Palazzo Anguissola Di Cimafava Rocca
The Palazzo Anguissola di Cimafava Rocca, also called ''Palazzo Anguissola Rocca'' is an 18th-century aristocratic palace located on Via Pietro Giordano #2, west and across the street from the Teatro Municipale in Piacenza, Region of Emilia Romagna, Italy. History The long three-story facade with 19 windows on Via Giordano shields three courtyards. The main portal surmounted with a balcony is gated with iron screen depicting a sun. The scenographic main staircase leads to a main floor with a large ''salon d'onore'' elegantly decorated with stuccoes and frescoes depicting the life of Alexander the Great. The decoration of the ball room has been attributed to Adalberto Della Nave, Antonio Villa, and Giovanni Battista Ercole Giovanni Battista Ercole (1750 – 12 June 1811) was an Italian painter and architect, active in Piacenza Piacenza (; egl, label= Piacentino, Piaṡëinsa ; ) is a city and in the Emilia-Romagna region of northern Italy, and the capital of the ....
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Paolo Monti - Servizio Fotografico (Piacenza, 1978) - BEIC 6339059
Paolo is both a given name and a surname, the Italian form of the name Paul. Notable people with the name include: People with the given name Paolo Art *Paolo Alboni (1671–1734), Italian painter * Paolo Abbate (1884–1973), Italian-American sculptor *Paolo Antonio Barbieri (1603–1649), Italian painter *Paolo Buggiani (born 1933), Italian contemporary artist *Paolo Carosone (born 1941), Italian painter and sculptor *Paolo Moranda Cavazzola (1486–1522), Italian painter *Paolo Farinati (c. 1524–c. 1606), Italian painter *Paolo Fiammingo (c. 1540–1596), Flemish painter *Paolo Domenico Finoglia (c. 1590–1645), Italian painter * Paolo Grilli (1857–1952), Italian sculptor and painter * Paolo de Matteis (1662–1728), Italian painter *Paolo Monaldi, Italian painter *Paolo Pagani (1655–1716), Italian painter * Paolo Persico (c. 1729–1796), Italian sculptor *Paolo Pino (1534–1565), Italian painter * Paolo Gerolamo Piola (1666–1724), Italian painter * Paolo Porpora ...
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