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Partimento
A Partimento (from the Italian: ''partimento'', plural ''partimenti'') is a sketch (often a bass line), written out on a single staff, whose main purpose is to be a guide for the improvisation ("realization") of a composition at the keyboard. A Partimento differs from a basso continuo accompaniment in that it is a basis for a complete composition. Partimenti were central to the training of European musicians from the late 1600s until the early 1800s. They were developed in the Italian conservatories, especially at the music conservatories of Naples, and later at the Paris Conservatory, which emulated the Neapolitan conservatories.The History of Partimenti Monuments of Partimenti Concept |
Fenaroli Partimento No 1 Book 1 Gj1301
Fenaroli is an Italian surname. Notable people with the surname include: *Fedele Fenaroli (1730–1818), Italian composer * Giuseppe Fenaroli Avogadro (1760–1825), Italian politician *Luigi Fenaroli Luigi Fenaroli (May 16, 1899 in Milan – May 8, 1980 in Bergamo) was an Italian botanist and agronomist. Luigi Fenaroli graduated in agriculture at the Higher School of Agronomy at the University of Milan in 1921. He performed several naturali ... (1899–1980), Italian botanist and agronomist {{surname, Fenaroli Italian-language surnames ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Unfigured Bass
Unfigured bass, less commonly known as under-figured bass, is a kind of musical notation used during the Baroque music era in Western Classical music (ca. 1600–1750) in which a basso continuo performer playing a chordal instrument (e.g., harpsichord, organ, or lute) improvises a chordal accompaniment from a notated bass line which lacks the guidance of figures indicating which harmonies should be played above the bass note (see figured bass).Lester, Joel (1994), ''Compositional Theory in the Eighteenth Century'', Cambridge: Harvard University Press, pp. 69. Figured bass parts have numbers or accidentals above the bass line which indicate which intervals above the bass should be played in the chord. However, not all basso continuo parts from the Baroque period were figured. History From the earliest days of thoroughbass, composers and copyists have been chastised for providing bass parts without any figures to guide performers. Despite perennial complaints, however, unfigured basse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Figured Bass
Figured bass is musical notation in which numerals and symbols appear above or below (or next to) a bass note. The numerals and symbols (often accidentals) indicate intervals, chords, and non-chord tones that a musician playing piano, harpsichord, organ, or lute (or other instruments capable of playing chords) should play in relation to the bass note. Figured bass is closely associated with basso continuo: a historically improvised accompaniment used in almost all genres of music in the Baroque period of Classical music ( 1600–1750), though rarely in modern music. Figured bass is also known as thoroughbass. Other systems for denoting or representing chords include plain staff notation, used in classical music; Roman numerals, commonly used in harmonic analysis; chord letters, sometimes used in modern musicology; the Nashville Number System; and various chord names and symbols used in jazz and popular music (e.g., C Major or simply C; D minor, Dm, or D−; G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sequence (music)
In music, a sequence is the restatement of a motif or longer melodic (or harmonic) passage at a higher or lower pitch in the same voice.Benward and Saker (2003). ''Music: In Theory and Practice, Vol. I'', p.111-12. Seventh Edition. . It is one of the most common and simple methods of elaborating a melody in eighteenth and nineteenth century classical music ( Classical period and Romantic music). Characteristics of sequences: *Two segments, usually no more than three or four *Usually in only one direction: continuingly higher or lower *Segments continue by same interval distance It is possible for melody or harmony to form a sequence without the other participating. There are many types of sequences, each with a unique pattern. Listed below are some examples. Melodic sequences In a melody, a real sequence is a sequence where the subsequent segments are exact transpositions of the first segment, while a tonal sequence is a sequence where the subsequent segments are diatonic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cadence (music)
In Western musical theory, a cadence (Latin ''cadentia'', "a falling") is the end of a phrase in which the melody or harmony creates a sense of full or partial resolution, especially in music of the 16th century onwards.Don Michael Randel (1999). ''The Harvard Concise Dictionary of Music and Musicians'', pp. 105-106. . A harmonic cadence is a progression of two or more chords that concludes a phrase, section, or piece of music. A rhythmic cadence is a characteristic rhythmic pattern that indicates the end of a phrase. A cadence can be labeled "weak" or "strong" depending on the impression of finality it gives. While cadences are usually classified by specific chord or melodic progressions, the use of such progressions does not necessarily constitute a cadence—there must be a sense of closure, as at the end of a phrase. Harmonic rhythm plays an important part in determining where a cadence occurs. Cadences are strong indicators of the tonic or central pitch of a passage or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rule Of The Octave
The rule of the octave is a way of harmonizing each note of the diatonic scale, reflecting common practice, and has its origin in the practice of thorough bass, or basso continuo, where it provided an easy way to find which chord could accompany each note of the scale in the bass, particularly in the absence of figuring. The earliest description of the chords harmonizing an octave may be that by Antonio Bruschi in 1711. The name (''règle des octaves'', "rule of the octaves") was first given by François Campion in 1716. The rule of the octave also formed the cornerstone of the "regole" (rules) of partimento collections. There is normally a different harmonization for ascending and descending bass line Bassline (also known as a bass line or bass part) is the term used in many styles of music, such as blues, jazz, funk, dub and electronic, traditional, or classical music for the low-pitched instrumental part or line played (in jazz and some f ...s, and, although called a rule, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmony
In music, harmony is the process by which individual sounds are joined together or composed into whole units or compositions. Often, the term harmony refers to simultaneously occurring frequencies, pitches ( tones, notes), or chords. However, harmony is generally understood to involve both vertical harmony (chords) and horizontal harmony ( melody). Harmony is a perceptual property of music, and, along with melody, one of the building blocks of Western music. Its perception is based on consonance, a concept whose definition has changed various times throughout Western music. In a physiological approach, consonance is a continuous variable. Consonant pitch relationships are described as sounding more pleasant, euphonious, and beautiful than dissonant relationships which sound unpleasant, discordant, or rough. The study of harmony involves chords and their construction and chord progressions and the principles of connection that govern them. Counterpoint, which refers to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice Leading
Voice leading (or part writing) is the linear progression of individual melodic lines ( voices or parts) and their interaction with one another to create harmonies, typically in accordance with the principles of common-practice harmony and counterpoint. Rigorous concern for voice leading is of greatest importance in common-practice music, although jazz and pop music also demonstrate attention to voice leading to varying degrees. In ''Jazz Theory'', Gabriel Sakuma writes that " the surface level, jazz voice-leading conventions seem more relaxed than they are in common-practice music."Terefenko, Dariusz (2014). ''Jazz Theory: From Basic to Advanced Study'', p. 33. Routledge. . Marc Schonbrun also states that while it is untrue that "popular music has no voice leading in it, ..the largest amount of popular music is simply conceived with chords as blocks of information, and melodies are layered on top of the chords."Schonbrun, Marc (2011). ''The Everything Music Theory Book'', pp. 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alma Deutscher
Alma Elizabeth Deutscher (born 19 February 2005) is a British composer, pianist and violinist. A child prodigy, Deutscher composed her first piano sonata at the age of five. At seven, she completed the short opera, ''The Sweeper of Dreams''. Aged nine, she wrote a violin concerto. At the age of ten, she wrote her first full-length opera, ''Cinderella'', which had its European premiere in Vienna in 2016 under the patronage of conductor Zubin Mehta, and its U.S. premiere a year later. Deutscher's piano concerto was premiered when she was 12. She has lived in Vienna, Austria since 2018. She made her debut at Carnegie Hall in 2019 in a concert dedicated to her own composition. Background and education Alma Elizabeth Deutscher was born on 19 February 2005, in Basingstoke, England. She is the daughter of literary scholar Janie Deutscher (née Steen) and linguist Guy Deutscher. Deutscher also has a younger sister, Helen Clara. She began playing piano at the age of two, followed by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Gjerdingen
Robert O. Gjerdingen is a scholar of music theory and music perception, and is an emeritus professor at Northwestern University. His most influential work focuses on the application of ideas from cognitive science, especially theories about schemas, as an analytical tool in an attempted "archaeology" of style and composition methods in ''galant'' European music of the eighteenth century. Gjerdingen received his PhD from the University of Pennsylvania in 1984 after studying with Leonard B. Meyer and Eugene Narmour. His 2007 book ''Music in the Galant Style'', an authoritative study on galant schemata, received the Wallace Berry award from the Society for Music Theory in 2009 and has become influential in the field of music theory.In a 2011 review of the book for the journal ''Theory and Practice'', Paul Moravitz Sherill writes that the book "is a work that needs little introduction. In 2009, it received the Society for Music Theory's Wallace Berry Award, and papers extending the p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Bazin (composer)
François Emmanuel Joseph Bazin () (4 September 1816 – 2 July 1878) was a well-known French opera composer during the nineteenth century. Biography Born in Marseille, Bazin was a student of Daniel Auber at the Conservatoire de Paris. After completing his education there and returning from his trip to Italy in 1844, Bazin later taught harmony at the Conservatoire. He was succeeded by his own student Émile Durand. At age 23, Bazin's cantata ''Loyse de Monfort'' won the 1840 Prix de Rome. ''Le Voyage en Chine'', which premiered at the Opéra-Comique in Paris, is his best-known composition, and continued to be staged well into the 20th century. Although his many light operas were popular during his lifetime, they are rarely staged today. A handful of arias are still occasionally performed, including "Je pense à vous" from ''Maître Pathelin'', recorded by Roberto Alagna. Bazin died at age 61 in Paris. Works Opéra-comique *''Le Trompette de Monsieur le Prince'' (Joubert and Mel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
