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Painter Of The Vatican Mourner
The Painter of the Vatican Mourner was an Attic black-figure vase painter, active in the middle of the sixth century BC and closely connected with the artists of the E Group. His real name is not known. His name vase is in the Vatican Museum and depicts a mourning woman standing before the nude body of a dead man on a bed of straw. There is no consensus on the interpretation of the scene. Eos and Sarpedon have been suggested, as have Oinone and Paris. John Boardman describes him as a thoughtful but sometimes inprecise artist.John Boardman: ''Schwarzfigurige Vasen aus Athen'', Mainz 1977, p. 70 Bibliography * John Beazley Sir John Davidson Beazley, (; 13 September 1885 – 6 May 1970) was a British classical archaeologist and art historian, known for his classification of Attic vases by artistic style. He was Professor of Classical Archaeology and Art at the Un ...: ''Attic Black-Figure Vase-Painters'', Oxford 1956, p. 140 * John Boardman: ''Schwarzfigurige Vasen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woman Mourning A Dead Warrior, Attic Black-figured Amphora, By The Painter Of The Vatican Mourner, C
A woman is an adult female human. Prior to adulthood, a female human is referred to as a girl (a female child or adolescent). The plural ''women'' is sometimes used in certain phrases such as " women's rights" to denote female humans regardless of age. Typically, women inherit a pair of X chromosomes, one from each parent, and are capable of pregnancy and giving birth from puberty until menopause. More generally, sex differentiation of the female fetus is governed by the lack of a present, or functioning, SRY-gene on either one of the respective sex chromosomes. Female anatomy is distinguished from male anatomy by the female reproductive system, which includes the ovaries, fallopian tubes, uterus, vagina, and vulva. A fully developed woman generally has a wider pelvis, broader hips, and larger breasts than an adult man. Women have significantly less facial and other body hair, have a higher body fat composition, and are on average shorter and less muscular th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Attica
Attica ( el, Αττική, Ancient Greek ''Attikḗ'' or , or ), or the Attic Peninsula, is a historical region that encompasses the city of Athens, the capital of Greece and its countryside. It is a peninsula projecting into the Aegean Sea, bordering on Boeotia to the north and Megaris to the west. The southern tip of the peninsula, known as Laurion, was an important mining region. The history of Attica is tightly linked with that of Athens, and specifically the Golden Age of Athens during the classical period. Ancient Attica ( Athens city-state) was divided into demoi or municipalities from the reform of Cleisthenes in 508/7 BC, grouped into three zones: urban (''astu'') in the region of Athens main city and Piraeus (port of Athens), coastal (''paralia'') along the coastline and inland (''mesogeia'') in the interior. The modern administrative region of Attica is more extensive than the historical region and includes Megaris as part of the regional unit West Attica, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Black-figure Vase Painting
Black-figure pottery painting, also known as the black-figure style or black-figure ceramic ( grc, , }), is one of the styles of painting on antique Greek vases. It was especially common between the 7th and 5th centuries BCE, although there are specimens dating as late as the 2nd century BCE. Stylistically it can be distinguished from the preceding orientalizing period and the subsequent red-figure pottery style. Figures and ornaments were painted on the body of the vessel using shapes and colors reminiscent of silhouettes. Delicate contours were incised into the paint before firing, and details could be reinforced and highlighted with opaque colors, usually white and red. The principal centers for this style were initially the commercial hub Corinth, and later Athens. Other important production sites are known to have been in Laconia, Boeotia, eastern Greece, and Italy. Particularly in Italy individual styles developed which were at least in part intended for the Etruscan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E Group
E-Groups are unique architectural complexes found among a number of ancient Maya settlements. They are central components to the settlement organization of Maya sites and, like many other civic and ceremonial buildings, could have served for astronomical observations. It has been a common opinion that the alignments incorporated in these structural complexes correspond to the sun's solstices and equinoxes. Recent research has shown, however, that the orientations of these assemblages are highly variable, but pertain to alignment groups that are widespread in the Maya area and materialized mostly in other types of buildings, recording different agriculturally significant dates. Origin of the name E-Groups are named after "Group E" at the Classic period site of Uaxactun, which was the first one documented by Mesoamerican archaeologists. At Uaxactun, the Group E complex consists of a long terraced platform with three supra-structures arranged along a linear axis oriented north- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Name Vase
In classical archaeology, a name vase is a specific "vase"In the study of ancient Greek pottery a "vase" is a general term covering all pottery shapes. whose painter's name is unknown but whose workshop style has been identified. The painter is conventionally named after the selected "name vase" that embodies his characteristic style, or for one of its distinctive painted subjects, or for other attributes. The allocation of such names is necessary because the majority of ancient Greek and South Italian vase painters did not sign their works. For discussion and analysis of the work and career of individual artists conventional names were needed in order to designate them. The name can refer to a vase's motif (the Meleager Painter), former owner (the Shuvalov Painter), present location (the Baltimore Painter), find location (the Dipylon Master), inscription, habitual potter (the Kleophrades Painter), shape, and so on. For Athenian vases, the majority of such names were introduced ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vatican Museum
The Vatican Museums ( it, Musei Vaticani; la, Musea Vaticana) are the public museums of the Vatican City. They display works from the immense collection amassed by the Catholic Church and the papacy throughout the centuries, including several of the most well-known Roman sculptures and most important masterpieces of Renaissance art in the world. The museums contain roughly 70,000 works, of which 20,000 are on display, and currently employ 640 people who work in 40 different administrative, scholarly, and restoration departments. Pope Julius II founded the museums in the early 16th century. The Sistine Chapel, with its ceiling and altar wall decorated by Michelangelo, and the Stanze di Raffaello (decorated by Raphael) are on the visitor route through the Vatican Museums. In 2020, due to the COVID-19 pandemic, the Vatican Museums were visited by only 1,300,000 persons, a drop of 81 percent from the number of visitors in 2019, but still enough to rank the museums fourth among th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eos (mythology)
In ancient Greek mythology and religion, Eos (; Ionic and Homeric Greek ''Ēṓs'', Attic ''Héōs'', "dawn", or ; Aeolic ''Aúōs'', Doric ''Āṓs'') is the goddess and personification of the dawn, who rose each morning from her home at the edge of the river Oceanus to deliver light and disperse the night. In Greek tradition and poetry she is characterized as a goddess with a great sexual appetite, who took numerous lovers for her own satisfaction and bore them several children. Like her Roman counterpart Aurora and Rigvedic Ushas, Eos continues the name of an earlier Indo-European dawn goddess, Hausos. Eos, or her earlier Proto-Indo-European (PIE) ancestor, also shares several elements with the love goddess Aphrodite, perhaps signifying Eos's influence on her or otherwise a common origin for the two goddesses. In surviving tradition, Aphrodite is the culprit behind Eos' numerous love affairs, having cursed the goddess with insatiable lust for mortal men. In Greek li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarpedon
Sarpedon (; grc, Σαρπηδών) is the name of several figures in Greek mythology * Sarpedon, a son of Zeus, who fought on the side of Troy in the Trojan War. Although in the ''Iliad'', he was the son of Zeus and Laodamia, the daughter of Bellerophon, in the later standard tradition, he was the son of Zeus and Europa, and the brother of Minos and Rhadamanthus, while in other accounts the Sarpedon who fought at Troy was the grandson of the Sarpedon who was the brother of Minos. * Sarpedon, a Thracian son of Poseidon, eponym of Cape Sarpedon near the outlet of the River Hebrus, and brother to Poltys, King of Aenus. Unlike the other two Sarpedons, this Thracian Sarpedon was not a hero, but an insolent individual who was shot to death by Heracles as the latter was sailing away from Aenus. * Sarpedon, son of Zeus and Lardane and brother of Argus. Notes References * Apollodorus, ''The Library'' with an English Translation by Sir James George Frazer, F.B.A., F.R.S. in 2 Volu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oinone
In Greek mythology, Oenone (; Ancient Greek: Οἰνώνη ''Oinōnē''; "wine woman") was the first wife of Paris of Troy, whom he abandoned for Helen. Oenone was also the ancient name of an island, which was later named after Aegina, daughter of the river god Asopus. Biography Oenone was a mountain nymph (an oread) on Mount Ida in Phrygia, a mountain associated with the Mother Goddess Cybele and the Titaness Rhea. Her gift of prophecy was learned from Rhea.Apollodorus, 3.12.6 Her father was either the river-gods, Cebren or Oeneus. Her name links her to the gift of wine. Mythology Paris, son of the king Priam and the queen Hecuba, fell in love with Oenone when he was a shepherd on the slopes of Mount Ida, having been exposed in infancy (owing to a prophecy that he would be the means of the destruction of the city of Troy) and rescued by the herdsman Agelaus. The couple married, and Oenone gave birth to a son, Corythus. When Paris later abandoned her to return ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris (mythology)
Paris ( grc, Πάρις), also known as Alexander (, ''Aléxandros''), the son of King Priam and Queen Hecuba of Troy, is a mythological nobleman that appears in a number of Greek legends. Of these appearances, probably the best known was the elopement with Helen, queen of Sparta, this being one of the immediate causes of the Trojan War. Later in the war, he fatally wounds Achilles in the heel with an arrow as foretold by Achilles's mother, Thetis. The name ''Paris'' is probably of Luwian origin, and comparable to '' Pari-zitis'', attested as a Hittite scribe's name. The name Paris is etymologically unrelated to the name of the French city of Paris, which derives its name from a Gaulish tribe called the Parisii. Description Paris was described by the chronicler Malalas in his account of the ''Chronography'' as " well-grown, sturdy, white, good nose, good eyes, black pupils, black hair, incipient beard, long-faced, heavy eyebrows, big mouth, charming, eloquent, agile, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Boardman (art Historian)
Sir John Boardman, (; born 20 August 1927) is a classical archaeologist and art historian. He has been described as "Britain's most distinguished historian of ancient Greek art." Biography John Boardman was educated at Chigwell School (1938–1945); then Magdalene College, Cambridge, where he read Classics beginning in 1945. After completing two years' national service in the Intelligence Corps he spent three years in Greece, from 1952 to 1955, as the Assistant Director of the British School at Athens. He married Sheila Stanford in 1952 (d. 2005), and has two children, Julia and Mark. On his return to England in 1955, Boardman took up the post of Assistant Keeper at the Ashmolean Museum in Oxford, thus beginning his lifelong affiliation with it. In 1959 he was appointed Reader in Classical Archaeology in the University of Oxford, and in 1963 was appointed a Fellow of Merton College. Here he remained until his appointment as Lincoln Professor of Classical Art and Arch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Beazley
Sir John Davidson Beazley, (; 13 September 1885 – 6 May 1970) was a British classical archaeologist and art historian, known for his classification of Attic vases by artistic style. He was Professor of Classical Archaeology and Art at the University of Oxford from 1925 to 1956. Early life Beazley was born in Glasgow, Scotland on 13 September 1885, to Mark John Murray Beazley (died 1940) and Mary Catherine Beazley née Davidson (died 1918). He was educated at King Edward VI School, Southampton and Christ's Hospital, Sussex. He then attended Balliol College, Oxford where he read Literae Humaniores: he received firsts in both Mods and Greats. He graduated with a Bachelor of Arts (BA) degree in 1907. While at Oxford he became a close friend of the poet James Elroy Flecker. Academic career After graduating, Beazley spent time at the British School at Athens. He then returned to University of Oxford as a student (equivalent to fellow) and tutor in Classics at Christ Church. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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