|
Palazzo Poggi
The Palazzo Poggi is a ''Palace#Italy, palazzo'' in Via Zamboni 33, Bologna, Italy. It is the headquarters of the University of Bologna and of the Rector_(academia), rector of the university. History The Palazzo Poggi was built as the home of Alessandro Poggi and his brother the future Cardinal Giovanni Poggio. The building was erected between 1549 and 1560. The design of the Palazzo Poggi has been attributed to Bartolomeo Triachini. He was apparently given the commission for the Palazzo Poggi by the Bishop Giovanni Poggio, Giovanni Poggi shortly before he was elevated to Cardinal. Other sources attribute the design of the Palazzo Poggi to Pellegrino Tibaldi. Cardinal Poggi met Pellegrino Tibaldi after the painter moved to Rome in 1547, and later commissioned him to paint the Palazzo Poggi. Tibaldi, a native of Bologna, returned to the city in 1555 and painted frescos for the Cardinal in the palace and the family chapel. The frescoes are considered Tibaldi's masterpiece. In 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
University Of Bologna
The University of Bologna ( it, Alma Mater Studiorum – Università di Bologna, UNIBO) is a public research university in Bologna, Italy. Founded in 1088 by an organised guild of students (''studiorum''), it is the oldest university in continuous operation in the world, and the first degree-awarding institution of higher learning. At its foundation, the word ''universitas'' was first coined.Hunt Janin: "The university in medieval life, 1179–1499", McFarland, 2008, , p. 55f.de Ridder-Symoens, Hilde''A History of the University in Europe: Volume 1, Universities in the Middle Ages'' Cambridge University Press, 1992, , pp. 47–55 With over 90,000 students, it is the second largest university in Italy after La Sapienza in Rome. It was the first place of study to use the term ''universitas'' for the corporations of students and masters, which came to define the institution (especially its law school) located in Bologna. The university's emblem carries the motto, ''Alma Mater Studio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prospero Fontana
Prospero Fontana (1512–1597) was a Bolognese painter of late Renaissance and Mannerist art. He is perhaps best known for his frescoes and architectural detailing. The speed in which he completed paintings earned him commissions where he worked with other prominent artists of the period. He was a prominent figure in the city of Bologna, serving as official arbitrator in the business disputes of local artists. In his later career Fontana trained younger painters, including his own daughter Lavinia. Professional life Prospero Fontana was likely taught by Innocenzo da Imola, but there is a degree of uncertainty surrounding the relationship between the two men. As a teenager, Fontana was an assistant on Perino del Vaga's Palazzo Doria in Genoa. However, art historians cannot definitively identity Fontana's contributions to the decorations. In the 1550s, Fontana painted Pope Julius III's portrait and was pensioned at the pontifical court. He also decorated the Palazzo di Firenz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincenzo Coronelli
Vincenzo Maria Coronelli (August 16, 1650 – December 9, 1718) was an Italian Franciscan friar, cosmographer, cartographer, publisher, and encyclopedist known in particular for his atlases and globes. He spent most of his life in Venice. Biography Vincenzo Coronelli was born, probably in Venice, on August 16, 1650, the fifth child of a Venetian tailor named Maffio Coronelli. At ten, young Vincenzo was sent to the city of Ravenna and was apprenticed to a xylographer. In 1663 he was accepted into the Conventual Franciscans, becoming a novice in 1665. At age sixteen he published the first of his one hundred forty separate works. In 1671 he entered the Convent of Saint Maria Gloriosa dei Frari in Venice, and in 1672 Coronelli was sent by the order to the College of Saint Bonaventura and Saints Apostoli in Rome where he earned his doctor’s degree in theology in 1674. He excelled in the study of both astronomy and Euclid. A little before 1678, Coronelli began working as a geog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clemente Susini
Clemente Michelangelo Susini (1754–1814) was an Italian sculptor who became renowned for his wax anatomical models, vividly and accurately depicting partly dissected corpses. These models were praised by both doctors and artists. Biography Clemente Michelangelo Susini was born in 1754. He studied sculpture at the Royal Gallery in Florence. In 1771 Felice Fontana asked Leopold, Grand Duke of Tuscany to provide financial support for a workshop to prepare wax models for use in teaching anatomy. The workshop was part of the Natural History Museum, and later was called La Specola. The first modeler was Giuseppe Ferrini. Susini joined the wax-modelling workshop in 1773. He was given medical direction by Fontana. Susini had become the chief modeler at the workshop by 1782. His work included models of animals as well as of human anatomy. In 1780 Joseph II, Holy Roman Emperor, brother of the Grand Duke of Tuscany, visited the museum. He was profoundly impressed by the models, p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anna Morandi Manzolini
Anna Morandi Manzolini (21 January 1714 – 9 July 1774) was an internationally known anatomist and anatomical wax modeler, as lecturer of anatomical design at the University of Bologna. Life Morandi was born in 1714 in Bologna, Italy. She was raised in a traditional home where marriage, children, and a domestic lifestyle were natural choices for women. Women were expected to be wives, raise their children and essentially tend to their husbands needs and wants. This wasn’t the case for Anna Morandi. She became a wife and had children, but instead of tending to her husband, she worked side by side with him. In 1736, Morandi married her childhood sweetheart, Giovanni Manzolini, a professor of anatomy at the University of Bologna. She was 20, and he was 24 years old. After five years of marriage, she became the mother of six children. Giovanni Manzolini opened a studio in their home for Anna to practice her work. The studio was not only for art but became an anatomy “schoolâ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Manzolini
Giovanni Manzolini (1700-1755) was a Bolognese artist, an expert maker of wax anatomical models and a professor of anatomy at the University of Bologna. His wife Anna Morandi Manzolini also became a well-known maker of wax anatomical models. Early years Giovanni Manzolini was born in 1700 in Bologna, the son of a shoemaker. As a young man he helped his father in his trade. In 1736 he married Anna Morandi (1716-1774), whom he had known since childhood. His wife had been trained as an artist. They were to have six children before 1755, although four died before reaching adulthood. Was modeler and anatomist Deciding to become a figure painter, Manzolini joined Ercole Lelli's studio at the age of 40 to learn the art of anatomical sculpture. He was made Lelli's assistant in 1743. Under Lelli, Manzolini was made chief assistant on the papal commission to make wax models for the Anatomy Museum of the Academy of Sciences of Bologna Institute, holding this position for three years. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ercole Lelli
Ercole Lelli (14 September 1702 – 7 March 1766) was an Italian painter of the late-Baroque, active mainly in Northern Italy, including his native city of Bologna, as well as Padua and Piacenza. Lelli was a pupil of the painter Giovanni Pietro Zanotti, but he also gravitated towards sculptural work. He excelled in the study of the anatomy of the human body as well as painting. Starting in 1742 he helped prepare artistic anatomical wax displays at the University of Bologna. The wax modeler and anatomist Giovanni Manzolini worked as his assistant from 1743. Manzolini resigned in late 1746 after three years. He felt bitterly that Lelli had deprived him of recognition for his greater knowledge of anatomy and anatomical sculpture. Nicolo Toselli was another of Lelli's pupils. In 1746 Lelli became a member of both the Bolognese art society, Accademia Clementina, and the science society, '' Istituto delle scienze''. He had completed many medals for the local Mint. A few pictures ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anatomical Wax Model
A wax sculpture is a depiction made using a waxy substance. Often these are effigy, effigies, usually of a notable individual, but there are also death masks and scenes with many figures, mostly in relief. The properties of beeswax make it an excellent medium for preparing figures and models, either by modeling or by casting in Molding (process), molds. It can easily be cut and shaped at room temperature, melts at a low temperature, mixes with any coloring matter, takes surface tints well, and its texture and consistency may be modified by the addition of earthy matters and oils or fats. When molten, it is highly responsive to impressions from a mold and, once it sets and hardens, its form is relatively resilient against ordinary temperature variations, even when it is cast in thin wikt:lamina, laminae. These properties have seen wax used for modelling since the Middle Ages and there is testimony for it having been used for making masks (particularly death masks) in ancient Rom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ulisse Aldrovandi
Ulisse Aldrovandi (11 September 1522 – 4 May 1605) was an Italian naturalist, the moving force behind Bologna's botanical garden, one of the first in Europe. Carl Linnaeus and the comte de Buffon reckoned him the father of natural history studies. He is usually referred to, especially in older scientific literature in Latin, as Aldrovandus; his name in Italian is equally given as Aldroandi. Life Aldrovandi was born in Bologna to Teseo Aldrovandi and his wife, a noble but poor family. His father was a lawyer, and Secretary to the Senate of Bologna, but died when Ulisse was seven years old. His widowed mother wanted him to become a jurist. Initially he was sent to apprentice with merchants as a scribe for a short time when he was 14 years old, but after studying mathematics, Latin, law, and philosophy, initially at the University of Bologna, and then at the University of Padua in 1545, he became a notary. His interests successively extended to philosophy and logic, which he c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angelo Piò
Angelo Gabriello Piò (Bologna, 1690- Bologna, 1770) was an Italian sculptor, active in Bologna in a Rococo style. Life In Bologna, he studied from 1711 to 1712 under Andrea Ferreri (1673–1744) . He was also a pupil of Giuseppe Maria Mazza. After 1718 he studied in Rome under Camillo Rusconi (1658-1728). In 1721 Piò became a member of the ''Accademia Clementina'' in Bologna. He worked with some of the prime Bolognese architects of the time: Carlo Francesco Dotti, Alfonso Torreggiani and Giuseppe Antonio Ambrosi. His son, pupil and assistant was Domenico Piò (1715-1799). Other pupils included Filippo Scandellari (brother of Pietro) and Antonio Schiassi (died 1778). by Salvatore Muzzi; Bologna, 1846, Volume 8, page 746. Work ...
|
Giosuè Carducci
Giosuè Alessandro Giuseppe Carducci (; 27 July 1835 – 16 February 1907) was an Italian poet, writer, literary critic and teacher. He was very noticeably influential, and was regarded as the official national poet of modern Italy. In 1906, he became the first Italian to receive the Nobel Prize in Literature. Excerpt from the Swedish Academy's motivation: " ..not only in consideration of his deep learning and critical research, but above all as a tribute to the creative energy, freshness of style, and lyrical force which characterize his poetic masterpieces". Biography He was born in Valdicastello (part of Pietrasanta), a small town in the Province of Lucca in the northwest corner of the region of Tuscany. His father, a doctor, was an advocate of the unification of Italy and was involved with the Carbonari. Because of his politics, the family was forced to move several times during Carducci's childhood, eventually settling for a few years in Florence. From the time he was i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ercole Procaccini The Elder
Ercole Procaccini the Elder (1520 – 1595) was an Italian painter of the Renaissance period, mainly active in Milan. He was born in Bologna. He painted an ''Annunciation'' for the church of San Benedetto, a ''Conversion of St. Paul'' and a ''Christ in the Garden'' for San Giacomo Maggiore, a ''St. Michael defeating the rebel Angels'' for San Bernardo, and a ''Deposition from the Cross'' for the church of Santo Stefano. Ercole established an academy at Milan, which became celebrated in his time, and, besides his own sons ( Carlo Antonio, Giulio Cesare and Camillo turned out distinguished artists of the Milan school. The painter Ercole Procaccini the Younger Ercole Procaccini il Giovane (''the Younger'') (c. 6 August 1605 – 14 November 1675 or 2 March 1680) was an Italian painter of the Baroque period. Born to a family of painters in Milan, he initially apprenticed with his father, painter Carlan ... was Carlo Antonio's son. References * 16th-century Ital ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
