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Paris Nous Appartient
''Paris Belongs to Us'' (french: Paris nous appartient, sometimes translated as ''Paris Is Ours'') is a 1961 French mystery film directed by Jacques Rivette. Set in Paris in 1957 and often referencing Shakespeare's play ''Pericles'', the title is highly ironic because the characters are immigrants or alienated and do not feel that they belong at all. The story centres on an essentially innocent, young university student named Anne who, through her older brother, meets a group of friends haunted by mysterious tensions and fears that lead two of them to commit suicide. Among them is her opposite, a femme fatale named Terry who has had affairs with all the men. The source of the malaise affecting the group is never explained, leaving viewers to wonder how far it might be an amalgam of individual imbalances, general existentialist anxiety, or the paranoia of the Cold War as the world faced the possibility of nuclear annihilation. Plot The film opens with the literature student An ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Rivette
Jacques Rivette (; 1 March 1928 – 29 January 2016) was a French film director and film critic most commonly associated with the French New Wave and the film magazine ''Cahiers du Cinéma''. He made twenty-nine films, including ''L'amour fou'' (1969), ''Out 1'' (1971), '' Celine and Julie Go Boating'' (1974), and ''La Belle Noiseuse'' (1991). His work is noted for its improvisation, loose narratives, and lengthy running times. Inspired by Jean Cocteau to become a filmmaker, Rivette shot his first short film at age twenty. He moved to Paris to pursue his career, frequenting Henri Langlois' Cinémathèque Française and other ciné-clubs; there, he met François Truffaut, Jean-Luc Godard, Éric Rohmer, Claude Chabrol and other future members of the New Wave. Rivette began writing film criticism, and was hired by André Bazin for ''Cahiers du Cinéma'' in 1953. In his criticism, he expressed an admiration for American films – especially those of genre directors such as John Fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Maistre
François Maistre (14 May 1925 – 16 May 2016) was a French film, television and theatre actor. Born in Demigny, Saône-et-Loire, France, he appeared in nearly 100 films between 1960 and 2003. His father was singer and actor A.-M. Julien. Selected filmography * ''Le 7eme jour de Saint-Malo'' (1960) * ''Les Jeux de l'amour'' (1960) – L'homme élégant * ''The Joker'' (1960) – André Laroche * ''Le bal des espions'' (1960) * ''Napoleon II, the Eagle'' (1961) – Fürst Metternich * ''Famous Love Affairs'' (1961) – Le commissaire Massot (segment "Jenny de Lacour") * ''Paris Belongs to Us'' (1961) – Pierre Goupil * ''The Immoral Moment'' (1962) – Patrice de Laborde * ''À fleur de peau'' (1962) – Le commissaire * ''Blague dans le coin'' (1963) – Sammy Bradford * ''Thank You, Natercia'' (1963) – L'avoué * ''À couteaux tirés'' (196) – Le médecin * ''Angélique, Marquise des Anges'' (1964) – Le prince de Condé * ''The Shameless Old Lady'' (1965) – Gaston * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sight & Sound
''Sight and Sound'' (also spelled ''Sight & Sound'') is a British monthly film magazine published by the British Film Institute (BFI). It conducts the well-known, once-a-decade ''Sight and Sound'' Poll of the Greatest Films of All Time, ongoing since 1952. History and content ''Sight and Sound'' was first published in Spring 1932 as "A quarterly review of modern aids to learning published under the auspices of the British Institute of Adult Education". In 1934 management of the magazine was handed to the nascent British Film Institute (BFI), which still publishes the magazine today. ''Sight and Sound'' was published quarterly for most of its history until the early 1990s, apart from a brief run as a monthly publication in the early 1950s, but in 1991 it merged with another BFI publication, the ''Monthly Film Bulletin'', and started to appear monthly. In 1949, Gavin Lambert, co-founder of film journal ''Sequence'', was hired as the editor, and also brought with him ''Sequence ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Film Theatre
BFI Southbank (from 1951 to 2007, known as the National Film Theatre) is the leading repertory cinema in the UK, specialising in seasons of classic, independent and non-English language films. It is operated by the British Film Institute. History The National Film Theatre was initially opened in a temporary building (the Telecinema) at the Festival of Britain in 1951 and moved to its present location in 1957, replacing the Thameside restaurant on the site. It opened for the first BFI London Film Festival on 16 October 1957. Later, the Southbank Centre expanded its buildings to meet the National Film Theatre from the south, while the National Theatre occupies the area to the northeast. A second screen was added on 21 September 1970. In 1988 a new building was constructed for the Museum of the Moving Image between the National Film Theatre and Belvedere Road. Designed by Avery Associates Architects it was built under the Waterloo Bridge approach and expanded during construction ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Film Institute
The British Film Institute (BFI) is a film and television charitable organisation which promotes and preserves film-making and television in the United Kingdom. The BFI uses funds provided by the National Lottery to encourage film production, distribution, and education. It is sponsored by the Department for Digital, Culture, Media and Sport, and partially funded under the British Film Institute Act 1949. Purpose It was established in 1933 to encourage the development of the arts of film, television and the moving image throughout the United Kingdom, to promote their use as a record of contemporary life and manners, to promote education about film, television and the moving image generally, and their impact on society, to promote access to and appreciation of the widest possible range of British and world cinema and to establish, care for and develop collections reflecting the moving image history and heritage of the United Kingdom. BFI activities Archive The BFI maint ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sutherland Trophy
The Sutherland Trophy was created in 1958 by the British Film Institute as an annual award for "the maker of the most original and imaginative film introduced at the National Film Theatre during the year". History In 1997, the criteria changed to honour the maker of the most original and imaginative first feature screened during the London Film Festival.BBC"Warrior conquers London Film Festival" 23 November 2001 The award is a sculpture in silver by Gerald Benney. It is presented on the closing night of the Festival. The award was named after the British Film Institute's patron, George Sutherland-Leveson-Gower, 5th Duke of Sutherland. List of winners See also *John Cassavetes Award *Independent film An independent film, independent movie, indie film, or indie movie is a feature film or short film that is produced outside the major film studio system, in addition to being produced and distributed by independent entertainment companies (or, i ... References External links ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Demy
Jacques Demy (; 5 June 1931 – 27 October 1990) was a French director, lyricist, and screenwriter. He appeared at the height of the French New Wave alongside contemporaries like Jean-Luc Godard and François Truffaut. Demy's films are celebrated for their visual style, which drew upon diverse sources such as classic Hollywood musicals, the plein-air realism of his French New Wave colleagues, fairy tales, jazz, Japanese manga, and the opera. His films contain overlapping continuity (i.e., characters cross over from film to film), lush musical scores (typically composed by Michel Legrand) and motifs like teenage love, labor rights, chance encounters, incest, and the intersection between dreams and reality. He was married to Agnès Varda, another prominent director of the French New Wave. Demy is best known for the two musicals he directed in the mid-1960s: ''The Umbrellas of Cherbourg'' (1964) and ''The Young Girls of Rochefort'' (1967). Career After working with the animator ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Luc Godard
Jean-Luc Godard ( , ; ; 3 December 193013 September 2022) was a French-Swiss film director, screenwriter, and film critic. He rose to prominence as a pioneer of the French New Wave film movement of the 1960s, alongside such filmmakers as François Truffaut, Agnès Varda, Éric Rohmer, and Jacques Demy. He was arguably the most influential French filmmaker of the post-war era. According to AllMovie, his work "revolutionized the motion picture form" through its experimentation with narrative, continuity editing, continuity, film sound, sound, and cinematography, camerawork. His most acclaimed films include ''Breathless (1960 film), Breathless'' (1960), ''Vivre sa vie'' (1962), ''Contempt (film), Contempt'' (1963), ''Bande à part (film), Band of Outsiders'' (1964), ''Alphaville (film), Alphaville'' (1965), ''Pierrot le Fou'' (1965), ''Masculin Féminin'' (1966), ''Weekend (1967 film), Weekend'' (1967), and ''Goodbye to Language'' (2014). During his early career as a film critic f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Éric Rohmer
Jean Marie Maurice Schérer or Maurice Henri Joseph Schérer, known as Éric Rohmer (; 21 March 192011 January 2010), was a French film director, film critic, journalist, novelist, screenwriter, and teacher. Rohmer was the last of the post-World War II French New Wave directors to become established. He edited the influential film journal ''Cahiers du cinéma'' from 1957 to 1963, while most of his colleagues—among them Jean-Luc Godard and François Truffaut—were making the transition from critics to filmmakers and gaining international attention. Rohmer gained international acclaim around 1969 when his film ''My Night at Maud's'' was nominated at the Academy Awards. He won the San Sebastián International Film Festival with ''Claire's Knee'' in 1971 and the Golden Lion at the Venice Film Festival for '' The Green Ray'' in 1986. Rohmer went on to receive the Venice Film Festival's Career Golden Lion in 2001. After Rohmer's death in 2010, his obituary in ''The Daily Telegrap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cahiers Du Cinéma
''Cahiers du Cinéma'' (, ) is a French film magazine co-founded in 1951 by André Bazin, Jacques Doniol-Valcroze, and Joseph-Marie Lo Duca.Itzkoff, Dave (9 February 2009''Cahiers Du Cinéma Will Continue to Publish''The New York TimesMacnab, Geoffrey (7 April 2001''Pretentious, nous?''''The Guardian'' It developed from the earlier magazine ''Revue du Cinéma'' ( established in 1928) involving members of two Paris film clubs Objectif 49 (Robert Bresson, Jean Cocteau, and Alexandre Astruc, among others; ) and Ciné-Club du Quartier Latin (). Initially edited by Doniol-Valcroze and, after 1957, by Éric Rohmer (aka, Maurice Scherer), it included amongst its writers Jacques Rivette, Jean-Luc Godard, Claude Chabrol, and François Truffaut, who went on to become highly influential filmmakers. It is the oldest French-language film magazine in publication. History The first issue of ''Cahiers'' appeared in April 1951. Much of its head staff, including Bazin, Doniol-Valcroze, Lo Duca, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French New Wave
French New Wave (french: La Nouvelle Vague) is a French art film movement that emerged in the late 1950s. The movement was characterized by its rejection of traditional filmmaking conventions in favor of experimentation and a spirit of iconoclasm. New Wave filmmakers explored new approaches to editing, visual style, and narrative, as well as engagement with the social and political upheavals of the era, often making use of irony or exploring existential themes. The New Wave is often considered one of the most influential movements in the history of cinema. The term was first used by a group of French film critics and cinephiles associated with the magazine '' Cahiers du cinéma'' in the late 1950s and 1960s. These critics rejected the ''Tradition de qualité'' ("Tradition of Quality") of mainstream French cinema, which emphasized craft over innovation and old works over experimentation. This was apparent in a manifesto-like 1954 essay by François Truffaut, ''Une certaine tenda ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Directorial Debuts
This is a list of film directorial debuts in chronological order. The films and dates referred to are a director's first commercial cinematic release. Many film makers have directed works which were not commercially released, for example early works by Orson Welles such as his filming of his stage production of ''Twelfth Night'' in 1933 or his experimental short film ''The Hearts of Age'' in 1934. Often these early works were not intended for commercial release either by intent, such as film school projects or inability to find distribution. Subsequently, many directors learnt their trade in the medium of television as it became popular in the 1940s and 1950s. Notable directors who did their first directorial work in this medium include Robert Altman, Norman Jewison, Sidney Lumet, and Alfonso Cuarón. As commercial television advertising became more cinematic in the 1960s and 1970s, many directors' early work was in this medium, including directors such as Alan Parker and Ridley S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
