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Papua New Guinea (song)
"Papua New Guinea" is a single by the British electronic music group the Future Sound of London. It was released in November 1991 through the label Jumpin' & Pumpin' and is included on the group's debut album, '' Accelerator'', released the following year. The single entered the 's Dance Singles Chart at No.42 in December 1991, and reached number 22 on the UK Singles Chart when rereleased in mid-1992. Development Background Garry Cobain described himself as being "bit of an indie kid" in the mid 1980s, being a fan of the Manchester-based Factory Records acts such as Joy Division. Cobain reflected in 2006 that he had played guitar but was "never very good, and I'm still not very good at it." This led Cobain going to the University of Manchester Institute of Science and Technology. At the school he met Brian Dougans who was studying sound recording and was also a fan of Factory Records bands like A Certain Ratio. Cobain described Dougans as "I was well envious of Brian, and h ...
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The Future Sound Of London
The Future Sound of London (often abbreviated FSOL) is a British electronic music duo composed of Garry Cobain and Brian Dougans. They have been described as a "boundary-pushing" electronic act, covering techno, ambient music, ambient, house music, trip hop, psychedelic music, psychedelia, and dub music, dub. While keeping an enigmatic image and releasing music under many aliases, the band found commercial success with singles "Papua New Guinea (song), Papua New Guinea" (1991) and "Cascade (song), Cascade" (1993), and albums ''Lifeforms (The Future Sound of London album), Lifeforms'' (1994), ''ISDN (album), ISDN'' (1995) and ''Dead Cities (album), Dead Cities'' (1996). In recent years, the duo has become more candid with their fanbase online. Their later work include their series of experimental ''Environments (album), Environments'' and ''Archives'' albums. History Formation Garry Cobain and Brian Dougans met in the mid-1980s while studying electronics at university in M ...
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Yajé
AyahuascaPronounced as in the UK and in the US. Also occasionally known in English as ''ayaguasca'' (Spanish-derived), ''aioasca'' (Brazilian Portuguese-derived), or as ''yagé'', pronounced or . Etymologically, all forms but ''yagé'' descend from the compound Quechua word ''ayawaska'', from ''aya'' () and ''waska'' (). For more names for ayahuasca, see § Etymology. is a South American psychoactive decoction prepared from ''Banisteriopsis caapi'' vine and a dimethyltryptamine (DMT)-containing plant, used by Indigenous cultures in the Amazon and Orinoco basins as part of traditional medicine and shamanism. The word ayahuasca, originating from Quechuan languages spoken in the Andes, refers both to the ''B. caapi'' vine and the psychoactive brew made from it, with its name meaning “spirit rope” or “liana of the soul.” The specific ritual use of ayahuasca was widespread among Indigenous groups by the 19th century, though its precise origin is uncertain. Ayahuasca is tr ...
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Billboard (magazine)
''Billboard'' (stylized in letter case, lowercase since 2013) is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events and styles related to the music industry. Its Billboard charts, music charts include the Billboard Hot 100, Hot 100, the Billboard 200, 200, and the Billboard Global 200, Global 200, tracking the most popular albums and songs in various music genres. It also hosts events, owns a publishing firm and operates several television shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox ...
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Pitchfork Media
''Pitchfork'' (formerly ''Pitchfork Media'') is an American online music magazine founded in 1996 by Ryan Schreiber in Minneapolis. It originally covered Alternative rock, alternative and independent music, and expanded to cover genres including pop, hip-hop, jazz and metal. ''Pitchfork'' is one of the most influential Music magazine, music publications to have emerged in the internet age. In the 2000s, ''Pitchfork'' distinguished itself from print media through its unusual editorial style, frequent updates and coverage of emerging acts. It was praised as passionate, authentic and unique, but criticized as pretentious, mean-spirited and elitist, playing into stereotypes of the cynical Hipster (contemporary subculture), hipster. It is credited with popularizing acts such as Arcade Fire, Broken Social Scene, Bon Iver and Sufjan Stevens. ''Pitchfork'' relocated to Chicago in 1999 and Brooklyn, New York, in 2011. It expanded with projects including the annual Pitchfork Music Festiv ...
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Simon Reynolds
Simon Reynolds (born 19 June 1963) is an English music journalist and author who began his career at ''Melody Maker'' in the mid-1980s. He subsequently worked as a freelancer and published a number of books on music and popular culture. Reynolds has contributed to '' Spin'', ''Rolling Stone'', ''The New York Times'', ''The Village Voice'', ''The Guardian'', ''The Wire'', ''Pitchfork'' and others. Biography Early life and ''Blissed Out'' (1990) Reynolds was born in London in 1963 and grew up in Berkhamsted. Inspired by his younger brother Tim, he became interested in rock and specifically punk in 1978. In the early 1980s, he attended Brasenose College, Oxford University. After graduating, in 1984 he co-founded the Oxford-based pop culture journal ''Monitor'' with his friends and future ''Melody Maker'' colleagues Paul Oldfield and David Stubbs along with Hilary Little and Chris Scott. In 1986, Reynolds joined the staff of ''Melody Maker'', where his writing was marked by enthu ...
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Cool World
''Cool World'' is a 1992 American Adult animation, adult Live-action animation, live-action/animated hybrid fantasy film directed by Ralph Bakshi and written by Michael Grais and Mark Victor. Starring Kim Basinger, Gabriel Byrne and Brad Pitt, it tells the story of a cartoonist who finds himself in a cartoon-like universe he believes he created, where he is seduced by one of the characters, a femme fatale who wants to become human. Following the success of ''Who Framed Roger Rabbit'' (1988) and his own professional resurgence in television in the late 1980s, Bakshi conceived it as a horror film. He brought the idea to Paramount Pictures, and became attached to direct; it was his first feature film in nearly a decade, and intended as his comeback. However, interference from producer Frank Mancuso Jr. led to an extensive rewrite from Michael Grais, Mark Victor, and an uncredited Larry Gross. As a result, relations between Bakshi, Mancuso, and the studio deteriorated, and the film ...
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Cool World (soundtrack)
''Songs from the Cool World'' is the soundtrack album for the 1992 Ralph Bakshi film ''Cool World'' and features songs from David Bowie, Thompson Twins, Moby, and other dance and rock artists from the time. The 15 tracks included on the CD release are trimmed to 11 on the vinyl version. In 2019, Warner Bros. Records reissued the album as a double-LP set on vinyl containing the complete 15-song track list, in standard black and "flesh colored" editions. The soundtrack would go on to chart in the ''Billboard'' 200. Track listing CD Track Listing LP Track Listing Side A Side B Other Songs * "My Ideal" performed by Maurice Chevalier * "The Devil Goes Drugs" performed by My Life with the Thrill Kill Kult * "Holli's Groove" performed by My Life with the Thrill Kill Kult (Retitled version of Strippers Only) * "Sesusa" performed by My Life with the Thrill Kill Kult (Retitled version of The Smash-Up) * "Let's Make Love" performed by Kim Basinger and Frank Sinatra Jr. (Not inc ...
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Music Week
''Music Week'' is a trade publication for the UK record industry distributed via a website and a monthly print magazine. It is published by Future. History Founded in 1959 as ''Record Retailer'', it relaunched on 18 March 1972 as ''Music Week''. On 17 January 1981, the title again changed, owing to the increasing importance of sell-through videos, to ''Music & Video Week''. The rival '' Record Business'', founded in 1978 by Brian Mulligan and Norman Garrod, was absorbed into Music Week in February 1983. Later that year, the offshoot ''Video Week'' launched and the title of the parent publication reverted to ''Music Week''. Since April 1991, ''Music Week'' has incorporated ''Record Mirror'', initially as a 4 or 8-page chart supplement, later as a dance supplement of articles, reviews and charts. In the 1990s, several magazines and newsletters become part of the Music Week family: ''Music Business International (MBI)'', ''Promo'', ''MIRO Future Hits'', ''Tours Report'', ''Fono ...
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Within The Realm Of A Dying Sun
''Within the Realm of a Dying Sun'' is the third studio album by Australian band Dead Can Dance. It was released on 27 July 1987 by 4AD. Background By this time, Dead Can Dance were predominantly a duo of Lisa Gerrard and Brendan Perry, along with Peter Ulrich, after the departure of Scott Rodger and James Pinker in 1987. On the sound of the album, the group commented, "We realised we had been limiting our musical visions [before], relying around guitar, bass and drums. These instruments weren't adequate to express a lot of the things we were hearing". On the making of the album, 4AD label owner Ivo Watts-Russell commented, "I think the relationship between them and [producer] John Rivers was at its peak with [''Within the Realm of a Dying Sun'']. It's probably my favourite record of theirs". Gerrard's vocals featured prominently on the second half of the album, and her singing style often had mellifluous, mystical overtones, especially on "Cantara". The cover's photograph ...
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Mixtape
In the modern music industry, a mixtape is a musical project, typically with looser constraints than that of an album or extended play. Unlike the traditional album or extended play, mixtapes are labeled as laid-back projects that allow artists more creative freedom and less commercial pressure. The term has significantly increased in popularity over the years due to high-profile artists marketing their projects as such. Prior to the decline of physical media, mixtapes were defined as homemade compilations of music played through a cassette tape, Compact disc, CD, or digital playlist and became significant in Hip hop (culture), hip-hop culture. The songs were typically beatmatching, beatmatched and consisted of seamless transitions at their beginnings and endings with fades or abrupt edits. It was then defined as relatively any musical project by an up-and-coming artist. Now, mixtapes have become a label of promotion and marketing for album-like projects. Dictionary.com writes that ...
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Dead Can Dance
Dead Can Dance are a British-Australian band founded in Melbourne in 1981 by Brendan Perry and Lisa Gerrard, before relocating to London the following year. The Australian music historian Ian McFarlane described Dead Can Dance's style as "constructed soundscapes of mesmerising grandeur and solemn beauty; Music of Africa, African polyrhythms, Celtic music, Gaelic folk, Gregorian chant, Middle Eastern music, mantras, and art rock." Having temporarily disbanded in 1998, they reunited in 2005 for a world tour, and again in 2011 to release and tour the album ''Anastasis (album), Anastasis''. They released their most recent album, ''Dionysus (album), Dionysus'', in 2018, and toured Europe in 2022. Career Formation and early years Dead Can Dance were formed in Melbourne, Australia, in August 1981 with Paul Erikson on bass guitar, Lisa Gerrard (ex-Microfilm) on vocals and percussion, Simon Monroe (The Scavengers, Marching Girls) on drums and Brendan Perry (also of Marching Girls) on vo ...
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Lisa Gerrard
Lisa Germaine Gerrard ( ; born 12 April 1961) is an Australian musician, singer and composer and member of the group Dead Can Dance with music partner Brendan Perry. She is known for her unique singing style technique (glossolalia). She has a dramatic contralto voice and has a vocal range of three octaves. Born and raised in Melbourne, Gerrard played a pivotal role in the city's Little Band scene and fronted post-punk group Microfilm before co-founding Dead Can Dance in 1981. With Perry, she explored numerous traditional and modern styles, laying the foundations for what became known as neoclassical dark wave. She sings sometimes in English and often in a unique language that she invented. In addition to singing, she is an instrumentalist for much of her work, most prolifically using the yangqin (a Chinese hammered dulcimer). Gerrard's first solo album, '' The Mirror Pool'', was released in 1995. She has been involved in a wide range of projects, starting her first collaborati ...
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