Paganini Variations (Brahms)
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Paganini Variations (Brahms)
Variations on a Theme of Paganini, Op. 35, is a work for piano composed in 1863 by Johannes Brahms, based on the Caprice No. 24 in A minor by Niccolò Paganini. Brahms intended the work to be more than simply a set of theme and variations; each variation also has the characteristic of a study. He published it as ''Studies for Pianoforte: Variations on a Theme of Paganini''. The work was dedicated to the piano virtuoso Carl Tausig. It is well known for its harmonic depth and extreme physical difficulty. A particular emphasis of the technical challenges lie on hand independence, with the left hand often mirroring the right hand throughout the piece or having its own set of obstacles. David Dubal describes it as "a legend in the piano literature," and "fiendish," "one of the most subtly difficult works in the literature." Clara Schumann called it ''Hexenvariationen'' (Witch's Variations) because of its difficulty. Dubal quotes critic James Huneker: “Brahms and Paganini! Wa ...
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Doctor Of Musical Arts
The Doctor of Musical Arts (DMA) is a doctoral academic degree in music. The DMA combines advanced studies in an applied area of specialization (usually music performance, music composition, or conducting) with graduate-level academic study in subjects such as music history, music theory, or Music education. The DMA degree usually takes about three to four years of full-time study to complete (in addition to the master's and bachelor's degrees), preparing students to be professional performers, conductors, and composers. As a terminal degree, the DMA qualifies its recipient to work in university, college, and conservatory teaching/research positions. Students seeking doctoral training in musicology or music theory typically enter a DME or Ph.D. program, rather than a DMA program. Terminology The degree is also abbreviated as DMusA or AMusD. For the related degree Doctor of Music, the abbreviation is DM or DMus. For the related degree Doctor of Arts, the abbreviation DA is us ...
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Compositions In A Minor
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters * Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker * Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungaria ...
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1863 Compositions
Events January–March * January 1 – Abraham Lincoln signs the Emancipation Proclamation during the third year of the American Civil War, making the abolition of slavery in the Confederate states an official war goal. It proclaims the freedom of 3.1 million of the nation's four million slaves and immediately frees 50,000 of them, with the rest freed as Union armies advance. * January 2 – Lucius Tar Painting Master Company (''Teerfarbenfabrik Meirter Lucius''), predecessor of Hoechst, as a worldwide chemical manufacturing brand, founded in a suburb of Frankfurt am Main, Germany. * January 4 – The New Apostolic Church, a Christian and chiliastic church, is established in Hamburg, Germany. * January 7 – In the Swiss canton of Ticino, the village of Bedretto is partly destroyed and 29 killed, by an avalanche. * January 8 ** The Yorkshire County Cricket Club is founded at the Adelphi Hotel, in Sheffield, England. ** American Civil War – Se ...
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Piano études
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Variations
Variation or Variations may refer to: Science and mathematics * Variation (astronomy), any perturbation of the mean motion or orbit of a planet or satellite, particularly of the moon * Genetic variation, the difference in DNA among individuals or the differences between populations ** Human genetic variation, genetic differences in and among populations of humans * Magnetic variation, difference between magnetic north and true north, measured as an angle * ''p''-variation in mathematical analysis, a family of seminorms of functions * Coefficient of variation in probability theory and statistics, a standardized measure of dispersion of a probability distribution or frequency distribution * Total variation in mathematical analysis, a way of quantifying the change in a function over a subset of \mathbb^n or a measure space * Calculus of variations in mathematical analysis, a method of finding maxima and minima of functionals Arts * Variation (ballet) or pas seul, solo dance or ...
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Compositions By Johannes Brahms
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungarian/ ...
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Wilhelm Backhaus
Wilhelm Backhaus ('Bachaus' on some record labels) (26 March 1884 – 5 July 1969) was a German pianist and pedagogue. He was particularly well known for his interpretations of Mozart, Beethoven, Schumann, Chopin and Brahms. He was also much admired as a chamber musician. Musical biography Born in Leipzig, Backhaus was the son of a well-known architect. He began learning piano at the age of four with his mother, an amateur pianist. The boy's talent was soon recognized by Arthur Nikisch, at whose recommendation Backhaus studied under Alois Reckendorf at the Leipzig Conservatory between 1891 and 1899, then took private piano lessons with Eugen d'Albert in Frankfurt. As a boy of 9 or 10 he was taken to hear both of the Brahms piano concertos performed by d'Albert — and conducted by Brahms himself. He made his first concert tour at the age of sixteen. In 1900 he went to England and in 1901 played for the first time in Manchester at the Gentleman's Concerts. In 1902 he performe ...
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Emil Gilels
Emil Grigoryevich Gilels (Russian: Эми́ль Григо́рьевич Ги́лельс; 19 October 1916 – 14 October 1985) was a Russian pianist. He is widely regarded as one of the greatest pianists of all time. Early life and education Gilels was born to a Jewish family on 19 October 1916 (6 October, Old Style) in Odessa (then part of the Russian Empire, and now Ukraine) to Gesya and Grigory Gilels. His father worked as a clerk in a sugar refinery. His sister Elizaveta, three years his junior, was a renowned violinist. Gilels had perfect pitch, and at the age of five-and-a-half, he began lessons with , a famous piano pedagogue in Odessa. A quick learner, he was playing all three volumes of Loeschhorn's studies within a few months, and soon afterwards Clementi and Mozart sonatinas. Gilels later credited this strict training with Tkach for establishing the foundation of his technique. In turn, Tkach commented of Gilels, using a diminutive, "Milya Gilels possesses the a ...
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Shura Cherkassky
Shura Cherkassky (russian: Александр (Шура) Исаакович Черкасский; 7 October 190927 December 1995) was a Ukrainian-American concert pianist known for his performances of the romanticism, romantic repertoire. His playing was characterized by a virtuoso technique and singing piano tone. For much of his later life, Cherkassky resided in London. Early years Alexander Isaakovich Cherkassky (Shura is a diminutive form of Alexander) was born in Odessa (then part of the Russian Empire) in 1909. Cherkassky's family fled to the United States to escape the Russian Revolution of 1917, Russian Revolution. His family was Jewish. Cherkassky's first music lessons were from his mother, Lydia Cherkassky, who once played for Pyotr Ilyich Tchaikovsky, Tchaikovsky in St. Petersburg. She also taught the pianist Raymond Lewenthal. In the United States, Cherkassky continued his piano studies at the Curtis Institute of Music under Josef Hofmann. Before studying with Hofm ...
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Claudio Arrau
Claudio Arrau León (; February 6, 1903June 9, 1991) was a Chilean pianist known for his interpretations of a vast repertoire spanning the baroque to 20th-century composers, especially Bach, Beethoven, Schubert, Chopin, Schumann, Liszt and Brahms. He is widely considered one of the greatest pianists of the twentieth century. Life Arrau was born in Chillán, Chile, the son of Carlos Arrau, an ophthalmologist who died when Claudio was only a year old, and Lucrecia León Bravo de Villalba, a piano teacher. He belonged to an old, prominent family of Southern Chile. His ancestor Lorenzo de Arrau, a Spanish engineer, was sent to Chile by King Carlos III of Spain. Through his great-grandmother, María del Carmen Daroch del Solar, Arrau was a descendant of the Campbells of Glenorchy, a Scottish noble family. Arrau was raised as a Catholic, but gave it up in his late teens. Arrau was a child prodigy and he could read music before he could read words, but unlike many virtuosos, t ...
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Sviatoslav Richter
Sviatoslav Teofilovich Richter, group= ( – August 1, 1997) was a Soviet classical pianist. He is frequently regarded as one of the greatest pianists of all time, Great Pianists of the 20th Century and has been praised for the "depth of his interpretations, his virtuoso technique, and his vast repertoire." Biography Childhood Richter was born in Zhytomyr, Volhynian Governorate, in the Russian Empire (modern-day Ukraine), the hometown of his parents. His father, (1872–1941), was a pianist, organist and composer born to German expatriates; from 1893 to 1900 he studied at the Vienna Conservatory. His mother, Anna Pavlovna Richter (née Moskaleva; 1893–1963), came from a noble Russian landowning family, and at one point she studied under her future husband. In 1918, when Richter's parents were in Odessa, the Civil War separated them from their son, and Richter moved in with his aunt Tamara. He lived with her from 1918 to 1921, and it was then that his interest in art first ...
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