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Paul Hager
Paul Hager (15 November 1925 – 12 April 1983) was a German theatre and opera director. Life Hager was born in Remscheid. His mother, Emmy Hager, ''née'' Tillmanns, was a pianist, his father Franz Paul Hager, general director of the Remscheid ''Alexanderwerk'', both regular visitors to the Bayreuth Festival. Music and theatre, but also his father's responsible entrepreneurial activities, shaped his childhood. Determined by his father before his early death to become his successor, he studied business administration at Cologne University – after returning from the front – which he completed with the thesis ''Über die Organisationsgrundlagen des deutschen Kulturtheaters''. He completed his "apprentice years" at the Bavarian State Opera in Munich under the direction of , Heinz Arnold (director), Georg Solti, Eugen Jochum, Ferenc Fricsay (conductors), Carl Orff (composer) and at the Bayreuth Festival under Wieland Wagner (director), Hans Knappertsbusch, Herbert von K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Director
A theatre director or stage director is a professional in the theatre field who oversees and orchestrates the mounting of a theatre production such as a play, opera, dance, drama, musical theatre performance, etc. by unifying various endeavors and aspects of production. The director's function is to ensure the quality and completeness of theatre production and to lead the members of the creative team into realizing their artistic vision for it. The director thereby collaborates with a team of creative individuals and other staff to coordinate research and work on all the aspects of the production which includes the Technical and the Performance aspects. The technical aspects include: stagecraft, costume design, theatrical properties (props), lighting design, set design, and sound design for the production. The performance aspects include: acting, dance, orchestra, chants, and stage combat. If the production is a new piece of writing or a (new) translation of a play, the director ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leontyne Price
Mary Violet Leontyne Price (born February 10, 1927) is an American soprano who was the first African Americans, African American soprano to receive international acclaim. From 1961 she began a long association with the Metropolitan Opera, where she was the first African American to be a Prima donna, leading performer. She regularly appeared at the world's major opera houses, the Royal Opera House, San Francisco Opera, Lyric Opera of Chicago, and La Scala, the last at which she was also the first African American to sing a leading role. She was particularly renowned for her performances of the title role in Verdi's ''Aida''. Born in Laurel, Mississippi, Price attended Central State University and then Juilliard, where she had her operatic debut as Mistress Ford in Verdi's ''Falstaff (opera), Falstaff''. Having heard the performance, Virgil Thomson engaged her in ''Four Saints in Three Acts'' and she then toured—starring alongside her husband William Warfield—in a successful rev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faust (opera)
''Faust'' is an opera in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play ''Faust et Marguerite'', in turn loosely based on Johann Wolfgang von Goethe's ''Faust, Part One''. It debuted at the Théâtre Lyrique on the Boulevard du Temple in Paris on 19 March 1859, with influential sets designed by Charles-Antoine Cambon and Joseph Thierry, Jean Émile Daran, Édouard Desplechin, and Philippe Chaperon. Performance history The original version of Faust employed spoken dialogue, and it was in this form that the work was first performed. The manager of the Théâtre Lyrique, Léon Carvalho cast his wife Caroline Miolan-Carvalho as Marguerite and there were various changes during production, including the removal and contraction of several numbers. The tenor Hector Gruyer was originally cast as Faust but was found to be inadequate during rehearsals, being eventually replaced by a principal of the Opéra-Comique, Joseph-Théodore ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pagliacci
''Pagliacci'' (; literal translation, "Clowns") is an Italian opera in a prologue and two acts, with music and libretto by Ruggero Leoncavallo. The opera tells the tale of Canio, actor and leader of a commedia dell'arte theatrical company, who murders his wife Nedda and her lover Silvio on stage during a performance. ''Pagliacci'' premiered at the Teatro Dal Verme in Milan on 21 May 1892, conducted by Arturo Toscanini, with Adelina Stehle as Nedda, Fiorello Giraud as Canio, Victor Maurel as Tonio, and Mario Ancona as Silvio. Soon after its Italian premiere, the opera played in London (with Nellie Melba as Nedda) and in New York (on 15 June 1893, with Agostino Montegriffo as Canio). ''Pagliacci'' is the composer's only opera that is still widely performed. ''Pagliacci'' is often staged with ''Cavalleria rusticana'' by Pietro Mascagni, a double bill known colloquially as "Cav and Pag". Origin and disputes Leoncavallo was a little-known composer when Pietro Mascagni's ''Cavalleria ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antigonae
''Antigonae'' (''Antigone''), written by Carl Orff, was first presented on 9 August 1949 under the direction of Ferenc Fricsay in the Felsenreitschule, Salzburg, Austria, as part of the Salzburg Festival. Antigonae is in Orff's words a "musical setting" for the Greek tragedy of the same name by Sophocles. However, it functions as an opera. The opera is a line-by-line setting of the German translation of Sophocles' play by Friedrich Hölderlin. However, Orff did not treat Hölderlin's translation of the play as a traditional opera libretto, but rather as the basis for a "musical transformation" of the tragic language of the drama of Ancient Greece. Sophocles's play was written in 442 BC, and Hölderlin's 1804 translation copies faithfully the mood and movement of Greek tragedy. Roles Synopsis The opera begins in the early morning following a battle in Thebes between the armies of the two sons of Oedipus: Eteocles and Polynices. King Kreon (Creon), who ascended the throne of Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlos Kleiber
Carlos Luis Bonifacio Kleiber (3 July 1930 – 13 July 2004) was an Austrian conductor who is widely regarded as among the greatest conductors of all time. Early life Kleiber was born as Karl Ludwig Bonifacius Kleiber in Berlin in 1930, the son of the eminent Austrian conductor Erich Kleiber and American Ruth Goodrich, from Waterloo, Iowa. In 1935, the Kleiber family emigrated to Buenos Aires and Karl was renamed Carlos. As a youth, he had an English governess and grew up in English boarding schools. He also composed, sang, and played piano and timpani. While his father noticed his son's musical talents, he nevertheless dissuaded Carlos from pursuing a musical career: "What a pity the boy is musically talented", wrote Erich to a friend. Carlos first studied chemistry at ETH Zurich but soon decided to dedicate himself to music. He was répétiteur at the Gärtnerplatz Theatre in Munich in 1952 and made his conducting debut with the operetta ''Gasparone'' at Potsdam theatre in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elektra (opera)
''Elektra'', Opus number, Op. 58, is a one-act opera by Richard Strauss, to a German-language libretto by Hugo von Hofmannsthal, which he adapted from his 1903 drama ''Elektra''. The opera was the first of many collaborations between Strauss and Hofmannsthal. It was first performed at the Semperoper, Königliches Opernhaus in Dresden on 25 January 1909. It was dedicated to his friends Natalie and Willy Levin. History While based on ancient Greek mythology and Sophocles' tragedy ''Electra (Sophocles play), Electra'', the opera is highly Modernism, modernist and Expressionist music, expressionist in style. Hofmannsthal's and Strauss's adaptation of the story focuses tightly on Electra, Elektra, thoroughly developing her character by single-mindedly expressing her emotions and psychology as she meets with other characters, mostly one at a time. (The order of these conversations closely follows Sophocles' play.) The other characters are Clytemnestra, Klytaemnestra, her mother and o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferdinand Leitner
Ferdinand Leitner (4 March 1912 in Berlin – 3 June 1996 in Zürich) was a German conductor. Leitner studied under Franz Schreker, Julius Prüwer, Artur Schnabel and Karl Muck. He also was a composition student with Robert Kahn. Starting as a pianist, through the help of Fritz Busch, he became a conductor in the 1930s. He was conductor of the Nollendorfplatz Theater in Berlin from 1943 to 1945; in Hanover from 1945 to 1946; in Munich from 1946 to 1947; and the General Music Director of the Württemberg State Opera house (German "Staatstheater Stuttgart") in Stuttgart from 1947 until 1969. To honour him, the city of Stuttgart has named a pedestrian bridge, that connects the Upper part (where the Staatstheater is located) and the Central part of the "Schlossgarten" (castle) park, after him (Ferdinand-Leitner-Steg). He is famous as a conductor of opera, his favourite composers being Wagner, Richard Strauss, Mozart, and twentieth-century composers Carl Orff and Karl Amadeus Hartm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Rosenkavalier
(''The Knight of the Rose'' or ''The Rose-Bearer''), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapted from the novel ''Les amours du chevalier de Faublas'' by Louvet de Couvrai and Molière's comedy ''Monsieur de Pourceaugnac''. It was first performed at the Königliches Opernhaus in Dresden on 26 January 1911 under the direction of Max Reinhardt, Ernst von Schuch conducting. Until the premiere, the working title was ''Ochs auf Lerchenau''. (The choice of the name Ochs is not accidental, for in German "Ochs" means "ox", which describes the character of the Baron throughout the opera.) The opera has four main characters: the aristocratic Marschallin; her very young lover, Count Octavian Rofrano; her brutish cousin Baron Ochs; and Ochs' prospective fiancée, Sophie von Faninal, the daughter of a rich bourgeois. At the Marschallin's suggestion, Octavian acts as Ochs' ''Rosenkavalier'' by pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Staatstheater Stuttgart
The Staatstheater Stuttgart (Stuttgart State Theatre) is a theatre with three locations, Oper Stuttgart (Opera Stuttgart), Stuttgarter Ballett (Stuttgart Ballet), and Schauspiel Stuttgart (Stuttgart Drama Theatre), in Stuttgart, Germany. The state that its name refers to is Baden-Württemberg. Architecture Designed by the noted Munich architect Max Littmann, who won a competition to create new royal theatres, the building was constructed between 1909 and 1912 as the Königliche Hoftheater, royal theatre of the Kingdom of Württemberg with a Grosses Haus (large house) and a Kleines Haus (small house). In 1919, the theatres were renamed to Landestheater, and later Staatstheater. The house for drama theatre, Kleines Haus, was destroyed by bombing during World War II, and today, the site is occupied by a new Kleines Haus, designed by Hans Volkart, which opened in 1962. The Opera House (Grosses Haus), is one of only a few German opera houses to survive the bombing of World War II. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lady Macbeth Of The Mtsensk District (opera)
''Lady Macbeth of Mtsensk'' (russian: Леди Макбет Мценского уезда, translit=Ledi Makbet Mtsenskogo uyezda, link=no, translation=Lady Macbeth of the Mtsensk District) is an opera in four acts and nine scenes by Dmitri Shostakovich, his Opus 29. The libretto, jointly written by Alexander Preys and the composer, is based on the novella ''Lady Macbeth of the Mtsensk District'' by Nikolai Leskov. Dedicated by Shostakovich to his first wife, physicist Nina Varzar, the roughly 160-minute opera was first performed on 22 January 1934 at the Leningrad Maly Operny, and two days later in Moscow. It incorporates elements of expressionism and verismo, telling the story of a lonely woman in 19th-century Russia who falls in love with one of her husband's workers and is driven to murder. Performance history Despite early success on popular and official levels, ''Lady Macbeth'' became the vehicle for a general denunciation of Shostakovich's music by the Communist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Frau Ohne Schatten
' (''The Woman without a Shadow''), Op. 65, is an opera in three acts by Richard Strauss with a libretto by his long-time collaborator, the poet Hugo von Hofmannsthal. It was written between 1911 and either 1915 or 1917. When it premiered at the Vienna State Opera on 10 October 1919, critics and audiences were unenthusiastic. Many cited problems with Hofmannsthal's complicated and heavily symbolic libretto. However, it is now a standard part of the operatic repertoire. Composition history Work on the opera began in 1911. Hofmannsthal's earliest sketches for the libretto are based on a piece by Goethe, ' (1795). Hofmannsthal handles Goethe's material freely, adding the idea of two couples, the emperor and empress who come from another realm, and the dyer and his wife who belong to the ordinary world. Hofmannsthal also drew on portions of ''The Arabian Nights'', ''Grimms' Fairy Tales'', and even quotes Goethe's ''Faust''. The opera is conceived as a fairy tale on the theme of lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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