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Palazzo Di Propaganda Fide
The Palazzo di Propaganda Fide (in English: Palace of the Propagation of the Faith) is a palace located in Rome, designed by Gian Lorenzo Bernini, then Francesco Borromini. Since 1626, it has housed the Congregation for the Evangelization of Peoples and since 1929 is an extraterritorial property of the Holy See. History The building is located in the Rione Colonna, at the southern end of piazza di Spagna. Its southern facade is in front of the basilica Sant'Andrea delle Fratte, whose cupola and the bell were the work of Borromini. The main facade was created by Bernini (1644), and the front side of the via di Propaganda by Borromini (1646). This setting aside of Bernini's work was a request of Pope Innocent X, who preferred Borromini's style. The work was completed in 1667. Description The building houses the chapel of the Biblical Magi, built by Borromini. On the outside, a ridge marks the separation between the ground floor and piano nobile. On the facade by Borromini, compose ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Vasi
Giuseppe Vasi (27 August 1710 – 16 April 1782) was an Italian engraver and architect, best known for his ''vedute''. Biography He was born in Corleone, Sicily and later, around 1736, moved to Rome. After a period of intense visits and studies, Vasi started to work as an engraver in thCalcografia Camerale the main public institution of Rome devoted to engraving and etching, founded some years before by Pope Clement XII. His views for the Calcografia include panoramas of the Trevi Fountain and of the Spanish Steps. Later on Vasi started to work on his own, producing and selling series of his views to a public made principally of grand tourists. The first series of akin consists in the ''Vedute di Roma sul Tevere'', i.e. ''Views of the Tiber'', circa 1743 and later adapted to become part of the ''Magnificenze di Roma antica e moderna''. In these years Vasi also hosted in his workshop for a limited period of time the young Giovanni Battista Piranesi, his major pupil, who shaped her ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Innocent X
Pope Innocent X ( la, Innocentius X; it, Innocenzo X; 6 May 1574 – 7 January 1655), born Giovanni Battista Pamphilj (or Pamphili), was head of the Catholic Church and ruler of the Papal States from 15 September 1644 to his death in January 1655. Born in Rome of a family from Gubbio in Umbria who had come to Rome during the pontificate of Pope Innocent IX, Pamphili was trained as a lawyer and graduated from the Collegio Romano. He followed a conventional ''cursus honorum'', following his uncle Girolamo Pamphili as auditor of the Rota, and like him, attaining the position of cardinal-priest of Sant'Eusebio. Before becoming pope, Pamphili served as a papal diplomat to Naples, France, and Spain. Pamphili succeeded Pope Urban VIII (1623–44) on 15 September 1644 as Pope Innocent X, after a contentious papal conclave that featured a rivalry between French and Spanish factions. Innocent X was one of the most politically shrewd pontiffs of the era, greatly increasing the tempor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Borromini Buildings
Francesco, the Italian (and original) version of the personal name "Francis", is the most common given name among males in Italy. Notable persons with that name include: People with the given name Francesco * Francesco I (other), several people * Francesco Barbaro (other), several people * Francesco Bernardi (other), several people *Francesco di Giorgio Martini (1439-1501), Italian architect, engineer and painter * Francesco Berni (1497–1536), Italian writer * Francesco Canova da Milano (1497–1543), Italian lutenist and composer * Francesco Primaticcio (1504–1570), Italian painter, architect, and sculptor * Francesco Albani (1578–1660), Italian painter * Francesco Borromini (1599–1667), Swiss sculptor and architect * Francesco Cavalli (1602–1676), Italian composer * Francesco Maria Grimaldi (1618–1663), Italian mathematician and physicist * Francesco Bianchini (1662–1729), Italian philosopher and scientist * Francesco Galli Bibiena (16 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gian Lorenzo Bernini Buildings
Gian is a masculine Italian given name. It is a variant of Gianni and is likewise used as a diminutive of Giovanni, the Italian form of John. In Italian, any name including Giovanni can be contracted to Gian, particularly in combination with other given names, such as Gianfranco or Gianluca. Gian is also an unrelated masculine Punjabi Sikh name meaning 'knowledge' and is a variant of the Sanskrit name Gyan. Notable people Notable people whose name is now typically expressed as Gian include: * Gian Paolo Lomazzo, Italian painter * Gian Lorenzo Bernini, Italian sculptor * Gian Rinaldo Carli, Italian count, economist, and antiquarian * Gian Gastone de' Medici, Grand Duke of Tuscany * Gian Francesco Albani, Italian Catholic cardinal * Gian Francesco Malipiero, Italian composer * Gian Galeazzo Visconti, First Lord of Milan * Gian Galeazzo Sforza, Sixth Lord of Milan * Gian Marco Centinaio, Italian politician * Gian Pyres, British musician * Gian Maria Volonté, former actor * Gian Sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Architecture In Rome
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. By ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Architecture In Lazio
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Extraterritorial Properties Of The Holy See In Rome
In international law, extraterritoriality is the state of being exempted from the jurisdiction of local law, usually as the result of diplomatic negotiations. Historically, this primarily applied to individuals, as jurisdiction was usually claimed on peoples rather than on lands. Extraterritoriality can also be partly applied to physical places, such as the immunity granted to diplomatic missions, military bases of foreign countries, or offices of the United Nations. The three most common cases recognized today internationally relate to the persons and belongings of foreign heads of state and government, the persons and belongings of ambassadors and other diplomats, and ships in international waters. Forms In the past, pre-modern states generally claimed sovereignty over persons, creating something known as personal jurisdiction. As people move between borders, this led, in the framework of a territorial jurisdiction, to certain persons being under the laws of countries in wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Baroque Architecture
Italian Baroque architecture refers to Baroque architecture in Italy. Central Italy Rome The Baroque architecture period began in the Italian period of the basilica with crossed dome and nave. One of the first Roman structures to break with the Mannerist conventions (as exemplified in the Church of the Gesù) was the church of Church of Saint Susanna, designed by Carlo Maderno in 1596. The dynamic organisation of columns and pilasters, central massing, and the protrusion and condensed central decoration add complexity to the structure. Most Baroque buildings present domes. There is an emerging playfulness with the rules of classic design, still maintaining rigour. The same emphasis on plasticity, continuity and dramatic effects is evident in the work of Pietro da Cortona, illustrated by Santi Luca e Martina (1635) and Santa Maria della Pace (1656). Santa Maria della Pace, with its concave wings devised to simulate a theatrical set, fills a tiny piazza in front of it. Other Roma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Nobile
The ''piano nobile'' (Italian for "noble floor" or "noble level", also sometimes referred to by the corresponding French term, ''bel étage'') is the principal floor of a palazzo. This floor contains the main reception and bedrooms of the house. Characteristics The ''piano nobile'' is usually the first storey (in European terminology; second floor in American terms), or sometimes the second storey, containing major rooms, located above the rusticated ground floor containing the minor rooms and service rooms. The reasons for this were so the rooms above the ground floor would have finer views and to avoid the dampness and odours of the street level. This is especially true in Venice, where the ''piano nobile'' of the many '' palazzi'' is especially obvious from the exterior by virtue of its larger windows and balconies, and open loggias. Examples of this are Ca' Foscari, Ca' d'Oro, Ca' Vendramin Calergi, and Palazzo Barbarigo. Larger windows than those on other floors are usu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Biblical Magi
The biblical Magi from Middle Persian ''moɣ''(''mard'') from Old Persian ''magu-'' 'Zoroastrian clergyman' ( or ; singular: ), also referred to as the (Three) Wise Men or (Three) Kings, also the Three Magi were distinguished foreigners in the Gospel of Matthew and Christian tradition. They are said to have visited Jesus after his birth, bearing gifts of gold, frankincense and myrrh. They are regular figures in traditional accounts of the nativity celebrations of Christmas and are an important part of Christian tradition. The Gospel of Matthew is the only one of the four canonical gospels to mention the Magi. has it that they came "from the east" to worship the "king of the Jews". The gospel never mentions the number of Magi. Still, most western Christian denominations have traditionally assumed them to have been three in number, based on the statement that they brought three gifts. In Eastern Christianity, especially the Syriac churches, the Magi often number twelve. Their i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Propaganda Fide Rom
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification, whereas a pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sant'Andrea Delle Fratte
Sant'Andrea delle Fratte ("Saint Andrew of the Thickets") is a 17th-century basilica church in Rome, Italy, dedicated to St. Andrew. The Cardinal Priest of the ''Titulus S. Andreae Apostoli de Hortis'' is Ennio Antonelli. History The current church was built over a pre-existing one, erected in 1192, called ''infra hortes'' ("amidst the orchards", whence the name ''fratte'', "thickets", from Byzantine Greek φράκτη, ''phráktē'', "hedge") for it was located in a countryside area on the northern edge of the inhabited area of medieval Rome. The church originally belonged to Augustinian nuns. It became the national church of the Scottish people in Rome, until Scotland became Protestant, when in 1585 Pope Sixtus V assigned it to the Minim friars of Saint Francis of Paola. The Scots College, the seminary for young men studying for the priesthood, was located nearby, on the Via del Tritone, until 1604, when it moved to the Via delle Quattro Fontane. In 1942 Pope Pius XII elev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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