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Painter-engraver
Peintre-graveur () is a term probably invented and certainly popularized by the great scholar of the old master print, Adam Bartsch (Johann Adam Bernhard von Bartsch: 1757 - 1821, both Vienna). The term, meaning "painter-engraver", is intended to distinguish between printmakers, whether working in engraving, etching or woodcut, who designed images with the primary purpose of producing a print, and those who essentially copied in a print medium a composition by another, to produce what is known as a "reproductive print", or who produced only essentially non-artistic work in print form, such as maps for example. "Painter-engraver" is sometimes used in English. Alternative terms for the work of a Peintre-graveur are "artist's print", "original print", "graphic art". "Art print" now tends to mean a reproduction of any work of art. Bartsch's great catalogue of old master prints, published in Vienna in 21 volumes in 1803-21,was called "Le Peintre Graveur". It has been reprinte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adam Von Bartsch
Johann Adam Bernhard Ritter von Bartsch (17 August 1757 – 21 August 1821) was an Austrian scholar and artist. His catalogue of old master prints is the foundation of print history, and he was himself a printmaker practicing engraving and etching. Bartsch was born and died in Vienna. He joined the staff of the Royal Court Library in Vienna in 1777, after studying engraving at the Vienna Kupferstecheracademie, and became Head curator of the print collection in 1791. He was also an advisor to Duke Albert of Saxe-Teschen, who founded the collection of the Albertina, Vienna, then as now the world's finest collection of old master prints. In the twentieth century the two collections were merged in the Albertina. "Le Peintre Graveur" Between 1803 and his death in 1821 Bartsch published in French in 21 volumes Le Peintre Graveur, a pioneering catalogue of old master prints by Dutch, Flemish, German, and Italian painter-engravers from the 15th to the 17th century. Reference ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adam Bartsch
Johann Adam Bernhard Ritter von Bartsch (17 August 1757 – 21 August 1821) was an Austrian scholar and artist. His catalogue of old master prints is the foundation of print history, and he was himself a printmaker practicing engraving and etching. Bartsch was born and died in Vienna. He joined the staff of the Royal Court Library in Vienna in 1777, after studying engraving at the Vienna Kupferstecheracademie, and became Head curator of the print collection in 1791. He was also an advisor to Duke Albert of Saxe-Teschen, who founded the collection of the Albertina, Vienna, then as now the world's finest collection of old master prints. In the twentieth century the two collections were merged in the Albertina. "Le Peintre Graveur" Between 1803 and his death in 1821 Bartsch published in French in 21 volumes Le Peintre Graveur, a pioneering catalogue of old master prints by Dutch, Flemish, German, and Italian painter-engravers from the 15th to the 17th century. References t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Master Print
An old master print is a work of art produced by a printing process within the Western tradition. The term remains current in the art trade, and there is no easy alternative in English to distinguish the works of "fine art" produced in printmaking from the vast range of decorative, utilitarian and popular prints that grew rapidly alongside the artistic print from the 15th century onwards. Fifteenth-century prints are sufficiently rare that they are classed as old master prints even if they are of crude or merely workmanlike artistic quality. A date of about 1830 is usually taken as marking the end of the period whose prints are covered by this term. The main techniques used, in order of their introduction, are woodcut, engraving, etching, mezzotint and aquatint, although there are others. Different techniques are often combined in a single print. With rare exceptions printed on textiles, such as silk, or on vellum, old master prints are printed on paper. This article is concerned ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Printmaker
Printmaking is the process of creating work of art, artworks by printing, normally on paper, but also on fabric, wood, metal, and other surfaces. "Traditional printmaking" normally covers only the process of creating prints using a hand processed technique, rather than a photographic reproduction of a visual artwork which would be printed using an electronic machine (Printer (computing), a printer); however, there is some cross-over between traditional and digital printmaking, including risograph. Except in the case of monotyping, all printmaking processes have the capacity to produce identical multiples of the same artwork, which is called a print. Each print produced is considered an "original" work of art, and is correctly referred to as an "impression", not a "copy" (that means a different print copying the first, common in early printmaking). However, impressions can vary considerably, whether intentionally or not. Master printmakers are technicians who are capable of prin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Engraving
Engraving is the practice of incising a design onto a hard, usually flat surface by cutting grooves into it with a Burin (engraving), burin. The result may be a decorated object in itself, as when silver, gold, steel, or Glass engraving, glass are engraved, or may provide an Intaglio (printmaking), intaglio printing plate, of copper or another metal, for printing images on paper as prints or illustrations; these images are also called "engravings". Engraving is one of the oldest and most important techniques in printmaking. Wood engraving is a form of relief printing and is not covered in this article, same with rock engravings like petroglyphs. Engraving was a historically important method of producing images on paper in artistic printmaking, in mapmaking, and also for commercial reproductions and illustrations for books and magazines. It has long been replaced by various photographic processes in its commercial applications and, partly because of the difficulty of learning th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Etching
Etching is traditionally the process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In modern manufacturing, other chemicals may be used on other types of material. As a method of printmaking, it is, along with engraving, the most important technique for old master prints, and remains in wide use today. In a number of modern variants such as microfabrication etching and photochemical milling it is a crucial technique in much modern technology, including circuit boards. In traditional pure etching, a metal plate (usually of copper, zinc or steel) is covered with a waxy ground which is resistant to acid. The artist then scratches off the ground with a pointed etching needle where the artist wants a line to appear in the finished piece, exposing the bare metal. The échoppe, a tool with a slanted oval section, is also used for "swelling" lines. The plate is then dipped in a bath of aci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woodcut
Woodcut is a relief printing technique in printmaking. An artist carves an image into the surface of a block of wood—typically with gouges—leaving the printing parts level with the surface while removing the non-printing parts. Areas that the artist cuts away carry no ink, while characters or images at surface level carry the ink to produce the print. The block is cut along the wood grain (unlike wood engraving, where the block is cut in the end-grain). The surface is covered with ink by rolling over the surface with an ink-covered roller (brayer), leaving ink upon the flat surface but not in the non-printing areas. Multiple colors can be printed by keying the paper to a frame around the woodblocks (using a different block for each color). The art of carving the woodcut can be called "xylography", but this is rarely used in English for images alone, although that and "xylographic" are used in connection with block books, which are small books containing text and images in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catalogue Raisonné
A ''catalogue raisonné'' (or critical catalogue) is a comprehensive, annotated listing of all the known artworks by an artist either in a particular medium or all media. The works are described in such a way that they may be reliably identified by third parties, and such listings play an important role in authentification. Etymology The term ''catalogue raisonné'' is French, meaning "reasoned catalogue"Catalogue raisonné , ''Online Merriam-Webster Dictionary''. (i.e. containing arguments for the information given, such as attributions), but is part of the of the English-speaking art world. The spelling is never Americanized to "catalog", even ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ARTstor
Artstor is a nonprofit organization that builds and distributes the Digital Library, an online resource of more than 2.5 million images in the arts, architecture, humanities, and sciences, and Shared Shelf, a Web-based cataloging and image management software service that allows institutions to catalog, edit, store, and share local collections. History Since 2003, the organization has been an independent non-profit 501(C)(3) organization based in New York. Starting in 2016, it joined in a strategic alliance with Ithaka Harbors, which currently operates the services JSTOR, Portico, and Ithaka S+R. In the late 1990s, as universities and libraries began to convert their slide libraries into local digital image databases, Artstor was created to address the growing need for a shared online image library that would be accessible to educational institutions worldwide. The Artstor Digital Library is intended to reduce redundant efforts of scanning and cataloging thousands of the same im ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Master Print
An old master print is a work of art produced by a printing process within the Western tradition. The term remains current in the art trade, and there is no easy alternative in English to distinguish the works of "fine art" produced in printmaking from the vast range of decorative, utilitarian and popular prints that grew rapidly alongside the artistic print from the 15th century onwards. Fifteenth-century prints are sufficiently rare that they are classed as old master prints even if they are of crude or merely workmanlike artistic quality. A date of about 1830 is usually taken as marking the end of the period whose prints are covered by this term. The main techniques used, in order of their introduction, are woodcut, engraving, etching, mezzotint and aquatint, although there are others. Different techniques are often combined in a single print. With rare exceptions printed on textiles, such as silk, or on vellum, old master prints are printed on paper. This article is concerned ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Printmaking
Printmaking is the process of creating artworks by printing, normally on paper, but also on fabric, wood, metal, and other surfaces. "Traditional printmaking" normally covers only the process of creating prints using a hand processed technique, rather than a photographic reproduction of a visual artwork which would be printed using an electronic machine ( a printer); however, there is some cross-over between traditional and digital printmaking, including risograph. Except in the case of monotyping, all printmaking processes have the capacity to produce identical multiples of the same artwork, which is called a print. Each print produced is considered an "original" work of art, and is correctly referred to as an "impression", not a "copy" (that means a different print copying the first, common in early printmaking). However, impressions can vary considerably, whether intentionally or not. Master printmakers are technicians who are capable of printing identical "impressions" by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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