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Panofsky
Erwin Panofsky (March 30, 1892 in Hannover – March 14, 1968 in Princeton, New Jersey) was a German-Jewish art historian, whose academic career was pursued mostly in the U.S. after the rise of the Nazi regime. Panofsky's work represents a high point in the modern academic study of iconography, which he used in hugely influentialShone, Richard and Stonard, John-Paul, eds. ''The Books that Shaped Art History'', chapter 7. London: Thames & Hudson, 2013. works like his "little book" ''Renaissance and Renascences in Western Art'' and his masterpiece, ''Early Netherlandish Painting''. Many of his works are still in print, including ''Studies in Iconology: Humanist Themes in the Art of the Renaissance'' (1939), ''Meaning in the Visual Arts'' (1955), and his 1943 study ''The Life and Art of Albrecht Dürer''. Panofsky's ideas were also highly influential in intellectual history in general,Chartier, Roger. ''Cultural History'', pp. 23–24 (from "Intellectual History and the History of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dora Panofsky
Dora Panofsky (née Dorothea Mosse, born 24 July 1885 – 16 October 1965) was a German-American art historian. Life Dorothea Mosse was born in 1885, the daughter of jurist Albert Mosse of Berlin. In 1915 she met the art historian Erwin Panofsky, eight years her junior, in the Berlin seminar of medievalist Adolph Goldschmidt. The couple married in 1916,.Erwin Panofsky: Life, Work, and Legacy ''Institute for Advanced Science''. Accessed 28 March 2020. They had two sons, Hans (1917-1988) and (1919-2007). In 1934 the family escaped Germany, and in 1940 Dora and Erwin became naturalized US citizens. In 1936 Dora worked with [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albrecht Dürer
Albrecht Dürer (; ; hu, Ajtósi Adalbert; 21 May 1471 – 6 April 1528),Müller, Peter O. (1993) ''Substantiv-Derivation in Den Schriften Albrecht Dürers'', Walter de Gruyter. . sometimes spelled in English as Durer (without an umlaut) or Duerer, was a German painter, printmaker, and theorist of the German Renaissance. Born in Nuremberg, Dürer established his reputation and influence across Europe in his twenties due to his high-quality woodcut prints. He was in contact with the major Italian artists of his time, including Raphael, Giovanni Bellini, and Leonardo da Vinci, and from 1512 was patronized by Emperor Maximilian I. Dürer's vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. The woodcuts series are more Gothic than the rest of his work. His well-known engravings include the three '' Meisterstiche'' (master prints) ''Knight, Death and the Devil'' (1513), '' Sain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art History
Art history is the study of aesthetic objects and visual expression in historical and stylistic context. Traditionally, the discipline of art history emphasized painting, drawing, sculpture, architecture, ceramics and decorative arts; yet today, art history examines broader aspects of visual culture, including the various visual and conceptual outcomes related to an ever-evolving definition of art. Art history encompasses the study of objects created by different cultures around the world and throughout history that convey meaning, importance or serve usefulness primarily through visual representations. As a discipline, art history is distinguished from art criticism, which is concerned with establishing a relative artistic value upon individual works with respect to others of comparable style or sanctioning an entire style or movement; and art theory or "philosophy of art", which is concerned with the fundamental nature of art. One branch of this area of study is aesthetics, wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iconography
Iconography, as a branch of art history, studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct from artistic style. The word ''iconography'' comes from the Greek ("image") and ("to write" or ''to draw''). A secondary meaning (based on a non-standard translation of the Greek and Russian equivalent terms) is the production or study of the religious images, called "icons", in the Byzantine and Orthodox Christian tradition (see Icon). This usage is mostly found in works translated from languages such as Greek or Russian, with the correct term being "icon painting". In art history, "an iconography" may also mean a particular depiction of a subject in terms of the content of the image, such as the number of figures used, their placing and gestures. The term is also used in many academic fields other than art history, for example semiotics ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Early Netherlandish Painting (Panofsky)
''Early Netherlandish Painting, Its Origins and Character'', is a 1953 book on art history by Erwin Panofsky, derived from the 1947–48 Charles Eliot Norton Lectures. The book had a wide impact on studies of Renaissance art and Early Netherlandish painting in particular, but also studies in iconography, art history, and intellectual history in general. The book is particularly well-known for its iconographic treatment of Van Eyck's ''Arnolfini Portrait'' as a kind of marriage contract, a hypothesis advanced by Panofsky as early as 1934. The book remains influential despite its reliance on black-and-white reproductions of paintings, which led to some errors of analysis. ''Early Netherlandish Painting'' shares its title with the comprehensive, 14-volume survey by Max J. Friedländer, a fact obliquely acknowledged at the beginning of the preface.''Early Netherlandish Painting'', p. vii References ;References ;Sources *Panofsky, Erwin. ''Early Netherlandish Painting, Its Origins an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Van Eyck
Jan van Eyck ( , ; – July 9, 1441) was a painter active in Bruges who was one of the early innovators of what became known as Early Netherlandish painting, and one of the most significant representatives of Early Northern Renaissance art. According to Vasari and other art historians including Ernst Gombrich, he invented oil painting, Gombrich, The Story of Art, page 240 though most now regard that claim as an oversimplification. The surviving records indicate that he was born around 1380 or 1390, most likely in Maaseik (then Maaseyck, hence his name), Limburg, which is located in present-day Belgium. He took employment in The Hague around 1422, when he was already a master painter with workshop assistants, and was employed as painter and ''valet de chambre'' to John III the Pitiless, ruler of the counties of Holland and Hainaut. After John's death in 1425, he was later appointed as court painter to Philip the Good, Duke of Burgundy, and worked in Lille before moving to B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Eliot Norton Lectures
The Charles Eliot Norton Professorship of Poetry at Harvard University was established in 1925 as an annual lectureship in "poetry in the broadest sense" and named for the university's former professor of fine arts. Distinguished creative figures and scholars in the arts, including painting, architecture, and music deliver customarily six lectures. The lectures are usually dated by the academic year in which they are given, though sometimes by just the calendar year. Many but not all of the Norton Lectures have subsequently been published by the Harvard University Press. The following table lists all the published lecture series, with academic year given and year of publication, together with unpublished lectures as are known. Titles under which the lectures were published are not necessarily titles under which they were given. Charles Eliot Norton Lectures The post had no incumbent in years omitted. External linksArticle from Harvard Gazette naming 2006 lecturer (date later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilhelm Vöge
Wilhelm Vöge (16 February 1868 – 30 December 1952) was a German art historian, the discoverer of the Reichenau School of painting and one of the most important medievalists of the early 20th century. Whitney Stoddard called him the "father of modern stylistic analysis" for medieval art. Life and work Vöge was born in Bremen. He studied art history under Anton Springer and Paul Clemen at the University of Leipzig, under Carl Justi, Karl Lamprecht and Henry Thode at the University of Bonn, where Aby Warburg and Hermann Ullmann were his classmates, and finally under Hubert Janitschek at the University of Strasbourg. In 1891 he wrote his groundbreaking Ph.D. dissertation on Ottonian painting, based on the Munich manuscript Cim. 58 ("the Evangelary of Otto III"), which established the group of painters known today as the Reichenau School (then however located in Trier). He became a friend of Heinrich Wölfflin. After a research trip in France, where he met the German medi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kurt Badt
Kurt Badt (3 March 1890 in Berlin − 22 November 1973 in Überlingen) was a German art historian. Life and work The son of a Berlin banker, Badt studied art history and philosophy first at the universities of Berlin and Munich and then in Freiburg, where he was a student of Wilhelm Vöge. Among his fellow students was the young Erwin Panofsky. Badt completed his doctoral dissertation on Andrea Solario in 1914. He started his career as an assistant at the Kunsthalle Bremen, but most of his life he was an independent scholar teaching privately, as his family was wealthy and he did not need an academic job in order to earn a living. According to Alfons Rosenberg, he lived the life of a Renaissance humanist. In 1939 he left Germany gaining a research position at the newly founded Warburg Institute in London. He returned to Germany in 1950, where he became a German citizen in 1952 and helped to reorganize the university system. His writings include studies on Wilhelm Lehmbruck, Eugène ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Institute For Advanced Study
The Institute for Advanced Study (IAS), located in Princeton, New Jersey, in the United States, is an independent center for theoretical research and intellectual inquiry. It has served as the academic home of internationally preeminent scholars, including J. Robert Oppenheimer, Albert Einstein, Hermann Weyl, John von Neumann, and Kurt Gödel, many of whom had emigrated from Europe to the United States. It was founded in 1930 by American educator Abraham Flexner, together with philanthropists Louis Bamberger and Caroline Bamberger Fuld. Despite collaborative ties and neighboring geographic location, the institute, being independent, has "no formal links" with Princeton University. The institute does not charge tuition or fees. Flexner's guiding principle in founding the institute was the pursuit of knowledge for its own sake.Jogalekar. The faculty have no classes to teach. There are no degree programs or experimental facilities at the institute. Research is never contracted or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kahler-Kreis
Kahler-Kreis (Kahler Circle) refers to the circle, lasting from 1939 to the early 1970s, of intellectual friends of Erich Kahler and his second wife, Alice (Lili or Lilly) Loewy Kahler. This group, named the "Kahler-Kreis" by Charles Greenleaf Bell (1916–2010), had its physical center at the Kahlers' house, One Evelyn Place in Princeton, New Jersey. Erich Kahler, a scholar, author, and lecturer, arrived in Princeton in 1939 as a financially destitute Jewish refugee from the Nazi regime. One Evelyn Place welcomed Jewish intellectual refugees from Europe and was filled with visitors, boarders, and cultural conversation. The Einstein family, Thomas Mann's family, and Hermann Broch were close friends of the Kahlers. The Kahler circle of friends also included Erwin Panofsky, Hetty Goldman, Ernst Kantorowicz, Kurt Gödel, and the painter Ben Shahn Ben Shahn (September 12, 1898 – March 14, 1969) was an American artist. He is best known for his works of social realism, his left-win ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haskins Medal
The Haskins Medal is an annual medal awarded by the Medieval Academy of America. It is awarded for the production of a distinguished book in the field of medieval studies. Award The Haskins Medal is awarded by a committee of three; a chairman, and two members appointed by the president of the Medieval Academy of America, on a three-year rotating term. The presentation of the medal is announced each spring at the annual meeting of the academy. Graham Carey (artist), Graham Carey designed the Haskins Medal in 1939, and each one has the name of the recipient and the date engraved on the edge. The medal was first awarded in 1940, and is presented in honor of the medieval historian Charles Homer Haskins, the founder and second president of the academy. List of medalists Haskins Medal recipients: * 1940: Bertha Haven Putnam, ''Proceedings Before the Justices of the Peace in the Fourteenth and Fifteenth Centuries, Edward III to Richard III''. London: Spottiswoode, Ballantyne and Co., 193 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
