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Palacio De La Ribera
The Palacio de la Ribera (also known as "Palace of the Bank") was the summer residence of Philip III in Valladolid. It was built in the 17th century (1602-1605) as part of a process of urban transformation upon the establishment of the Spanish Court in Valladolid between 1601 and 1606. The palace was situated at the Huerta del Rey neighborhood, located across the Parque de las Moreras on the right bank of the Pisuerga river. The palace grounds extended from the Puente Mayor to Ribera de Don Periáñez del Corral and delimited at both sides by the Pisuerga river and the Camino del Monasterio del Prado. The palace was gradually abandoned until it became part of the destroyed cultural heritage of Valladolid in 1761. Some ruins of the building are still preserved. Historical context and construction The design, location, endowment, and agricultural and recreational roles of the palace were outlined according to the interests of Don Francisco Gómez de Sandoval y Rojas, Duke of Lerm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ventura Pérez
Ventura (Italian, Portuguese and Spanish for "fortune") may refer to: Places ; Brazil * Boa Ventura de São Roque, a municipality in the state of Paraná, southern Brazil * Boa Ventura, Paraíba, a municipality in the state of Paraíba, in the northeast region of Brazil ; United States * Ventura, California * Ventura County, California * Ventura Boulevard, in the San Fernando Valley of Los Angeles, California * Buenaventura Lakes, Florida, a census-designated place (CDP) in northern Osceola County, Florida * Ventura, Iowa, a city in Cerro Gordo County, Iowa * Ventura Village, Minneapolis, a neighborhood within the Phillips community in Minneapolis * Ventura, Minnesota, former name of St. Augusta, Minnesota * Ventura, New Mexico, a census-designated place in Luna County, New Mexico, United States. People ; Surname * Amy Austria-Ventura (born 1961), Filipino film and television actress * Andrey da Silva Ventura (born 1993), Brazilian football goalkeeper * Angiolino Giusepp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juan Gómez De Mora
Juan Gómez de Mora (1586–1648) was a Spanish architect, active in the 17th century. He was a main figure of Spanish early-Baroque architecture in the city of Madrid. Gómez de Mora was born and died in Madrid. His father, also , was a Spanish Renaissance court painter to Philip II of Spain and was brother-in-law of the architect Francisco de Mora. Spanish art historian Virginia Tovar Martín has published scholarly works on Gómez de Mora. Works In Madrid * (from 1613) * Plaza Mayor and its surroundings, originally the houses of the (1617–1619), and Casa de la Panadería The Casa de la Panadería is a municipal and cultural building on the north side of the Plaza Mayor in Madrid. It is four stories high, the ground floor comprising porticos and the top floor in the form of an attic, with its sides crowned by ang ... (1617–1619). *Project "Near Felipe IV" *City Council building until 1644 *Mayors Hall and Court House *Jail Project, later became the Palacio Court ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Titian
Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italians, Italian (Republic of Venice, Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school (art), Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called ''da Cadore'', 'from Cadore', taken from his native region. Recognized by his contemporaries as "The Sun Amidst Small Stars" (recalling the final line of Dante Alighieri, Dante's ''Paradiso (Dante), Paradiso''), Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exercised a profound influence not only on painters of the late Italian Renaissance, but on future generations of Art of Europe, Western artists. His career was successful from the start, and he became sought ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paolo Veronese
Paolo Caliari (152819 April 1588), known as Paolo Veronese ( , also , ), was an Italian Renaissance painter based in Venice, known for extremely large history paintings of religion and mythology, such as ''The Wedding at Cana'' (1563) and ''The Feast in the House of Levi'' (1573). Included with Titian, a generation older, and Tintoretto, a decade senior, Veronese is one of the "great trio that dominated Venetian painting of the ''cinquecento''" and the Late Renaissance in the 16th century.Rosand, 107 Known as a supreme colorist, and after an early period with Mannerism, Paolo Veronese developed a naturalist style of painting, influenced by Titian. His most famous works are elaborate narrative cycles, executed in a dramatic and colorful style, full of majestic architectural settings and glittering pageantry. His large paintings of biblical feasts, crowded with figures, painted for the refectories of monasteries in Venice and Verona are especially famous, and he was also the leadi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Del Sarto
Andrea del Sarto (, , ; 16 July 1486 – 29 September 1530) was an Italian painter from Florence, whose career flourished during the High Renaissance and early Mannerism. He was known as an outstanding fresco decorator, painter of altar-pieces, portraitist, draughtsman, and colorist. Although highly regarded during his lifetime as an artist ("without errors"), his renown was eclipsed after his death by that of his contemporaries Leonardo da Vinci, Michelangelo, and Raphael. Early life and training Andrea del Sarto was born Andrea d'Agnolo di Francesco di Luca in Florence on 16 July 1486. Since his father, Agnolo, was a tailor (Italian: '' sarto''), he became known as "del Sarto" (meaning "tailor's son"). Since 1677 some have attributed the surname Vannucchi with little documentation. By 1494 Andrea was apprenticed to a goldsmith, and then to a woodcarver and painter named Gian Barile, with whom he remained until 1498. According to his late biographer Vasari, he then apprent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carducci
Carducci is an Italian surname. Notable people with the surname include: * Bartolomeo Carducci (1560–1610), Florentine artist * Giosuè Carducci (1835–1907), Italian poet * Joe Carducci (born 1955), American writer and record producer * Marco Carducci (born 1996), Canadian soccer player * Michelangelo Carducci (16th century), Italian Renaissance painter * Vincenzo Carducci Vincenzio Carduccio (in Spanish, sometimes ''Vicencio'' or Vicente Carducho; 1576 or 1578–1638) was an Italian painter who spent his career in Spain. Biography He was born in Florence, and was trained as a painter by his brother Ba ... (1576/78–1638), Florentine artist {{surname Italian-language surnames ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Paul Rubens
Sir Peter Paul Rubens (; ; 28 June 1577 – 30 May 1640) was a Flemish artist and diplomat from the Duchy of Brabant in the Southern Netherlands (modern-day Belgium). He is considered the most influential artist of the Flemish Baroque tradition. Rubens's highly charged compositions reference erudite aspects of classical and Christian history. His unique and immensely popular Baroque style emphasized movement, colour, and sensuality, which followed the immediate, dramatic artistic style promoted in the Counter-Reformation. Rubens was a painter producing altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. He was also a prolific designer of cartoons for the Flemish tapestry workshops and of frontispieces for the publishers in Antwerp. In addition to running a large workshop in Antwerp that produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically educated humanist scholar and diploma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juan Pantoja De La Cruz
Juan Pantoja de La Cruz (1553 – 26 October 1608) was a Spanish painter, one of the best representatives of the Spanish school of court painters. He worked for Philip II and Philip III. The Museo del Prado contains examples of his severe portraiture style. Life Juan Pantoja de La Cruz was born in 1553 in Valladolid. Very little is known of his formative years as a painter. He was a pupil of the court painter Alonso Sánchez Coello in Madrid and he must have assisted his master in complying with his duties as painter of the Spanish King, Philip II. Pantoja probably continued to work in his master studio after completing his training. He married in 1585 beginning to paint for the court around that time. After Sanchez Coello's death in 1588, Pantoja took over his master workshop and became court painter to Philip II of Spain. Pantoja kept working for the court and the nobility, painting portraits of Prince Philip, the future Philip III, in 1592 and 1594. Among his most well k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archivo General De Palacio
The Archivo General de Palacio was created by Ferdinand VII in 1808 with more than 120 millions of documents from the 13th century until now. It collects, classifies and preserves all the documents from the Patrimonio de la Corona and the Spanish royal family The Spanish royal family consists of King Felipe VI, Queen Letizia, their children (Leonor, Princess of Asturias and Infanta Sofía of Spain), and Felipe's parents, King Juan Carlos I and Queen Sofía. The royal family lives at Zarzuela Palace i .... The current director is Juan José Alonso. References External links * {{Official, https://www.patrimonionacional.es/colecciones-reales/archivo-general-de-palacio Royal Palace of Madrid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
El Norte De Castilla
''El Norte de Castilla'' ("The North of Castile") is a Spanish-language daily newspaper based in Valladolid, Spain. After ''Faro de Vigo'', founded in 1853, ''El Norte de Castilla'' is one of the oldest daily newspapers in the country, tracing its origins to 1854. The main edition is published in Valladolid, but editions are published for Palencia, Salamanca, and Segovia. The paper has a widely accessed Spanish-language website and is considered to be the most reliable and influential periodical in Castile. History The newspaper can be traced to 1854, when Mariano Pérez Mínguez and Pascual Pastor created '' El Avisador'' ("The Reminder"). In 1856, this paper merged with a local competitor, '' El Correo de Castilla'' ("The Castile Courier"). ''El Norte de Castilla'' was established in April 1856 by the amalgamation of these two papers; the first issue of the newly formed paper was published on 17 October 1856. In 1870, the paper was acquired by Gaviria and Zapatero, and was sold ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gondola
The gondola (, ; vec, góndoła ) is a traditional, flat-bottomed Venetian rowing boat, well suited to the conditions of the Venetian lagoon. It is typically propelled by a gondolier, who uses a rowing oar, which is not fastened to the hull, in a sculling manner and also acts as the rudder. The uniqueness of the gondola includes its being asymmetrical along the length making the single-oar propulsion more efficient. For centuries, the gondola was a major means of transportation and the most common watercraft within Venice. In modern times, the boats still do have a role in public transport in the city, serving as ''traghetti'' (small ferries) over the Grand Canal operated by two oarsmen. Various types of gondola boats are also used in special regattas (rowing races) held amongst gondoliers. Their primary role today, however, is to carry tourists on rides at fixed rates. There are approximately 400 licensed gondoliers in Venice and a similar number of boats, down from the t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naumachia
The naumachia (in Latin , from the Ancient Greek /, literally "naval combat") in the Ancient Roman world referred to both the staging of naval battles as mass entertainment, and the basin or building in which this took place. Early The first known was given by Julius Caesar in Rome in 46 BC on occasion of his quadruple triumph. After having a basin dug near the Tiber, capable of holding actual biremes, triremes and quinqueremes, he made 2000 combatants and 4000 rowers, all prisoners of war, fight. In 2 BC for the inauguration of the Temple of Mars Ultor (" Mars the Avenger"), Augustus gave a grander based on Caesar's model. This naumachia depicted a battle between the Greeks and the Persians and required a basin that was 400 by 600 yards, which was created straddling the Tiber. '' Res Gestæ'' (§ 23) claimed that 3000 men, not counting rowers, fought in 30 vessels with rams and several smaller boats. In 52 AD Claudius gave what was possibly the most "epic" of these on a na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
