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Palazzo Barbieri, Verona
Palazzo Barbieri is a Neoclassical style palace located in Piazza Bra in Central Verona; it now serves as the town hall. The palace was originally named ''Palazzo della Gran Guardia Nuova'', and housed staff associated with the occupying Austrian Army forces. It was designed by Giuseppe Barbieri and was later named in his honor. Construction began in 1836 and was completed by 1848. The interiors contain a large canvas (1595) by Felice Brusasorzi depicting the victory of the Veronese over Benacensi in the year 829. Others who worked in the studio or contributed were Alessandro Turchi, Pasquale Ottino, and Sante Creara. A 14th-century fresco depicting a ''Crucifixion and the Madonna'' from a private house was implated into the wall near the entrance. One room has tapestries from the 16th century. One designed by Paolo Farinati depicts the ''1164 Victory of the Veronese against Frederick Barbarossa''. Tha palace also contains various paintings by Carlo Ferrari and Eugenio Gignous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Municipio Verona
' (, ) and ' () are country subdivisions in Italy and several Hispanophone and Lusophone nations, respectively. They are often translated as "municipality". In the English language, a municipality often is defined as relating to a single city or town; however, in Spanish, the term "municipio" may not mean a single city or town, but rather a jurisdiction housing several towns and cities, like a township, county, borough or civil parish. The Italian term "municipalità" refers either to a single city or a group of cities and towns in a township, but Portuguese usage of the term is almost entirely restricted to a cluster of cities or towns like in a county, township and so forth. However, in Brazil, a Municipio is an independent city & a public corporporation with status of Federated Entity. Overview See also * Municipalidad * Commune (country subdivision) A municipality is usually a single administrative division having municipal corporation, corporate status and powers of se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pasquale Ottino
Pasquale Ottino or Ottini (1578 in Verona – 1630 in Verona), was an Italian painter. Biography Ottino was a pupil, alongside Alessandro Turchi, in the studio of Felice Brusasorci. After the master's death in 1605, he completed alongside Turchi the large canvas depicting ''Fall of Manna'' in the church of San Giorgio in Braida in Verona, left unfinished on the master's death in 1605. His early works attest to the decidedly Mannerist character of the initial phase of his career. The sources indicate fairly constant activity in his hometown, even though there are still some doubts as to the reconstruction of his artistic career, especially incongruities regarding a trip to Rome that may have taken place with his companions Turchi and Marcantonio Bassetti around 1615. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palaces In Verona
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Roman Empire, Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugenio Gignous
Eugenio Gignous (4 August 1850 – 30 August 1906) was an Italian painter born in Milan, which when he was born was part of the Austrian Empire. Biography The son of a silk merchant from Lyon, Gignous displayed a precocious talent for painting and enrolled at the Brera Academy of Fine Arts in 1864, attending the courses on landscape taught by Luigi Riccardi and then Gaetano Fasanotti. He came into contact with the Milanese Scapigliatura movement when still very young and formed a close friendship with Tranquillo Cremona. He began to focus exclusively on landscape in the 1870s, experimenting with painting en plein air and producing views of the Lombard and Piedmontese countryside that he showed at all the major national exhibitions. The late 1870s saw a more naturalistic approach to landscape painting under the influence of Francesco Filippini and Filippo Carcano, with whom Gignous went to paint on Lake Maggiore in 1879, thus inaugurating a thematic repertoire devoted primarily to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Ferrari
Carlo Ferrari (1813–1871), called il Ferrarin, was an Italian painter. Biography He was born in Verona and studied sporadically at the Cignaroli Academy of Fine Arts there, while practising as a copyist and restorer in the studio of the fresco painter Pietro Nanin. Ferrari made his debut at the 1837 exhibition at the Verona Academy with a series of views of the city enlivened by genre episodes inspired by Flemish painting. These would become typical subjects in the most successful part of his repertoire. During the 1840s he received increasing public and critical acclaim, which coincided with his participating more frequently in exhibitions, such as the one at the Academy in Venice in 1839 and at the Brescia Atheneum in 1840 and the Esposizione di Belle Arti at the Brera Academy in Milan in 1844, and also established himself as one of the leading Veronese painters during the Restoration period. He received important commissions from the local nobility and the Austrian officers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederick Barbarossa
Frederick Barbarossa (December 1122 – 10 June 1190), also known as Frederick I (german: link=no, Friedrich I, it, Federico I), was the Holy Roman Emperor from 1155 until his death 35 years later. He was elected King of Germany in Frankfurt on 4 March 1152 and crowned in Aachen on 9 March 1152. He was crowned King of Italy on 24 April 1155 in Pavia and emperor by Pope Adrian IV on 18 June 1155 in Rome. Two years later, the term ' ("holy") first appeared in a document in connection with his empire. He was later formally crowned King of Burgundy, at Arles on 30 June 1178. He was named by the northern Italian cities which he attempted to rule: Barbarossa means "red beard" in Italian; in German, he was known as ', which means "Emperor Redbeard" in English. The prevalence of the Italian nickname, even in later German usage, reflects the centrality of the Italian campaigns to his career. Frederick was by inheritance Duke of Swabia (1147–1152, as Frederick III) before his i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paolo Farinati
Paolo Farinati (also known as ''Farinato'' or ''Farinato degli Uberti''; c. 1524 – c. 1606) was an Italian painter of the Mannerist style, active in mainly in his native Verona, but also in Mantua and Venice. He may have ancestors among Florentine stock to which belonged the Ghibelline leader Farinata degli Uberti, celebrated in Dante's ''Divina Commedia''. He was a contemporary of the prominent artist of Verona, Paolo Veronese. He was succeeded by other members of the Cagliari family, of whom most or all were outlived by Farinato. He was instructed, according to Giorgio Vasari, by his father and by the Veronese Niccolò Giolfino, and probably by Antonio Badile and Domenico del Riccio (Brusasorci). Proceeding to Mantua, he formed his initial style partly on the influence of Giulio Romano. His first major work was an altarpiece for the Duomo of Mantua. The chapel of the Sacrament in that church was frescoed concurrently by Farinati, Paolo Veronese, Domenico Riccio, and Battista ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sante Creara
Sante is both a masculine Italian given name and a surname. Notable people with the name include: Given name: *Sante Bentivoglio (1426–1462), Italian nobleman *Sante Geronimo Caserio (1873–1894), Italian anarchist and assassin *Sante Cattaneo (1739–1819), Italian Neoclassic painter *Sante Ceccherini (1863–1932), Italian fencer *Sante Gaiardoni (born 1939), Italian cyclist * Sante Geminiani (1919–1951), Italian motorcycle racer *Sante Graziani (1920–2005), American artist *Sante Kimes (1934–2014), American murderer *Sante Lombardo (1504–1560), Italian architect *Sante Marsili (born 1950), Italian water polo player *Sante Monachesi (born 1910), Italian painter *Sante Poromaa (born 1958), Swedish Zen Buddhist priest *Sante De Sanctis (1862–1935), Italian psychologist *Sante Vandi (1653–1716), Italian Baroque painter Surname: *Lucy Sante (born 1954), Belgian-American writer and critic See also * "Santé" (song), a 2021 song by Belgian singer Stromae *Sante River Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessandro Turchi
Alessandro Turchi (1578 – 22 January 1649) was an Italian painter of the early Baroque, born and active mainly in Verona, and moving late in life to Rome. He also went by the name Alessandro Veronese or the nickname ''L'Orbetto''. His style has been described as soft and Caravaggesque at the same time. Biography Turchi initially trained with Felice Riccio (''il Brusasorci'') in Verona. By 1603, he was working as independent painter, and in 1606–1609, Turchi painted the organ shutters for the Accademia Filarmonica of Verona. When Brusasorci died in 1605, Turchi and his fellow painter Pasquale Ottino completed a series of their deceased master's canvases. In 1610, he completed an ''Assumption'' altarpiece for the church of San Luca of Verona. In 1612, the Veronese Guild of the Goldsmiths commissioned from Turchi an altarpiece, today lost, of the ''Madonna and Saints''. On leaving the school of Riccio, he went to Venice, where he worked for a time under Carlo Cagliari. By ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neoclassicism
Neoclassicism (also spelled Neo-classicism) was a Western cultural movement in the decorative and visual arts, literature, theatre, music, and architecture that drew inspiration from the art and culture of classical antiquity. Neoclassicism was born in Rome largely thanks to the writings of Johann Joachim Winckelmann, at the time of the rediscovery of Pompeii and Herculaneum, but its popularity spread all over Europe as a generation of European art students finished their Grand Tour and returned from Italy to their home countries with newly rediscovered Greco-Roman ideals. The main Neoclassical movement coincided with the 18th-century Age of Enlightenment, and continued into the early 19th century, laterally competing with Romanticism. In architecture, the style continued throughout the 19th, 20th and up to the 21st century. European Neoclassicism in the visual arts began c. 1760 in opposition to the then-dominant Rococo style. Rococo architecture emphasizes grace, ornamentati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Felice Brusasorzi
Felice Riccio (1542–1605) was an Italian painter of the late-Renaissance period, born and mainly active in Verona. He is also known as ''il Brusasorci'' or ''Brusasorzi'' or ''Felice Brusasorci''. He was the son of the painter Domenico Riccio. He painted a ''Deposition'' for the church of Tombazosana in the town of Ronco all'Adige. He painted a canvas for the Sanctuary-Basilica of ''Santa Maria della Pace'' in Verona. Among his pupils were Alessandro Turchi, Pasquale Ottini, Santo Creara, and Marcantonio Bassetti. A number of Riccio's pupils died during the Plague of 1630, including Girolamo Vernigo (dei Paesi), Bartolommeo Farfusola Fra Bartolomeo or Bartolommeo (, , ; 28 March 1472 – 31 October 1517), also known as Bartolommeo di Pagholo, Bartolommeo di S. Marco, and his original nickname Baccio della Porta, was an Italian Renaissance painter of religious subjects. ..., Ottavo delle Comare, Girolamo Maccacaro, Paolo Zuccaro, Michelangelo Bozzoletta, and Zeno Donat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Barbieri
Giuseppe is the Italian form of the given name Joseph, from Latin Iōsēphus from Ancient Greek Ἰωσήφ (Iōsḗph), from Hebrew יוסף. It is the most common name in Italy and is unique (97%) to it. The feminine form of the name is Giuseppina. People with the given name Artists and musicians * Giuseppe Aldrovandini (1671–1707), Italian composer * Giuseppe Arcimboldo (1526 or 1527–1593), Italian painter * Giuseppe Belli (singer) (1732–1760), Italian castrato singer * Giuseppe Gioachino Belli (1791–1863), Italian poet * Giuseppe Castiglione (1829–1908) (1829–1908), Italian painter * Giuseppe Giordani (1751–1798), Italian composer, mainly of opera * Giuseppe Ottaviani (born 1978), Italian musician and disc jockey * Giuseppe Psaila (1891–1960), Maltese Art Nouveau architect * Giuseppe Sammartini (1695–1750), Italian composer and oboist * Giuseppe Sanmartino or Sammartino (1720–1793), Italian sculptor * Giuseppe Santomaso (1907–1990), Italian painter * Giu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
