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Patricia Piccinini
Patricia Piccinini (born 1965 in Freetown, Sierra Leone) is an Australian artist who works in a variety of media, including painting, video, sound, installation, digital prints, and sculpture. Her works focus on "unexpected consequences", conveying concerns surrounding bio-ethics and help visualize future dystopias. In 2003, Piccinini represented Australia at the 50th Venice Biennale with a hyperrealist sculpture of her distinctive anthropomorphic animals. In 2016 The Art Newspaper named Piccinini with her "grotesque-cum-cute, hyper-real genetics fantasies in silicone" the most popular contemporary artist in the world after a show in Rio de Janeiro attracted over 444,000 visitors. Natasha Bieniek's portrait of Piccinini was a finalist for the 2022 Archibald Prize. Early life Piccinini was born in Sierra Leone in 1965 to Teodoro and Agnes Piccinini. She moved to Canberra, Australia when she was 7 years old. She attended Red Hill, Australian Capital Territory, Red Hill Primar ...
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The Skywhale
''The Skywhale'' is a hot air balloon designed by the sculptor Patricia Piccinini as part of a commission to mark the centenary of the city of Canberra. It was built by Cameron Balloons in Bristol, United Kingdom, and first flew in Australia in 2013. The balloon's design received a mixed response after it was publicly unveiled in May 2013. It has since been displayed around the world, and was acquired by the National Gallery of Australia in 2019. Development Ahead of the centenary of the Australian national capital city of Canberra in 2013, the creative director of the centenary celebrations, Robyn Archer, commissioned the sculptor Patricia Piccinini in 2010 to develop a balloon. Piccinini grew up in Canberra and completed a degree in economics at the Australian National University before becoming a successful sculptor. She has received praise for creating highly realistic sculptures of human-like living creatures, and her work has been exhibited worldwide. Archer selected Picci ...
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Uma Orquídea Viva, De Carne, Osso E Pele (23635744905)
Parvati ( sa, पार्वती, ), Uma ( sa, उमा, ) or Gauri ( sa, गौरी, ) is the Hindu goddess of power, energy, nourishment, harmony, love, beauty, devotion, and motherhood. She is a physical representation of Mahadevi in her complete form. She is also revered in her appearances as Durga and Kali.Suresh Chandra (1998), Encyclopedia of Hindu Gods and Goddesses, , pp 245–246 She is one of the central deities of the goddess-oriented sect called Shaktism, and the chief goddess in Shaivism. Along with Lakshmi and Saraswati, she forms the Tridevi. Parvati is the wife of the Hindu god Shiva. She is the reincarnation of Sati, the first wife of Shiva who immolated herself during a yajna (fire-sacrifice).Edward Balfour, , The Encyclopaedia of India and of Eastern and Southern Asia, pp 153 Parvati is the daughter of the mountain-king Himavan and queen Mena.H.V. Dehejia, Parvati: Goddess of Love, Mapin, , pp 11 Parvati is the mother of the Hindu deities Ganesha and ...
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Australian Art
Australian art is any art made in or about Australia, or by Australians overseas, from prehistoric times to the present. This includes Aboriginal, Colonial, Landscape, Atelier, early-twentieth-century painters, print makers, photographers, and sculptors influenced by European modernism, Contemporary art. The visual arts have a long history in Australia, with evidence of Aboriginal art dating back at least 30,000 years. Australia has produced many notable artists of both Western and Indigenous Australian schools, including the late-19th-century Heidelberg School plein air painters, the Antipodeans, the Central Australian Hermannsburg School watercolourists, the Western Desert Art Movement and coeval examples of well-known High modernism and Postmodern art. History Indigenous Australia The ancestors of Aboriginal Australians are believed to have arrived in Australia as early as 60,000 years ago, and evidence of Indigenous Australian art in Australia can be traced back at least ...
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Ron Mueck
Hans Ronald Mueck ( or /ˈmuːɪk/; born 1958) is an Australian sculptor working in the United Kingdom. Biography Born in 1958 to German parents in Melbourne, Australia, Ron Mueck grew up in the family business of puppetry and doll-making. He worked initially as a creative director in Australian children's television, before moving to America to work there in film and advertising. Most notably, he designed, performed, and voiced the character of Ludo in the 1986 Jim Henson fantasy film ''Labyrinth''. He later collaborated with Henson again on the TV series '' The StoryTeller''. In 1996, he was asked by Paula Rego, his mother-in-law, to make a small figure of Pinocchio for her group exhibition Spellbound: Art and Film, at the Hayward Gallery, London. Mueck first came to public attention with his sculpture "Dead Dad". This portrayal of his recently deceased father - at roughly half-scale and made from memory and imagination – was included in the 1997 exhibition ''Sensation'' at ...
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Transhumanism
Transhumanism is a philosophical and intellectual movement which advocates the enhancement of the human condition by developing and making widely available sophisticated technologies that can greatly enhance longevity and cognition. Transhumanist thinkers study the potential benefits and dangers of emerging technologies that could overcome fundamental human limitations as well as the ethics of using such technologies. Some transhumanists believe that human beings may eventually be able to transform themselves into beings with abilities so greatly expanded from the current condition as to merit the label of posthuman beings. Another topic of transhumanist research is how to protect humanity against existential risks, such as nuclear war or asteroid collision. Julian Huxley was a biologist who popularised the term transhumanism in an influential 1957 essay. The contemporary meaning of the term "transhumanism" was foreshadowed by one of the first professors of futurology, a ma ...
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Barbara Creed
Barbara Creed (born 30 September 1943) is a professor of cinema studies in the School of Culture and Communication at the University of Melbourne. She is the author of six books on gender, feminist film theory, and the horror genre. Creed is a graduate of Monash and La Trobe universities where she completed doctoral research using the framework of psychoanalysis and feminist theory to examine horror films. She is known for her cultural criticism. Early life Barbara Creed is a well-known Australian commentator on film and media. She is a graduate of Monash and La Trobe University, completing her doctrinal thesis and research on the cinema of horror. Creed pursued the use of feminist theory and psychoanalysis in her examination of horror films. She currently works within the School of Culture and Communication at the University of Melbourne where she is a professor of Cinema Studies. Her current research includes human rights and animal ethics on screen. Overall, Creed's w ...
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Rising (arts Festival)
Rising, stylised as RISING, is a city-wide arts festival held in Melbourne, Australia. It is supported by the Victoria State Government. History Rising was announced in May 2020 as Melbourne’s new major arts and culture festival, taking the place of the Melbourne International Arts Festival and White Night. RISING is led by co-artistic directors Hannah Fox and Gideon Obarzanek. Rising’s inaugural festival, scheduled to take place in August 2020, was delayed by the Covid-19 pandemic and postponed into 2021. Rising’s rescheduled program was announced in March 2021. For its headline event, Rising commissioned the new exhibition ''A Miracle Constantly Repeated'' by Patricia Piccinini. The exhibition was the first large-scale opening of Flinders Street Station's ballroom to the public in decades. The program also included new commissions from Australian and International artists and companies including Reko Rennie, Chunky Move, Jenny Holzer, Maree Clarke and Dancenorth, amon ...
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TarraWarra Museum Of Art
TarraWarra Museum of Art is an art museum in Tarrawarra, Victoria, 45 kilometres northeast of Melbourne. Founded by philanthropists and art collectors Eva and Marc Besen, it is the first museum of art in Australia supported by a significant private endowment. TarraWarra Museum of Art Limited was registered in 2000. The museum was then formally launched by Prime Minister John Howard on 24 April 2002 in a temporary location in North Melbourne, awaiting completion of a purpose-built museum in the Yarra Valley. The Tarrawarra museum building, designed by Alan Powell from architecture firm Powell & Glenn, was opened in 2003. The museum engages with art, place and ideas. Collection Eva and Marc Besen began collecting art in the 1950s. When exhibited in the 1970s, their collection was considered "One of the country's finest collections of Modern Australian art." In addition to the initial gift from the Besen's collection, TarraWarra has continued to acquire works. Artworks from the Muse ...
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Joy Hester
Joy St Clair Hester (21 August 1920 – 4 December 1960) was an Australian artist. She was a member of the Angry Penguins movement and the Heide Circle who played an integral role in the development of Australian Modernism. Hester is best known for her bold and expressive ink drawings. Her work was charged with a heightened awareness of mortality due to the death of her father during her childhood, the threat of war, and her personal experience with Hodgkin's disease. Hester is most well known for the series ''Face'', ''Sleep'', and ''Love'' (1948–49) as well as the later works, ''The Lovers'' (1956–58). Biography Early life Hester was born on the 21 August 1920 and raised in Elwood to middle-class parents Louise and Robert Hester. Robert died from a heart attack when Hester was twelve. Hester studied art from an early age and was a student at St Michael's Grammar School from 1933 to 1937. At 17, Hester enrolled in Commercial Art at Brighton Technical School for one year ...
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Sculpture
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramic art, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or Molding (process), moulded or Casting, cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, ...
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Project Graham
Project Graham (also Graham and Meet Graham) is a lifelike figure depicting what a human would look like if the species evolved to survive car crashes. Created as part of a road safety campaign for the Australian Transport Accident Commission (TAC), it was meant to symbolize the vulnerability of human bodies in such accidents. History In 2016, the TAC commissioned Melbourne-based artist Patricia Piccinini to collaborate with Trauma surgery, trauma surgeon Dr. Christian Kenfield, as well as Dr. David Logan, a crash investigation expert at Monash University Accident Research Centre, on “Project Graham”, a lifelike sculpture for their public safety campaign “Towards Zero”. Piccinini and company created Graham within six months of the initial commission, having spent roughly $149,000 (AUD $200,000) on the project. The sculpture was displayed at the State Library Of Victoria, State Library of Victoria until 8 August 2016, when it was taken on a tour throughout the state. Th ...
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Monash University Accident Research Centre
The Monash University Accident Research Centre (MUARC) is a research institute in the injury prevention field. The centre is located at the Clayton Campus of Monash University in Victoria, Australia. The centre was founded in 1987 as a joint venture between the Victorian Government and Monash University in an effort to lower the state's road toll. During its formative years, MUARC undertook significant road safety research such as an in-depth crash investigation for the Federal Office of Road Safety and an evaluation of the effectiveness of Victoria's mobile speed cameras. Its research is interdisciplinary and addresses injury prevention needs across the three main themes of Home and community safety, Workplace safety, and Transport safety. Throughout its history, the centre has formed partnerships with key agencies across the field of injury prevention. Its Baseline Research Program is commissioned by Transport for Victoria, the TAC, VicRoads, the Department of Justice, Victoria ...
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