Palais Albert Rothschild
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Palais Albert Rothschild
The Palais Albert Rothschild was a palatial residence in Vienna, Austria. It was one of five Palais Rothschild in the city that were owned by members of the Rothschild banking family of Austria, a branch of the international Rothschild family. It was located at Heugasse 26 (today Prinz-Eugen-Straße 20–22), in the 4th (Wieden) district of Vienna. Commissioned by Baron Albert von Rothschild, it was designed and built by the French architect Gabriel-Hippolyte Destailleur between 1876 and 1884, and demolished in 1954. Description The building was unusual for Vienna: designed in the French Neo-Renaissance “hôtel particulier” style, the layout was U-shaped, three storeys high and set back from the street by a courtyard, with the estate fenced off by a high iron grill. Apparently, as a child Baron Albert had lived in Salomon Mayer von Rothschild's house in 1848, which would explain the palace's seclusion from the public. Attached to the palace was a garden, which bordered on Pl ...
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Gobelin
Gobelin was the name of a family of dyers, who in all probability came originally from Reims, France, and who in the middle of the 15th century established themselves in the Faubourg Saint Marcel, Paris, on the banks of the Bièvre. The first head of the firm was named Jehan Gobelin (d. 1476). He discovered a peculiar kind of scarlet dyestuff, and he expended so much money on his establishment that it was named by the common people ''la folie Gobelin''. To the dye-works there was added in the 16th century a manufactory of tapestry. The family's wealth increased so rapidly that in the third or fourth generation some of them forsook their trade and purchased titles of nobility. More than one of their number held offices of state, among others Balthasar, who became successively treasurer general of artillery, treasurer extraordinary of war, councillor secretary of the king, chancellor of the exchequer, councillor of state and president of the chamber of accounts, and who in 1601 ...
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Niche (architecture)
A niche (CanE, or ) in Classical architecture is an exedra or an apse that has been reduced in size, retaining the half-dome heading usual for an apse. Nero's Domus Aurea (AD 64–69) was the first semi-private dwelling that possessed rooms that were given richly varied floor plans, shaped with niches and exedrae; sheathed in dazzling polished white marble, such curved surfaces concentrated or dispersed the daylight. A is a very shallow niche, usually too shallow to contain statues, and may resemble a blind window (a window without openings) or sealed door. (Compare: blind arcade) The word derives from the Latin (), via the French . The Italian '' nicchio'' () may also be involved,OED, "Niche" as the traditional decoration for the top of a niche is a scallop shell, as in the illustration, hence also the alternative term of "conch" for a semi-dome, usually reserved for larger exedra. In Gothic architecture, a niche may be set within a tabernacle framing, like a richly de ...
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Orchestrion
Orchestrion is a generic name for a machine that plays music and is designed to sound like an orchestra or band. Orchestrions may be operated by means of a large pinned cylinder or by a music roll and less commonly book music. The sound is usually produced by pipes, though they will be voiced differently from those found in a pipe organ, as well as percussion instruments. Many orchestrions contain a piano as well. At the Musical Museum in Brentford, London England, examples may be seen and heard of several of the instrument types described below. It is confused by some with the steam-powered calliope, which was also used to produce music on period carousels. It used steam whistles rather than organ pipes to produce its principal sounds. See also the similar fairground organ. Types of orchestrion The name "orchestrion" has also been applied to several musical instruments: Chamber organ A chamber organ, designed by Georg Joseph Vogler (''Abbé Vogler'') in 1790, incorpora ...
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Louis-Seize
Louis XVI style, also called ''Louis Seize'', is a style of architecture, furniture, decoration and art which developed in France during the 19-year reign of Louis XVI (1774–1793), just before the French Revolution. It saw the final phase of the Baroque style as well as the birth of French Neoclassicism. The style was a reaction against the elaborate ornament of the preceding Baroque period. It was inspired in part by the discoveries of Ancient Roman paintings, sculpture and architecture in Herculaneum and Pompeii. Its features included the straight column, the simplicity of the post-and-lintel, the architrave of the Greek temple. It also expressed the Rousseau-inspired values of returning to nature and the view of nature as an idealized and wild but still orderly and inherently worthy model for the arts to follow. Notable architects of the period included Victor Louis (1731–1811), who completed the theatre of Bordeaux (1780), The Odeon Theatre in Paris (1779–1782) was ...
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Crystal Chandelier
"Crystal Chandelier" (more commonly known as Crystal Chandeliers) is a 1965 Country song written by Ted Harris and popularized by Charley Pride. The original rendition was sung by Carl Belew. His version reached number 12 on the U.S. ''Billboard'' Country chart. It was the first of three charting singles from Belew's eighth studio album, ''Twelve Shades of Belew''. Vic Dana cover Vic Dana covered the song in 1965. His version reached number 51 on the U.S. ''Billboard'' Hot 100, number 19 on the Canadian pop singles chart and number 14 on both the U.S. and Canadian Adult Contemporary charts in early 1966. He also reached number 34 in Australia. Both Carl Belew and Vic Dana recorded the song under the title "Crystal Chandelier," however, all further covers used the title: Crystal Chandeliers in the plural, reflecting what is said in the lyrics. Chart history Charley Pride cover Charley Pride covered "Crystal Chandeliers" in 1967. The song was included on his number-one sell ...
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Gold Leaf
Gold leaf is gold that has been hammered into thin sheets (usually around 0.1 µm thick) by goldbeating and is often used for gilding. Gold leaf is available in a wide variety of karats and shades. The most commonly used gold is 22-karat yellow gold. Gold leaf is a type of metal leaf, but the term is rarely used when referring to gold leaf. The term ''metal leaf'' is normally used for thin sheets of metal of any color that do not contain any real gold. Pure gold is 24 karat. Real, yellow gold leaf is approximately 91.7% pure (i.e. 22-karat) gold. Silver-colored white gold is about 50% pure gold. Layering gold leaf over a surface is called gold leafing or gilding. Traditional water gilding is the most difficult and highly regarded form of gold leafing. It has remained virtually unchanged for hundreds of years and is still done by hand. In art Gold leaf is sometimes used in art in a "raw" state, without a gilding process. In cultures including the European Bronze Age it ...
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Stucco
Stucco or render is a construction material made of aggregates, a binder, and water. Stucco is applied wet and hardens to a very dense solid. It is used as a decorative coating for walls and ceilings, exterior walls, and as a sculptural and artistic material in architecture. Stucco can be applied on construction materials such as metal, expanded metal lath, concrete, cinder block, or clay brick and adobe for decorative and structural purposes. In English, "stucco" sometimes refers to a coating for the outside of a building and "plaster" to a coating for interiors; as described below, however, the materials themselves often have little to no differences. Other European languages, notably Italian, do not have the same distinction; ''stucco'' means ''plaster'' in Italian and serves for both. Composition The basic composition of stucco is cement, water, and sand. The difference in nomenclature between stucco, plaster, and mortar is based more on use than composition. Until ...
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Giovanni Battista Tiepolo
Giovanni Battista Tiepolo ( , ; March 5, 1696 – March 27, 1770), also known as Giambattista (or Gianbattista) Tiepolo, was an Italian painter and printmaker from the Republic of Venice who painted in the Rococo style, considered an important member of the 18th-century Venetian school. He was prolific, and worked not only in Italy, but also in Germany and Spain. Giovan Battista Tiepolo, together with Giambattista Pittoni, Canaletto, Giovan Battista Piazzetta, Giuseppe Maria Crespi, and Francesco Guardi are considered the traditional Old Masters of that period. Successful from the beginning of his career, he has been described by Michael Levey as "the greatest decorative painter of eighteenth-century Europe, as well as its most able craftsman." Biography ''The Glory of St. Dominic'', 1723 Early life (1696–1726) Born in Venice, he was the youngest of six children of Domenico and Orsetta Tiepolo. His father was a small shipping merchant who belonged to a family th ...
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Jean De Witt
Jean may refer to: People * Jean (female given name) * Jean (male given name) * Jean (surname) Fictional characters * Jean Grey, a Marvel Comics character * Jean Valjean, fictional character in novel ''Les Misérables'' and its adaptations * Jean Pierre Polnareff, a fictional character from ''JoJo's Bizarre Adventure'' Places * Jean, Nevada, USA; a town * Jean, Oregon Jean is an unincorporated community in Clackamas County, Oregon Oregon () is a U.S. state, state in the Pacific Northwest region of the Western United States. The Columbia River delineates much of Oregon's northern boundary with Washingt ..., USA Entertainment * Jean (dog), a female collie in silent films * "Jean" (song) (1969), by Rod McKuen, also recorded by Oliver * ''Jean Seberg'' (musical), a 1983 musical by Marvin Hamlisch Other uses * JEAN (programming language) * USS ''Jean'' (ID-1308), American cargo ship c. 1918 * Sternwheeler Jean, a 1938 paddleboat of the Willamette River See also ...
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Salon (room)
A drawing room is a room in a house where visitors may be entertained, and an alternative name for a living room. The name is derived from the 16th-century terms withdrawing room and withdrawing chamber, which remained in use through the 17th century, and made their first written appearance in 1642. In a large 16th to early 18th century English house, a withdrawing room was a room to which the owner of the house, his wife, or a distinguished guest who was occupying one of the main apartments in the house could "withdraw" for more privacy. It was often off the great chamber (or the great chamber's descendant, the state room) and usually led to a formal, or "state" bedroom. In modern houses, it may be used as a convenient name for a second or further reception room, but no particular function is associated with the name. History and development In 18th-century London, the royal morning receptions that the French called ''levées'' were called "drawing rooms", with the sense orig ...
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