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Palazzo Strozzino
Palazzo dello Strozzino is a Renaissance palace in Florence, region of Tuscany, Italy. The stone Renaissance facade is located on Piazza degli Strozzi, diagonal to the Southeast corner of the imposing Palazzo Strozzi. The Northern façade on Via dei Anselmi houses the entrance to the Cinema Odeon. History The palace, once known as the Palazzo delle Tre Porte for its three ground doorways, was a residence of the cadet branch of the Strozzi family; it was older and smaller than the grandiose Palazzo Strozzi. The palace houses the Cinema Odeon, designed (1920) by Marcello Piacentini, as well as the language school of the British Institute of Florence. Built on land owned by Palla Strozzi, it passed to his cousins Agnolo and Palla di Novello after his exile in 1434. They ordered a renovation around 1457, with the design attributed to Filippo Brunelleschi, although other architects participated in the construction, including Michelozzo, to whom the lower façade, featuring an irregul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Dello Strozzino 01
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification, wherea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palla Strozzi
Palla di Onofrio Strozzi (1372 – 8 May 1462) was an Italian banker, politician, writer, philosopher and philologist. Biography He was born in Florence into the rich banking family of the Strozzi. He was educated by humanists, learning Greek and Latin, and establishing an important collection of rare books. Vespasiano, in his ''Lives of illustrious men of the 15th century'' described him as rich, handsome, a family man, a scholar, and a great builder and collector. Palla Strozzi was the richest man in Florence with a gross taxable assets of 162,925 florins in 1427, including 54 farms, 30 houses, a banking firm with a capital of 45,000 florins, and communal bonds. Despite his abundant wealth, Strozzi lived well beyond his means and had little interest in his family’s banking business, which would help lead to his eventual economic and political downfall in the later half of the 15th century. In his sixties, together with Rinaldo degli Albizzi, he became the leader of the op ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Mattei, Florence
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification, whereas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuliano Da Maiano
Giuliano da Maiano (1432–1490) was an Italian architect, intarsia-worker, and sculptor, the elder brother of Benedetto da Maiano, with whom he often collaborated. Biography He was born in the village of Maiano, near Fiesole, where his father was a stone-cutter who moved his family and business to Florence, where, according to Vasari, he operated a stonemason's yard, providing mouldings and carved stone detail for construction. Giuliano showed early promise, and his father hoped at first to make of him a notary, but his talent for sculpture and design won out. His first designs were for the intarsia inlay in the fittings for the New Sacristy of the Duomo, Florence, carried out in collaboration with Benedetto in 1463-1465, where Giuliano carved the wooden bas-reliefs of putti and garlands in the frieze, and for works in Palazzo Vecchio in collaboration with Benedetto, notably the ceiling in octagonal compartments and the white marble doorcase in Benedetto's ''Sala d'Audienza'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mullioned Window
A mullion is a vertical element that forms a division between units of a window or screen, or is used decoratively. It is also often used as a division between double doors. When dividing adjacent window units its primary purpose is a rigid support to the glazing of the window. Its secondary purpose is to provide structural support to an arch or lintel above the window opening. Horizontal elements separating the head of a door from a window above are called transoms. History Stone mullions were used in Armenian, Saxon and Islamic architecture prior to the 10th century. They became a common and fashionable architectural feature across Europe in Romanesque architecture, with paired windows divided by a mullion, set beneath a single arch. The same structural form was used for open arcades as well as windows, and is found in galleries and cloisters. In Gothic architecture windows became larger and arrangements of multiple mullions and openings were used, both for structure and o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rustication (architecture)
Two different styles of rustication in the Palazzo Medici-Riccardi in Florence; smooth-faced above and rough-faced below.">Florence.html" ;"title="Palazzo Medici-Riccardi in Florence">Palazzo Medici-Riccardi in Florence; smooth-faced above and rough-faced below. Rustication is a range of masonry techniques used in classical architecture giving visible surfaces a finish texture that contrasts with smooth, squared-block masonry called ashlar. The visible face of each individual block is cut back around the edges to make its size and placing very clear. In addition the central part of the face of each block may be given a deliberately rough or patterned surface. Rusticated masonry is usually "dressed", or squared off neatly, on all sides of the stones except the face that will be visible when the stone is put in place. This is given wide joints that emphasize the edges of each block, by angling the edges ("channel-jointed"), or dropping them back a little. The main part of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michelozzo
Michelozzo di Bartolomeo Michelozzi (1396 – 7 October 1472) was an Italian architect and sculptor. Considered one of the great pioneers of architecture during the Renaissance, Michelozzo was a favored Medici architect who was extensively employed by Cosimo de' Medici. He was a pupil of Lorenzo Ghiberti in his early years, and later collaborated with Donatello. Known primarily for designing Palazzo Medici Riccardi in Florence, he is often overshadowed by his contemporaries Donatello in sculpture and Brunelleschi in architecture. Life Early life Michelozzo was born in Florence in 1396. He was the son of Bartolomeo di Gherardo Borgognone and Antonia. Borgognone was of French origin and arrived in Florence from Burgundy at an unknown date. Borgognone lived and worked in the Santa Croce quarter of Florence as a tailor, and was made a Florentine citizen on 9 April 1376. Michelozzo had three brothers named Leonardo (b. 1389/90), Zanobi (b. 1391), and Giovanni (b. 1403). By 1391, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filippo Brunelleschi
Filippo Brunelleschi ( , , also known as Pippo; 1377 – 15 April 1446), considered to be a founding father of Renaissance architecture, was an Italian architect, designer, and sculptor, and is now recognized to be the first modern engineer, planner, and sole construction supervisor. In 1421, Brunelleschi became the first person to receive a patent in the Western world. He is most famous for designing the dome of the Florence Cathedral, a feat of engineering that had not been accomplished since antiquity, as well as the development of the mathematical technique of linear perspective in art which governed pictorial depictions of space until the late 19th century and influenced the rise of modern science. His accomplishments also include other architectural works, sculpture, mathematics, engineering, and ship design. His principal surviving works can be found in Florence. Biography Early life Brunelleschi was born in Florence, Italy, in 1377. His family consisted of his father, B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Institute Of Florence
The British Institute of Florence is a cultural institute founded in 1917 in Florence, Italy, with the aim of promoting Anglo-Italian cultural relations, teaching English and Italian languages, and running a library of English books to illustrate British and Italian literature, art, history and music. It is the oldest overseas British cultural institute in the world. History The institute was set up in late 1917, towards the end of the First World War, by a group of Anglo-Italian scholars, intellectuals and public figures who were keen to counter anti-British propaganda. Discussions had taken place shortly before the outbreak of war as to the possibility of founding an institute similar to the Institut Français de Florence (established in 1907). Among those involved in the early days of the British Institute were Walter Ashburner, Guido Biagi, Guido Ferrando, Edward Hutton, Carlo Placci, Angelo Orvieto, Gaetano Salvemini, Aldo Sorani, G.M. Trevelyan and his wife Janet Trevelyan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinema Odeon Firenze 00
Cinema may refer to: Film * Cinematography, the art of motion-picture photography * Film or movie, a series of still images that create the illusion of a moving image ** Film industry, the technological and commercial institutions of filmmaking ** Filmmaking, the process of making a film * Movie theater (US), called a cinema elsewhere, a building in which films are shown TV * Home cinema tries to replicate the movie theater at home * Cinema or Movie mode, a picture mode characterized by warmer color temperatures Music Bands * Cinema (band), a band formed in 1982 by ex-Yes members Alan White and Chris Squire * The Cinema, an American indie pop band Albums * ''Cinema'' (Andrea Bocelli album), released 2015 * ''Cinema'' (The Cat Empire album), released 2010 * ''Cinema'' (Elaine Paige album), released 1984 * ''Cinema'' (Nazareth album), or the title song, released 1986 * ''Cinema'', a 2009 album by Brazilian band Cachorro Grande * ''Cinema'', a 1990 album by English musician ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcello Piacentini
Marcello Piacentini (8 December 1881 – 19 May 1960) was an Italian urban theorist and one of the main proponents of Italian Fascist architecture. Biography Born in Rome, he was the son of architect Pio Piacentini. When he was only 26, he was commissioned to revamp of the historical center of Bergamo (1907); subsequently, he worked in most of Italy, but his best works are those commissioned by the Fascist government in Rome. Piacentini devised a "simplified neoclassicism" midway between the neo-classicism of the Novecento Italiano group (Gio Ponti and others) and the rationalism of the Gruppo 7 of Giuseppe Terragni, Adalberto Libera and others. His style became a mainstay of Fascist architecture in Rome, including the new university campus ( Università di Roma La Sapienza, 1932) and the E.U.R district, of which he was not only designer, but also High Commissar by will of Benito Mussolini. His other works include the renovation of Brescia and Livorno, the Museo Nazionale della ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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