazz/funk quintet the Headhunters, released in 1975 on Arista Records. It features the stand out track "God Make Me Funky", in which its drum break has been sampled numerous times by prominent rappers. The album was re-issued on compact disc by BMG France in 2001, which was digitally remastered from the original master tapes in 24-bit by Jean-Pierre Chalbos. Track listing All songs by Bennie Maupin, Bill Summers, Paul Jackson, Mike Clark and Blackbird McKnight. Personnel * Blackbyrd McKnight - electric guitar, vocals * Bennie Maupin - saxophones, vocals, saxello, clarinets, flutes, lyricon, piano * Paul Jackson - bass guitar, vocals * Mike Clark - drums, vocals * Bill Summers - percussion, vocals * Joyce Jackson - alto flute * Zak Diouf, Baba Duru Oshun and Harvey Mason, Sr. - percussion * Pointer Sisters - vocals Sampling Recordings which have sampled "God Make Me Funky" and other tracks off the album include: ;"God Make Me ...
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Secrets (Herbie Hancock Album)
''Secrets'' is a jazz- funk fusion album by keyboard player Herbie Hancock. It is also Hancock's seventeenth album overall. Participating musicians include saxophonist Bennie Maupin and guitarist Wah Wah Watson. The album clearly followed from its predecessor '' Man-Child''. As ever, Paul Jackson's basslines were critical, and the other regular member Bennie Maupin continued to provide most of the solos alongside Hancock. ''Man-Child'' had seen the addition of electric guitar to Hancock's sound, and ''Secrets'' saw the guitar's place in the arrangements rise to crucial importance throughout. The flamboyant rhythm guitar contributions of top Motown session musician Wah Wah Watson are a particularly notable feature of the album. Whereas ''Man-Child'' was evenly divided between up-tempo and laid-back tracks, ''Secrets'' emphasized the more mellow, softly rounded mood. Even the more up-tempo tracks, "Doin' It" and " Cantelope Island" (a remake of Hancock's 1964 composition), are ...
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Flood (Herbie Hancock Album)
''Flood'' is the second live album, and sixteenth album overall, by American jazz pianist and keyboardist Herbie Hancock. Recorded live in Tokyo, the album was originally released exclusively in Japan in 1975 as a double LP , reads kōzui meaning flood. It features The Headhunters (saxophonist Bennie Maupin, bass guitarist Paul Jackson, percussionist Bill Summers and drummer Mike Clark, along with guitarist DeWayne McKnight) performing selections from the albums '' Maiden Voyage'' (track 1), ''Head Hunters'' (tracks 4 and 6), ''Thrust'' (tracks 2, 3, and 5), and '' Man-Child'' (track 7)–– with the latter album still two months away from release at the time of these concerts. ''Flood'' remained a Japanese-only release in all formats until a 2014 CD reissue in the U.S. by the Wounded Bird label. The cover artwork was designed by Nobuyuki Nakanishi. Track listing All compositions by Herbie Hancock except where noted. Personnel *Herbie Hancock – acoustic piano, Fende ...
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Man-Child
''Man-Child'' is the fifteenth studio album by jazz pianist Herbie Hancock. The record was released on August 22, 1975 by Columbia Records. It was the final studio album to feature The Headhunters, and a number of guest musicians including saxophonist Wayne Shorter, a full brass section, three different guitarists (including DeWayne McKnight), and Stevie Wonder on harmonica. Overview It is arguably one of his most funk-influenced albums and it represents his further departure from the "spacey, higher atmosphere jazz," as he referred to it, of his earlier career. Hancock uses more funk based rhythms around the hi-hat, and snare drum. The tracks are characterized by short, repeated riffs by both the rhythm section, horns accompaniment, and bass lines. ''Man-Child'' features less improvisation from the whole band and more concentrated grooves with brief solos from the horns and Hancock himself on synthesizer and Fender Rhodes piano on top of the repeated riffs. This album features ...
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Jazz Standard
Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive list of jazz standards, and the list of songs deemed to be standards changes over time. Songs included in major fake book publications (sheet music collections of popular tunes) and jazz reference works offer a rough guide to which songs are considered standards. Not all jazz standards were written by jazz composers. Many are originally Tin Pan Alley popular songs, Broadway show tunes or songs from Hollywood musicals – the Great American Songbook. In Europe, jazz standards and "fake books" may even include some traditional folk songs (such as in Scandinavia) or pieces of ethnic music (such as gypsy melodies) that have been played with a jazz feel by well known jazz players. A commonly played song can only be considered a jazz standar ...
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Chameleon (composition)
"Chameleon" is a jazz standard composed by Herbie Hancock with Bennie Maupin, Paul Jackson and Harvey Mason, all of whom also performed the original 15:44 full-length version on the 1973 album ''Head Hunters'', and featuring solos by Hancock and Maupin. The 9:41 edit omits an out-of-tune segment, features a new bassline added in at around 6:40 and new instruments added in post-production. Background The song has a characteristic bass line and is set to a funk beat. For the most part, it is built entirely on a two-chord vamp: a i-IV in B Dorian (Bm7 and E7). The piece's signature 12-note bass line was played by Hancock on an ARP Odyssey, as was one of the keyboard solos. The other keyboard solo was played on a Rhodes piano. Chart performance Other recordings The piece is one of the most widely recognized jazz standards, and has become standard repertoire in many small jazz ensembles. It has been performed by various artists including: *Maceo Parker *Buddy Rich *Stanley Jorda ...
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