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Participation Dance
Social dances are dances that have a social functions and context. Social dances are intended for participation rather than performance. They are often danced merely to socialise and for entertainment, though they may have ceremonial, competitive and erotic functions. Many social dances of European origin are in recent centuries partner dances ''(see Ballroom dance)'' but this is quite rare elsewhere, where there may instead be circle dances or line dances, perhaps reserved for those of a certain age, gender or social position. Social dance in the west The types of dance performed in social gatherings change with social values. Social dance music of the 14th century has been preserved in manuscript, though without proper choreography, for dances such as the ''ballo'', carol, '' stampita, saltarello, trotto and roto(dance). The 15th century is the first period from which written records of dances exist. A manuscript from Brussels highlights the Burgundian court dance, whic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Social Dancing Group Class
Social organisms, including human(s), live collectively in interacting populations. This interaction is considered social whether they are aware of it or not, and whether the exchange is voluntary or not. Etymology The word "social" derives from the Latin word ''socii'' ("allies"). It is particularly derived from the Italian ''Socii'' states, historical allies of the Roman Republic (although they rebelled against Rome in the Social War of 91–87 BC). Social theorists In the view of Karl MarxMorrison, Ken. ''Marx, Durkheim, Weber. Formations of modern social thought'', human beings are intrinsically, necessarily and by definition social beings who, beyond being "gregarious creatures", cannot survive and meet their needs other than through social co-operation and association. Their social characteristics are therefore to a large extent an objectively given fact, stamped on them from birth and affirmed by socialization processes; and, according to Marx, in producing and reproducin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roto(dance)
''Roto'', f. ''rota'', (literally "torn" or "broken") is a term used to refer to Chilean people and in particular to the common Chilean. In Chile from the start of the 20th century it was applied with a negative classist connotation to poor city-dwellers. It is also used contemptuously in other Spanish-speaking countries, especially Bolivia and Peru, to refer to Chileans in a derogatory manner. Otherwise, despite its defects, the roto is also considered a figure of national identity and pride in Chile. Historical usage The term ''roto'' has been used in Peru since the times of the Spanish conquest, when Diego de Almagro's disappointed troops returned to Cuzco (after a failed gold-seeking expedition in Chile) with their torn clothes, due to the extensive and laborious passage on foot through the Atacama desert. In the early days of Santiago its inhabitants were notoriously poorly dressed as result of a lack of food and supplies. Some Spanish came to dress with hides from dogs, c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gavotte
The gavotte (also gavot, gavote, or gavotta) is a French dance, taking its name from a folk dance of the Gavot, the people of the Pays de Gap region of Dauphiné in the southeast of France, where the dance originated, according to one source. According to another reference, the word ''gavotte'' is a generic term for a variety of French folk dances, and most likely originated in Lower Brittany in the west, or possibly Provence in the southeast or the French Basque Country in the southwest of France. It is notated in or time and is usually of moderate tempo, though the folk dances also use meters such as and . In late 16th-century Renaissance dance, the gavotte is first mentioned as the last of a suite of branles. Popular at the court of Louis XIV, it became one of many optional dances in the classical suite of dances. Many were composed by Lully, Rameau and Gluck, and the 17th-century cibell is a variety. The dance was popular in France throughout the 18th century and spread w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Menuet
A minuet (; also spelled menuet) is a social dance of French origin for two people, usually in time. The English word was adapted from the Italian ''minuetto'' and the French ''menuet''. The term also describes the musical form that accompanies the dance, which subsequently developed more fully, often with a longer musical form called the minuet and trio, and was much used as a movement in the early classical symphony. Dance The name may refer to the short steps, ''pas menus'', taken in the dance, or else be derived from the ''branle à mener'' or ''amener'', popular group dances in early 17th-century France. The minuet was traditionally said to have descended from the ''bransle de Poitou'', though there is no evidence making a clear connection between these two dances. The earliest treatise to mention the possible connection of the name to the expression ''pas menus'' is Gottfried Taubert's ''Rechtschaffener Tantzmeister'', published in Leipzig in 1717, but this source ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ball (dance Party)
A ball is a formal dance party often characterised by a banquet followed by a social dance that includes ballroom dancing. Ball dancing emerged from formal dances during the Middle Ages and carried on through different iterations throughout succeeding centuries, such as the 17th century Baroque dance and the 18th century cotillion. Several variations exists such as the masquerade and debutante ball as well as the more modern prom. Etymology The word ''ball'' derives from the Latin word , meaning 'to dance', and ''bal'' was used to describe a formal dancing party in French in the 12th century. The ''ballo'' was an Italian Renaissance word for a type of elaborate court dance, and developed into one for the event at which it was performed. The word also covered performed pieces like ''Il ballo delle ingrate'' by Claudio Monteverdi (1608). French developed the verb , and the noun ''bal'' for the event—from where it swapped into languages like English or German—and , the Span ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Era
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. By ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scottish Country Dancing (Source)
Scottish country dance (SCD) is the distinctively Scottish form of country dance, itself a form of social dance involving groups of couples of dancers tracing progressive patterns. A dance consists of a sequence of figures. These dances are set to musical forms (Jigs, Reels and Strathspey Reels) which come from the Gaelic tradition of Highland Scotland, as do the steps used in performing the dances. Traditionally a figure corresponds to an eight-bar phrase of music. Country dancing, which is arguably a type of folk dancing, first appears in the historical record in 17th-century England. Scottish country dancing as we know it today has its roots in an 18th-century fusion of (English) country dance formations with Highland music and footwork. It has become the national ballroom dance form of Scotland, partly because "Caledonian Country Dances" became popular in upper-class London society in the decades after the Jacobite rising of 1745. As early as 1724 there was a published c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Branle
A branle (, ), also bransle, brangle, brawl, brawle, brall(e), braul(e), brando (in Italy), bran (in Spain), or brantle (in Scotland), is a type of French dance popular from the early 16th century to the present, danced by couples in either a line or a circle. The term also refers to the music and the characteristic step of the dance. History Beginnings and courtly adoption The name ''branle'' derives from the French verb ''branler'' (to shake, wave, sway, wag, wobble), referring to the side-to-side movement of a circle or chain of dancers holding hands or linking arms. Dances of this name are encountered from about 1500 and the term is used for dances still danced in France today. Before 1500, the only dance-related use of this word is the "swaying" step of the basse danse. The branle was danced by a chain of dancers, usually in couples, with linked arms or holding hands. The dance alternated a number of larger sideways steps to the left (often four) with the same number of s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thoinot Arbeau
Thoinot Arbeau is the anagrammatic pen name of French cleric Jehan Tabourot (March 17, 1520 – July 23, 1595). Tabourot is most famous for his ''Orchésographie'', a study of late sixteenth-century French Renaissance social dance. He was born in Dijon and died in Langres. ''Orchésographie'' and other work ''Orchésographie'', first published in Langres, 1589,The title page's "Extraict du priuilege" is dated "Novembre 1588". provides information on social ballroom behaviour and on the interaction of musicians and dancers. It is available online in facsimile and in plain text. There is an English translation by Mary Stewart Evans, edited by Julia Sutton, in print with Dover Publications. It contains numerous woodcuts of dancers and musicians and includes many dance tabulations in which extensive instructions for the steps are lined up next to the musical notes, a significant innovation in dance notation at that time. He also published on astronomy: ''Compot et Manuel Kalend ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canary Dance
The Canary dance (known as Canario in Italian sources, Canarie in French ones) was a Renaissance dance inspired in an indigenous dance and song of the Canary Islands (probably the one known as Tajaraste) that became popular all over Europe in the late 16th and early 17th century. It is mentioned in dance manuals from France and Italy, and is mentioned in sources from Spain and England, as well, including in plays by William Shakespeare. The dance, which is most often choreographed for a single couple, has been characterized as "a fiery wooing dance" with either Canary origins or at least a Canary flavor from its "rapid heel-and-toe stamps" and distinctive music. It was also called frogs legs, because it was an energetic dance that featured jumps, stamping of the feet and violent movement, accompanied by music with syncopated rhythms. While there are choreographies for the canario as a stand-alone dance in the dancing manuals of Fabritio Caroso, Cesare Negri, and Thoinot Arbeau, i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pavan (dance)
The ''pavane'' ( ; it, pavana, ''padovana''; german: Paduana) is a slow processional dance common in Europe during the 16th century (Renaissance). The pavane, the earliest-known music for which was published in Venice by Ottaviano Petrucci, in Joan Ambrosio Dalza's ''Intabolatura de lauto libro quarto'' in 1508, is a sedate and dignified couple dance, similar to the 15th-century basse danse. The music which accompanied it appears originally to have been fast or moderately fast but, like many other dances, became slower over time . Origin of term The word ''pavane'' is most probably derived from Italian 'danza''''padovana'' , , meaning "ancetypical of Padua" (similar to Bergamask, "dance from Bergamo"); ''pavan'' is an old Northern Italian form for the modern Italian adjective ''padovano'' (= from Padua). This origin is consistent with the equivalent form, ''Paduana''. An alternative explanation is that it derives from the Spanish ''pavón'' meaning ''peacock'' . Altho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Late Renaissance
Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century. Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, Vasari, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant.Gombrich 1995, . Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music is not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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