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Palais Lascaris
The Palais Lascaris is a seventeenth-century aristocratic building in Nice, France. Currently, it is a musical instrument museum. Located in the old town of Nice, it houses a collection of over 500 instruments, which makes it France’s second most important collection after the Musée de la Musique de la Philharmonie in Paris. History Built in the first half of the seventeenth century and altered in the eighteenth century, the palace was owned by the Vintimille-Lascaris family until 1802. In 1942, it was bought by the city of Nice to create a museum. Restorations began in 1962 and were completed in 1970, when the museum was opened to the public. In 2001, the historical musical instrument collections of the city of Nice were transferred from the Musée Masséna to the Palais Lascaris with the project of transforming it into a music museum. In 2011, the permanent exhibition of musical instruments was finally opened to the public. Current use Today the palace devotes its exhi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Room In Palais Lascaris, Nice
In a building or large vehicle, like a ship, a room is any enclosed space within a number of walls to which entry is possible only via a door or other dividing structure that connects it to either a passageway, another room, or the outdoors, that is large enough for several people to move about, and whose size, fixtures, furnishings, and sometimes placement within the building or ship support the activity to be conducted in it. History Historically, the use of rooms dates at least to early Minoan cultures about 2200 BC, where excavations at Akrotiri on Santorini reveal clearly defined rooms within certain structures. In early structures, the different room types could be identified to include bedrooms, kitchens, bathing rooms, closets, reception rooms, and other specialized uses. The aforementioned Akrotiri excavations reveal rooms sometimes built above other rooms connected by staircases, bathrooms with alabaster appliances such as washbasins, bathing tubs, and toilets, al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sackbut
The term sackbut refers to the early forms of the trombone commonly used during the Renaissance music, Renaissance and Baroque music, Baroque eras. A sackbut has the characteristic telescopic slide of a trombone, used to vary the length of the tube to change Pitch (music), pitch, but is distinct from later trombones by its smaller, more cylindrically-proportioned bore (wind instruments), bore, and its less-flared bell (wind instrument), bell. Unlike the earlier slide trumpet from which it evolved, the sackbut possesses a U-shaped slide with two parallel sliding tubes, rather than just one. Records of the term ''trombone'' predate the term ''sackbut'' by two decades, and evidence for the German term ''Posaune'' is even older.Timeline of trombone history (15th century) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clarinet
The clarinet is a musical instrument in the woodwind family. The instrument has a nearly cylindrical bore and a flared bell, and uses a single reed to produce sound. Clarinets comprise a family of instruments of differing sizes and pitches. The clarinet family is the largest such woodwind family, with more than a dozen types, ranging from the BB♭ contrabass to the E♭ soprano. The most common clarinet is the B soprano clarinet. German instrument maker Johann Christoph Denner is generally credited with inventing the clarinet sometime after 1698 by adding a register key to the chalumeau, an earlier single-reed instrument. Over time, additional keywork and the development of airtight pads were added to improve the tone and playability. Today the clarinet is used in classical music, military bands, klezmer, jazz, and other styles. It is a standard fixture of the orchestra and concert band. Etymology The word ''clarinet'' may have entered the English language via the Fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Henri Naderman
Jean-Henri Naderman (baptised 20 July 1734 – 4 February 1799) was one of the leading harp-makers in Paris in the 18th century, and also a music publisher. He supplied the Royal Household with his instruments and wrote his music in classical style, with a large influence of the baroque. He had two sons, François Joseph Naderman, renowned harpist, and Henri Naderman, harp maker. Life Jean-Henri Naderman was baptised (and presumably born) in Lichtenau in the archdiocese of Paderborn, but emigrated to France around 1756 where he began working as a harp manufacturer. Later in 1777 he was licensed to work as a music publisher. He rose to fame when he was commissioned to create and perfect the harps of Queen Marie-Antoinette on her arrival in France, together with the Czech composer and harpist Jean-Baptiste Krumpholtz. The Naderman single-pedal harp is supposed to have been modelled after the successful eighteenth-century Bavarian single-action mechanism pedal harp, whose manufact ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sébastien Érard
Sébastien Érard (born Sebastian Erhard, 5 April 1752 – 5 August 1831) was a French instrument maker of German origin who specialised in the production of pianos and harps, developing the capacities of both instruments and pioneering the modern piano. Biography Érard was born in Strasbourg. While a boy he showed great aptitude for practical geometry and architectural drawing, and in the workshop of his father, who was an upholsterer, he found opportunity for the early exercise of his mechanical ingenuity. When he was sixteen his father died, and he moved to Paris where he obtained employment with a harpsichord maker. Here his remarkable constructive skill, though it speedily excited the jealousy of his master and procured his dismissal, almost instantly attracted the notice of musicians and musical instrument makers of eminence. EB says he built his first pianoforte in 1780. Before he was twenty-five he set up in business for himself, his first workshop being a room in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harp
The harp is a stringed musical instrument that has a number of individual strings running at an angle to its soundboard; the strings are plucked with the fingers. Harps can be made and played in various ways, standing or sitting, and in orchestras or concerts. Its most common form is triangular in shape and made of wood. Some have multiple rows of strings and pedal attachments. Ancient depictions of harps were recorded in Current-day Iraq (Mesopotamia), Iran (Persia), and Egypt, and later in India and China. By medieval times harps had spread across Europe. Harps were found across the Americas where it was a popular folk tradition in some areas. Distinct designs also emerged from the African continent. Harps have symbolic political traditions and are often used in logos, including in Ireland. History Harps have been known since antiquity in Asia, Africa, and Europe, dating back at least as early as 3000 BCE. The instrument had great popularity in Europe during the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claviorganum
The claviorgan (also known as the claviorganum, claviorgano, clavecin organisee) is a combination of a stringed instrument (usually a keyboard instrument) and an organ. Its origin is uncertain but its history can be traced back to the fifteenth century. According to one account, the instrument was invented by the Moorish instrument maker Mahoma Mofferiz, with his earliest known example documented in 1479. Other "Clabiorganos" or "claui organos" are documented in Spain by the year 1500, and the instrument seems to have spread from there. A number of "virgynalls with regals" are mentioned in the inventories of Henry VIII in 1542/3 and 1547 and Wilson Barry cites references to the claviorganum in England dating back to the 1530s. The term ''claviorgan'' in its strictest sense refers to the combination of a harpsichord (or other harpsichord type instrument) and an organ, although later could also be used to refer to a combination of a piano and organ. Michael Praetorius describes th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harpsichord
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism that plucks one or more strings with a small plectrum made from quill or plastic. The strings are under tension on a soundboard, which is mounted in a wooden case; the soundboard amplifies the vibrations from the strings so that the listeners can hear it. Like a pipe organ, a harpsichord may have more than one keyboard manual, and even a pedal board. Harpsichords may also have stop buttons which add or remove additional octaves. Some harpsichords may have a buff stop, which brings a strip of buff leather or other material in contact with the strings, muting their sound to simulate the sound of a plucked lute. The term denotes the whole family of similar plucked-keyboard instruments, including the smaller virginals, muselar, and spinet. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Christoph Denner
Johann Christoph Denner (13 August 1655 – 26 April 1707)Martin Kirnbauer. "Denner", ''Grove Music Online'', ed. L. Macy (accessed 13 October 2006)grovemusic.com(subscription access). was a German woodwind instrument maker of the Baroque era, to whom the invention of the clarinet is attributed. Denner was born in Leipzig to a family of horn-tuners. With his father, Heinrich Denner, a maker of game whistles and hunting horns, he moved to Nuremberg in 1666. J. C. Denner went into business as an instrument maker in 1678 and was granted rights for the “manufacture of French musical instruments consisting chiefly of oboes and recorders landadois in 1697. Two of his sons, Jacob and Johann David, also became instrument builders. At least sixty-eight instruments attributed to J. C. Denner have survived to the present day, although the surviving instruments with his name are believed to have come from his sons' workshops. Denner died in 1707 and was buried in Nuremberg. In 1730, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recorder (musical Instrument)
The recorder is a family of woodwind musical instruments in the group known as ''internal duct flutes'': flutes with a whistle mouthpiece, also known as fipple flutes. A recorder can be distinguished from other duct flutes by the presence of a thumb-hole for the upper hand and seven finger-holes: three for the upper hand and four for the lower. It is the most prominent duct flute in the western classical tradition. Recorders are made in various sizes with names and compasses roughly corresponding to various vocal ranges. The sizes most commonly in use today are the soprano (also known as descant, lowest note C5), alto (also known as treble, lowest note F4), tenor (lowest note C4), and bass (lowest note F3). Recorders were traditionally constructed from wood or ivory. Modern professional instruments are almost invariably of wood, often boxwood; student and scholastic recorders are commonly of molded plastic. The recorders' internal and external proportions vary, but the bore i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Guitars
The Baroque guitar (c. 1600–1750) is a string instrument with five courses of gut strings and moveable gut frets. The first (highest pitched) course sometimes used only a single string. History The Baroque guitar replaced the Renaissance lute as the most common instrument found when one was at home. The earliest attestation of a five-stringed guitar comes from the mid-sixteenth-century Spanish book ''Declaracion de Instrumentos Musicales'' by Juan Bermudo, published in 1555. The first treatise published for the Baroque guitar was ''Guitarra Española de cinco ordenes'' (The Five-course Spanish Guitar), c. 1590, by Juan Carlos Amat. The baroque guitar in contemporary ensembles took on the role of a basso continuo instrument and players would be expected to improvise a chordal accompaniment. Several scholars have assumed that the guitar was used together with another basso continuo instrument playing the bass line. However, there are good reasons to suppose that the guitar was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paolo Antonio Testore
Paolo Antonio Testore (born 1700 - died 1767) was a Milanese luthier. He was born in Milan, the second son of Carlo Giuseppe Testore, also a noted luthier, and worked out of the family's workshop under the "Sign of the Eagle" on Contrada Larga in Milan. He was one of the three finest instrument-makers from the Testore family, but a distinctive characteristic of Paolo Antonio's work is that he often omitted purfling and sometimes used lower quality wood. Testore's brother Carlo Antonio Testore Carlo Antonio Testore (1687–1765) was a Milanese luthier. Life and career Carlo Antonio Testore was born in Milan, the son of Carlo Giuseppe Testore, also a noted luthier, and worked in the family's workshop under the "Sign of the Eagle" on ... was also a luthier, and their sons Giovanni, son of Carlo, and Gennaro(?), son of Paolo, continued the family business in Milan during the 1760s. References {{DEFAULTSORT:Testore, Paolo Antonio 1700 births 1767 deaths Italian luthiers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
