|
Palazzo Nonfinito
The Palazzo Nonfinito (Italian language, Italian: lit. ''Unfinished Palace'') is a Mannerism, Mannerist-style palace located on Via del Proconsolo #12, (corner with Via del Corso) in central Florence, region of Tuscany, Italy. Begun in 1593 using designs by the architect Bernardo Buontalenti, only the first floor was completed, and additional construction was added later by different architects. The Palace is presently the home of the Anthropology and Ethnology section of the Museum of Natural History of Florence. History of Palace In 1592, Alessandro Strozzi family, Strozzi commissioned construction at the site on lands that had originally belonged, among others, to the Pazzi family. This palace is separated by an alley from the Renaissance architecture, Renaissance-style Palazzo Pazzi, Florence, Palazzo Pazzi. The architect Bernardo Buontalenti and his pupil Matteo Nigetti worked on the ground floor (1592-1600), which is characterized by Mannerist touches in the window cartouche ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Nonfinito
The Palazzo Nonfinito (Italian language, Italian: lit. ''Unfinished Palace'') is a Mannerism, Mannerist-style palace located on Via del Proconsolo #12, (corner with Via del Corso) in central Florence, region of Tuscany, Italy. Begun in 1593 using designs by the architect Bernardo Buontalenti, only the first floor was completed, and additional construction was added later by different architects. The Palace is presently the home of the Anthropology and Ethnology section of the Museum of Natural History of Florence. History of Palace In 1592, Alessandro Strozzi family, Strozzi commissioned construction at the site on lands that had originally belonged, among others, to the Pazzi family. This palace is separated by an alley from the Renaissance architecture, Renaissance-style Palazzo Pazzi, Florence, Palazzo Pazzi. The architect Bernardo Buontalenti and his pupil Matteo Nigetti worked on the ground floor (1592-1600), which is characterized by Mannerist touches in the window cartouche ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Caccini
Giovanni Battista Caccini or Giovan Battista Caccini (24 October 1556 – 13 March 1613) was an Italian sculptor from Florence, who worked in a classicising style in the later phase of Mannerism. Life Giovanni Battista Caccini was born at Montopoli in Val d'Arno between Florence and Pisa; his training was with the sculptor-architect Giovanni Antonio Dosio, known for his accurate drawings of Roman antiquities, and Caccini's numerous interpretive restorations of Roman sculptural fragments gave him the reputation of being a knowledgeable antiquarian, while the inescapable influence of Giambologna and his circle can be seen in Caccini's bronze statuettes. Caccini was in close cooperation with Pietro Tacca and the rest of Giambologna's pupils in the prolonged cooperation over the bronze doors for Pisa Cathedral. Fragmentary antiquities were not to the sixteenth-century collectors' taste. Caccini produced a head for an antique torso, and a further, crouching figure to produce the '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mannerist Architecture
Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century. Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, Vasari, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant.Gombrich 1995, . Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music is not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palaces In Florence
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification, wherea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angelo De Gubernatis
Count Angelo De Gubernatis (1840–26 February 1913), Italian man of letters, was born in Turin and educated there and at Berlin, where he studied philology. He was nominated for the Nobel Prize in Literature fourteen times. Life In 1862 he was appointed professor of Sanskrit at Florence, but having married a cousin of the Socialist Bakunin and become interested in his views he resigned his appointment and spent some years in travel. He was reappointed, however, in 1867; and in 1891 he was transferred to the University of Rome La Sapienza. He became prominent both as an orientalist, a publicist and a poet. He maintained close ties with Romanian orientalists. At International Congress of Orientalists from Florence in 1878 he invited Bogdan Petriceicu Haşdeu, a prominent Romanian writer and philologist. He was a good friend with the Romanian Princess Dora d'Istria (Elena Ghica) who collaborated with him at Rivista Orientale. He founded the ' (1862), the ' (1867), the ' and ' (1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Secrets Of A Lost World
Secrecy is the practice of hiding information from certain individuals or groups who do not have the "need to know", perhaps while sharing it with other individuals. That which is kept hidden is known as the secret. Secrecy is often controversial, depending on the content or nature of the secret, the group or people keeping the secret, and the motivation for secrecy. Secrecy by government entities is often decried as excessive or in promotion of poor operation; excessive revelation of information on individuals can conflict with virtues of privacy and confidentiality. It is often contrasted with social transparency. Secrecy can exist in a number of different ways: encoding or encryption (where mathematical and technical strategies are used to hide messages), true secrecy (where restrictions are put upon those who take part of the message, such as through government security classification) and obfuscation, where secrets are hidden in plain sight behind complex idiosyncra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nello Puccioni
Nello as a name may refer to: *Nello Carrara (1900–1993), Italian physicist and founder of the Electromagnetic Wave Research Institute *Nello Celio (1914–1995), Swiss politician representing Canton Ticino *Nello Ciaccheri (1893–1971), Italian cyclist competing at the 1924 Summer Olympics *Nello Cristianini (born 1968), Professor of Artificial Intelligence at the University of Bristol *Nello Di Costanzo (born 1961), Italian football manager and former player *Nello Falaschi (1913–1986), American football player in the National Football League *Nello Lauredi (1924–2001), former professional French road bicycle racer *Nello Musumeci (born 1955), Italian politician and Member of the European Parliament for Islands *Nello Pagani (1911–2003), Italian Grand Prix motorcycle road racer and Formula One driver *Nello Pazzafini (1933–1997), Italian actor who appeared in gladiator movies and Spaghetti Westerns * Nello Rosselli (1900–1937), Italian Socialist leader and historian * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ettore Ximenes
Ettore Ximenes (11 April 1855, Palermo 20 December 1926, Rome) was an Italian sculptor. Biography Son of Antonio Ximenes and Giulia Tolentino, a Sicilian noble woman, Ettore Ximenes initially embarked on literary studies but then took up sculpture and attended the courses at the Palermo Academy of Fine Arts. After 1872, he continued training at the Naples Academy under Domenico Morelli and Stanislao Lista. He also established a close relationship with Vincenzo Gemito. He returned to Palermo in 1874 and won a competition for a four-year grant, which enabled him to study and open a studio for sculpture in Florence. In 1873 at Vienna, he exhibited ''Work without Genius''. In 1877 at Naples, he exhibited a life-size statue titled ''The Equilibrium'' about a gymnast walking on a sphere. He would make copies of this work in small marble and bronze statuettes. He exhibited a stucco ''Christ and the Adultress'' and ''Il cuore del re (Heart of the King)'', the latter depicting an of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paolo Mantegazza
Paolo Mantegazza (; 31 October 1831 – 28 August 1910) was an Italian neurologist, physiologist, and anthropologist, noted for his experimental investigation of coca leaves into its effects on the human psyche. He was also an author of fiction. Life Mantegazza was born in Monza on 31 October 1831. After spending his student days at the universities of Pisa and Milan, he gained his M.D. degree at Pavia in 1854. After travelling in Europe, India and the Americas, he practised as a doctor in the Argentine Republic and Paraguay. Returning to Italy in 1858 he was appointed surgeon at Milan Hospital and professor of general pathology at Pavia. In 1870, he was nominated professor of anthropology at the Istituto di Studi Superiori, Florence. Here, he founded the first Museum of Anthropology and Ethnology in Italy, and later the Italian Anthropological Society. From 1865 until 1876, he was deputy for Monza in the Parliament of Italy, being elected subsequently to the Italian Senat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludovico Cardi
Lodovico Cardi (21 September 1559 – 8 June 1613), also known as Cigoli, was an Italian painter and architect of the late Mannerist and early Baroque period, trained and active in his early career in Florence, and spending the last nine years of his life in Rome. Biography Lodovico Cardi was born at Villa Castelvecchio in Cigoli, Tuscany, whence the name by which he is commonly known. Initially, Cigoli trained in Florence under the fervid mannerist Alessandro Allori, and studied the works of Michelangelo, Correggio, Andrea del Sarto and Pontormo. Later, influenced by the most prominent of the " Counter-''Maniera''" painters, Santi di Tito, as well as by Barocci, Cigoli shed the shackles of mannerism and infused his later paintings with an expressionism often lacking from 16th-century Florentine painting. For the Roman patron, Massimo Massimi, he painted an '' Ecce Homo'' (now in Palazzo Pitti). Supposedly unbeknownst to any of the painters, two other prominent contemporary p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincenzo Scamozzi
Vincenzo Scamozzi (2 September 1548 – 7 August 1616) was an Italian architect and a writer on architecture, active mainly in Vicenza and Republic of Venice area in the second half of the 16th century. He was perhaps the most important figure there between Andrea Palladio, whose unfinished projects he inherited at Palladio's death in 1580, and Baldassarre Longhena, Scamozzi's only pupil. The great public project of Palladio's that Scamozzi inherited early in the process of construction was the Teatro Olimpico at Vicenza, which Palladio had designed in the last months of his life. Biography Scamozzi was born in Vicenza. His father was the surveyor and building contractor Gian Domenico Scamozzi; he was Scamozzi's first teacher, imbuing him with the principles of Sebastiano Serlio, laid out in Serlio's book. Vincenzo visited Rome in 1579–1580, and then moved to Venice in 1581. In 1600, he visited France and left a sketchbook record of his impressions of French architecture, whic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
