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Paradise, Hawaiian Style (soundtrack)
''Paradise, Hawaiian Style'' is the thirteenth soundtrack album by American singer and musician Elvis Presley, released by RCA Victor in mono and stereo, LPM/LSP 3643, in June 1966. It is the soundtrack to the 1966 film of the same name starring Presley. Recording sessions took place at Radio Recorders in Hollywood, California, on July 26 and 27, and August 2, 1965. It peaked at number 15 on the Top LP's chart. Background Presley found himself in 1965 recording soundtrack albums for films that were almost a year away from release — gone were the days when the turnaround time from the final session for '' Elvis Is Back!'' to its arrival in the shops was less than one week. While working on this album, his most recent film in the theaters was ''Tickle Me'', and Presley had completed three more movies since then. With titles like "A Dog's Life" and "Queenie Wahine's Papaya" he openly ridiculed the material, wasting time before finally approaching the microphone to do the job.Jorge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elvis Presley
Elvis Aaron Presley (January 8, 1935 – August 16, 1977), or simply Elvis, was an American singer and actor. Dubbed the "Honorific nicknames in popular music, King of Rock and Roll", he is regarded as Cultural impact of Elvis Presley, one of the most significant cultural figures of the 20th century. His energized interpretations of songs and sexually provocative performance style, combined with a singularly potent mix of influences across color lines during a civil rights movement, transformative era in race relations, led him to both great success and Cultural impact of Elvis Presley#Danger to American culture, initial controversy. Presley was born in Tupelo, Mississippi, and relocated to Memphis, Tennessee, with his family when he was 13 years old. His music career began there in 1954, recording at Sun Records with producer Sam Phillips, who wanted to bring the sound of African-American music to a wider audience. Presley, on rhythm acoustic guitar, and accompanied by lead ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernie Baum
Bernie Baum (October 13, 1929 – August 28, 1993) was a songwriter who worked extensively with Elvis Presley. He grew up in New York City and later worked with Harvey Zimmerman (better known as Bill Giant) and Florence Kaye. The majority of their songs were used in Presley's musicals. He and his two collaborators also wrote a theme music package for the NBC Weekend radio service called "Monitor" in 1965. Their work was also credited in the American version of Osamu Tezuka's anime ''Kimba the White Lion'' (1965). He had a #1 Hit with his song "Music! Music! Music!", Teresa Brewer's B side recording which unexpectedly took off, selling over a million copies and becoming Teresa's signature song. with His other works included: * ''Roustabout (film), Roustabout'' * ''(You're the) Devil in Disguise'' * ''Viva Las Vegas'' (The title track was written by Doc Pomus and Mort Shuman.) * ''Fun in Acapulco'' * ''Girls! Girls! Girls!'' * ''It Happened at the World's Fair'' * ''Kissin' Cou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Giant
Bill Giant (March 2, 1930 – November 26, 1987) was a songwriter whose work included over 40 songs for Elvis Presley. Biography Giant grew up in New York City and was known as Bill "Harvey" Zimmerman. He was part of the popular songwriting team ''Giant, Baum and Kaye'', writing songs with Bernie Baum and Florence Kaye. The majority of their work was used in Presley movies, although their most popular recording was "(You're The) Devil in Disguise" which reached No.3 on the U.S. Billboard Hot 100 and No.1 on the U.K. singles chart in 1963. They were also credited with writing the American version of Osamu Tezuka's anime "Kimba the White Lion" (1965). Giant became a realtor in Middlesex County, New Jersey in his later years. His other memorable name was Billy Merman. Other works His other works include songs in the following films: *''Roustabout'' * ''Viva Las Vegas'' (The title track was written by Doc Pomus and Mort Shuman.) *''Fun in Acapulco'' *''Girls! Girls! Girls!'' *''It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paradise, Hawaiian Style (song)
"Paradise, Hawaiian Style" is a song first recorded by Elvis Presley as part of the soundtrack for his 1966 motion picture ''Paradise, Hawaiian Style''. Its first release on record was in 1966 on the soundtrack album ''Paradise, Hawaiian Style''. Another significant use of the song, apart from the initial movie, was it opening the world's first concert broadcast via satellite in 1973 called ''Aloha from Hawaii''. The studiorecording was used in the opening images, the song was not performed live in the actual concert. Writing and recording The song was written by Bill Giant, Bernie Baum, and Florence Kaye. Presley recorded it on July 27 at the soundtrack recordings for the Paramount movie ''Paradise, Hawaiian Style'' (that took place on July 26–27 and August 2–4, 1965 at the Radio Recorders studio in Hollywood Hollywood usually refers to: * Hollywood, Los Angeles, a neighborhood in California * Hollywood, a metonym for the cinema of the United States Hollywood may als ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
(You're The) Devil In Disguise
"(You're the) Devil in Disguise" is a 1963 single by Elvis Presley which was written by Bill Giant, Bernie Baum and Florence Kaye. It was published by Elvis Presley Music in June 1963. The song peaked at No. 3 in the US on the ''Billboard'' singles chart on August 10, 1963, and No. 9 on the ''Billboard'' Rhythm and Blues singles chart, becoming his last top ten single on the Rhythm and Blues charts. The single was certified "Gold" by the RIAA for sales in excess of 500,000 units in the US. The song also topped Japan's Utamatic record chart in the fall of 1963. In June 1963, when the song was debuted to a British audience on the BBC television show ''Juke Box Jury'', celebrity guest John Lennon voted the song "a miss" stating on the new song that Elvis Presley was "like Bing Crosby now". The song went on to reach No. 1 in the UK for a single week. Bill Porter engineered the song for the Elvis Presley recording session on May 26, 1963, at RCA Studios in Nashville. "(You're th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard Hot 100
The ''Billboard'' Hot 100 is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), radio play, and online streaming in the United States. The weekly tracking period for sales was initially Monday to Sunday when Nielsen started tracking sales in 1991, but was changed to Friday to Thursday in July 2015. This tracking period also applies to compiling online streaming data. Radio airplay, which, unlike sales figures and streaming, is readily available on a real-time basis, is also tracked on a Friday to Thursday cycle effective with the chart dated July 17, 2021 (previously Monday to Sunday and before July 2015, Wednesday to Tuesday). A new chart is compiled and officially released to the public by ''Billboard'' on Tuesdays but post-dated to the following Saturday. The first number-one song of the ''Billboard'' Hot 100 was " Poor Little Fool" by Ricky Ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythm And Blues
Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated in African-American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to urban African Americans, at a time when "urbane, rocking, jazz based music ... ith aheavy, insistent beat" was becoming more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of relationships, economics, and aspirations. The term "rhythm and blues" has undergone a number of shifts in meaning. In the early 1950s, it was frequently applied to blues records. Starting in the mid-1950s, after this style of music contr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clyde McPhatter
Clyde Lensley McPhatter (November 15, 1932 – June 13, 1972) was an American rhythm and blues, soul, and rock and roll singer. He was one of the most widely imitated R&B singers of the 1950s and early 1960sPalmer, Robert (1981)"Roy Brown, a Pioneer Rock Singer" ''The New York Times'', May 26, 1981. and was a key figure in the shaping of doo-wop and R&B. McPhatter's high-pitched tenor voice was steeped in the gospel music he sang in much of his early life. He was the lead tenor of the Mount Lebanon Singers, a gospel group he formed as a teenager.Shaw, Arnold (1978). ''Honkers and Shouters: The Golden Years of Rhythm and Blues''. Reprint edition (March 1, 1986); / New York: Crowell-Collier Press. pg. 381. He was later the lead tenor of Billy Ward and his Dominoes and was largely responsible for the initial success of the group. After his tenure with the Dominoes, McPhatter formed his own group, the Drifters, and later worked as a solo performer. Only 39 at the time of his death ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Love Letters (song)
"Love Letters" is a 1945 popular song with lyrics by Edward Heyman and music by Victor Young. The song appeared, without lyrics, in the movie of the same name performed by Dick Haymes, and was nominated for the Academy Award for Best Original Song in 1945 but lost out to "It Might as Well Be Spring". The song has been covered by a number of artists, most notably by Nat King Cole (1957), Ketty Lester (1961), Elvis Presley (1966), and Alison Moyet (1987). Ketty Lester version In 1961, Era Records released Ketty Lester's version of "Love Letters" b/w "I'm a Fool to Want You". Lester's recording of "Love Letters", which featured Lincoln Mayorga's sparse piano arrangement and Earl Palmer on drums, reached No. 5 on the ''Billboard'' Hot 100 in early 1962.Profile Oldies.com; accessed August 15, 2015. The record also reached No. 2 on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Standard (music)
In music, a standard is a musical composition of established popularity, considered part of the "standard repertoire" of one or several genres. Even though the standard repertoire of a given genre consists of a dynamic and partly subjective set of songs, these can be identified by having been performed or recorded by a variety of musical acts, often with different arrangements. In addition, standards are extensively quoted by other works and commonly serve as the basis for musical improvisation. Standards may " cross over" from one genre's repertoire to another's; for example, many jazz standards have entered the pop repertoire, and many blues standards have entered the rock repertoire. Standards exist in the classical, popular and folk music traditions of all cultures. In the context of Western classical music, the standard repertoire constitutes most of what is considered the "teaching canon", i.e. the compositions that students learn in their academic training. The standard r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victor Young
Albert Victor Young (August 8, 1899– November 10, 1956)"Victor Young, Composer, Dies of Heart Attack", ''Oakland Tribune'', November 12, 1956. was an American composer, arranger, violinist and conductor. Biography Young is commonly said to have been born in Chicago on August 8, 1900, but according to Census data and his birth certificate, his birth year is 1899. His grave marker shows his birth year as 1901. He was born into a very musical Jewish family, his father being a tenor with Joseph Sheehan's touring opera company. After his mother died, his father abandoned the family. The young Victor, who had begun playing violin at the age of six, and was sent to Poland when he was ten to stay with his grandfather and study at Warsaw Imperial Conservatory (his teacher was Polish composer Roman Statkowski), achieving the Diploma of Merit. He studied the piano with Isidor Philipp of the Paris Conservatory. While still a teenager he embarked on a career as a concert violinist with th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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