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Paraiso (Haruomi Hosono Album)
is Haruomi Hosono's fourth solo album and Yellow Magic Band's (later Yellow Magic Orchestra) first album. This album continues the tropical style of ''Hosono House'', '' Tropical Dandy'' and '' Bon Voyage co.'', while being influenced by the music of Hawaii and Okinawa, incorporating electronic sounds that would be later developed on Hosono's and YMO's careers. YMO, The Yellow Magic Band at this point in time, was composed of Tin Pan Alley members and studio musicians, such as Hosono's former Happy End bandmate Shigeru Suzuki and future YMO members Ryuichi Sakamoto (who would later perform an altered version of "Asatoya Yunta" in his solo career) and Yukihiro Takahashi, as well as guitarist Hirofumi Tokutake (who would later perform in ''Technodon'' and ''Wild Sketch Show''). Track listing Personnel * Haruomi Hosono - Bass, Vocals, Steelpan, Marimba, Percussion, Synthesizer (Roland, Yamaha CP-30), Electric piano, Gong, Whistle, Electric guitar, Performer (Birds, Foot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haruomi Hosono
, sometimes credited as Harry Hosono, is a Japanese musician, singer, songwriter and record producer. He is considered to be one of the most influential musicians in Japanese pop music history, credited with shaping the sound of Japanese pop for decades as well as pop music outside of Japan. He also inspired genres such as city pop and Shibuya-kei, and as leader of Yellow Magic Orchestra, contributed to the development and pioneering of numerous electronic genres. The grandson of ''Titanic'' survivor Masabumi Hosono, Haruomi began his career with the psychedelic rock band Apryl Fool, before achieving recognition both nationally and internationally, as a founding member of the bands Happy End and Yellow Magic Orchestra. Hosono has also released many solo albums covering a variety of styles, including film soundtracks and a variety of electronic ambient albums. As well as recording his own music, Hosono has done considerable production work for other artists such as Miharu Koshi, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Hawaii
The music of Hawaii includes an array of traditional and popular styles, ranging from native Hawaiian folk music to modern rock and hip hop. Styles like slack-key guitar are well known worldwide, while Hawaiian-tinged music is a frequent part of Hollywood soundtracks. Hawaii also made a contribution to country music with the introduction of the steel guitar.Unterberger, pgs. 465 - 473 In addition, the music which began to be played by Puerto Ricans in Hawaii in the early 1900s is called cachi cachi music, on the islands of Hawaii. The traditional music of Hawaii’s Native Hawaiian community is largely religious in nature, and includes chanting and dance music. Hawaiian music has had a notable impact on the music of other Polynesian islands; Peter Manuel called the influence of Hawaiian music a "unifying factor in the development of modern Pacific musics".Manuel, pgs. 236 - 241 Music festivals and venues Major music festivals in Hawaii include the Merrie Monarch Hula Festi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marimba
The marimba () is a musical instrument in the percussion family that consists of wooden bars that are struck by mallets. Below each bar is a resonator pipe that amplifies particular harmonics of its sound. Compared to the xylophone, the timbre of the marimba is warmer, deeper, more resonant, and more pure. It also tends to have a lower range than that of a xylophone. Typically, the bars of a marimba are arranged chromatically, like the keys of a piano. The marimba is a type of idiophone. Today, the marimba is used as a solo instrument, or in ensembles like orchestras, marching bands (typically as a part of the front ensemble), percussion ensembles, brass and concert bands, and other traditional ensembles. Etymology and terminology The term ''marimba'' refers to both the traditional version of this instrument and its modern form. Its first documented use in the English language dates back to 1704. The term is of Bantu origin, deriving from the prefix meaning 'many' and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steelpan
The steelpan (also known as a pan, steel drum, and sometimes, collectively with other musicians, as a steelband or steel orchestra) is a musical instrument originating in Trinidad and Tobago. Steelpan musicians are called pannists. Description The modern pan is a chromatically pitched percussion instrument made from 55 gallon industrial drums. ''Drum'' refers to the steel drum containers from which the pans are made; the steel drum is more correctly called a ''steel pan'' or ''pan'' as it falls into the idiophone family of instruments, and so is not a drum (which is a membranophone). Some steelpans are made to play in the Pythagorean musical cycle of fourths and fifths. Pan is played using a pair of straight sticks tipped with rubber; the size and type of rubber tip varies according to the class of pan being played. Some musicians use four pansticks, holding two in each hand. This grew out of Trinidad and Tobago's early 20th-century Carnival percussion groups known as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Singing
Singing is the act of creating musical sounds with the voice. A person who sings is called a singer, artist or vocalist (in jazz and/or popular music). Singers perform music (arias, recitatives, songs, etc.) that can be sung with or without accompaniment by musical instruments. Singing is often done in an ensemble of musicians, such as a choir. Singers may perform as soloists or accompanied by anything from a single instrument (as in art song or some jazz styles) up to a symphony orchestra or big band. Different singing styles include art music such as opera and Chinese opera, Indian music, Japanese music, and religious music styles such as gospel, traditional music styles, world music, jazz, blues, ghazal, and popular music styles such as pop, rock, and electronic dance music. Singing can be formal or informal, arranged, or improvised. It may be done as a form of religious devotion, as a hobby, as a source of pleasure, comfort, or ritual as part of music education or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Guitar
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck and scale length, and typically four to six strings or courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a pick. To be heard at normal performance volumes, electric basses require external amplification. Terminology According to the ''New Grove Dictionary of Music and Musicians'', an "Electric bass guitar sa Guitar, usually with four heavy strings tuned E1'–A1'–D2–G2." It also defines ''bass'' as "Bass (iv). A contraction of Double bas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jack Hammer (songwriter)
Earl Solomon Burroughs (September 16, 1925 – April 8, 2016), known professionally as Jack Hammer, was an American pianist, singer, and songwriter, credited as the co-writer of "Great Balls of Fire". Life and career Burroughs was born in Grovetown, Georgia, but grew up in California. In the early 1950s, he moved to New York City, where he worked as an MC at the Baby Grand Theatre. He began writing songs, one of his earliest being "Fujiyama Mama", recorded by Annisteen Allen, Eileen Barton, and a few years later by Wanda Jackson. After starting to use the pseudonym Jack Hammer, he also wrote "Rock 'n' Roll Call", recorded by the Treniers and Louis Jordan. He also recorded several singles in the mid-1950s, including "Football Rock" on Decca, and "Girl Girl Girl" on Roulette. Hammer wrote a song, "Great Balls of Fire", and submitted it to songwriter Paul Case, who liked the title but not the song itself. Case passed the idea to Otis Blackwell, and commissioned him to write a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fujiyama Mama
"Fujiyama Mama" is a song written by Jack Hammer. It was first recorded in 1955 by Annisteen Allen, and in 1957 by rockabilly singer Wanda Jackson, both for Capitol. It did not chart in the United States, but Jackson's recording became a No. 1 hit in Japan for several months in 1958. Composition The song was written in 1954 by Jack Hammer, best known as the co-writer of "Great Balls of Fire". Jack Hammer was a pseudonym used by Earl Solomon Burroughs. Hammer wrote the song from the perspective of a Japanese woman. She says she has drunk a quart of sake and is about to "blow my top". The lyrics assert that "when I start you up, there ain't nobody gonna make me stop," and compare the woman's energy to the atomic bombs dropped on Hiroshima and Nagasaki and the iconic Japanese volcano, Mount Fuji. Recording history and reception in the USA The song was first recorded by Annisteen Allen, an African American R&B singer, for Capitol Records in early 1955. It featured an instrumenta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wild Sketch Show
''Wild Sketch Show'' is a live video album by Sketch Show. It features a mix of Sketch Show songs (nine from ''Audio Sponge'', four from '' Tronika'' and one song that has been never released in studio form) and Yellow Magic Orchestra songs performed in the Sketch Show style (one from '' Paraiso'', one from '' BGM'' and two from ''Technodelic''). Sketch Show were joined by fellow YMO member Ryuichi Sakamoto (which turned Sketch Show into Human Audio Sponge), as well as two guitarists and two keyboardists. This is the only live show released under Sketch Show's name (later releases featured the same members and style, but were released under YMO). Track listing Personnel *Haruomi Hosono - Bass, Keyboards, Vocals *Ryuichi Sakamoto - Keyboards, Vocals *Yukihiro Takahashi - Drums, Percussion, Vocals, Keyboards * Cornelius & Hirofumi Tokutake - Guitars *Hirohisa Horie is a Japanese musician and multi-instrumentalist. He plays primarily keyboards and guitar. Horie is one half of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Technodon
''Technodon'' is the eighth and final studio album by Yellow Magic Orchestra and released in 1993, a decade after the band's original breakup. Because the name Yellow Magic Orchestra was owned by former record label Alfa Records, the band were forced to release the album under the name YMO (typically stylized as the "YMO" initialism crossed out by a large "X"). For the tour that followed, they were billed as Not YMO. Future releases by the band would be made under the names Human Audio Sponge and HASYMO. At the time of recording, Haruomi Hosono and Ryuichi Sakamoto were incorporating many world music elements into their sound, which is still evident on ''Technodon'', though slightly pared down and featuring simpler technopop arrangements. Yukihiro Takahashi mainly used drum machines for the record as opposed to a drum kit. Track listing All songs arranged by YMO. Personnel *Ryuichi Sakamoto: keyboards, vocals *Yukihiro Takahashi: drums, vocals *Haruomi Hosono: bass, keyboar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yukihiro Takahashi
Yukihiro Takahashi (高橋 幸宏 ''Takahashi Yukihiro'', born June 6, 1952) is a Japanese musician, singer, record producer and actor, who is best known internationally as the drummer and lead vocalist of the Yellow Magic Orchestra, and as the former drummer of the Sadistic Mika Band. He is currently a member of the group METAFIVE. Biography Yukihiro Takahashi first came to prominence as the drummer of the Sadistic Mika Band in the early 1970s, and became known to western audiences after this band (led by Kazuhiko Katō, formerly of The Folk Crusaders) toured and recorded in the United Kingdom. After the Sadistic Mika Band disbanded, some of the members (including Takahashi) formed another band called The Sadistics, who released several albums. Takahashi recorded his first solo album, ''Saravah'', in 1977. In 1978, Takahashi joined Ryuichi Sakamoto and Haruomi Hosono to form the Yellow Magic Orchestra. Throughout the 1980s, Takahashi also released a large number of solo albums, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ryuichi Sakamoto
is a Japanese composer, pianist, singer, record producer and actor who has pursued a diverse range of styles as a solo artist and as a member of Yellow Magic Orchestra (YMO). With his bandmates Haruomi Hosono and Yukihiro Takahashi, Sakamoto influenced and pioneered a number of electronic music genres. Sakamoto began his career while at university in the 1970s as a session musician, producer, and arranger. His first major success came in 1978 as co-founder of YMO. He concurrently pursued a solo career, releasing the experimental electronic fusion album '' Thousand Knives'' in 1978. Two years later, he released the album ''B-2 Unit''. It included the track "Riot in Lagos", which was significant in the development of electro and hip hop music. He went on to produce more solo records, and collaborate with many international artists, David Sylvian, Carsten Nicolai, Youssou N'Dour, and Fennesz among them. Sakamoto composed music for the opening ceremony of the 1992 Barcelona Olympic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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