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Parkham Yaksha
The Parkham Yaksha is a colossal statue of a Yaksha, discovered in the area of Parkham, in the vicinity of Mathura, 22.5 kilometers south of the city. The statue, which is an important artefact of the Art of Mathura, is now visible in the Mathura Museum. It has been identified as the Yaksha deity Manibhadra, a popular deity in ancient India. Date The Parkham Yaksha is datable to period 200 BCE – 50 BCE on paleographic and stylistic grounds. It has also been dated more precisely by Heinrich Lüders, who gives it a mid-2nd century date, and Sonya Rhie Quintanilla who dates it to circa 150 BCE.Dated 150 BCE in Fig. 15-17, general comments p.26-27 in Inscription The statue is 2.6 meters tall, including its base of about 30 centimeters. The badly corroded inscription in early Brahmi script on the top side of the base reads: This inscription thus indicates that the statue represents the Yaksa Manibhadra, and the title " Bhagavat" ("Lord" or "Holy One") suggests that the statue re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manibhadra
Manibhadra is one of the major yakshas. He was a popular deity in ancient India. Iconography Several well known images of yaksha Manibhadra have been found. The two oldest known image are: Yaksha Manibhadra from Parkham Yaksha Manibhadra coming from Parkham near Mathura, datable to period 200 BCE – 50 BC The statue is 2.59 meters high. On stylistic grounds and paleographical analysis of the inscription, the statue is datable to the middle of the 2nd century BCE. The inscription says "Made by Gomitaka, a pupil of Kunika. Set up by eight brothers, members of the Manibhadra congregation ("puga")." This inscription thus indicates that the statue represents the Yaksa Manibhadra. According to John Boardman, the hem of the dress is derived from Greek art. Describing a similar statue, John Boardman writes: "It has no local antecedents and looks most like a Greek Late Archaic mannerism". Similar folds can be seen in the Bharhut Yavana. File:Parkham Yaksha inscription.jpg, Parkham Y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yakshas
The yakshas ( sa, यक्ष ; pi, yakkha, i=yes) are a broad class of nature-spirits, usually benevolent, but sometimes mischievous or capricious, connected with water, fertility, trees, the forest, treasure and wilderness. They appear in Hindu, Jain and Buddhist texts, as well as ancient and medieval era temples of South Asia and Southeast Asia as guardian deities. The feminine form of the word is or ''yakshini'' ( sa, यक्षिणी ; Pali:Yakkhini). In Hindu, Jain and Buddhist texts, the has a dual personality. On the one hand, a may be an inoffensive nature-fairy, associated with woods and mountains; but there is also a darker version of the , which is a kind of ghost ( bhuta) that haunts the wilderness and waylays and devours travellers, similar to the . Early yakshas Several monumental yakshas are known from the time of the Maurya Empire period. They are variously dated from around the 3rd century BCE to the 1st century BCE. These statues are monumental ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kubera
Kubera ( sa, कुबेर, translit=Kuberā) also known as Kuvera, Kuber and Kuberan, is the god of wealth, and the god-king of the semi-divine yakshas in Hinduism. He is regarded as Guardians of the directions, the regent of the north (''Dikpala''), and a protector of the world (''Lokapala''). His many epithets extol him as the overlord of numerous semi-divine species, and the owner of the treasures of the world. Kubera is often depicted with a plump body, adorned with jewels, and carrying a money-pot and a club. Originally described as the chief of evil spirits in Veda, Vedic-era texts, Kubera acquired the status of a ''Deva (Hinduism), deva'' (god) only in the Puranas, ''Purana''s and the Hindu epics. The scriptures describe that Kubera once ruled Lanka, but was overthrown by his half-brother Ravana, later settling in the city of Alaka in the Himalayas. Descriptions of the "glory" and "splendour" of Kubera's city are found in many scriptures. Kubera has also been assim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pañcika
Pañcika () is a yaksha and consort of Hārītī, with whom he is said to have fathered 500 children. According to the '' Mahavamsa'', Pañcika was the commander-in-chief of the yakṣa army of Vaiśravaṇa and had another 27 yakṣa generals under his orders. Pañcika was often represented holding a lance and a bag of jewels or money together with Hariti in the Greco-Buddhist art of Gandhara, where they illustrated marital love following the intervention of the Buddha. The two figures "were very popular in Gandhara in the latter part of the second century, and their statues are many." When depicted holding a spear, he also signals his role as the chief of the Yakṣas. The iconography of Pancika was eventually merged with that of Vaiśravaṇa.. See also * Vaiśravaṇa * Manibhadra Manibhadra is one of the major yakshas. He was a popular deity in ancient India. Iconography Several well known images of yaksha Manibhadra have been found. The two oldest known image are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mudgarpani
Mudgarpani was a Yaksha deity in ancient India. His name means "Mudgar-holder", the ''Mudgar'' being an ancient form of heavy cub, usually made of wood, but it can also be made of iron. A Yaksha Yakshas seem to have been the object of an important cult in the early periods of Indian history, many of them being known such as Kubera, king of the Yakshas, Manibhadra or Mudgarpani. The Yakshas are a broad class of nature-spirits, usually benevolent, but sometimes mischievous or capricious, connected with water, fertility, trees, the forest, treasure and wilderness, and were the object of popular worship. Many of them were later incorporated into Buddhism, Jainism or Hinduism. Sculptures Some of the earliest works of art of the Mathura school of art are the Yakshas, monumental sculptures of earth divinities that have been dated to the 2nd-1st century BCE. Yakshas became the focus of the creation of colossal cultic images, typically around 2 meters or more in height, which are consid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Smallpox
Smallpox was an infectious disease caused by variola virus (often called smallpox virus) which belongs to the genus Orthopoxvirus. The last naturally occurring case was diagnosed in October 1977, and the World Health Organization (WHO) certified the global eradication of the disease in 1980, making it the only human disease to be eradicated. The initial symptoms of the disease included fever and vomiting. This was followed by formation of ulcers in the mouth and a skin rash. Over a number of days, the skin rash turned into the characteristic fluid-filled blisters with a dent in the center. The bumps then scabbed over and fell off, leaving scars. The disease was spread between people or via contaminated objects. Prevention was achieved mainly through the smallpox vaccine. Once the disease had developed, certain antiviral medication may have helped. The risk of death was about 30%, with higher rates among babies. Often, those who survived had extensive scarring of their ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kausambi
Kosambi (Pali) or Kaushambi (Sanskrit) was an important city in ancient India. It was the capital of the Vatsa kingdom, one of the sixteen mahajanapadas. It was located on the Yamuna River about southwest of its confluence with the Ganges at Prayaga (modern Prayagraj). History During 2nd millennium BCE Ochre Coloured Pottery culture spread in the region. Kosambi was one of the greatest cities in India from the late Vedic period until the end of Maurya Empire with occupation continuing until the Gupta Empire. As a small town, it was established in the late Vedic period, by the rulers of Kuru Kingdom as their new capital. The initial Kuru capital Hastinapur was destroyed by floods, and the Kuru King transferred his entire capital with the subjects to a new capital that he built near the Ganga-Jamuma confluence, which was 56 km away from the southernmost part of the Kuru Kingdom now as Prayagraj previously called Allahabad.During the period prior the Maurya Empire, Kosambi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gwalior
Gwalior() is a major city in the central Indian state of Madhya Pradesh; it lies in northern part of Madhya Pradesh and is one of the Counter-magnet cities. Located south of Delhi, the capital city of India, from Agra and from Bhopal, the state capital, Gwalior occupies a strategic location in the Gird region of India. The historic city and its fortress have been ruled by several historic Indian kingdoms. From the Kachchhapaghatas in the 10th century, Tomars in the 13th century, it was passed on to the Mughal Empire, then to the Maratha in 1754, and the Scindia dynasty of Maratha Empire in the 18th century. In April 2021, It was found that Gwalior had the best air quality index (AQI 152) amongst the 4 major cities in Madhya Pradesh. Besides being the administrative headquarters of Gwalior district and Gwalior division, Gwalior has many administrative offices of the Chambal division of northern Madhya Pradesh. Several administrative and judicial organisations, commission ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bharhut Yavana
The Bharhut Yavana is a high relief of a warrior which was discovered among the reliefs of the railings around the Bharhut Stupa. It is dated to circa 100 BCE, with a range from 150 BCE to 80 BCE. The relief is currently in the Indian Museum in Kolkata."The Diffusion of Classical Art in Antiquity, John Boardman, 1993, p.112 The man in the relief has been described as a Greek, called "Yavanas" among the Indians. Characteristics The role of the standing warrior is that of a dvarapala, deities who were Guardians of a temple gate. Many elements point to the depiction being that of a foreigner, and possibly an Indo-Greek, called a Yavana among the Indians of the period. Elements leading to this suggestion are the hairstyle (short curly hairstyle without an Indian turban), the hair band normally worn by Indo-Greek kings on their coins, the tunic, and boots. In his right hand he holds a grape plant, possibly emblematic of his origin. The sheath of his broadsword is decorated with a sri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Boardman (art Historian)
Sir John Boardman, (; born 20 August 1927) is a classical archaeologist and art historian. He has been described as "Britain's most distinguished historian of ancient Greek art." Biography John Boardman was educated at Chigwell School (1938–1945); then Magdalene College, Cambridge, where he read Classics beginning in 1945. After completing two years' national service in the Intelligence Corps he spent three years in Greece, from 1952 to 1955, as the Assistant Director of the British School at Athens. He married Sheila Stanford in 1952 (d. 2005), and has two children, Julia and Mark. On his return to England in 1955, Boardman took up the post of Assistant Keeper at the Ashmolean Museum in Oxford, thus beginning his lifelong affiliation with it. In 1959 he was appointed Reader in Classical Archaeology in the University of Oxford, and in 1963 was appointed a Fellow of Merton College. Here he remained until his appointment as Lincoln Professor of Classical Art and Arch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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