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Palazzo D'Accursio
260px, Palazzo d'Accursio. Palazzo d'Accursio (or Palazzo Comunale) is a palace once formulated to house major administrative offices of the city of Bologna, region of Emilia-Romagna, Italy. It is located on the Piazza Maggiore, and is the city's Town Hall. The palace is also home to the Civic Art Collection, with paintings from the Middle Ages to the 19th century; the Museo Morandi, with the works by Giorgio Morandi; and the Biblioteca Salaborsa, the town libraries. History The earliest structure of the Palazzo d'Accursio originally began as the residence of the jurist Accursius, but over time, it incorporated and expanded to include adjacent buildings to house civic offices. In 1336 it became the seat of the ''Anziani'' ("Elders"), the highest magistrates of the commune, and then seat of the government. In the 15th century it was refurbished under the designs of the architect Fioravante Fioravanti, who added the Clock Tower (''Torre d'Accursio''). The bell in the tower was insta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bologna - Palazzo D'Accursio - Foto Giovanni Dall'Orto 5-3-2005 2
Bologna (, , ; egl, label= Emilian, Bulåggna ; lat, Bononia) is the capital and largest city of the Emilia-Romagna region in Northern Italy. It is the seventh most populous city in Italy with about 400,000 inhabitants and 150 different nationalities. Its metropolitan area is home to more than 1,000,000 people. It is known as the Fat City for its rich cuisine, and the Red City for its Spanish-style red tiled rooftops and, more recently, its leftist politics. It is also called the Learned City because it is home to the oldest university in the world. Originally Etruscan, the city has been an important urban center for centuries, first under the Etruscans (who called it ''Felsina''), then under the Celts as ''Bona'', later under the Romans (''Bonōnia''), then again in the Middle Ages, as a free municipality and later ''signoria'', when it was among the largest European cities by population. Famous for its towers, churches and lengthy porticoes, Bologna has a well-preserved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Art
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. By ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Albani
Francesco Albani or Albano (17 March or 17 August 1578 – 4 October 1660) was an Italian Baroque painter who was active in Bologna (1591–1600), Rome (1600–1609), Bologna (1609), Viterbo (1609–1610), Bologna (1610), Rome (1610–1617), Bologna (1618–1660), Mantova (1621–1622), Roma (1623–1625) and Florence (1633). Early years in Bologna Albani was born in Bologna, Italy in 1578. His father was a silk merchant who intended his son to go into his own trade. By the age of twelve, however, he had become an apprentice to the competent mannerist painter Denis Calvaert, in whose studio he met Guido Reni. He soon followed Reni to the so-called "Academy" run by Annibale, Agostino, and Ludovico Carracci. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni. Mature work in Rome In 1600, Albani moved to Rome to work on the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basilica Of San Petronio
The Basilica of San Petronio is a minor basilica and church of the Archdiocese of Bologna located in Bologna, Emilia Romagna, northern Italy. It dominates Piazza Maggiore. The basilica is dedicated to the patron saint of the city, Saint Petronius, who was the bishop of Bologna in the fifth century. Construction began in 1390 and its main facade has remained unfinished since. The building was transferred from the city to the diocese in 1929; the basilica was finally consecrated in 1954. It has been the seat of the relics of Bologna's patron saint only since 2000; until then they were preserved in the Santo Stefano church of Bologna. History Construction In 1388, the ''Consiglio Generale dei Seicento'' prepared the construction of the church as a civic temple. To make room for the church, the adjacent Curia of Sancti Ambrosii was demolished, together with the majority of one of the city's burgs, including at least eight churches and towers. The first stone of construction was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iron Crown Of Lombardy
The Iron Crown ( lmo, Corona Ferrea de Lombardia; it, Corona Ferrea; la, Corona Ferrea) is a relic and may be one of the oldest royal insignia of Christendom. It was made in the Early Middle Ages, consisting of a circlet of gold and jewels fitted around a central silver band, which tradition held to be made of iron beaten out of a nail of the True Cross. In the medieval Kingdom of Italy, the crown came to be seen as a relic from the Kingdom of the Lombards and was used as regalia for the coronation of the Holy Roman Emperors as kings of Italy. It is kept in the Cathedral of Monza. Description The Iron Crown is so called because it contains a one-centimetre-wide band within it, that is said to have been beaten out of a nail used at the crucifixion of Jesus. The outer circlet of the crown is made of six segments of beaten gold, partly enameled, joined together by hinges. It is set with 22 gemstones that stand out in relief, in the form of crosses and flowers. Its small size an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles V, Holy Roman Emperor
Charles V, french: Charles Quint, it, Carlo V, nl, Karel V, ca, Carles V, la, Carolus V (24 February 1500 – 21 September 1558) was Holy Roman Emperor and Archduke of Austria from 1519 to 1556, King of Spain (Crown of Castile, Castile and Crown of Aragon, Aragon) from 1516 to 1556, and Lord of the Netherlands as titular Duke of Burgundy from 1506 to 1555. He was heir to and then head of the rising House of Habsburg during the first half of the 16th century, his dominions in Europe included the Holy Roman Empire, extending from Kingdom of Germany, Germany to Kingdom of Italy (Holy Roman Empire), northern Italy with direct rule over the Austrian hereditary lands and the Burgundian Low Countries, and Habsburg Spain, Spain with its southern Italy, southern Italian possessions of Kingdom of Naples, Naples, Kingdom of Sicily, Sicily, and Kingdom of Sardinia, Sardinia. He oversaw both the continuation of the long-lasting Spanish colonization of the Americas and the short-live ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Girolamo Farnese
Girolamo Farnese (1599–1668) was a Roman Catholic cardinal. Biography On 26 Apr 1639, was consecrated bishop by Giovanni Battista Scanaroli, Titular Bishop of ''Sidon'', with Tommaso Carafa, Bishop Emeritus of Vulturara e Montecorvino, and Giovanni Battista Altieri (seniore), Bishop Emeritus of Camerino, serving as co-consecrators. Episcopal succession While bishop, he was the principal consecrator of: *Giannicolò Conti, Bishop of Ancona e Numana (1666); the principal co-consecrator A consecrator is a bishop who ordains someone to the episcopacy. A co-consecrator is someone who assists the consecrator bishop in the act of ordaining a new bishop. The terms are used in the canon law of the Catholic Church, Lutheran Churches, ... of References 1599 births 1668 deaths 17th-century Italian cardinals Cardinals created by Pope Alexander VII Apostolic Nuncios to Switzerland {{Italy-RC-cardinal-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ceres (mythology)
In ancient Roman religion, Ceres ( , ) was a goddess of agriculture, grain crops, fertility and motherly relationships.Room, Adrian, ''Who's Who in Classical Mythology'', p. 89-90. NTC Publishing 1990. . She was originally the central deity in Rome's so-called plebeian or Aventine Triad, then was paired with her daughter Proserpina in what Romans described as "the Greek rites of Ceres". Her seven-day April festival of Cerealia included the popular ''Ludi Ceriales'' (Ceres' games). She was also honoured in the May ''lustratio'' of the fields at the Ambarvalia festival, at harvest-time, and during Roman marriages and funeral rites. She is usually depicted as a mature woman. Ceres is the only one of Rome's many agricultural deities to be listed among the Dii Consentes, Rome's equivalent to the Twelve Olympians of Greek mythology. The Romans saw her as the counterpart of the Greek goddess Demeter,''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. whos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pomona (mythology)
Pomona (, ) was a goddess of fruitful abundance in ancient Roman religion and myth. Her name comes from the Latin word ''pomum'', "fruit", specifically orchard fruit. Pomona was said to be a wood nymph. Etymology The name ''Pōmōna'' is a derivation from Latin ''pōmus'' ('fruit-tree, fruit'), possibly stemming from Proto-Italic ''*po-e/omo'' ('taken off, picked?'), cognate with Umbrian Puemune, ultimately from Proto-Indo-European ''*h₁e/omo'' ('what is (to be) taken'). Mythology In the myth narrated by Ovid, she scorned the love of the woodland gods Silvanus and Picus, but married Vertumnus after he tricked her, disguised as an old woman. She and Vertumnus shared a festival held on August 13. Her priest was called the ''flamen Pomonalis''. The pruning knife was her attribute. There is a grove that is sacred to her called the ''Pomonal'', located not far from Ostia, the ancient port of Rome. Pomona was the goddess of fruit trees, gardens, and orchards. Unlike many other ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bacchus
In ancient Greek religion and myth, Dionysus (; grc, Διόνυσος ) is the god of the grape-harvest, winemaking, orchards and fruit, vegetation, fertility, insanity, ritual madness, religious ecstasy, festivity, and theatre. The Romans called him Bacchus ( or ; grc, Βάκχος ) for a frenzy he is said to induce called ''bakkheia''. As Dionysus Eleutherios ("the liberator"), his wine, music, and ecstatic dance free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His ''thyrsus'', a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself. His origins are uncertain, and his cults took many forms; some are described by ancient sources as Thracian, others as Greek. In Orphic religion, he was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cybele
Cybele ( ; Phrygian: ''Matar Kubileya/Kubeleya'' "Kubileya/Kubeleya Mother", perhaps "Mountain Mother"; Lydian ''Kuvava''; el, Κυβέλη ''Kybele'', ''Kybebe'', ''Kybelis'') is an Anatolian mother goddess; she may have a possible forerunner in the earliest neolithic at Çatalhöyük, where statues of plump women, sometimes sitting, accompanied by lionesses, have been found in excavations. Phrygia's only known goddess, she was probably its national deity. Greek colonists in Asia Minor adopted and adapted her Phrygian cult and spread it to mainland Greece and to the more distant Magna Graeca, western Greek colonies around the 6th century BC. In Ancient Greece , Greece, Cybele met with a mixed reception. She became partially assimilated to aspects of the Earth-goddess Gaia (mythology) , Gaia, of her possibly Minoan civilization , Minoan equivalent Rhea (mythology) , Rhea, and of the harvest–mother goddess Demeter. Some city-states, notably Athens, evoked her as a pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mars (mythology)
In ancient Roman religion and myth, Mars ( la, Mārs, ) was the god of war and also an agricultural guardian, a combination characteristic of early Rome. He was the son of Jupiter and Juno, and was pre-eminent among the Roman army's military gods. Most of his festivals were held in March, the month named for him ( Latin ''Martius''), and in October, which began the season for military campaigning and ended the season for farming. Under the influence of Greek culture, Mars was identified with the Greek god Ares,''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. whose myths were reinterpreted in Roman literature and art under the name of Mars. The character and dignity of Mars differed in fundamental ways from that of his Greek counterpart, who is often treated with contempt and revulsion in Greek literature. Mars's altar in the Campus Martius, the area of Rome that took its name from him, was supposed to have been dedicated by Numa, the peace-lov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
