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Passy, Bridges Of Paris (Gleizes)
''Passy, Bridges of Paris'', also called ''Les ponts de Paris (Passy)'', or ''Paysage à Passy'', is a painting created in 1912 by the French artist, theorist and writer Albert Gleizes. The work was exhibited at the Salon de la Société Normande de Peinture Moderne, Rouen, 1912 (titled ''Passy''); the Salon de la Section d'Or, Galerie La Boétie, Paris, 1912 (titled ''Passy''); Manes Moderni Umeni, Vystava, Prague, 1914 (titled ''Paysage à Passy''); and Galerie Der Sturm, Berlin, July, 1914. ''Passy'' was one of a small group of works chosen to be reproduced in the seminal treatise '' Du "Cubisme"'', written by Albert Gleizes and Jean Metzinger in 1912 and published by Eugène Figuière the same year. Executed in a highly personal Cubist style with multiple viewpoints and planar faceting, this is one of a number of paintings from 1912-13 involving the theme of the bridge in an urban landscape. In opposition to classical perspective as a mode of representation, Gleizes empl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Gleizes
Albert Gleizes (; 8 December 1881 – 23 June 1953) was a French artist, theoretician, philosopher, a self-proclaimed founder of Cubism and an influence on the School of Paris. Albert Gleizes and Jean Metzinger wrote the first major treatise on Cubism, ''Du "Cubisme"'', 1912. Gleizes was a founding member of the Section d'Or group of artists. He was also a member of ''Der Sturm'', and his many theoretical writings were originally most appreciated in Germany, where especially at the Bauhaus his ideas were given thoughtful consideration. Gleizes spent four crucial years in New York, and played an important role in making America aware of modern art. He was a member of the Society of Independent Artists, founder of the Ernest-Renan Association, and both a founder and participant in the Abbaye de Créteil. Gleizes exhibited regularly at Léonce Rosenberg's ''Galerie de l’Effort Moderne'' in Paris; he was also a founder, organizer and director of Abstraction-Création. From the mid-1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Fort
Jules-Jean-Paul Fort (1 February 1872 – 20 April 1960) was a French poet associated with the Symbolist movement. At the age of 18, reacting against the Naturalistic theatre, Fort founded the Théâtre d'Art (1890–93). He also founded and edited the literary reviews ''Livre d'Art'' with Alfred Jarry and ''Vers et Prose'' (1905–14) with poet Guillaume Apollinaire, which published the work of Paul Valéry and other important Symbolist writers. Fort is notable for his enormous volume of poetry, having published more than thirty volumes of ballads and, according to Amy Lowell, for creating the polyphonic prose form in his 'Ballades francaises'. Life and career Paul Fort was born in Reims, Marne ''département'', France in 1872. His father, an insurance agent, moved the family to Paris in 1878. While attending secondary school at the Lycée Louis-le-Grand, he became a noted part of the artistic community of Montparnasse. He sought out the company of avant-garde artists and befrie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Panorama Of Paris, View From The Trocadero Towards Passy
A panorama (formed from Greek language, Greek πᾶν "all" + ὅραμα "view") is any Obtuse angle, wide-angle view or representation of a physical space, whether in painting, drawing, photography, film, seismic images, or 3D modeling. The word was originally coined in the 18th century by the English Irish people, (Irish descent) painter Robert Barker (painter), Robert Barker to describe his panoramic paintings of Edinburgh and London. The motion-picture term Panning (camera), ''panning'' is derived from ''panorama''. A panoramic view is also purposed for multimedia, cross-scale applications to an outline overview (from a distance) along and across repositories. This so-called "cognitive panorama" is a panoramic view over, and a combination of, cognitive spaces used to capture the larger scale. History The device of the panorama existed in painting, particularly in murals, as early as 20 A.D., in those found in Pompeii, as a means of generating an immersive "Panopticism, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perspective (graphical)
Linear or point-projection perspective (from la, perspicere 'to see through') is one of two types of 3D projection, graphical projection perspective in the graphic arts; the other is parallel projection. Linear perspective is an approximate representation, generally on a flat surface, of an image as it is seen by the eye. Perspective drawing is useful for representing a three-dimensional scene in a two-dimensional medium, like paper. The most characteristic features of linear perspective are that objects appear smaller as their distance from the observer increases, and that they are subject to ''foreshortening'', meaning that an object's dimensions along the line of sight appear shorter than its dimensions across the line of sight. All objects will recede to points in the distance, usually along the horizon line, but also above and below the horizon line depending on the view used. Italian Renaissance painters and architects including Masaccio, Paolo Uccello, Piero della Fran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Euclidean Geometry
Euclidean geometry is a mathematical system attributed to ancient Greek mathematics, Greek mathematician Euclid, which he described in his textbook on geometry: the ''Euclid's Elements, Elements''. Euclid's approach consists in assuming a small set of intuitively appealing axioms (postulates) and deducing many other propositions (theorems) from these. Although many of Euclid's results had been stated earlier,. Euclid was the first to organize these propositions into a logic, logical system in which each result is ''mathematical proof, proved'' from axioms and previously proved theorems. The ''Elements'' begins with plane geometry, still taught in secondary school (high school) as the first axiomatic system and the first examples of mathematical proofs. It goes on to the solid geometry of three dimensions. Much of the ''Elements'' states results of what are now called algebra and number theory, explained in geometrical language. For more than two thousand years, the adjective " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Non-Euclidean Geometry
In mathematics, non-Euclidean geometry consists of two geometries based on axioms closely related to those that specify Euclidean geometry. As Euclidean geometry lies at the intersection of metric geometry and affine geometry, non-Euclidean geometry arises by either replacing the parallel postulate with an alternative, or relaxing the metric requirement. In the former case, one obtains hyperbolic geometry and elliptic geometry, the traditional non-Euclidean geometries. When the metric requirement is relaxed, then there are affine planes associated with the planar algebras, which give rise to kinematic geometries that have also been called non-Euclidean geometry. The essential difference between the metric geometries is the nature of parallel lines. Euclid's fifth postulate, the parallel postulate, is equivalent to Playfair's postulate, which states that, within a two-dimensional plane, for any given line and a point ''A'', which is not on , there is exactly one line through ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Villon
Jacques Villon (July 31, 1875 – June 9, 1963), also known as Gaston Duchamp, was a French Cubist and abstract painter and printmaker. Early life Born Émile Méry Frédéric Gaston Duchamp in Damville, Eure, in Normandy, France, he came from a prosperous and artistically inclined family. While he was a young man, his maternal grandfather Émile Frédéric Nicolle, a successful businessman and artist, educated Villon and his siblings. Gaston Duchamp was the elder brother of: *Raymond Duchamp-Villon (1876–1918), sculptor *Marcel Duchamp (1887–1968), painter, sculptor and author * Suzanne Duchamp-Crotti (1889–1963), painter In 1894, he and his brother Raymond moved to Montmartre in Paris. There, he studied law at the University of Paris, but received his father's permission to study art on the condition that he must continue studying law. To distinguish himself from his siblings, Gaston Duchamp adopted the pseudonym of Jacques Villon as a tribute to the French med ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francis Picabia
Francis Picabia (: born Francis-Marie Martinez de Picabia; 22January 1879 – 30November 1953) was a French avant-garde painter, poet and typographist. After experimenting with Impressionism and Pointillism, Picabia became associated with Cubism. His highly Abstract art, abstract planar compositions were colourful and rich in contrasts. He was one of the early major figures of the Dada movement in the United States and in France. He was later briefly associated with Surrealism, but would soon turn his back on the art establishment. Biography Early life Francis Picabia was born in Paris of a French mother and a Cuban father of Spanish descent. Some sources would have his father as of aristocratic Spanish descent, whereas others consider him of non-aristocratic Spanish descent, from the region of Galicia (Spain), Galicia. His birth year of 1879 coincided with the Spanish-Cuban Little War (Cuba), Little War; and though Picabia was born in Paris, his father was involved in Cuba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Mare
Charles André Mare (1885–1932), or André-Charles Mare, was a French painter and textile designer, and co-founder of the Company of French Art (''la Compagnie des Arts Français'') in 1919. He was a designer of colorful textiles, and was one of the founders of the Art Deco movement. As a soldier in the French Army in World War I, Mare led the development of military camouflage, painting artillery using Cubism techniques to deceive the eye. His ink and watercolour painting ''Le canon de 280 camouflé'' (The Camouflaged 280 Gun) shows the close interplay of abstract art and military application at that time. He authored the book ''Cubisme et Camouflage'', 1914–1918. Mare sketched and painted scenes based on his experiences in World War I. His works include: ''American Troops Marching Through the Arch of Triumph'', 1930, and ''The Funeral of Marshal Foch'', 1931. After the war Mare combined his talents with the skills of architect Louis Sue and became a leader in the Art Deco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fernand Léger
Joseph Fernand Henri Léger (; February 4, 1881 – August 17, 1955) was a French painting, painter, sculpture, sculptor, and film director, filmmaker. In his early works he created a personal form of cubism (known as "tubism") which he gradually modified into a more Figurative art, figurative, populism, populist style. His boldly simplified treatment of modern subject matter has caused him to be regarded as a forerunner of pop art. Biography Léger was born in Argentan, Orne, Lower Normandy, where his father raised cattle. Fernand Léger initially trained as an architect from 1897 to 1899, before moving in 1900 to Paris, where he supported himself as an architectural draftsman. After military service in Versailles, Yvelines, Versailles, Yvelines, in 1902–1903, he enrolled at the School of Decorative Arts after his application to the École des Beaux-Arts was rejected. He nevertheless attended the Beaux-Arts as a non-enrolled student, spending what he described as "three empty an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Le Fauconnier
Henri Victor Gabriel Le Fauconnier (July 5, 1881 – December 25, 1946) was a French Cubist painter born in Hesdin. Le Fauconnier was seen as one of the leading figures among the Montparnasse Cubists. At the 1911 Salon des Indépendants Le Fauconnier and colleagues Jean Metzinger, Albert Gleizes, Fernand Léger and Robert Delaunay caused a scandal with their Cubist paintings. He was in contacts with many European avant-garde artists such as Wassily Kandinsky, writing a theoretical text for the catalogue of the Neue Künstlervereinigung München, Neue Künstlervereinigung in Munich, of which he became a member. His paintings were exhibited in Moscow reproduced as examples of the latest art in ''Der Blaue Reiter, Der Blaue Reiter Almanach'' (''The Blue Rider Almanac''). Career In 1901 Henri Le Fauconnier moved from northern France to Paris, where he studied law, then attended painting classes in the studio of Jean-Paul Laurens, then in the Academie Julian. He changed his name from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie Laurencin
Marie Laurencin (31 October 1883 – 8 June 1956) was a French painter and printmaker. She became an important figure in the Parisian Avant-garde#:~:text=The avant-garde (/ˌ,art, culture, or society., avant-garde as a member of the Cubism, Cubists associated with the Section d'Or. Biography Laurencin was born in Paris, where she was raised by her mother and lived much of her life. At 18, she studied porcelain painting in Sèvres. She then returned to Paris and continued her art education at the Académie Humbert, where she changed her focus to oil painting. During the early years of the 20th century, Laurencin was an important figure in the Parisian avant-garde. A member of both the circle of Pablo Picasso, and Cubists associated with the Section d'Or, such as Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri le Fauconnier and Francis Picabia, exhibiting with them at the Salon des Indépendants (1910-1911) and the Salon d'Automne (1911-1912), and Galeries Dalmau (1912) at th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
