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Palazzo Porto, Vicenza
Palazzo Porto is a palace built by Italian Renaissance architect Andrea Palladio in Contrà Porti, Vicenza, Italy. It is one of two palaces in the city designed by Palladio for members of the Porto family (the other being Palazzo Porto in Piazza Castello). Commissioned by the noble Iseppo da Porto, just married (about 1544), this building had a rather long designing stage and a longer and troublesome realization, partially unfinished. In 1994, UNESCO included the palazzo in a World Heritage Site, the "City of Vicenza and the Palladian Villas of the Veneto". History It is very probable that Iseppo (Giuseppe) Porto's decision to undertake construction of a great palace in the Contrà (Contrada) dei Porti was taken to emulate the edifice that his brothers-in-law Adriano and Marcantonio Thiene had begun to erect, in 1542, only a stone's throw away. It is also possible that it was Iseppo's very marriage to Livia Thiene, in the first half of the 1540s, which provided the concrete occ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vicenza
Vicenza ( , ; ) is a city in northeastern Italy. It is in the Veneto region at the northern base of the ''Monte Berico'', where it straddles the Bacchiglione River. Vicenza is approximately west of Venice and east of Milan. Vicenza is a thriving and cosmopolitan city, with a rich history and culture, and many museums, art galleries, piazzas, villas, churches and elegant Renaissance '' palazzi''. With the Palladian Villas of the Veneto in the surrounding area, and his renowned ''Teatro Olimpico'' (Olympic Theater), the "city of Palladio" has been listed as a UNESCO World Heritage Site since 1994. In December 2008, Vicenza had an estimated population of 115,927 and a metropolitan area of 270,000. Vicenza is the third-largest Italian industrial centre as measured by the value of its exports, and is one of the country's wealthiest cities, in large part due to its textile and steel industries, which employ tens of thousands. Additionally, about one fifth of the country's gold a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Caprini
Palazzo Caprini was a Renaissance palazzo in Rome, Italy, in the Borgo rione between Piazza Scossacavalli and via Alessandrina (also named Borgo Nuovo). It was designed by Donato Bramante around 1510, or a few years before. It was also known as ''Palazzo di Raffaello'', or Raphael's House, since the artist had bought it in 1517 and lived there until his death three years later,Gigli (1992) p. 46 although by then he was planning a much larger new palazzo elsewhere. In the late 16th century the building, already decayed and crumbling, underwent a total renovation and constituted the core of the much larger Palazzo dei Convertendi,Gigli (1992) p. 48 and its garden house was destroyed in 1848. The appearance of the main facade is known from an etching by Antoine Lafréry and a partial sketch attributed to Andrea Palladio.Gigli (1992) p. 54 The palace had a façade with five bays and two levels, with rustication (using stucco) on the lower floor which, as often in Rome, was let ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buildings And Structures Completed In 1549
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artistic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portrait Of Iseppo Da Porto And His Son Adriano
''Portrait of Iseppo da Porto and his son Adriano'' is a c.1555 oil-on-canvas painting by Paolo Veronese, now in the Contini Bonacossi collection, on long-term loan to the Uffizi in Florence. Veronese also decorated Porto's Palazzo Porto in Vicenza, designed by Andrea Palladio and completed in 1552. It is a pendant to a portrait of Iseppo's wife Livia or Lucia Thien, who he married in 1545, and one of their daughters. It was acquired in Paris from the Sedelmeyer collection by Alessandro Contini Bonacossi, though its female pendant was by then in a private collection in Vicenza, from which it later passed to the Walters Art Museum in Baltimore. Additional images File:Paolo Veronese - Iseppo and Adriano da Porto - WGA24977.jpg, Preparatory drawing (Louvre, n. 4678) File: Paolo Veronese - Portrait of Countess Livia da Porto Thiene and her Daughter Deidamia - Google Art Project.jpg , ''Portrait of Livia da Porto Thiene and her daughter'' (Baltimore) References {{DEFAULTSORT:P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Porto Family
Porto or Oporto () is the second-largest city in Portugal, the capital of the Porto District, and one of the Iberian Peninsula's major urban areas. Porto city proper, which is the entire municipality of Porto, is small compared to its metropolitan area, with an estimated population of just 231,800 people in a municipality with only 41.42 km2. Porto's metropolitan area has around 1.7 million people (2021) in an area of ,Demographia: World Urban Areas March 2010 making it the second-largest urban area in Portugal. It is recognized as a global city with a Gamma + rating from the |
Sinopia
Sinopia (also known as sinoper, named after the now Turkish city Sinop) is a dark reddish-brown natural earth pigment, whose reddish colour comes from hematite, a dehydrated form of iron oxide. It was widely used in Classical Antiquity and the Middle Ages for painting, and during the Renaissance it was often used on the rough initial layer of plaster for the underdrawing for a fresco. The word came to be used both for the pigment and for the preparatory drawing itself, which may be revealed when a fresco is stripped from its wall for transfer. During the Middle Ages sinopia in Latin and Italian came to mean simply a red ochre. It entered the English language as the word sinoper, meaning a red earth colour. Sinopia is a colour in various modern colour systems. Sinopia pigment From Ancient times through the Renaissance, the pigment was mined in Cappadocia, and exported to Europe through the port of Sinop, a Greek colony on the Black Sea. The pigment was valued for its qualit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Rome
In modern historiography, ancient Rome refers to Roman civilisation from the founding of the city of Rome in the 8th century BC to the collapse of the Western Roman Empire in the 5th century AD. It encompasses the Roman Kingdom (753–509 BC), Roman Republic (509–27 BC) and Roman Empire (27 BC–476 AD) until the fall of the western empire. Ancient Rome began as an Italic settlement, traditionally dated to 753 BC, beside the River Tiber in the Italian Peninsula. The settlement grew into the city and polity of Rome, and came to control its neighbours through a combination of treaties and military strength. It eventually dominated the Italian Peninsula, assimilated the Greek culture of southern Italy ( Magna Grecia) and the Etruscan culture and acquired an Empire that took in much of Europe and the lands and peoples surrounding the Mediterranean Sea. It was among the largest empires in the ancient world, with an estimated 50 to 90 million inhabitants, roughly 20% of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Attic
An attic (sometimes referred to as a '' loft'') is a space found directly below the pitched roof of a house or other building; an attic may also be called a ''sky parlor'' or a garret. Because attics fill the space between the ceiling of the top floor of a building and the slanted roof, they are known for being awkwardly shaped spaces with exposed rafters and difficult-to-reach corners. While some attics are converted into bedrooms, home offices, or attic apartments complete with windows and staircases, most remain difficult to access (and are usually entered using a loft hatch and ladder). Attics help control temperatures in a house by providing a large mass of slowly moving air, and are often used for storage. The hot air rising from the lower floors of a building is often retained in attics, further compounding their reputation as inhospitable environments. However, in recent years attics have been insulated to help decrease heating costs, since, on average, uninsulated a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bartolomeo Ridolfi
Bartolomeo or Bartolommeo is a masculine Italian given name, the Italian equivalent of Bartholomew. Its diminutive form is Baccio. Notable people with the name include: * Abramo Bartolommeo Massalongo (1824–1860), Italian paleobotanist and lichenologist * Bartolomeo Aimo (1889–1970), Italian professional bicycle road racer * Bartolomeo Altomonte, a.k.a. Bartholomäus Hohenberg (1694–1783), Austrian baroque painter * Bartolomeo Amico a.k.a. Bartholomeus Amicus (1562–1649), Jesuit priest, teacher and writer who spent his adult life in Naples * Bartolomeo Ammanati (1511–1592), Florentine architect and sculptor * Bartolomeo Avanzini (1608–1658), Italian architect of the Baroque period * Bartolomeo Bacilieri (1842–1923), Italian cardinal, Bishop of Verona 1900–1923 * Bartolommeo Bandinelli (1488–1560), Italian sculptor * Bartolomeo Barbarino (c. 1568–c. 1617 or later), Italian composer and singer of the early Baroque era * Bartolomeo Bassi (early 1600s-1640s), Genoe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stucco
Stucco or render is a construction material made of aggregates, a binder, and water. Stucco is applied wet and hardens to a very dense solid. It is used as a decorative coating for walls and ceilings, exterior walls, and as a sculptural and artistic material in architecture. Stucco can be applied on construction materials such as metal, expanded metal lath, concrete, cinder block, or clay brick and adobe for decorative and structural purposes. In English, "stucco" sometimes refers to a coating for the outside of a building and "plaster" to a coating for interiors; as described below, however, the materials themselves often have little to no differences. Other European languages, notably Italian, do not have the same distinction; ''stucco'' means ''plaster'' in Italian and serves for both. Composition The basic composition of stucco is cement, water, and sand. The difference in nomenclature between stucco, plaster, and mortar is based more on use than composition. Until ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Brusasorzi
Domenico Riccio (also known as commonly known as Domenico Brusasorci; 1516–1567) was an Italian painter in a Mannerist style from Verona, best known for frescos. He first apprenticed with his father. Later, he has been reported to have trained with Giovanni Francesco Caroto and Niccolò Giolfino. He was a near contemporary of Antonio Badile. By 1551, he completed the fresco decorations of the ''Municipio'' in Trento. In 1556, he painted a decoration in Palazzo Vescovile at Verona. He depicted the ceremonial ''Cavalcade of Charles V and Clement VII'' in the Palazzo Ridolfi-Dalisca. He painted a ''Madonna in glory and two saints'' for San Pietro Martire in Verona in 1566. A notable work of his is the dramatic fresco of Phaeton on the ceiling of the Palazzo Chiericati. His pupils were his son Felice, Giovanni Battista Zelotti, Bernardino India, and Paolo Farinati Paolo Farinati (also known as ''Farinato'' or ''Farinato degli Uberti''; c. 1524 – c. 1606) was an Ita ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paolo Veronese
Paolo Caliari (152819 April 1588), known as Paolo Veronese ( , also , ), was an Italian Renaissance painter based in Venice, known for extremely large history paintings of religion and mythology, such as ''The Wedding at Cana'' (1563) and ''The Feast in the House of Levi'' (1573). Included with Titian, a generation older, and Tintoretto, a decade senior, Veronese is one of the "great trio that dominated Venetian painting of the ''cinquecento''" and the Late Renaissance in the 16th century.Rosand, 107 Known as a supreme colorist, and after an early period with Mannerism, Paolo Veronese developed a naturalist style of painting, influenced by Titian. His most famous works are elaborate narrative cycles, executed in a dramatic and colorful style, full of majestic architectural settings and glittering pageantry. His large paintings of biblical feasts, crowded with figures, painted for the refectories of monasteries in Venice and Verona are especially famous, and he was also the leadi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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