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Patricia Brooks
Patricia Brooks (November 7, 1933 – January 22, 1993) was a lyric soprano, actress, and opera singer, who performed primarily with the New York City Opera. She was known for her acting ability as much as for her voice. Biography Brooks was born in Manhattan and attended the High School of Music and Art, studying dance with Martha Graham. Following a knee injury, she turned to theatrical performance, studied singing with Margaret Harshaw and Daniel Ferro, and studied acting with Uta Hagen. In 1960, she was performing as a member of the chorus in the Broadway musical ''The Sound of Music'' and left to make her debut at the New York City Opera on October 12 as Marianne in ''Der Rosenkavalier''. Brooks performed 29 roles with the New York City Opera in the 1960s and 1970s. Peter G. Davis of the ''New York Times'' called her performance as the title character of Massenet's ''Manon'' "extraordinary," writing that she "sang splendidly" and "captured all the multiple facets of this ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyric Soprano
A lyric soprano is a type of operatic soprano voice that has a warm quality with a bright, full timbre that can be heard over an orchestra. The lyric soprano voice generally has a higher tessitura than a soubrette and usually plays ingenues and other sympathetic characters in opera. Lyric sopranos have a range from approximately middle C ( C4) to "high D" (D6). This is the most common female singing voice. There is a tendency to divide lyric sopranos into two groups: light and full. Light lyric soprano A light-lyric soprano has a bigger voice than a soubrette but still possesses a youthful quality.Nashville Opera There are a wide variety of roles written for this voice, and they may sing |
Royal Opera, London
The Royal Opera is a British opera company based in central London, resident at the Royal Opera House in Covent Garden. Along with the English National Opera, it is one of the two principal opera companies in London. Founded in 1946 as the Covent Garden Opera Company, the company had that title until 1968. It brought a long annual season and consistent management to a house that had previously hosted short seasons under a series of impresarios. Since its inception, it has shared the Royal Opera House with the dance company now known as The Royal Ballet. When the company was formed, its policy was to perform all works in English, but since the late 1950s most operas have been performed in their original language. From the outset, performers have comprised a mixture of British and Commonwealth singers and international guest stars, but fostering the careers of singers from within the company was a consistent policy of the early years. Among the many guest performers have been Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lee Hoiby
Lee Henry Hoiby (February 17, 1926 – March 28, 2011) was an American composer and classical pianist. Best known as a composer of operas and songs, he was a disciple of composer Gian Carlo Menotti. Like Menotti, his works championed lyricism at a time when such compositions were deemed old fashioned. His most well known work is his setting of Tennessee Williams's ''Summer and Smoke'', which premiered at the St Paul Opera in 1971. Biography Hoiby was born in Madison, Wisconsin. A child prodigy, he began playing the piano at the age of 5. He studied at the University of Wisconsin under notable pianists Gunnar Johansen and Egon Petri. He then became a pupil of Darius Milhaud at Mills College. Hoiby became influenced by a variety of composers, particularly personalities in the twentieth century avant garde, including the Pro Arte String Quartet led by Rudolf Kolisch, brother-in-law of Arnold Schoenberg. During his youth, Hoiby played with Harry Partch's Dadaist ensembles. Following ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carry Nation (opera)
''Carry Nation'' is an opera in a prologue and two acts by composer Douglas Moore which is based on the life of temperance activist Carrie Nation, whose sometimes spelled her first name "Carry". The work uses an English-language libretto by W. N. Jayme. The opera was commissioned by the University of Kansas in commemoration of the school's 100th anniversary. The premiere performance was given at KU's Murphy Hall on March 28, 1966 with a cast headlined by four professional opera singers brought in for the event, and the supporting cast supplied by KU's music and theatre students. Lewin Goff staged the production and Robert Baustian conducted. The opera was subsequently given its first professional production at the San Francisco Opera in June 1966 under the baton of Herbert Grossman. The New York City Opera mounted the first New York production in March 1968 and released a recording of the work in 1969. All three of these initial stagings and the recording starred mezzo-soprano Bev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Douglas Moore
Douglas Stuart Moore (August 10, 1893 – July 25, 1969) was an American composer, songwriter, organist, pianist, conductor, educator, actor, and author. A composer who mainly wrote works with an American subject, his music is generally characterized by lyricism in a popular or conservative style which generally eschewed the more experimental progressive trends of musical modernism. Composer Virgil Thomson described Moore as a neoromantic composer who was influenced by American folk music. While several of his works enjoyed popularity during his lifetime, only his folk opera ''The Ballad of Baby Doe'' (1956) has remained well known into the 21st century. Moore first created music while a student at Yale University from 1911 through 1917; writing usually humorous songs in a popular style for school events in addition to creating music for school plays and musical revues. His work composing music for the Yale Dramatic Association, Elizabethan Club, and Yale Glee Club drew the att ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Crucible (opera)
''The Crucible'' is a 1961 English language opera written by Robert Ward (composer), Robert Ward based on the 1953 play ''The Crucible'' by Arthur Miller. It won both the 1962 Pulitzer Prize for Music and the New York Music Critics Circle Citation. The libretto was lightly adapted from Miller's text by Bernard Stambler. Ward received a commission from the New York City Opera to write the opera. Arthur Miller was involved in selecting Ward. It is one of the most performed operas by an American composer. Performance history ''The Crucible'' premiered on 26 October 1961 at the New York City Opera (NYCO), with Chester Ludgin as John Proctor, and Norman Treigle as the Reverend John Hale. The production was staged by Allen Fletcher (director), Allen Fletcher, used scenery designed by Paul Sylbert, and costumes designed by Ruth Morely. The work was next performed in student productions at the University of California, Los Angeles and The Hartt School in West Hartford, Connecticut in 1964 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Ward (composer)
Robert Eugene Ward (September 13, 1917 – April 3, 2013) was an American composer who is best remembered for his opera ''The Crucible'' (1961) after the 1953 play of the same name by Arthur Miller. He was awarded the Pulitzer Prize for Music for that opera in 1962. Early work and education Ward was born in Cleveland, Ohio, one of five children of the owner of a moving and storage company. He sang in church choirs and local opera theaters when he was a boy. His earliest extant compositions date to 1934, at a time he was attending John Adams High School, from which he graduated in 1935. After that, Ward attended the Eastman School of Music in Rochester, New York, where his composition teachers were Bernard Rogers, Howard Hanson and Edward Royce. Ward received a fellowship and attended the Juilliard School of Music in New York from 1939 to 1942, where he studied composition with Frederick Jacobi, orchestration with Bernard Wagenaar, and conducting with Albert Stoessel and Edgar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Werner Egk
Werner Egk (, 17 May 1901 – 10 July 1983), born Werner Joseph Mayer, was a German composer. Early career He was born in the Swabian town of Auchsesheim, today part of Donauwörth, Germany. His family, of Catholic peasant stock, moved to Augsburg when Egk was six. He studied at a Benedictine Gymnasium (academic high school) and entered the municipal conservatory. Egk demonstrated talents as a composer, graphic artist, and writer, and he moved first to Frankfurt to improve his piano talents and then, in 1921, to Munich. There, working as a theater composer and playing in the pit, he married Elizabeth Karl, a violinist. He derived his pen name "Egk" from his wife's initials: ''Elisabeth, Karl'' (Elisabeth, née Karl). His only son, Titus, was born in 1924. Egk moved to Berlin in 1928, meeting composers Arnold Schoenberg and Hanns Eisler. He intended to become a cinema composer and accompanied silent films. When radio broadcasting became available to the public, Egk immediate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rigoletto
''Rigoletto'' is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the 1832 play ''Le roi s'amuse'' by Victor Hugo. Despite serious initial problems with the Austrian censors who had control over northern Italian theatres at the time, the opera had a triumphant premiere at La Fenice in Venice on 11 March 1851. The work, Verdi's sixteenth in the genre, is widely considered to be the first of the operatic masterpieces of Verdi's middle-to-late career. Its tragic story revolves around the licentious Duchy of Mantua, Duke of Mantua, his hunch-backed court jester Rigoletto, and Rigoletto's daughter Gilda. The opera's original title, ''La maledizione'' (The Curse), refers to a curse placed on both the Duke and Rigoletto by a courtier whose daughter the Duke has seduced with Rigoletto's encouragement. The curse comes to fruition when Gilda falls in love with the Duke and sacrifices her life to save him from the assassin hired by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Boheme
LA most frequently refers to Los Angeles, the second largest city in the United States. La, LA, or L.A. may also refer to: Arts and entertainment Music * La (musical note), or A, the sixth note * "L.A.", a song by Elliott Smith on ''Figure 8'' (album) * ''L.A.'' (EP), by Teddy Thompson * '' L.A. (Light Album)'', a Beach Boys album * "L.A." (Neil Young song), 1973 * The La's, an English rock band * L.A. Reid, a prominent music producer * Yung L.A., a rapper * Lady A, an American country music trio * "L.A." (Amy Macdonald song), 2007 * "La", a song by Australian-Israeli singer-songwriter Old Man River Other media * l(a, a poem by E. E. Cummings * La (Tarzan), fictional queen of the lost city of Opar (Tarzan) * ''Lá'', later known as Lá Nua, an Irish language newspaper * La7, an Italian television channel * LucasArts, an American video game developer and publisher * Liber Annuus, academic journal Business, organizations, and government agencies * L.A. Screenings, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tales Of Hoffmann
''The Tales of Hoffmann'' (French: ) is an by Jacques Offenbach. The French libretto was written by Jules Barbier, based on three short stories by E. T. A. Hoffmann, who is the protagonist of the story. It was Offenbach's final work; he died in October 1880, four months before the premiere. Composition history and sources Offenbach saw a play, , written by Barbier and Michel Carré and produced at the Odéon-Théâtre de l'Europe, Odéon Theatre in Paris in 1851. After returning from America in 1876, Offenbach learned that Barbier had adapted the play, which had now set to music at the Opéra. Salomon handed the project to Offenbach. Work proceeded slowly, interrupted by the composition of profitable lighter works. Offenbach had a premonition, like Antonia, the heroine of Act 2, that he would die prior to its completion. Offenbach continued working on the opera throughout 1880, attending some rehearsals. On 5 October 1880, he died with the manuscript in his hand, just four m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Corsaro
Frank Corsaro (December 22, 1924, New York City, New York – November 11, 2017, Suwanee, GeorgiaRobert ViagasNight of the Iguana Director Frank Corsaro Is Dead at 92/ref>) was one of America's foremost stage directors of opera and theatre. His Broadway productions include ''The Night of the Iguana'' (1961). Career A graduate of De Witt Clinton High School, he made his operatic directing debut at the New York City Opera in 1958 with a staging of Carlisle Floyd's ''Susannah''. It was this production that the company took to the Brussels World's Fair that year, starring Phyllis Curtin, Norman Treigle and Richard Cassilly. He became one of the City Opera's leading directors, creating such important productions as Prokofiev's '' The Fiery Angel'', Verdi's ''La traviata'' (with Patricia Brooks and Plácido Domingo), Puccini's ''Madama Butterfly'', Robert Ward's ''The Crucible'' (featuring Chester Ludgin), Gounod's ''Faust'' (with Beverly Sills and Treigle), Borodin's ''Prince Igor'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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